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Doctor Who Season 3 UK (No Spoilers)

 
  

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miss wonderstarr
13:46 / 03.06.07
There is at least one scan of the notebook on the wikipedia entry for this episode ~ which I got from googling "wiki doctor who family of blood", I think.
 
 
The Falcon
15:16 / 03.06.07
Cornell's blog has also a gif of the previous doctors page linked. 'S worth a look, reckon.
 
 
Spaniel
16:57 / 03.06.07
I was thinking Gaiman too. The punishments were very Sandmanesque.
 
 
Our Lady Has Left the Building
17:04 / 03.06.07
miss wonderstarr Maybe I'm just a bit emotionally shellshocked from that episode, but I'd say it was not only the best Doctor Who I've ever seen, but that moments of it... rank with some of the best novels, comics and films I can remember.

Agreed. Did I ever start the thread for films and TV shows that transcended what one could expect of the show? For, with the exception of the final fates of the Family which I felt was a bit weak and rushed because there was so much good stuff to squeeze into the episode (Baines left as an immortal scarecrow? Really? Surely he'll be found at some point? Surely that's not a good thing, even if human science never advances far enough to work out how to unfreeze him. Maybe he's this season's Adam), this is right up there with the best TV ever.

Tarnished Things, Once Shiny his willingness to create an innocent temporary person, who would ultimately have to cease to exist pretty rapidly. Even if his intention was to show mercy to the family it still kind of struck me as one of the coldest and most ruthless things the Doctor's ever done.

Really? Worse than... Nah, let's not go there. I think the 'mercy' thing was poetical rather than actuality, despite his willingness to help out Daleks if they ask really nicely I think the Doctor would have taken out the Family at the start of last week if he could. But yes, you can see this things origins in the New Adventures as the Doctor comes out of it looking rather unpleasant and willing to do quite a lot to quite a number of people. This episode managed to do what last weeks episode didn't quite, make me feel sorry for John Smith having to sacrifice himself to let the Doctor come back, though I assume that while John got to live to an old age and die, Joan saw something less fun? Part of the reason this show was so great was the varieties of heroism we saw.


E. Randy Dupre Baines was brilliant Agreed. That kind of performance could have easily tipped into pantomime and ruin everything, but Harry Lloyd (did anyone actually watch Robin Hood? Was he any good as Will Scarlett?) really did a brilliant job. One to watch I think.

gourami What exactly was he thinking when he asked [Joan] along? Did he harbor some hope of a poly-in-space relationship? He did it because the tiny part of him that was John Smith was perhaps larger than he was letting on? He did it because the Doctor is damaged, inhuman, alien and doesn't always understand people? It reminded me of last season with Sarah-Jane, she had to tell him to walk away and leave her because he didn't realise what he had done to her. From the Doctor's point of view he was an enhanced John Smith, from Joan's point of view he was someone that murdered John and put on his skin, he was absolutely no different to the Family of Blood.

miss wonderstarr I always thought the Doctor had been an avuncular, eccentric figure, not a tragic wanderer and merciless avenger. What about the hundreds of people that happened to be in the wrong place at the wrong time? The Doctor doesn't save everyone. What about The Curse of Fenric, where the Doctor appears to have systematically ordered the lives of countless English/Norse/Russian families in a certain direction in order to keep his hands clean? What about what he does to Ace in that story?

"He's ancient and Forever, He burns at the centre of time and he can see the turn of the universe. He's fire and ice and rage, he's like the night and the storm in the heart of the sun"

This sounds awfully familiar. Is this something like what the Bad Wolf said when she arrived to save the Ninth Doctor, or am I just getting it mixed up with Galadriel in Lord of the Rings?
 
 
Whisky Priestess
22:41 / 03.06.07
I've certainly heard the night and rage and etc. speech before, although I can't remember where ... and don't the Daleks call him The Oncoming Storm?
 
 
sleazenation
22:49 / 03.06.07
You've probably just heard it from the multitude of trailers...
 
 
HCE
23:34 / 03.06.07
So interesting reading all the different interpretations here. Thanks, folks.
 
