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Battlestar Galactica Season 2 US Thread (SPOILERS)

 
  

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Keith, like a scientist
02:21 / 23.01.06
I’ve heard rumours (can’t recall where for the time being) that Pegasus, the fulcrum of Series 2, actually exists on the DVD boxed set in a form twice as long as that which aired, with plenty more time given to Kane and the integration of the two crews/introduction of new characters.

there is indeed an extended Pegasus episode and the news that I have heard is that this extended version will be on the second Season 2 boxset that is forthcoming (which will be called Season 2.5, I imagine).
 
 
sleazenation
07:36 / 23.01.06
You can download the podcasts (audio only commentary tracks by the head writer/exec producer) from the scifi.com website or through itunes...

While I can see why they want to suddenly save Roslin (so they can finally start questioning the religious crap that they have been building up over the past season and a half) I still don't think it works - it comes off as a cheap trick rather than a logical integrated part of the story, something that is only emphasized by the lack of any foreshadowing relating to abnormalities with the baby...

(worse, with its themes of mutant babies and termination this episode reminds me of the third episode of the excellent Ultraviolet... and comes off very badly in the comparison).

I think it was a mistake to show Roslin having an affair with former president Adar and to have her both see and seemingly noticed Baltar with Six before the fall of the colonies... its unesscesscessary and didn't really fit.

But yes, it definitely feels that they are struggling to fit the ongoing narrative into 45 min chunks at the moment... especially in terms of sub plots...

And then there is the politics of the peace movement that comes out of nowhere, with seemingly no genisis point... it is presented a little more than a characture of a militant peace movement...
 
 
doglikesparky
15:19 / 23.01.06
I'm in total agreement about the peace protest on the show at the moment - it does seem to have come from nowhere and they don't seem to be handling it particularly convincingly.
Strangely though (and I say that 'cos I'm usually in total agreement with everything said here about BG) I really liked the way they saved Roslyn.
I've never been remotely convinced that they'd be brave enough to kill her off, Mary McDonnell is so good I just can't conceive of them getting rid of her, so I was always expecting some kind of miraculous recovery. With that in mind, the way they went about it was for me, interesting and unexpected but completely logical. All of the "baby-will-make-a-difference" foreshadowing has fallen beautifully into place and it just strikes me as more by design than chance.
Of course, the really cool thing to do now would be to have Roslyn assassinated just as she recovers proving that this whole affair wasn't a dodgy get out after all!
Bet they won't though.
 
 
Disco is My Class War
14:42 / 24.01.06
Agreed, Roslin being saved is, well... deus ex machina in a really tacky crude way. I wish, just wish, they had done some footwork in the previous episodes to make that plausible.

But.

About the peace movement: I thought the implication was that Gina had actually started the peace movement, organised a cadre, not just infiltrated it. A lot can happen in three weeks. Perhaps with the help of our friend Lucy Lawless? And despite their claims that lots of people are involved, it seems like a pretty small cell of activists to me.

I liked Roslin's flashbacks to government life. We rarely get to see what her life was like pre-holocaust, apart from the oft-repeated cancer revelation. And I assumed she was remembering seeing Baltar for the very first time, and maybe the cancer delirium was bringing up memories, making her put two and two together. That sets her up to go after Blatar, right? In fact, I predict that in the next episode Baltar will have to go underground.

I also think it's a mistake to read Galactica as ifinternal consistency were the point. Sometimes that lack of internal consistency is annoying, but I always forgive it because the tensions set up each episode resonate with the real world so well. Anti-war activists? Suicide bombers? 'Terrorists'? Stem cell ethical issues vs 'right to life' vs alien baby panics? I just reckon they sometimes bite off more than they can chew. It would be great if the writers were like JM Straczinski and had thought it all out in advance, plotting every character arc, broad plot development, political subtext, message et al, but they just haven't. So what? It's like Lost: it doesn't work to watch Lost as realism. You get stuck on the unlikelihood of anyone surviving the crash. Same with this... Nevertheless, the Roslin thing is annoying. But I'm so glad she's not dead. I could watch Mary McDonnell all day.
 
