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The Sentry arc was appallingly-paced, dubiously-plotted, and filled with bad choices of characters (as Haus noted elsewhere, Bendis should never be allowed to write Emma Frost again), odd choices BY characters (inviting The Sentry to join the team is about as advisable a choice as "Hey Xorn, want to be in the X-Men? No, you don't need a reference."), and just plain shit bits (Paul Jenkins as himself! Metatextual bobbins! NO). The only good stuff was the stuff with the Wrecker.
Bendis is good at pulpy but he can't do cosmic. I am, therefore, back to enjoying this book a great deal with all this Ronin stuff. I'm intrigued by the identity mystery, but doubt the answer will affect my enjoyment. |
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