 
Regrettable Juvenilia
00:08 / 04.06.07
Surely he'll be found at some point? Surely that's not a good thing

Not a good thing for innocent passersby, but an excellent thing for us viewers!

I'm half-kidding, but Baines is certainly one villain I wouldn't mind seeing again at some point...
 
 
Chew On Fat
08:17 / 04.06.07
I thought it was certainly the best of the New Who so far. Probably best ever in terms of emotional punch.

4 pleasing things:

It was nice to see a validation of the 8th doctor and his big hair-do there in Smith's notebook. I have a soft spot for 8 for some reason...

Given the aspersions on her worth being cast her way all through this story, I liked when Martha, to prove she was a medical student, held up her own hand and listed the bones therein. I think she was subtly reminding the Matron about their shared humanity: that they were literally 'all the same under the skin'.

The 'look away now' announcement before the trailer for the 2nd part of two-parters shows a nice concern for viewers enjoyment, but the BBC pulled a smart one on last week's trailer. It gave the impression that the whole episode would be about John Smith's other life. Much as Star Trek TNG devoted a whole episode to Jean-Luc Picard living a whole life as a simple family man on Ressika. So the onfolding of Saturday night's episode wasn't quite as expected. (Yes I'm a weak creature, couldn't stop myself watching the trailer...)

It was clever and unexpected that Latimer was saved from being another 'Doomed youth' of the war by being given 'just a watch' by the doctor. I was thinking the solution to his impending doom would have been more sci-fi elaborate which wouldn't have been as satisfying (or as obvious) as this one.

Has anyone here read the original paperback by Cornell? I wonder what differences there were between that and this episode. Apart from the different Doctors. I guess this means that the novel has just been shot out of the canon...
 
 
osymandus
09:02 / 04.06.07
"He's ancient and Forever, He burns at the centre of time and he can see the turn of the universe. He's fire and ice and rage, he's like the night and the storm in the heart of the sun"

Oddly this reminds me of an old bit of Whovian cannon . Rassolan , Omega and a third other not named person and the 3 main "instecators" of Galafra .
Maybe relating to Hindu mythos for Example (Rasilan = creator .Omega = Destoryer, the 3rd = Life and its preserver)

The punishments were fantastic . They got everything they desevered . They wanted immortality they got it . They had a chance to leave or run. They didnt .

They Alieness i though becuase he is alien , he relates to billions of speciecs his morality dosnt have to be human now does it ?
 
 
raggedman
09:06 / 04.06.07
There's a nice article by Paul Cornell on the process of adapting the novel on the bbc/doctorwho site if you're interested.
As everyone says, fantastic Doctor Who, fantastic television, emotionally and morally complex.
I've nothing really to add on how great Baines and Tim and Joan etc were and I'm sick of appearing on message boards to mention that I cried so just to also say parts of Tim's eulogy referenced the Doctor's description of himself back in 1:1 Rose 'the turn of the universe' bit
Regarding the punishments I can see it in the continuity of Time Lords/Eternal's role. The Doctor has different levels of interaction, he likes to immerse himself in the glory and amazement of creation
'You'd enjoy anything you'
but he has power and thus responsibilities and sometimes he has to step up to the grand angry god level...
 
 
Regrettable Juvenilia
09:23 / 04.06.07
Another reference I spotted: when Latimer runs off and the older boy who's name I can't remember calls him a coward, he replies "Oh yes, every time." This is straight out of 'The Parting Of The Ways' in which the Dalek Emperor asks the Doctor whether he's a murderer or a coward and he replies "A coward, every time", unwilling this time to kill everyone on Earth to stop the Daleks. Of course this is interesting because in the context of this episode it really brings home the contradictory nature of the Doctor - a huge part of him doesn't want to have to do some of the terrible things he does...
 
 
Triplets
11:19 / 04.06.07
Has anyone here read the original paperback by Cornell? I wonder what differences there were between that and this episode. Apart from the different Doctors. I guess this means that the novel has just been shot out of the canon...