 
Phex: Dorset Doom
19:53 / 24.01.06
Incidentally, did anyone notice that Six/Gina seemed to be present during the teacher's strike on Caprica, obviously when Roslyn sees her and Baltar getting jiggy, but also briefly in another scene where she's negotiating with the strike leader. If it is her, then the Cylon's aren't just behind the peace movement*, but also the unions before the genocide took place. Conservative much?
Also, notice that they're increasingly reffering to the Cylons as 'the Cylon' (even the peace movement does it)- I'm guessing that the Centurions and Raiders are a single Borg-like conciousness, but obviously the sleeper agents (while networked in, so to speak) are capable of free will, so it seems odd that as the series progresses and evidence mounts up that 'the Cylon' is not a unified force the Galacticans' language is going the opposite direction.

*Personally, I didn't draw paralells between the peace movement in BsG and the real life one, they're more like the people who opposed war with Nazi Germany than the millions who protested against Iraq.
 
 
sleazenation
22:59 / 24.01.06
So, was any of the stuff hanging over from the previous episode actually dealt with? I don't remember any.

I dunno - it seems like some of the people here watch BSG have really low expectations for it, perhaps as a result of having to suffer years of even worse TV. I guess I'm being so harsh becaue I can see in BSG a show with to potential to be so much better than it is at the moment... and i'm not particulalrly will to put up with writing that isn't so good... it wouldn't take much for it to get there...

The writing on Lost is more like bare minimum or below,


As an example of things I like about the new Galactica is how the Pegasus has survived the Ressuerection ship battle... now we need to see about the abhorant culture that has grown up on the pegasus... I think it'd be another massive cop out to have that culture be as a result of Admiral Caine... I'd also like to see some high ranking officers on Pegasus taking some pretty strong views on how the fleet has been run and Adama's command decisions...

I like the idea of gina actually STARTING the peace movement - but as has been pointed out, this is even more dodgy as it implies that peace movements are not only hypocritical (using violence to achieve their aim) but also unwitting pawns of the enemy.
 
 
Disco is My Class War
23:38 / 24.01.06
But isn't that friend/enemy, human/Cylon distinction becoming less and less clear? Viewers are constantly invited to empathise and emotionally invest in the Cylons -- maybe not the toasters, but Sharon, Gina, Six, etc....

Also, the 'peace activists' are right: the humans engineered the Cylons to be their slaves. The Cylons resisted -- and then, okay, attacked without warning. But I don't think it's quite as simple as 'humans = good, cylons = bad, therefore the peace movement are pawns of the enemy." That line is precisely what is claimed about the actually existing anti-war movements -- by the Bush administration.
 
 
Bed Head
23:57 / 24.01.06
But, yeah, and that's why I think you’re maybe being optimistic here. I’d like that kind of ambiguity in BSG, that’s what I want, but it just looked to me that the peace movement were presented so the audience could be 100% sure that they were dupes. Which *is* the Bush administration line, isn’t it? That you’re helping ‘the enemy’ by even entertaining such notions.

And their chief representative looked like a horrible man, losing his temper twice, and was sharply contrasted with that union guy in the flashback with his sensitive eyes and noble jaw. I felt like I was being led to think ewww about him, and yet it's a good point, there jolly well should be alternative, anti-militaristic views all over BSG. I'm just not sure if they're going the other way sometimes.
 
 
Phex: Dorset Doom
03:07 / 25.01.06
there jolly well should be alternative, anti-militaristic views all over BSG

I disagree. In real life there are obviously very good reasons for being anti-militaristic and protesting one's government's military actions; I would do so, so would most of the board. However, if I were suddenly transplanted into the Battlestar Galactica universe, then I'd be in a Viper with a Greek name on my helmet faster than you could say 'frak'. The Cylons, the Toaster variant and all but one of the Sleepers, are actually really, really evil, and continue to do evil things which must be stopped on a weekly basis. I don't have a problem with the way the anti-war movement in BsG is portrayed because the anti-war movement in BsG is doing something wrong under the specific circumstances in that show. I wouldn't equate the anti-war movement in BsG with the anti-war movement in the real, contemporary world because the situation in the show is different from anything a real group of humans has faced and is definitely different from the current situation in the U.S and elsewhere.
 
