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Buffy as modern Mythology?

 
  

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Tuna Ghost: Pratt knot hero
18:18 / 27.01.09
Isn't this whole argument about logic breaking down into semantics?

Funny you should invoke that word. Communication is possible because we've all agreed that words have, for the most part, a standard meaning. Using words outside of that agreed upon meaning and communication begins to break down and nobody understands what you're talking about.

There's ways around this, of course--shared experiences, things that allow one party to understand the other without relying entirely on words. Experiences may be subjective, but they can still be shared or communicated.

Which is sort of why there's been a call for you to talk about your experiences. Here in the Temple, people come in with wild ideas all the time, but often they don't amount to much more than "Hey, wouldn't it be cool if...". Not accusing you of this, but we have no way of knowing how legitimate and practical your ideas are if you won't share your experiences working with them. The idea in and of itself has been brought up numerous times on Barbelith (I think there are links to earlier discussions listed on the first page), so we're all hoping you'll bring something new to the discussion beyond "here's my idea".

...I can't see any LOGICAL argument for why it would matter. Belief energy or otherwise, I can't consider any explanation for why older entities have more worth than younger entities in magical practice to be a LOGICAL one.

When I explain what exactly the gods are, I begin with Hermes because I know him best--he's the patron of thieves, travelers, commerce, magic; in Egypt you can add writing to that list...but anyway. I ask my audience what those things have in common, to which the answer is Hermes. They all have Hermes in common. Hermes is the gateway, the face of...I don't want to call it a force, it's more like a style, but whatever it is, through Hermes (or with him, rather) I am able to get in contact with it, and it not only enriches my life but helps me get shit done.

There's nothing wrong with making up gods, if you have to. When you notice these forces or styles in your world and you put names and faces on them, there's no problem with the fact that nobody else has ever heard of them or seen them if they still let you get in contact with the forces you've noticed and want a part of.

The problem we're having is that we can't for the life of us see how exactly Darth Vader is useful in this regard. What forces (no pun intended) is he a part of? What part of your world, your universe, does he exist within? Where do you find him outside of yourself besides the movies? It's experiences like this we need to hear about.

Regarding logic: If you want a logical reason why Athena is more appropriate than Buffy, you're going to have to narrow your meanings down at least a little and fit them inside a system that allows for a true/false output. As someone who studies formal logic, I can say with certainty that it's the name of the game, buddy. Listen to Chairs on a Table.
 
 
alex supertramp
18:44 / 27.01.09
"The problem we're having is that we can't for the life of us see how exactly Darth Vader is useful in this regard. What forces (no pun intended) is he a part of? What part of your world, your universe, does he exist within? Where do you find him outside of yourself besides the movies? It's experiences like this we need to hear about."

Darth Vader was referenced originally (I think) by Gypsy Lantern, I've just been using him as an example.

I'd say Darth Vader would be representing a force similar to Lucifer; the ambition for power, and the fall are strikingly similar in Anakin and Lucifer's respective stories.

Again, I've listed as much of my experience as I'm willing to. I don't quite understand everyone's obsession with that...I've told you which entities I work with, or a couple of them rather. I've told you I've had my own experiences. For Vader's sake, you've ripped those facts out of me. Lol.

But Yoda? Yeah, I work with him, it's a little more complicated for me to break him down into his cultural components like I did with Vader, because I have a more personal relationship with Yoda than Vader. I mean, I could sit here and dissect Yoda if I wanted to also, but that's the point, I don't want to.

I guess I'd say I find Yoda outside of the movies in the sense that I communicate with him in meditative states.

I don't see Vader because, well, I don't want to. But I can't imagine why some sullen teenager, or ex-vice president, couldn't evoke Vader if he wanted to.
 
 
alex supertramp
18:45 / 27.01.09
Maybe I should say emperor for the ex-vice president, and Vader for the ex-president, instead. Lol. W/e.
 
 
My Mom Thinks I'm Cool
19:36 / 27.01.09
Again, I've listed as much of my experience as I'm willing to. I don't quite understand everyone's obsession with that...

well,

Here in the Temple, people come in with wild ideas all the time, but often they don't amount to much more than "Hey, wouldn't it be cool if...".

Reactions to threads like this are, perhaps, a bit more dismissive than they need to be. However, I don't really feel like people are saying "my god is better than your god".

people ARE saying that working with Gods is a different kind of working than working with Icons. people are saying that the difference between Dr. Octopus and Yoda is a small difference, like whether you prefer strawberry or chocolate milk, and the difference between Buffy and Athena is a much bigger kind of difference, like the difference between talking to a five year old child and talking to your grandfather. that doesn't mean, and I don't think even implies, that seniors are better than five year olds.

your experience seems to be that there is no significant difference between these kinds of workings, and that's fine by me, but that hasn't been my experience.

saying that it's illogical or uppity to believe otherwise is the bit I don't appreciate.
 
 
alex supertramp
20:01 / 27.01.09
I don't know what to tell you, I guess everyone's understanding of the difference between pop culture entities and ancient entities hinges on how I practice magic.

?

This thread isn't about me?

I've told you what I've told you, enough's enough! My ideas aren't invalid because I won't tell you the exact basis of them. I've told you I have had experiences with ancient and modern entities, that's all I'm going to say, and I've been all but forced to say that.
 
 
Tuna Ghost: Pratt knot hero
20:44 / 27.01.09
people ARE saying that working with Gods is a different kind of working than working with Icons.

You know, more and more I'm starting to think that this may lie at the center of some disagreements in this thread. Buffy is easily viewed as an icon of various human virtues, whereas gods are not typically viewed thusly (right? I don't really judge Hermes by human virtues, at least. I can't say I see the point of doing so).