This was covered somewhat in Doctor Who Confidential (yes, the music is still shit). The pocketwatch was originally a cricketball; very English, very of the time, very camouflaged. They changed it to a pocketwatch to give the decision to stop being John Smith (open it? don't open it?) a bit of oomph. The cricketball would have just glowed. We did get a wink to it with Cricket God in part one.
 
 
sleazenation
14:37 / 04.06.07
I quite liked how the scare crows echoed the straw men that the newly recruited soldiers would train on....
 
 
Spatula Clarke
16:02 / 04.06.07
Was reading about some of the changes from the original novel elsewhere on the net the other night. John smith (not called John Smith in the novel, but for the sake of clarity...) sacrifices himself in a different way - the Baines equivalent downloads what he thinks is the Timelord consciousness, then realises during the transfer that it's actually Smith's consciousness. Smith then does for the entire Family while in the Baines body.

Which means no punishments, which is interesting, as that in turn means that they're not a hangover from the Dark Doctor stuff that was being explored at the end of the old tv series and in the books that rounded off the story of the McCoy incarnation of the Doctor. That's definitely how the current production team see Tennant's Doctor going.
 
 
Spatula Clarke
16:34 / 04.06.07
Dramatically, though, I think I'd rather Smith had been allowed to go out fighting the good fight in that way, rather than just submitting. His fate in the tv version felt a little... pathetic and demeaning, really. Not helped by taking place off-screen.
 
 
Shiny: Well Over Thirty
04:25 / 05.06.07
Which means no punishments, which is interesting, as that in turn means that they're not a hangover from the Dark Doctor stuff that was being explored at the end of the old tv series and in the books that rounded off the story of the McCoy incarnation of the Doctor. That's definitely how the current production team see Tennant's Doctor going.

I was meaning to ask about that, and it is indeed interesting. Since Cornell was I beleive quite heaily involved in the New Adventures it's quite possible that his preference is for the darker Doctor as depicted in those stories, but I don't suppose he'd have been allowed to put the vicious punishments in if RTD didn't like it. Personally I like that dark streak to the Doctor - it makes him far more interesting as a character to me if he's prepared to violate the hippocratic oath on occasion. I mean I don't want him to be the HAADQOR DAAK Doctor all the time, but that clash between a man who is genuinely full of compassion and love for the universe, but who is occasionally compelled to act with what seems from a human perspective to be savage cruely, even though it hurts him to do so seems pretty much spot on for how a being of his nature ought to behave.
 
 
Miss K
06:01 / 05.06.07
From my perspective, the traits of this new Who have always placed the Doctor at the core of a struggle between his alien nature and the human quality that his travelling companions bring out in him. This has now become overt in Russell's plotting of this season to bring out "humanity vs alienation" as the core theme this time round.

This means that the Doc has to tread some fine lines here and there and it makes his character all the stronger for it. I hope the production team don't flinch from seeing this through in the final three episodes. As a large part of the audience are kids and teenagers I think they'd stop short of making the hero appear truly evil (even as misdirection) but let's not forget that Russell T Davies wrote probably the most unflinchingly dark, violent and uncompromising of the New Adventures himself. He's no stranger to the Dark Doctor.
 
 
All Acting Regiment
07:52 / 05.06.07
LOLs from the BBC site.
 
 
Our Lady Has Left the Building
15:56 / 06.06.07
Suddenly I love children.

The scarecrows are advancing) dozens of them! Amy retreats a little into her chair. Adam has an idea: "They should set fire to them." He ponders this for a bit. "Though that would create evil ash, and that's probably harder to get rid of."

Adam's all philosophical about the Family's fates: "It's a bit of a recurring theme in Doctor Who," he explains, "that living forever isn't that great. Time Lords don't live forever." "They do!" insists Samuel loyally.


Child is wise.
 
 
Zan
17:33 / 06.06.07
Harry Lloyd (did anyone actually watch Robin Hood? Was he any good as Will Scarlett?) really did a brilliant job.

No, he wasn't much good, but having seen him in this, re-watched Richard Armitage in North & South and caught Sam 'Much' Troughton in As You Like It at Stratford lately, and been blown away by all of them, I lay all blame for the Robin Hood debacle at the feet of the writers and director. And Keith Allen, obviously.

from Joan's point of view he was someone that murdered John and put on his skin, he was absolutely no different to the Family of Blood.