 
Keith, like a scientist
03:42 / 25.01.06
sleaze: I dunno - it seems like some of the people here watch BSG have really low expectations for it, perhaps as a result of having to suffer years of even worse TV. I guess I'm being so harsh becaue I can see in BSG a show with to potential to be so much better than it is at the moment... and i'm not particulalrly will to put up with writing that isn't so good... it wouldn't take much for it to get there...

I don't disagree with these statements, but I truly don't expect any sci fi television show ever to be better than BSG at the moment, honestly. I can't imagine a show in this genre that has been better written. It's a typically difficult genre to write television for, seeing as how it can so easily cross the line of preposterousness (which this episode did for the first time to me). Better writing is usually found in television with a strong basis in reality (Six Feet Under and The West Wing are the shows I would hold as 'high literature on the small screen'), presumably because the writers aren't guessing at most of it.

Overall, this season has not been as strong writing- and logic-wise as the nearly perfect Season 1. When I was watching the first season, it sort of boggled my mind how it could be so insanely good and well done. I haven't felt that way this season yet, and was extremelly disappointed several times this season, most recently with the Starbuck/Caine cop-out and the 'hey, the baby i ordered aborted today is going to save my life which was also threatened today, wow isn't that fortuitous and symbolic?' story.
 
 
sleazenation
07:33 / 25.01.06
Again, I'm not trying to beat on BSG - it's got me hooked enough to watch it week after week after all... but when it comes to better written SF - The new Dr Who and Ultraviolet really have raised the bar of expection for me...

I probably can't say this enough that if you haven't seen Ultraviolet yet (six part Brit SF show about vampires) then you really should.

Interesting that mention about more reality-based writing being necessarily stronger than SF writing - I'd disagree and point to Ultraviolet as exhibit A. It's a vampire hunting show done as a detective/cop show, done as a medical drama, done as an espionage show... It's written a produced by a guy who cut his teeth on This Life, a reality-based drama about 20-something lawyers and their lives and that experience has visibly helped the writer grounds Ultraviolet in reality...



Phex - I disagree with you from a number of different angles, but I have a sneaking suspicion that BSG will eventually question both the religious crap and the pro-military anti-civillian protest stuff... It will just wait a while to do it and then present those questions as if they were incredibly important revelations. I can see why the writers would want to do this, after all BSG is being made for a far more conservative audience (in general) and is making concessions towards this audience to get them to buy into it...


It's probably worth noting that it is a testament to the achievement of the writers and producers involved that BSG is actually being made at all... It's been comissioned as an ongoing series by the SF channel (in a co-production with Sky in the UK I believe) - it doesn't have anywhere near the reach, the backing or the budget to pull off trhe number of episodes that, say, lost does... you can see what scheduling contorions they had to go through to get a 20 episode season 2 out - which is essentially two 10 episode mini seasons seeing as how it's spread over two years...
 
 
Bed Head
08:55 / 25.01.06
The Cylons, the Toaster variant and all but one of the Sleepers, are actually really, really evil, and continue to do evil things which must be stopped on a weekly basis.......I wouldn't equate the anti-war movement in BsG with the anti-war movement in the real, contemporary world because the situation in the show is different from anything a real group of humans has faced and is definitely different from the current situation in the U.S and elsewhere.


Well, I do think that the programme makers are trying to write about contemporary stuff with their sci-fi show. And I hope we’re not being shown a war in which *anything* is justified because the good guys are the good guys and the cylons are just really really evil.

