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The Strobe
21:53 / 28.05.06
Gosh, I really didn't like this. I was doing my best, but it all fell apart all of a sudden. Notably, when spoilers Xavier died. That was well done, I though, but the moment Storm delivered her eulogy - it all fell apart.

To be honest, Halle Berry was my main problem with it. Too much of her, not being very good. And all the "kids" were nowhere near as good as they were in X2; Aaron Stanford and Anna Paquin both really wasted. I thought Kitty Pride was alright - wasn't sure it was going to turn out OK, but it did.

But such a mess; just so many disjointed plot threads, and so many "crap mutants" in the background. Callisto/Arclight were terrible, for instance, and Angel was a complete waste of space - I mean, he turns up at the academy and fails to tell anyone he might have some handy powers? I did think Rebecca Romjin was rather good as Mystique - she was good in X2, again surprisingly, and I felt sorry for her once she was denatured.

The effects were OK - I mean, I'm a sucker for water flowing upwards, and the Phoenix in full flow was quite good - but there were just too many long effects shots in lieu of storytelling. The dialogue was really, really bad, and the plot felt rushed.

Disappointing, really; it certainly didn't feel like it was part of the same franchise as X2. The characters just seemed... out-of-character, really. I don't think the franchise can recover, now. Bryan Singer must feel a little sick.
 
 
Liger Null
23:01 / 28.05.06
Just saw this today, and I must admit that it was a bit like a drunken one-night stand: a fun ride while it lasted, but afterwards it left me feeling empty and just a bit guilty. It was entertaining but mediocre, which is all the more sad because it contained a lot of potentially great ideas and scenes which went unexplored.

Maybe it was the glut of mutants, or maybe it was just the high main-character death toll, but it also seemed to lack the fun-loving spirit that the first two movies had.

I suppose things started to go sour for me when after Wolvie and Storm (who always and forever should have been played by Angela Basset, IMAO) go to the lake to find Scott and find only his glasses and Jean. But the question of "Where is Scott?" never comes up until Wolverine and Jean are making out and things begin to get twitchy.

And Xavier’s Search for Spock moment at the end of the film again shows cowardice at the decision to kill the character (and also ruins ethics lesson by turning it from an interesting moral conundrum into simply superfluous exposition to explain the character’s mind-jump).

I watched it in Malaysia and I heard rumours that there may have been cuts made and I didn't see "Xavier’s Search for Spock" moment that Seth referred to. I'm presuming he jumped into the body of the man with no conciousness that Moira wasa talking about?


I didn't see this moment either, do you mean to tell me that different edited versions have been playing in different areas? That really blows.

So he jumped into someone else's body. It sounds to me like they are looking for a cheap way to replace Patrick Stewart while keeping the character of Xavier. It doesn't say much for Stewart's faith in the film, since he's not known as one who walks away from a franchise.

Did Magneto actually move the chess piece or just try to?
The scene didn't seem to last too long and it didn't look like it moved to me. May need to re-watch.


He moved it, I saw it wiggle. But it was a shallow victory after the shoddy deaths of Scott and Jean. And why did Wolverine have to kill Jean? Couldn't he just stick her with a cure dart?

And what's all this "psychic" nonsense? Do they honestly believe that we're all too stupid to know what a telepath is?
 
 
Ganesh
23:05 / 28.05.06
I thought Magneto reached out and moved the chess piece with his finger, poignancy arising from his unfamiliarity at having to do such fleshly, menial tasks like any other human. Did the chess piece move before he touched it, then?
 
 
Liger Null
23:08 / 28.05.06
I think his finger was about a half-inch away from the peice before it started to move.
 
 
Ganesh
23:12 / 28.05.06
Ah, okay. I didn't see that but, with it being the ending and all, I pieced together that it was probably what I ought to have seen.
 
 
Liger Null
23:14 / 28.05.06
Remember, it's a successful super-hero series and they've got to leave the sequel door open at least a crack...
 
 
Spyder Todd 2008
23:24 / 28.05.06
I didn't see this moment either, do you mean to tell me that different edited versions have been playing in different areas? That really blows.

Negative. It's at the VERY end of the film. After the credits.
 
 
Liger Null
23:46 / 28.05.06
Shit. That's what I get for not staying through the credits.

So what happened exactly? Since I'm unlikely to see it again before it comes out on video...
 
 
Ganesh
00:20 / 29.05.06
Ahh, that explains why I didn't see it. We also left during the credits.
 