Wow, the analogy with the Family hadn't even occurred to me. Oh, poor Joan!

Can only echo everyone's praise about this ep. Remembering the maid-who-became-Mother-of-Mine's line last week about the schoolboys growing up to run the country, I have to say the only thing that stops me despairing of Britain is the thought that our future leaders are growing up watching this stuff...
 
 
s_kid
21:24 / 06.06.07
yeah; a show on a tiny budget made in wales by gays!
Love it!
 
 
Lama glama
21:34 / 06.06.07
I wouldn't say the budget is that small. It was quoted somewhere, quite possibly DWM, that they get £1m for every hour of television produced, so using my amazing C- in Maths, it looks like they get just over 10 million for the entire series. That was just the first season too, and production standards seem to have improved over subsequent seasons, so you could bung on another 2 million I'd say. Which, admittedly, isn't an enormous amount, but it isn't a pittance either.

That was the most anoraky thing I've ever written.
 
 
sleazenation
22:19 / 06.06.07
Also compare to the budget of the original series:

The opening shot of the TARDIS arriving at the space station [in season 23s Trial of a Timelord] was the most expensive effects shot in the series' history at the time, costing more than £8,000 for a forty-five second model sequence using the most advanced motion-controlled camera available.
 
 
Spatula Clarke
23:00 / 06.06.07
Have you seen that shot, though? It's amazing.

Meanwhile, I'm wondering if s kid's previous four posts to the board were as high quality as that last one, because it's a real doozy.
 
 
s_kid
02:38 / 07.06.07
"A children’s show, made on a minuscule budget, in Wales, by gays."
The Times

sorry i got the quote wrong!
 
 
penitentvandal
15:23 / 07.06.07
What I love about this was the death scene shot between Smith and the Nurse - they must have spent loads of time, effort and money on making David and Jessica up to look like oldsters for that scene, and it only lasted a couple of seconds, but they still spent all the time etc on it because it was absolutely emotionally right for the script.

God, welling up now thinking about the ending, what a great episode.
 
 
Our Lady Has Left the Building
17:54 / 09.06.07
Well, that was fun. And impressively scary too. I presume Sally's friend who goes back to 1920 is Suzy Costello's granny? If it wasn't for the fact they were in London I'd also suggest the Doctor and Martha were off to fight the big lizard from the finale of Torchwood.
 
 
miss wonderstarr
17:56 / 09.06.07
I did quite like the playful echo of exactly what thousands of people do every week with Doctor Who (and Lost, and Heroes, and so on) ~ search for easter eggs, painstakingly transcribe, share with "the guys" and get kewl bits on a t-shirt.
 
 
sleazenation
17:57 / 09.06.07
Oooooh that was fun - don't blink.

Echoed the themes of Love and Monsters, only it was a lot better - did you notice how the shop at the end was designed to be reminicent of the Tardis?
 
 
Our Lady Has Left the Building
17:58 / 09.06.07
I was almost going to whinge about us not seeing the Angels move when no-one was looking at them, but that's a bit of dramatic license which adds to the effect really, in the same way that they crossed the street in the blink of an eye at the police station when, although it was raining, there were still people to see them.
 
 
Our Lady Has Left the Building
17:59 / 09.06.07
I suppose I like L&M for personal reasons, I thought the other video shop guy reminded me of the replacement Bilbo from Spaced... "Babylon 5's a big pile of shit!" "GET OUT!"
 
 
miss wonderstarr
18:01 / 09.06.07
Perhaps I've got mixed up, but exactly when did the Doctor record the Easter Eggs and have them inserted on those DVDs?
 
 
Feverfew
18:03 / 09.06.07
When Detective-dude transported back to 1969 got into publishing, then video publishing, then DVD publishing, I thought he got them on to the DVDs for the doctor.

Fun stuff, no?
 
 
Our Lady Has Left the Building
18:04 / 09.06.07
He recorded the original film back in the sixties, he gave it to the copper (presumably Sally's notes mentioned him) and when he finally got round to being a producer of DVDs he transfered the film onto those.
 
  

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