So, there *shouldn’t* be any anti-war movement because the Cylons are evil? If that's what you're saying then I just can’t see it, man. It’s as natural a response as your urge to jump in a viper and go fight; an anti-war movement is just another way of stopping a war, and why should this show be about the only war ever not to generate an genuine anti-war movement? I just don’t like the way that response is (possibly) being presented here, as the way of the fool and the dupe and as the tool of The Enemy.

...and on that, Phex, we can maybe agree that the anti-war movement in BsG is doing something wrong under the specific circumstances in that show. When the entire fleet has been presented as being on the brink of an election for months, that “someone’s not listening” line reeeally jarred, and also (and I’m really sorry, mister disco, I know what you’re saying about internal consistency Not Being The Whole Point, and I do kinda agree with what you’re saying about that and recognise my own overly nit-picky response to recent episodes, but still) it’s already been established that any ship can leave the fleet any time they want. We’ve already seen half the fleet jumping away from the Galactica to follow Roslyn. Each ship is supposed to be independent. Someone’s not listening? In what context are they protesting, exactly? Their actions aren’t exactly pacifist or non-violent, and neither is the BSG fleet like a normal society that its people have invested in and that they will stand and fight for the future of, necessarily. Any such peace movement would be a sight more evangelical and persuasive, is what I reckon.
 
 
Phex: Dorset Doom
21:05 / 25.01.06
Well, I do think that the programme makers are trying to write about contemporary stuff with their sci-fi show. And I hope we’re not being shown a war in which *anything* is justified because the good guys are the good guys and the cylons are just really really evil.

Yeah, I get the distinct impression that the new BsG could have only been made post 9/11, and the episode showing the treatment of Cylon prisoners had pretty obvious paralells with prisoner abuse in the real world. But, like I've said, the situation in the show is very, very different from anything in the real world- the situation both sides are in is unprecedented in human history, so equating real life groups with those in BsG is a mistake. That's why I wouldn't characterise the motivations of the peace movement as 'natural'- it runs counter to the survival of the entire fleet.
I do think that the writers are right to portray the peace movement in BsG as being antagonists- that is, like the Cylons, they are doing something that threatens the lives of people in the fleet so must be combatted in one way or another, because if they were to gain popular support it would mean combination genocide/suicide for humanity (because Gina is running the show, it seems, and I can hardly see her wanting to save the species that raped her into catatonia.) If 24 showed a peace movement controlled by the enemy etc. then I would have a problem with that, but the two shows have very different circumstances.
Maybe part of the reason that I like this show so much is that unlike in real life the choices Adama and Roslyn have to make are about the survival of their entire species, so it's pretty clear cut that they have to continue to fight the Cylons, kill Admiral Cane etc. I don't really want to watch a show where everything is as murky as real life, just murky enough to generate an hour of tension a week.

(Oh, and Sleazenation, I absolutely loved Ultraviolet as well, any idea if they ever released it on DVD? A quick google search says 'outlook not so good'.)
 
 
sleazenation
21:25 / 25.01.06
Yes Ultraviolet was released on DVD and is still available AFAIK - I ordered my copy a couple of years ago through HMV - all six episodes on two discs in something that I almost hesitate to call a boxed set. Well worth the money...
 
 
sleazenation
21:59 / 25.01.06
There is no question that BSG is anything other than post 9/11 TV. Sci Fi on screen and page has always told us more about the time it was written than it ever has about the future...

I think you are reaching a bit to deny any parallels between modern politics and storylines within BSG presumably on the grounds that a race of slave robots haven't rebelled and launched a nuclear strike against us yet...

I'd agree that BSG is pretty far from being a Roman A Clef, but it is an allegory on modern politics and it's oftimes clumsy and cackhanded approach to the complexities of many of these political issues do the whole show a disservice.
 
 
Bed Head
14:42 / 26.01.06
Okay, so what did you say, phex?

I didn't draw paralells between the peace movement in BsG and the real life one, they're more like the people who opposed war with Nazi Germany than the millions who protested against Iraq.

