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Grant Morrison's Batman

 
  

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Hallo, Paper Spaceboy
20:16 / 08.08.07
....and I actually picked 667 up, even though I haven't been reading GM's Batman. Club of Heroes, JH...why not?

Initial impressions-- Seven Soldiers #0's six soldiers mixed with Silver Age Batmanology mixed with Agatha Christie's And Then There Were None (or the other title) mixed with that episode of the Steed/Peel Avengers which was also derived from the Christie story but also featured a very young, sharp-shooting Charlotte Rampling. Also, a creepy little reminder of Orlando from Invisibles.

Wingman as the Midnighter and all those sad sack Batman pastiches from every comic book universe you can think of. "I'm original! NO, really, honest!)

The eternal question: How fucking old is Batman, anyway?

J.H. Williams III emulating Dick Sprang, what very bored playboys do when they have everything (but, you know, maybe no deep-seated childhood trauma to drive them on), murder with Bosch backdrops.
 
 
Jamie
21:58 / 08.08.07
I picked this up as well, making it my second GM Batman (and second in a row.) I must say that, standing on its own, I liked #666 ore -- but of course, this isn't meant to stand on its own, it's part one of a multi-part story, so that's not a fair comparison.

I didn't like some of the characterization of the club -- maybe it's just me, but some of them seemed a little too stereotypical, particularly the Italian member.

I did like the artwork, and I think that upon rereading I will like it more, as I read it over lunch in a Subway restaurant. The character design, however, left a bit to be desired as far as differentiating the characters goes. Yes, I understand that these men are all meant to be inspired (at least loosely) by Batman, but some of them were a bit too similar to one another, either in concept (the Frenchman and the Spaniard) or design (the Wingman, was it?)

Still, I'm on the hook at least for the rest of this arc, although I'm not sure if I'm going to go back and pick up Batman & Son when it comes out in collected form.
 
 
Mr Tricks
22:32 / 08.08.07
I also took Wingman as a Night-Owl pastiche as well. Some interesting visual similarities to Quietly's design for OWLMAN.
 
 
TimCallahan
00:48 / 09.08.07
J.H. is doing some fun pastiches in #667 to signify the imagined revamps the characters have gone through.

The Gaucho is drawn in the style of Howard Chaykin.

The Knight and Squire are drawn as McGuinness drew them in JLA Classified.

The Dark Ranger is in the style of Chris Sprouse.

Man-of-Bats resembles a Steve Rude drawing, while the sidekick, Raven Red looks different and I can't quite place the style (I'm guessing early Alan Davis, circa Marvelman)

The bloated Legionary looks like a Dave Gibbons drawing (sort of. It's my guess anyway.)

The Wingman is clearly designed to be Azrael-Bats, perhaps as drawn by a younger Joe Quesada.

The Musketeer is the only one I can't figure out at all. Any guesses?

As I said in my blog review of the issue, I love the subtext added to the story by having each character drawn in a stereotypical "revamp" style. Like you just know the Gaucho is a cynical dick who loves the ladies before he says a word in the story. It's that Chaykin flavor, pouring out of his moustache.
 
 
vajramukti
01:49 / 09.08.07
all kinds of subtext here.

the legionary alludes to the whole 'love god' batman thing, but gone to seed, fat and decadent.

the muskateer's story kind of rings of arkham asylum, what with the whole being locked up with your own enemies thing/ journey through the underworld. you're one mistake away from being locked up with all the other psychos

and one may notice that john mayhew has a poster of a movie he made in the 20's... "the black glove".
 
 
LDones
01:53 / 09.08.07
I've read a number of criticisms of Williams' style mimicry (in 7S and elsewhere) as needlessly showy or at worst, creatively bankrupt.

I rather think the style-lifts work as an impressive shorthand. Artists have career baggage and work histories, and drawing the Gaucho-after-Chaykin conveys a lot of information about the character, even to readers unfamiliar with with his body of work - his lines have a personality all their own.