 
Spyder Todd 2008
01:08 / 29.05.06
Moira is all in her lab or whatever, checking on her coma patient, when you hear Patrick Stewart's voice say "Moira.." and she replies "Charles?"

That's the scene for ya.
 
 
Spyder Todd 2008
02:53 / 29.05.06
Man, I just rewatched X-Men 2. *Sigh* Remarkably, it has almost a cleansing effect on my psyche.
 
 
01
06:05 / 29.05.06
Sitting in the theater at the end of the film, the credits rolling, waiting for the extras, my buddy and I (both looooooong time comic fans and nth degree black belts in the medium of paneled pictorials ) were sitting with our collective jaws scraping the popcorn littered floor. Still reeling whilst regaining our ability to construct coherent thoughts in which to verbalize into sentences, we came to the same conclusion. Namely:

This is the best fucking X-men fim to date.

And proceeded to rattle off the plethora of points that make the above statement an absolute and unrefutable truth. Which I will get to in a second.

While we went on about the various merits of the film, I knew that I would log onto this board later in the evening only to hear a bunch of pretentious "egg head" post ironic post everything whiners with aysemmetrical haircuts hack the film to death.

My response. Fuck off and go deconstruct the Franz Ferdindand-ication of the mainstream airwaves. You will never be happy.

This film was the crown jewel of the X-movie franchise because:

It once again successfully captured the essence of the book. The characters were true to form. Logan is Logan. Jean is Jean. Xavier is Xavier. And don't even get me started about Magneto....Even Halle Berry's Storm (who my friend and I had decided was the weakest of the characters in the previous films) was solid.

It was cast superbly. NOT ONE character seemed out of place. Patrick Stewart and the crew carried on the tradition of the previous films. Although going into the mega uber theater, I was wary of the Vinnie Jones Juggernaut, he did the character justice. ( And yeah.. He is the Juggernaut Bitch!) Kitty Pryde retained that innocent yet spunky quality. Kelsey Grammar's Beast literally a comic book panel coming to life in front of you.
And oh yeah. Ian Fucking McKellan.

The plot taking cues from Morrison's hyper successful run on the book. I just read it over the last week and loved seeing the parallels translate successully on screen. This film upheld the mighty Marvel tradition of DAMN SOLID STORY TELLING.

And while we're on that point. How about Stan The Man's cameo as the alarmed suburban gardener in the opening scene. 'Nuff said bitches.

Cyclops getting "knocked off" early and essentially booted out the picture after his obligatory JEAN IS DEAD!!!! scene near the beginning, thus not having to endure two hours of him moping around. Which leaves more room for:

Lots and lots and lots of mutants kicking the living shit out of each other in spectacular fashion. Do we really need anymore character development? Do we really need to analyze each nook and cranny of every mutant's psyche as to what what factors in their past/present (be it parental ostercization, social osterization or not being able to touch another mutant's pee pee) drive their motivations? Or do we want to see Magneto throw a shit load of Nissans at Logan and company while Pyro sets them on fire?

I'll take burning Nissan batting practice thank you. The reasons for mutant alienantion were touched on briefly and therefore tastefully. We've seen these items elaborated on in the past few films and anymore in this flick would've been overkill.

And how about the danger room scenario with Colossus chucking Wolvie at A FUCKING SENTINAL??!!!!!! How many X-men pages have you read depicting a similar sequence? And didn't you ever think to yourself, "Damn if they ever made a film that Wolvie/Sentinal/Danger Room shit would look rad on the big screen?" Well they did and it does.

There was just the right amount of X-men soap operaness which is essential to any X-tale. Ice man freezing the fountain for Kitty to skate on while Rogue looks on from the mansion just screamed '80's Claremont. Fan -fucking-tastic.

Rebecca Romign in a state of complete undress was worth the price of admission alone you ingrates.

The societal division between the mutants and subsequent politization of each faction added greater dimension to the characters, made them more believeable and made them all sympathetic characters. Quit fucking whining that there was an over saturataion of mutants. What is the X-men if there aren't at least 400 of them running around at a time that you can't keep up with? I loved the fact that there were too many to keep track of. Or maybe you need something as simplistic as Doctor Doom planning to carve an image of his robotic dong on the moon. But who will stop him? The Fantastic Fuck Heads!! There's something we all can relate to!! Good vs Evil! It's clobberin' time!!

Being from Vancouver, it was nice to walk past the Worthington Building (Sheraton Wall Centre) on the way home and picture The Angle crashing out of that shit.

