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Actually, Megs, Grendel's pathos was one of the things I liked about the film. Always did feel a bit sorry for Grendel.
Oh, yeah, it was nice in its onw way, but I alway had a different mental picture of what Grendel would look like and behave (more reptilian and sleek, a lot less childlike, and not at all pity-inducing, though indeed not entirely evil), but that's just a personal thing of mine. In a more reality-based, less fantasy-based version ot the poem, it would have been the best approach for the character indeed, which refers me to:
You should see the Canadian/Icelandic Beowulf & Grendel, then. Sarah Polley is in it. You weep for Grendel.
...which is a movie I've been dying to see for quite a while now and in which the tragic Grendel is the reason I want to see it, but alas, the flick did not show its face in here (maybe I'll turrent it, as soon as I learn how to turrent properly)
Anything is better than Christopher Lambert's 1999's Beowulf version, though |
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