Comic read really quickly. Love the abruptness of things going bad, Morrison's enemies increasingly taking on the persona of entropy and meaninglessness expanding their influence, Pieter Bruegel's The Triumph of Death hanging large over Black Glove's bet that entropy and evil trump good.

That beautiful pulpy double-page splash of that big gloved hand over the exploding planes was bold in a way that left a smile on my face. Love that painted last page. The omnipresence of the villain felt in the very shape of the PANELS THEMSELVES! Good fun. As fun as cutting off faces and wearing them can be, I suppose.

Oh, and on the subject of The Musketeer's style lift, I think he rather looks like David Lloyd's design for V. I hadn't caught Chris Sprouse, but it's spot on.


Black Glove resonates with Iron Hand/Black Hand, and Black Death, 7S/JLA characters. Part of me wonders if they'll reference those stories and Cyril's otherdimensional jaunt, but I think Morrison knows better than that.

Wonder if Mayhew's dead, if Cyril's quite well, and I wonder if that's actually Bruce Wayne under that hood. I feel like the Antibats from 666 is somewhere in the mix, but wouldn't be surprised if not.
 
 
jhw3
03:37 / 09.08.07
ah, interesting commentary so far. i find also intersting that there apparently has been past speculation in regrads to being "creatively bankrupt" in terms of style use. its the first i've heard that mentioned and curious as to where it originally appeared on the web. the use of various styles is something that was discussed during my panel at the con, the fact that i don't adhere to anyone style. i've explored this idea for many many years now, as evidenced in promethea and desolation jones, and in the case of seven soldiers i feel it would have severely done a diservice to the final chapter if i had ignored what all of the other artists were doing, particularly because grant wrote it in such a direct continuation manner from the original mini-series that came previously. one of the other posts here understood what i'm attempting in regards to this. about evoking a certain character personality. its a subliminal thing really and in no way am i feeling creatively stunted and therefore ripping other artists off. its the opposite really. i find that i get certain emotional responses to the way characters are drawn and that it has an impact on the way i view a story that i'm reading. so basically trying to illicit different responses to different characters and in turn comment on who they are and their relationship with the story itself. also i find limiting myself to one style is rather...limiting. plus i get bored rather quickly and this helps me keep my brain engaged and challenged. so everytime i do strange things such as this i learn something about myself as an artist and to understand other artists that i appeciate even more. anyway, enough my rant. it will be interesting to talk about this subject and the arc in general. i can't wait to hear additional thoughts on this issue and the ones that follow. i hope this doesn't sound defensive but more like a explanation of my thinking in terms of telling the story. thoughts?
 
 
LDones
04:11 / 09.08.07
Oh, I don't want to give the impression it was a valid or even sane criticism - I don't specifically recall where, but I do recall reading opinions on some messageboards or review sites that the style usage in 7S#1 felt indicative of a lack of personal ideas, which I think is plainly ridiculous. One look at your comics work history makes that plain.

I'm continually impressed by how spot-on your style cribbing is, and even more impressed at how well you and Dave Stewart seem to be in synch on those ideas, with the coloring styles being pretty smashingly nailed.
 
 
TimCallahan
05:03 / 09.08.07
JH--Your style mimickry is brilliant, of course, and adds immensely to the story.