As well as seeing Wolverine crash through the local forests slicing and dicing the Brotherhood Crew. Of which I had no clue who half of them were so now I have more fuel to geek out and find out who the fuck was who on www.xgeeks.com or sumsuch...

Holy smokes I haven't even got to the Phoenix!!! Don't know if this was defined in the comics but maybe alluded to in Morrison's run, the explanation of the Phoenix being the manifestation of Grey's feral unconcious mind should be cannon. Xavier's decision to divide her conciousness and Wolverine's uneasiness with it was a great accelarant for the story.

Brett Ratner staying true to and expanding on Singer's vision was seamless. Just think. We could've had Val Kilmer dancing the X-tusi complete with 6 rubber mutant nipples.

And the Governator laughing maniacally shooting ice out of a tin foil gun instead of Ice Man throwing down and laying the smack down....
 
 
Benny the Ball
07:15 / 29.05.06
It's good that you're open to debate though.
 
 
The Strobe
07:52 / 29.05.06
I feel like we were watching different films.
 
 
Ganesh
08:48 / 29.05.06
I feel like my hair's too symmetrical.
 
 
Seth
09:14 / 29.05.06
It became clear: the more help we gave zerone, the more help he needed.
 
 
Hieronymus
12:55 / 29.05.06
I feel like we were watching different films.

You are. Between that little gem and his ranting magnum opus in the Batman Begins thread (hell that whole page is bursting with his egomaniacal gold), it's a wonder he hasn't exploded.

I saw it twice over the weekend. The 2nd time the lackluster moments stood out like beacons, all the brighter when I watched X2 again.

That's not to say I didn't like a lot of what this one handed over. The Phoenix/Multiple Personality Disorder seemed a more-than-fair plot device in the movie's world-model (always hated the cosmic bullshit). And the intensity of that contained aspect of Jean fit perfectly with a desire for Logan. Singer set that one up himself ("Girls flirt with the dangerous guy, Logan. They don't take him home. They marry the good guy.") Some kind of greater detailing of the Phoenix as protector personality ala Doom Patrol's Crazy Jane would've helped though.

I also thoroughly enjoyed Kelsey Grammar's Beast (seriously, if it wasn't for the gravitas of the particularly good actors, these films wouldn't be worth seeing) and of most of the cast. I thought Rogue choosing the cure made the most sense out of anyone and Mystique's abandonment by Magneto fitting to his either/or, "with us or against us" mentality.

I also liked the idea and power of Scott and the Professor's death at Jean's hands and Magneto's curing. Just not the turntail cowardice of both ideas at the end. I mean, christ, pick something.

To me, it wasn't the actors that soured it---okay Vinnie Jones was like the obnoxious, misogynistic cousin at a nice family dinner that you want to beat with a brick just to keep them from yapping---but it was more the rushed nature of the script.

That whole first introduction to Juggernaut and Multiple Man absolutely made my teeth itch. They release Jamie Madrox, Magneto makes yet ANOTHER comment about someone's "talent", Jamie says "I'm in" and he immediately turns and heads out of the trailer. Like he's in a damn hurry to get to the food service table? And a friend made an excellent point. Who the hell allowed Juggy his helmet while they had him imprisoned? Or was that concrete tumor on his head supposed to be part of his shackles? Beyond stupid.

My biggest complaints:

  • The utter lack of new character work. You have two new fundamental team members, Colossus and Kitty Pryde, effectively replacing Jean and Scott in that whole suiting up before the final fight scene... and we don't know a damn thing about either one of them. We got to know Wolverine, Rogue and Iceman. We have a window into their lives and who they are from films prior. But this one practically crammed two new people into a cannon and shot them right through the narrative like the cheap circus stunt it was. It undermines the investment we're supposed to have for the climax.

  • Singer made a marked attempt to show Jean flaming out in X-Men United. While I had no problem whatsoever with the Phoenix representing some kind of repressed power and passion, I wanted to see it given its due. Both in the flame/bird manifestation or in the way Singer shot it. With a red firey energy. None of that was applied here. X2 was just kind of... dumped to the wayside and left to its own devices. The disintegration fit her. But not by itself. Why the hell go through all that rapid exposition about how her other personality was called the Phoenix without ever rooting it in something? Why was it named the Phoenix, Professor?

  • It was on par with the first X-movie, the Return of The Jedi of the trilogy, in my opinion. Not quite compelling, but not a complete jab in the eye either. It just left me wanting more from the film than what it gave. Which is a shame, really. If there's a director's cut, in all the rush to churn this thing out, I'd really be curious to see it.
     