...which is weird, because one thing I’ve sometimes heard said about the millions who protested against Iraq is that they’re like the people who opposed war with Nazi Germany. So, y’know, that’s a pretty charged comparison for you to draw before insisting that you don't think there should be protests and alternative views all over, er, battlestar galactica. As you say, there certainly were people and groups who protested against WW2. So, to be clear, you’re only telling us that you think that anyone would be wrong to object to *this* war with *these* cylons, not that people shouldn’t be shown as protesting. And given that, you're happy with this particular set of peaceniks being portrayed as idiots, because...

if they were to gain popular support it would mean combination genocide/suicide for humanity.

But most people in the fleet don’t know what the Cylons want or whether they are *only* interested in exterminating humanity, or if a surrender/peace can be negotiated. Any information that Adama etc do have about the Cylons has been tightly controlled. And you don’t actually know what they want either, Phex, although the actions of the Cylons so far have kinda indicated - to the audience, at least - that they’re interested in humanity, and that ‘they have a plan’ rather than, say, a final solution, to use your nazi thing. So, I’m saying that people all over the fleet should be asking these sort of questions, and I think you’re just giving me your answer to that question, that you, personally, would happily leap into a viper and shoot toasters. Is that right?

It's fair enough, that's you, but personally I’m more agreeing with sleaze about the clumsy and cackhanded approach to the complexities of many of these political issues. The only people that we get to see even thinking about different ways of achieving peace in the entire fleet are this bunch of murderous idiots? Pah.

And, on

That's why I wouldn't characterise the motivations of the peace movement as 'natural'- it runs counter to the survival of the entire fleet.

... I’ll try this once more, because you’ve rather picked out ‘natural’ there. Maybe it’s not what you’d do, but it’s to be expected that there’ll always be some people who want to explore a non-military option in a time of war. There’ll always be people who won’t actually want to fight to their last drop of blood and might prefer to be on the losing side and alive, rather than fighting and being destroyed. There wouldn’t be any need for propaganda otherwise. Y'know, for the longest time I think I was enjoying BSG because it seemed to be pro the virtues of running away rather than those of standing and fighting.
 
 
Bed Head
14:55 / 26.01.06
Oh, and it seems that Ultraviolet DVDs are available both in the UK and in the US. Hmmm, and I've never seen it and I only now do I realise that I really, reeeaaally should...
 
 
STOATIE LIEKS CHOCOLATE MILK
22:37 / 26.01.06
Ultraviolet RULED.

See, I'm STILL loving Galactica. And, first off, I would probably have accepted any way going that meant Roslyn survived, just because I DIDN'T WANT HER TO DIE.

That said- I think the Cylon blood thing was meant to be an obvious Deus Ex Machina, up to and including the point where it meant saving Sharon's child. I DON'T think the peace movement are clearly insane... we're getting to a point where Cylons=evil, humans=good doesn't work anymore.

As was said in the episode, the Cylons only attacked Earth in revenge for years of slavery- yeah, they'd been silent for years, nobody turned up for the Embassy meetings- they were gathering their strength. They were pissed off with humanity. Doesn't make 'em the good guys, not by a long shot- but it doesn't exactly rule it out, either.

The surviving remnants of humanity- what makes THEM so great? In-fighting, lying, cheating, and now torture and rape?

Neither side comes out particularly well in this war. THAT'S what makes this such a great show.
 
 
Seth
22:49 / 26.01.06
I love you, Stoatie.
 
 
sleazenation
23:08 / 26.01.06
I DON'T think the peace movement are clearly insane... we're getting to a point where Cylons=evil, humans=good doesn't work anymore.
Oh I think we are going to get there too... eventually... i just think that we should be there now... or at the very least seeing some more concrete indications of cylons in general being about more than just killing humans...
 
 
STOATIE LIEKS CHOCOLATE MILK
23:31 / 26.01.06
Well, there's trying to create an entirely new type of life, how's that for not just killing humans?
 
 
sleazenation
23:53 / 26.01.06
But it isn't like the Cylons have given up on genocide though, is it? and meanwhile they are setting up fertility camps in Caprica where women with working ovaries have them ripped out for cylon scientists to play with... Remember, Sharon didn't exactly have cylon blessing for what she did. The other cylons don't appear to be on board for the whole 'love is the fifth element' shit that Sharon is peddling. the whole plotline just strikes me as a pegfore the writers to hang their human/cylon crossbreed from.
 