By the way, did Grant specify which style to use for each of the Batmen of All Nations?
 
 
jhw3
07:10 / 09.08.07
nah, grant had no requests. he didn't know what i was doing until he saw it and he has told me he is very pleased with where i come from with things. and thanks for understanding what i'm trying to do. i really feel that having a "personal style" can be very limiting and can cause one to not grow and learn new things. as far as i'm concerned there is always something new to be learned. that there should no "style" per se. its an almost arrogant form of thinking in regards to saying one has their own definitive style that surpasses anything one might see around them. like their style matters more than others. like that is it and nothing else works. i think this is one of the reasons why we see so many artists stagnate. because they stick themselves into a box and they don't want to or can't get out of it after a while. they start to lose something because they aren't looking to new horizons and discovering new techniques or ideas anymore. i see it all the time sadly. many are supremely great at what they do but thats ALL they do. sort of been there done that. i never want that to happen to me and so i'm conatantly pushing myself in new ways to see what comes out. the crossing midnight covers are good example of this. and with this batman stuff, none of the style choices were very well thought out or orchestrated. it was more based on an instinctual gut reaction as i sketched them all out for the first time. this is just what came out and i stuck to it because i really liked the effect.
 
 
jhw3
07:17 / 09.08.07
i just read through that last post. did that make sense? i guess what i'm trying say is its one the ways i process the world around me. trying to understand what i see by reflecting it back? i honestly feel that the WAY something is drawn or colored has and emotional, if somewhat subliminal, effect on the reader. and allows me to comment on a character or scene. again i don't know if i'm making sense.
 
 
LDones
07:45 / 09.08.07
Nah, you're fine, JH. We grok you.

I think the average poster here makes less sense on a regular basis (myself included) and we do alright by each other.

It's actually interesting to me that we haven't seen more of this kind of thing in comics.

There've been plenty of comics featuring style-cribbing/homage in service to telling 'old stories' of newer characters(the Jenny Sparks origin issues of Ellis' Stormwatch, some of the better stories in Moore's Tom Strong), but from 7S#0 it's struck me that it's interestingly novel to see characters living in their own line styles on a page together without addressing it as a story gimmick - it's like cartoon characters from different eras interacting on their off-time.

There's a lot of potential subtext to be mined not only by using a particular style to comment on a particular character, but surely from pitting different styles of character art against each other to clash or complement.
 
 
Hallo, Paper Spaceboy
15:18 / 09.08.07
I didn't like some of the characterization of the club -- maybe it's just me, but some of them seemed a little too stereotypical, particularly the Italian member.

I haven't yet decided how I feel about the characterizations -- I've read through the issue a couple times now and still haven't made up my mind. The Legionary is certainly problemmatic, but he suggests to me the fall of Rome into decadence and destruction -- suggesting things about Gotham, I suppose.

Man-of-the-Bats & Raven Red concerned me more, particularly the "red with embarassment" pun dropping down into the room and hanging there, taking the place of the more racist implication but never quite escaping it. On the other hand, I liked how they seemed to encapulsate the Batman/Nightwing history.

Yes, I understand that these men are all meant to be inspired (at least loosely) by Batman, but some of them were a bit too similar to one another, either in concept (the Frenchman and the Spaniard) or design (the Wingman, was it?)

There were a few points where I wasn't exactly sure whom everyone was, more to do with the dialogue being a little unclear, but it makes more sense after a few rereadings.

And Beryl. Man. I'd very much like for some Tim/Beryl adventuring scenes in this story.
 
 
The Natural Way
17:18 / 09.08.07
And they should fall in love.
 
 
Professor Silly
17:52 / 09.08.07
jhw3's post reminded me of something my art teacher told me (and the rest of the class) in college: one of the other students had said something about wanting to develop a personal style, and the teacher responded "Don't worry too much about that. Try as many things as possible. If you're to develop a style that will go down in the history books, it will come naturally over time. If you try and force it, you'll only limit yourself."
It's refreshing to see a similiar attitude from somebody in my favorite medium. Looking forward to the next issue...cheers.
 
 
Alex's Grandma
22:34 / 09.08.07
And they should fall in love.

This bleary-eyed romantic is holding out hope for just that thing. It would be quite beautiful, Robin and The Squire swapping karate kicks and shots of tequila in the grounds of the castle while all hell was breaking loose above.

'Robin, have you had many girlfriends?'

'No ... Why do you ask me that?'