     
    H3ct0r L1m4
    12:58 / 29.05.06
    i still haven't watched this but will do only if i get free tickets or try the cheaper wednesday screening.

    from the start of this thread it was already pretty clear how it'd turn out: they started production with literally no script in hand, much like some of the x-titles from the 90s [and that's probably why some fanboys will actually like it].

    and character names and their actors started dropping like bombs, the brit director left, replaced by a notorious studio hack. the trailers [that seemto look better than the actual movie] already told us about two deaths and halle berry said this turn she'd be having much more screen time. then the info comes about it running some 90 minutes with a huge cast. they'd need at least 120...

    so it's no surprise... again. it may actually turn out much worse. and hollywood screws another adaptation... again. at least there'll be some kitty pride action.
     
     
    Less searchable M0rd4nt
    18:01 / 29.05.06
    What a crap film. I was really disappointed, X2 rocked so I have been looking forward to this for years and now I just want everyone to wake up in the shower and pretend it never happened. I loved some of the effects, like the post-Phoenix lake and the disintegrations, and it had its moments, but it was essentially a shit film.

    I tried, really. I was on this film's side. I was rooting for it all the way. Even when (SPOILERS!!!) Cyclops got vooped, I was still okay because well fuck Cyclops, but the film just got worse and worse. Too many cool people either lost their powers (Mystique! Poor little Mystique!) or got pixelized.

    And where was the fun? Where was "bottoms up"? Where was Magneto gliding majestically to freedom on a metal disc wrought from some guy's blood? Where was Wolverine fighting Deathstrike? Where the fuck was Alan Cumming? Even Magneto's wobbly chess piece at teh end there couldn't cheer me up (didn't stay for the credits so missed Spooky Xavier, but fuck that anyway).

    Too grim to be fun, too fucking stupid to be poigniant. Screw this film. S3 had better not be shit too or my summer is officially ruined.
     
     
    Tryphena Absent
    19:13 / 29.05.06
    You know coming out of that film the only impression I was left with was MAGNETO WAS RIGHT.

    And could Professor X be more of a twit. And what was with the sucky dialogue "I don't want to control you Jean" etc. But mostly I agree with Paleface Halle Berry was my main problem with it. Too much of her, not being very good. Storm sucks.
     
     
    sleazenation
    19:30 / 29.05.06
    No, Storm is good - it's Halle Berry who isn't...


    The odd thing is that she seemed really good in the 7 min trailer...
     
     
    Liger Null
    19:30 / 29.05.06
    Where the fuck was Alan Cumming?

    Indeed.
     
     
    H3ct0r L1m4
    22:28 / 29.05.06
    cellphone capture of the after-credits scene:

    http://www.youtube.com/watch?v=CJRv_e7TD6o

    or

    http://www.youtube.com/watch?v=LW0srbTMZCM&search=X-Men%203%20Hidden

    it's from imdb forums, so... I dunno.
     
     
    Lenore of Babalon
    23:53 / 29.05.06
    Saw it this afternoon and thoroughly enjoyed it.

    On a superficial level:

    * Hugh Jackman gets more beautiful each time I see him.
    * Likewise, Famke Janssen.

    I wasn't sure about Kelsey Grammer as Beast, but I was pleasantly surprised. I thought his representation was well-done. Not precisely like I remembered him from the comics, but then all of the characters have been remodeled in some way for the screen.

    I'd've liked to have seen different characters as "new blood" - Cannonball was always one of my favourites. Likewise Rahne and Warlock.

    Did anyone else see the final confrontation between Logan and Jean as visually operatic? The perspective of her dressed as she was and raised on the pile of debris while he ascended seemed to me to be derivative of some opera scenes I've seen.

    The young-Angel-in-the-bathroom scene was to me one of the most powerful scenes in the whole movie, though. From one angle it's an obvious kid-caught-wanking-in-the-bathroom scenario. But from the "mutant = non-conformant" perspective, the parent's "Oh, no, not you", and the child's absolute devastation at disappointing the parent were so well and poignantly captured there. Maybe it's just my perspective at both having had to explain a difference to a parent and also having a child about that age, but it was an incredibly moving scene for me.