 
Bed Head
23:59 / 26.01.06
Cylons have a slightly different perspective on the whole ‘death’ thing though, don’t they? Not only are they unable to die themselves/possibly connected to some vast hyper-consciousnessness, they also believe that all of this has happened before and all of it will happen again, with the same players in different roles. And maybe next time Starbuck’s the prisoner and Leoman’s the torturer.

Or something.
 
 
Our Lady Has Left the Building
07:52 / 28.01.06
It would make sense if the head of the anti-war group is a Cylon or they turn out to be a quasi-religious cult that worships them, to have a storyline involving a group of humans who, less than a year after they were almost wiped out, think peace is the answer without some reason just doesn't ring true.

Watching either Home part one or two with the commentary the impression I got was that the intention was genuine that the Six in Baltar's head is a delusion and not a Cylon implant. Either way I'm annoyed that not only has this not been mentioned since but that this seems to have been immediately ignored, and that Six is a Cylon implant. That was an important thing for Baltar and it has been forgotten as soon as stated.

And Laura didn't see Baltar and a Six waybackwhen, she saw them in her delusional recollection, there's at least one recollection of talking to the strike leader where there's loads of Galactica personnel standing around outside with them. Deus Ex Machina though her cure may be (and I was expecting since it first came up that if she was saved the Cylons would be responsible somehow), there now may be a plotline about her coming to realise Baltar is a traitor, unless they just decide to have her forget/ignore her dream.

Baltar giving the nuclear device to Gina also marks a change, everything he's done thus far have been tempered with self-preservation, he could be at risk from what the anti-war movement decide to do with it (oh, and anti-war protesters who are apparently happy and willing to kill, I can understand having them that way for dramatic reasons but < sigh > )

Also, what happened to Pegasus? It barely got a mention this week and you'd think the most important thing the show would have to do before the whole 'Laura's cancer' issue is one about Adama becomming admiral so assuming command of the Pegasus, the crew's resentment etc. That story will probably come but this episode is a few weeks after Cain's death, I would have thought that needed some comment. Watch this episode without seeing the last couple, you wouldn't even know there were two Battlestars there.

And why is the fleet still heading to earth? A Battlestar as old as Galactica can apparently take out a Death Star without too much trouble, so the two together could presumably pick off the Cylon fleet one at a time. Wasting all that time on Apollo last week (and until now I don't think anyone was aware that people could eject from Vipers, much less that anyone had done so and survived) made the battle with the Cylons look ridiculously easy. If not to allow more time for the big battle they could certainly use the time more profitably for explaining how Gina managed to make it to Cain's quarters.

I tend to feel this show is great in general but often lets itself down in the details.
 
 
Hieronymus
19:25 / 28.01.06
And it's those details, ultimately, that I think threaten to strangle and entangle this series to death. I pity the writers on this thing as it just seems like they just keep painting themselves into ever tighter corners.

Because the more you think about it, the more tightly wound the plotline gets, the slimmer the chances of their final denouement not fitting into all the holes very well. Anybody else smell an ending on par with the X-Files to this whole thing?

Still, it's worth the price of admission alone to see how they jump the shark.
 
 
Seth
05:17 / 29.01.06
The shark will be jumped very slowly, in details that are left spinning like so many plates, and there'll come a point at which you realise that more have smashed through inattention than you thought.

So, The Black Market. Another key member of the Pegasus crew (and another interesting source of character conflict in a position of influence) is bumped off, as is the head of the black market operation (who likewise could have been an interesting source of further stories). For a while I had a feeling that Moore was going to take a leaf out of Ira Steven Behr's book: "The trick to drama is to find the person who's going to cause the most conflict and put them in the most powerful position" (this was Behr referring to choosing Winn over Bareil as the next Kai).