'I'm just asking'

'Oh, Ok. But what with the fighting crime ... No, I've, er ... it's difficult to meet people, you know?'

'I see ... Have I mentioned that I've been voted Sexiest Sidekick three times running at the Brits? They're like the MTV awards, except ...'

'No ... no, you never mentioned that.'

'It's on my Facebook profile.'

'Yeah ... But I've been warned about this ... sort of thing ...'

'Oh, Robin. You're so adorably retro. I expect you kiss with your eyes closed.'

'I, uh, I, uh ...'

'Only one way to find out ...'

(There is no more of this extract)
 
 
This Sunday
22:49 / 09.08.07
Yeah, another vote on Robin/Squire. How can you not?

The actual Club members... they're meant to be offensively stereotypical, right? The weight, the womanizing, the boozing, the blatant push-button character bits have to be leading to something.

Raven Red = Red Robin/Nighting? I actually enjoyed how ridiculous un-batlike Man-of-Bats costume was. I do wish everyone not having a plane and a dark armory predatorial look could get a little more out of nationality/ethnicity-identity, though, costume-wise. It defeats parts of the purpose of the story, yes, but really I hope it's a part that's going somewhere good and interesting.

I loved the panel constructions, have to say, and while I have read/heard the jobbing it/creative laziness accusations on the utilizing various styles (and, in regards to other artists, with their having a very identifiable style they've sharpened to a fine point), I don't see it as being anything of the sort, and I think it works pretty well to keep things loose like that. There is an intense sense of an individual style overall to the artist's work, in any case. Even the end of 7 Soldiers didn't look like a jam issue, at least to me, and here it was even smoother.
 
 
Mark Parsons
22:52 / 09.08.07
Awesome issue, with the "usual" incredible art from JHW3.

I'm finally gelling with GM's run these past three issues, although with Morrison "swansonging" with FINAL CRISIS, I'd imagine that BATS will come to an end soonish, esp with all the delays up until recently.
 
 
Hallo, Paper Spaceboy
03:33 / 10.08.07
Oh Tim, Oh Beryl-- solving crimes by moonlight. Very close, in darkened tunnels beneath lavishly decorated island getaways...
 
 
LDones
05:55 / 10.08.07
It's funny to me that all the unmentionable jet apes and boom tubes in the shared past of some of these characters feel like such a rightful part of the closet that dare not speak its name; so right as the secret indulgence they just can't bring up in polite company.

I can see Batman pursing his lips and narrowing his eyes as he glares sideways at Beryl, her having made the grievous misstep of asking after the 'UFO from that one time'. Tim just perceptibly shaking his head 'no', brow clenched with worry. Cyril just smirks.
 
 
This Sunday
07:26 / 10.08.07
I just read this again, and really, I hope the ethnic gags are moving towards something. Even if it's just that these aren't real people but some more of those lovely but entirely hypothetical Bat-tulpas while Brucie's up at Nanda Parbat. Excising his stereotyping demons at the same time as everything else not particularly useful.

I'm glad someone else called the 'red with shame' thing, since it fell flat enough I wondered if I were just reading too deep. I like the costume designs, actually, and found the Azbats sleeky suit quite nice. And what is the deal with Man-of-Bats costume? 'Little Raven.' Tt. I'd change my name, too.

And only two parts to go. But how many until we reconnect to Bats' and Robin's 52 stuff?
 
 
Regrettable Juvenilia
07:44 / 10.08.07
Man, fuck 52.
 
 
This Sunday
08:05 / 10.08.07
Eh. I kinda liked it, but really the Batman stuff there was nice. Refreshing. Bruce walking out relieved and relaxed. The Batman I thought we'd be seeing in Morrison's run, except with more hairychest action and jetapes.

It's a Batman I'd still like to see before the run ends, because I think Morrison's a writer who could handle it well (and under the assumption he put those 52 scenes together).
 