    There were a lot of things glossed over or never explored, and I still think X2 was by far the best film of the three, but I thought X3 was an enjoyable conclusion(continuation?).
     
     
    ibis the being
    11:31 / 30.05.06
    I agree with pretty much all the negative reviews in this thread so far - the film was bad. I never read the comic book, saw the first movie when it came out but not since, and missed X2. I think the movie was primarily aimed at people like me, or at least that's the only reason I can think of for its short length and (as someone earlier said) lack of content. But even the non-fanboy audience was severely underestimated - it was quite easy to follow the plot even knowing nothing about the comics, I was able to pick up on the superpowers and basic gist of every character within seconds of meeting them ("it's so awful that I CAN'T TOUCH THE ONES I LOVE WITHOUT KILLING THEM, waaaah!" for example). So there's just no excuse for not writing a leeeetle more complexity into the movie.

    She just stands next to Magneto for half the film. In II the only manner in which she’s relevant is to set up her growing power for this movie. Here she’s squandered altogether. Some people gripe about the Phoenix effect not appearing. My concern is more the total lack of characterisation in the Phoenix, what it/she wants and what its/her agenda is. There’s just nothing to her apart from a confused role (which was played pretty admirably by Jansenn, I have to admit) and some special effects.

    Totally agree. It seemed to me that this character should be the crux & pinnacle of the movie, and yet when she wasn't staring forlornly into space she was just tweaking out uncontrollably... the way the character was written made her little more than a vessel or a dumb beast. I think you can show that a character is ripe for, and subject to, exploitation without having to strip the character of any coherent self or personality.

    The movie flirted with the concepts of difference, power, identity, ethics... and then they introduce this character in whom, it would logically follow, they would push those concepts to some sort of meaningful conclusion or - at the very least - meaningful question, and instead they just boil it down to this non-concept of "she can't be controlled." What is that about?

    Granted, all of the characters were very badly drawn, but I caught a distinct whiff of misogyny about the way the female characterizations. Phoenix, who could and should have been written with a lot of complexity as to her motivations, struggles, and power is just this big unbridled Fury - the old boring so-called feminine principle of chaos, negativity, emotion, unconsciousness, irrationality. She isn't portrayed so much as powerful (since she has no control over her power) as, dare I say, hysterical? Mystique goes from crafty, cunning, powerful superhero to... "Hell hath no fury like a woman scorned!" Are you kidding me? How cute. Storm seems to exist only to stand around getting a little teary eyed and to represent the nurturer stereotype - the schoolteacher, the one who keeps the school open to care for the little kiddies, the one who eulogizes her master. Kitty was pretty insipid to me - sorry. And then there's Rogue, who strips herself of her powers so she'll be able to kiss her boyfriend.

    Meh. Big meh.
     
     
    Ganesh
    11:43 / 30.05.06
    Granted, all of the characters were very badly drawn, but I caught a distinct whiff of misogyny about the way the female characterizations. Phoenix, who could and should have been written with a lot of complexity as to her motivations, struggles, and power is just this big unbridled Fury - the old boring so-called feminine principle of chaos, negativity, emotion, unconsciousness, irrationality. She isn't portrayed so much as powerful (since she has no control over her power) as, dare I say, hysterical?

    Yeah, I read a fair amount of it as terror of 'irrational' female sexuality. As with Deanna Fucking Troi's mother in Star Trek TNG, the female id is an all-consuming monster that must be caged at all times - or, alternatively, killed by penetration with a spike through the groin.

    Mind you, I daresay that's all pretty faithful to the comic itself.
     
     
    Seth
    11:54 / 30.05.06
    I wouldn't necessarily say that, 'Nesh. Despite the way in which pretty much all of the female characters are drawn in the comics, you have some really strong characterisation in there at times. Regardless of how clunky and dated Claremont's writing was - particularly his dialogue - he had a knack for people, and I think this is ultimately the source of the book's popularity.
     
     
    Ganesh
    12:05 / 30.05.06
    Oh, okay. I haven't read a great deal of Claremont-era X-Men and was largely speculating. Watching X3, I kept thinking a lot of death and destruction might've been avoided if someone had just poured Phoenix a scented bath and given her a large bar of chocolate.
     
     
    Elijah, Freelance Rabbi
    14:48 / 30.05.06
    Good bits:

    Iceman all icey - that was cool.

    Jean stopping all the darts - much like the U-Men fight in NXM, so pretty neat.

    Madrox will always be cool (even if he looked like Ray Liotta)

    Wolverines adamantium showing through his (melted?) skin at the end.

    I am sure if I really thought about it I could find other things I didn't hate about the film, but there are way more things that bothered me.