Now one of my concerns is that they're going to be bumping off potentially interesting minor characters while having the core cast find ever more contrived ways of pissing each other off, and we'll soon be back at the classic Star Trek formula of a core bunch of people and the red shirts who get killed off on missions, only with the core group identified by an unrealistic level of dysfunction rather than an unrealistic level of loving the shit out of each other with never a nasty word said. Most of the Galactica cast I still don't condsider to have actual characters, and if they're all to be given only the most basic characterisation solely by conflict it's going to wear thin pretty soon.

Another pretty pointless usage of the 48 Hours Earlier device. Why? And there's another regular trait that's starting to grate a little (and may come to grate a lot): BSG tries to avoid the Trek-style introduction of a new character who has an major effect on a major character (but only for the 45 minutes in which the episode lasts) by pretending that the characters have a back story which just wasn't filmed, and we can play catch up in the episode itself. This technique is really no less hamfisted than the other.

So, what actually happened tonight? We learn nothing about why Apollo is behaving the way he is, and indeed I can discern no real change in his behaviour on screen, only that we are being told by other characters that he has changed (lazy). Ok, he occasionally gurns at the camera, and does that classically daft BSG thing where he has a flashback sequence (also done with the characters who have visions) gets spun out for a second, and when he remembers what he is supposed to be doing is getting weird looks from extras. But actually behaving differently? Not hugely, unless you count his blink-and-you-miss-it-why-don't-you-pull-the-trigger hamfisted deathwish moment.

Is this the equivalent of Battlestar Galactica's standalone episodes? It's a pretty self-contained story, and references to what has gone before and since are kept to a minimum, eg. we're allowed a scene between Balthar and Roslin, but not one that makes specific reference to her visions of him on Caprica as supporting motivations for her attempts to freeze him out of a position of influence. I'm still hoping that they can pull the rabbit out of the hat, but it's getting to the stage at which it will need a continuity expert to keep everything in check.

Stoatie: I share your level of goodwill towards this show, hence high-fiving you up the thread. But my concern is that these trends - if they continue - may drain that goodwill pretty quick.
 
 
sleazenation
07:30 / 29.01.06
Its interesting the in the podcast to this episode rdm puts his hand up and says he is disappointed with how this one turned out...
 
 
Seth
09:49 / 29.01.06
It's to his credit that he's usually unflinchingly honest about when something he's involved in is shit. I've been reading back through the DS9 companion for episodes in which he is credited as writer (which make up some of the shows strongest) and there's one episode in particular that he owns up to as useless.

In case anyone's interested in Moore's career, and his writing on another show which has more than a passing resemblance to this, here's a list taken from IMDB, with one's that are worthwhile to a non-fan highlighted:

The Search: Part 1 (26 September 1994) - Writer (teleplay)
The House of Quark (10 October 1994) - Writer (teleplay)
Defiant (21 November 1994) - Writer (writer)
Life Support (30 January 1995) - Writer (teleplay)
The Die Is Cast (1 May 1995) - Writer (writer)
Rejoined (30 October 1995) - Writer (teleplay)
Our Man Bashir (27 November 1995) - Writer (teleplay)
Paradise Lost (8 January 1996) - Writer (story)
The Sons of Mogh (12 February 1996) - Writer (writer)
Rules of Engagement (8 April 1996) - Writer (teleplay)
For the Cause (6 May 1996) - Writer (teleplay)
Looking for par'Mach in All the Wrong Places (14 October 1996) - Writer (writer)
Trials and Tribble-ations (4 November 1996) - Writer (teleplay)
The Darkness and the Light (6 January 1997) - Writer (teleplay)
Doctor Bashir, I Presume? (24 February 1997) - Writer (teleplay)
Soldiers of the Empire (28 April 1997) - Writer (writer)
In the Cards (9 June 1997) - Writer (teleplay)
Rocks and Shoals (6 October 1997) - Writer (writer)
You Are Cordially Invited... (10 November 1997) - Writer (writer)
Waltz (8 January 1998) - Writer (writer)