 
Hallo, Paper Spaceboy
13:36 / 10.08.07
Presumably, with him being in charge of Batman OYL, they would have let him tackle those scenes in 52? I don't entirely get how they organized some of the writing chores.

I'm glad someone else called the 'red with shame' thing, since it fell flat enough I wondered if I were just reading too deep. I like the costume designs, actually, and found the Azbats sleeky suit quite nice. And what is the deal with Man-of-Bats costume? 'Little Raven.' Tt. I'd change my name, too.

The "red" bit, combined with Raven Red admonishing his father for drinking too much, was a pretty lumpy misstep and the story's rhythm is thrown off around there.

But there has to be something going on there. They're very much pieces of the Silver Age which haven't modernized, really, or have done so only in perfunctory fashions (Wingman's Azbats routine, "Dark" Ranger all in riot gear). The DCU grew out of its Silver Age with mixed results, losing some wonderful things but I'm wondering if part of the point here is that for all those jet-apes, you've got old school ingrained racism and people wandering around, barely more than stereotypes, who never had the opportunity to be "redefined," "revamped," "remade." They're all stereotypes, and it looks like they're about to be brutally punished for being someone else's flawed creations. Raven Red calls his father out for not evolving past a stereotype as he thinks he has done. It's not quite deconstruction (though verging on it, maybe) in the Dark Knight Returns sense.

Raven Red made me think of Little Boy Blue, Briar Rose, Snow White, et cetera. Amplified the possibility of the Club as Bat-tulpas or fading hypertime impressions.
 
 
Spaniel
14:05 / 10.08.07
I think whether they're literally Bat-tulpas or fading hypertime impressions, they're likely serving similar functions.
 
 
Hallo, Paper Spaceboy
14:37 / 10.08.07
Well, yeah, I more meant symbolically rather than (necessarily) literally.
 
 
TimCallahan
21:07 / 10.08.07
J.H., can you come right out and tell us which artists' styles you were using for each member of the Club of Heroes?

I've made my guesses earlier on this thread, but some others have responded over at my blog and disagree with my theories. I don't think my guesses are all necessarily correct, and I'm interested to see which artists you had in mind (besides Chaykin for the Gaucho, which is patently obvious).
 
 
The Falcon
21:47 / 10.08.07
I don't think there can be much contention about Sprouse on the 'Dark' Ranger; I have no idea what it's supposed to point to, really? Sprouse isn't Australian, but there again is the current Midnighter penciller (and JH's tandem ABC premier title guy, generally,) and he looks like an astronaut. A bit? Ellis' Ocean?

If you can, Jim, and I can't see why not - Immonen told everyone exactly who he homaged in Nextwave #10 - I'll also be found tediously asking exact same Q in the JHW3 thread about 7S#0.
 
 
John Octave
21:55 / 10.08.07
I think it's the Sprouse "halo" effect the Ranger has when he's against a black background that solidifies it.

I also cast kudos on the differently styled figures all playing together. Done very subtle too, so as to not jar you out of the story. I didn't even really pick up on it on the first read until I noticed that Batman and Robin were the only characters getting the ink-wash treatment.
 
 
LDones
23:26 / 10.08.07
Just to interject - For any thinking Tony Daniel's work on the title might be the arse, these images might soothe.

#670 Pic1


#670 Pic2


Looks good. I get some old Neal Adams Batman off them; or more fittingly some 'Son of the Demon' Jerry Bingham.