    This thread has already gone over with the basic flaws of the movie, and I agree with everything said, so what I say might sound like nit picking:

    Mutant "Power Levels" - I can understand Charles maybe using a numeric classification for mental powers, but the idea that Callisto uses the same scale and it somehow applies to ANY power a mutant might have, lame.

    Magneto's army of mutants - or maybe it was an army of jymnasts without any special powers, because only about 3 of the nameless villians seemed at all usefull in a fight.

    Storm kills Callisto but then doesn't just hit Mags with a lightning bolt.

    How did Angel get from the mansion to California as fast as the X-men did in their jet?

    The Jean/Logan attraction, which was built of years of comic book continuity, seemed to pop up almost out of nowhere in the movie world. It's like he woke up in the mansion in X1 and fell TOTALLY IN LOVE with the first person he saw, because there wasn't nearly enough development of the relationship (even with the kiss in X2) to make it feel real.

    I left the movie angry, but then I was just sad, because it could have been way better.
     
     
    John Octave
    16:38 / 30.05.06
    It's like he woke up in the mansion in X1 and fell TOTALLY IN LOVE with the first person he saw, because there wasn't nearly enough development of the relationship (even with the kiss in X2) to make it feel real.

    Yeah, especially considering how little time Wolverine seems to spend in the mansion (we're to assume he didn't spend any time there between X1 and X2, yeah?), there wasn't really even any theoretical off-screen time for it to develop.

    But anyway, another thing I found lacking about this movie is something I feel recent superhero movies have been dropping the ball on, and that's the music. I like the classic John Williams/Danny Elfman-type scores of yore with the instantly recognizable themes (Spider-Man has an uncharacteristically weak theme from Elfman; can you hum it?).

    I mean, true/false: the march across Golden Gate Bridge would've pressed the joy button a lot harder if there had been a strong "Magneto theme" in the vein of Star Wars' Imperial March. Not that the previous X-Men movies were any better in this respect, but it's just sort of general trend in this new wave of superhero cinema that I've met with some disappointment.
     
     
    Elijah, Freelance Rabbi
    17:52 / 30.05.06
    Thats a good point. Although the X theme is recognizeable if you hear the DVD booting up, I couldn't hum it right now for $100.
     
     
    PatrickMM
    19:54 / 30.05.06
    Definitely agreed. A quality theme song is about half the reason that the Bond and Mission Impossible franchises have been going so long. Elfman's Spider-Man scores are such nondescript wallpaper, it was particularly disappointing after his work on Batman Returns, which had a bunch of distinct themes and functioned almost like a opera in the way the score commented on character emotions. There's no reason not to at least try to make a memorable theme for your film.
     
     
    Dead Megatron
    21:31 / 30.05.06
    It's like he woke up in the mansion in X1 and fell TOTALLY IN LOVE with the first person he saw, because there wasn't nearly enough development of the relationship (even with the kiss in X2) to make it feel real.

    Yeah, especially considering how little time Wolverine seems to spend in the mansion (we're to assume he didn't spend any time there between X1 and X2, yeah?), there wasn't really even any theoretical off-screen time for it to develop.



    Animal lust, guys: it is a fast-acting drug.

    Anyway, the film is alright, I guess, I just didn't get why MAgneto had to rip the entire bridge just to drop it at the edge of the island. Would it be more efficent to drop it point down on top of the facility? Honestly

    And the psychich fight between Jean and Profy was cool, but I missed the Phoenix effect; where was the bird of fire flying of the city?
     
     
    Alex's Grandma
    22:20 / 30.05.06
    I quite enjoyed it, to be honest. Excellent special effects, a pacier storyline than usual (even if parts of it didn't exactly make sense - why didn't Wolverine dose Jean with six shots of the anti-mutant drug, as opposed to killing her, with his claws, if he loved her so much, and why hadn't something permanent been done about the Leech kid by the end,) but, I was hugely impressed by the number of major characters the writers seemed happy to sacrifice during the course of this.
     
     
    Alex's Grandma
    22:21 / 30.05.06
    I quite enjoyed it, to be honest. Excellent special effects, a pacier storyline than usual (even if parts of it didn't exactly make sense - why didn't Wolverine dose Jean with six shots of the anti-mutant drug, as opposed to killing her, with his claws, if he loved her so much, and why hadn't something permanent been done about the Leech kid by the end,) but, I was hugely impressed by the number of major characters the writers seemed happy to sacrifice during the course of this.
     
      

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