Change of Heart (4 March 1998) - Writer (writer)
Valiant (6 May 1998) - Writer (writer)
The Sound of Her Voice (10 June 1998) - Writer (teleplay)
Take Me Out to the Holosuite (21 October 1998) - Writer (writer)
Once More Unto the Breach (11 November 1998) - Writer (writer)
It's Only a Paper Moon (30 December 1998) - Writer (teleplay)
Inter Arma Enim Silent Leges (3 March 1999) - Writer (writer)
Strange Bedfellows (21 April 1999) - Writer (writer)
Tacking Into the Wind (12 May 1999) - Writer (writer)
The Dogs of War (26 May 1999) - Writer (teleplay)


I say of interest to a non-fan... there are actually quite a number on the list that I haven't highlighted that I rather like, too. His involvement was from the third through to the end of the seventh season, and although there's plenty of the best episodes where he isn't named as writer he had some involvement with nearly every script that got passed.
 
 
Seth
09:58 / 29.01.06
He also wrote Yesterday's Enterprise which is easily the best episode of TNG and a contender for the best hour long telly episode I've ever seen. Other notable contributions to that show are The Defector, Family, and Relics. Much more chaff than wheat here, though.
 
 
sleazenation
11:05 / 29.01.06
Yesterday's Enterprise the one where they re-introduce Tasha Yar asfrom an alernate reality that intersects with our past through a wormhole that the Enterprise C travels through?

RDM also did a lot of writing for Good Vs Evil right?
 
 
Disco is My Class War
12:35 / 29.01.06
Wasting all that time on Apollo last week (and until now I don't think anyone was aware that people could eject from Vipers, much less that anyone had done so and survived)

Um, Starbuck ejected out of her viper when she landed on that little moon and found the Cylon ship in Season One, remember?
 
 
Seth
13:13 / 29.01.06
Yup, that's Yesterdays Enterprise. Through a freak accident a different Enterprise from twenty-two years earlier gets thrown into the future at a pivotal point in history, causing the timeline to be changed. The fact that Tasha Yar is alive is only part of the silly temporal mechanics. What makes it a great episode is the characterisation, the acting, the escalating level of tension and the atmosphere of the whole piece.

What was Good Vs Evil like?
 
 
sleazenation
14:03 / 29.01.06
I never saw Good Vs Evil - the only reason I know about it is, i think, cause RDM mentioned it on a Galactica podcast... some of the people he worked with there have transferred over i think...

as for Yesterday's Enterprise - I'm a bit surprised that you rate it so highly - it always struck me as a bit contrived and weighed down by a combination of this and its reliance on too much fiddly continuity, parallel realities and the like to actually deliver an entirely satisfying narrative.

As far as my own benchmarks for brilliant drama - no-one reading this thread will be too surprised if i give another shout out to Ultraviolet's third episode. i don't think I can do justice to the complexities of the plot. It's about women and childbirth and partnership and betrayal and body horror and abortion. It isn't perfect by any means, but it certainly raised the bar in terms of serial drama for me...


But I'm aware I keeptalking about Ultraviolet in this thread - should I just go the whole hog and create an ultraviolet thread?
 
 
Seth
14:08 / 29.01.06
Yes. I never got round to watching it.

I don't see Yesterdays Enterprise as being reliant on anything outside of its own timeframe. Everything is explained well within the forty-five minutes, everything is explained within the episode. You don't even need to have seen the first season tar monster fiasco, and the whole Tasha's daughter is pretty tacked on continuity when someone thought of what could be possible from the consequences of YE. I think the episode's fine, although I agree that what came after is a little contrived.
 
 
STOATIE LIEKS CHOCOLATE MILK
14:25 / 29.01.06
Yeah, an Ultraviolet thread would be cool- I haven't watched them since they were first broadcast, but just downloaded them all.

Moore also wrote a lot of Carnivale, iirc.
 
  

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