Now back to Tim/Beryl fanfic. We will call them 'Berim'.
 
 
jhw3
02:03 / 11.08.07
the tony daniel stuff shown here is looking good. in pencil form there are places that remind of joe kubert, the shot of bats crouching particularly. the lets see how well this stuff looks after its inked. it easily could get botched.
 
 
jhw3
02:47 / 11.08.07
okay here is run of style influnces for these characters and the reasons why. all of these choices were made with one sketch and feelings as i drew them for the first time...

cheif man of bats-- sort of a steve rude influence. i wanted something clean and a little goofy retro in this idea and thats what came out first shot. rude's stuff always has this sort of 50's 60's nostalgic feeling to me and i wanted that for this character. but he needed to feel like the feelings you get when you look at those old silver age comics. charming in ways but also a little silly.

raven red-- a very loose influence of basic 70's early 80's superhro comics with an almost generic quality to the costume. cheesy amd redundent. been there done that sort of feeling when you look at him.

gaucho-- chaykin. for that rough around the edges feel and machismo that all of his characters have. his outfit is definitely not based on traditional gaucho clothing. instead i went for the el mariachi desperado films look. again to enhance his macho attiude.

wingman-- very loosely based on gibbons from watchmen era. i wanted the costume to look as if this character could've existed in the watchman reality. it fits well with his attitude and feelings of being original but not really. sort of an interesting comment since watchmen was a very groundbreaking and original concept but used characters that had existed in a different form previously. make sense?

musketeer-- is influenced by mid to late 80's superhero ideas. maybe a little bit alan davis in there too. hence the simple color techniques with smooth grads for a sense of rendering.

legionary-- i wanted to convey the sort of humorous but cynical qualities of some of the comics of the early 90's. with maybe a little hint of kelly jones exaggeration in the mix. particularly with his death scene.

knight and squire-- mcguinness influence. just because i loved the way he handled them previously and i wanted them to sync up to that.

dark ranger-- definitely sprouse. i think that influence came out of the early sketch because the character really needed to feel vastly updated and different from his past appearance. and so he needed to feel really modern.

batman and robin-- no influence here just me.

the only other thing that was necessary for this story was that all of the club characters needed to feel off as well. as if they reached for these ideals that are present in the influences but fall a little short. none of them are quite up to snuff and they know it deep inside and thats why they still are awed by batman. he surpasses them on every level, hence him and robin's more rendered and dimensional quality, deeper. this was taken into consideration as well when i did the first sketches of them.

the whole idea here was to convey characters that have had real history that we haven't been privy to. they were seen a very long time ago and that was pretty much it really. and grant wrote them as if they've been having lives and adventures all along and i wanted to see if i could make them seem as if they had stepped out of their own comics and into this one. so i imagined what those comics might currently look like but none of us have seen or read them. comics from another world? these clubbers needed to have distinct character traits immediately understandable becasue of the way the story moves with them. so i thought it would be an intersting challenge to see what affect 'styles" would have on their personalities as i drew them. a nice experiment i think, which has produced interesting results. as i drew them i felt as if they were fully realized right away. they came alive.

hope this all makes some sort of sense in an exsistential sort of way. and the other reason for doing this sort of thing is because its just plain fun and allows to sort of comment about comics within the frame work of a comic itself.
 
 
FinderWolf
05:56 / 11.08.07
TimCallahan nailed it - I thought the same thing about the artistic styles of each character design.

Although I thought that Wingman seemed to have some Dave Gibbons lines in his design -- and he's definitely a version of one of Azbats' armor styles.

I loved "And don't eat any more food." Bats' mind immediately goes to the practical: Avoid poisoning.

And the next panel is the big fat Roman guy with a plate of food. Classic.

and yes, I was pissed that we don't get to see any of the Robin/Beryl interaction in this issue. They MUST fall in love!!! MUST, dammit!!
 
 
FinderWolf
05:59 / 11.08.07
and I am proud to say I saw the Gibbons influence and posted about it before I read the whole thread (and jhw3's assertion of the Gibbons influence on Wingman). This was fun to play 'spot the styles' - and jhw3 got good practice drawing in everyone else's styles with the final Promethea issues where he drew all the other ABC characters in their respective artists' styles.
 
 
FinderWolf
06:05 / 11.08.07
>> Now back to Tim/Beryl fanfic. We will call them 'Berim'.

"Teryl"?
 
  

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