Hmmm. Maybe an exploration of this (working with gods vs. working with icons) is in order. We may get some good, clear answers and we won't be constantly badgering Alex Supertramp for information that, for whatever reason, ze doesn't want to give out. In light of this question (icons vs gods, I mean) I'm staring to get some ideas on my work with Hermes in contrast to my relationship with the big JC as well, so I hope we can continue in this vein. I feel it may be the most fruitful way of going forward.
 
 
ONLY NICE THINGS
21:13 / 27.01.09
Nobody forced you, ducks. We just suggested that making these pronouncements without any sense of an actual magical process you have undergone won't get you very far. It just tells us that you have read the Invisibles, and God help us maybe "Pop Culture Magic".

Trouser the T. has given us a really interesting account of how entities can sort of accrete deity by being treated like deities, which I think is a really interesting insight into practice. Speaking personally, I don't practice deity work or Buffy work, so I feel pretty sanguine about not lording personal experiences, whatever that means.

However, I think we have some pretty variant ideas about essence and existence. For example, you say earlier on that the Guardians of the Galaxy have existed since the dawn of time. This is what we call a truth statement. In one sense, it is true, in the same way that the statement "Mickey Mouse has three fingers on each hand" might be true or not. However, this is only true in the sense that a fictional universe has rules that state that the Guardians of etc. have existed since the dawn of time, and another has rules about how many fingers Mickey Mouse has.

Put another way. In 1940, Mickey Mouse existed and Walt Disney existed, but the way in which they existed is radically different. In a sense, Walt Disney no longer exists - he is dead - whereas Mickey Mouse still exists, but the way in which he exists remains different from the way in which Walt Disney existed, or indeed the way the Disney Corporation exists. Following so far?

So, you might think that "Odin has existed since the beginning of time" and "The Guardians of the Galaxy have existed since the beginning of time" (actually, in both cases since shortly after the beginning of time) are the same kind of statement - both truth statements in which the truth is conditional upon the statement being made in the context of a particular set of rules, those rules identifying the statement as taking place in fiction. Ergo, one can ascribe this quality of existence-since-shortly-after-the-dawn-of-time-heit to both of them but only conditionally. Whereas one can say that, e.g. matter has existed since shortly after the dawn of time without the conditional requirement that the statement be referring to a specific fiction.

However, if one says, for example, "the Guardians of the Galaxy are as old as Odin", one is making a statement that is both true (if one presupposes conditionality of respective fictions) and plangent bollocks. And the plangent bollocks part is quite important, because people have been worshipping, thinking about, writing about, conceiving of and generally messing around with fiction-of-Odin for millenia, whereas a small number of people have been doing the same with fiction-of-Ganthet for a few decades. This may give Odin more heft as an entity if you follow the idea that deities are empowered by belief or by age or similar, but more importantly it means that fiction-of-Odin, leaving aside for the moment the question of whether Odin has any actual existence, is a lot more layered, more complex and more involved than fiction-of-Ganthet. You might be getting something useful out of interfacing with Ganthet - we don't know, because you aren't telling us - and that useful thing might be not having to deal with a more complex entity.

Likewise, if one were to say that Darth Vader emerged organically out of C20 culture, one would be right insofar as one might claim that all C20 cultural products emerged from the culture of the twentieth century. However, it is also, again, plangent bollocks, in the sense that a single bloke came up with Darth Vader, and then another group of blokes and the odd blokette at various points added bits of character or detail or history, as part of their jobs. Interestingly, because Darth Vader is an intellectual property, his development is not organic - it is stratified into approved canon, extended universe semicanon and unofficial, unapproved fan history and narrative. One might arguably say the same of Odin - that if one were to claim that he was married to Alex Trebeck, say, one might find one's claim decried as, in effect, non-canonical. However, the set of what Odin means to me is probably broader and deeper, because Odin simply means more than Darth Vader, or indeed Yoda or Buffy.

Not that any of this prevents one worshipping Bufy, or setting up a shrine to Buffy, or indeed performing (ahem) chaos majick rituals with a picture of Sarah Michelle Geller. It just is.

lol. lol. lol. Tevs.
 
 
alex supertramp
22:10 / 27.01.09
Nobody forced you, ducks. We just suggested that making these pronouncements without any sense of an actual magical process you have undergone won't get you very far. It just tells us that you have read the Invisibles, and God help us maybe "Pop Culture Magic

Oh come on. I told you I worked with both ancient and modern deities. A lot of the stuff I've said has made sense.

You don't have to insult me with this "ducks", Invisibles, Pop culture Magic comment.

I really don't notice a difference between Yoda and Buddha when I work with them (separately of course, everyone knows Yoda has been avoiding Buddha at parties for years), in terms of their validity as entities.

It's absurd how long this focus on my experiences has continued, why doesn't someone else relate their experiences?

I liked your comment tho, haus, there are obviously a lot of complex issues revolving around this thread.
 
 
Tuna Ghost: Pratt knot hero
23:10 / 27.01.09
I really don't notice a difference between Yoda and Buddha when I work with them (separately of course, everyone knows Yoda has been avoiding Buddha at parties for years), in terms of their validity as entities.

Hah! Totally tricked into giving a small detail about your own experiences with your practice, ner ner ner.

Nah, just playing. But this does raise an interesting point. If one's experience with two entities that exist in two different ways is virtually identical within the boundaries of one's own system (I imagine it would have to be a rather limited system, but whatever), it sounds plausible that the benefits of working with one could be identical to the benefits of working with the other.

When I was much younger, I would occasionally wonder about the reality of Chris Farley compared to the reality of insert-fictional-character-x, since my experience of the two were pretty much the same: seen on television and movies and nowhere else. Of course, the scope of Chris Farley's influence is much broader and deeper than a fictional character (impacting on a very deep and personal level with family, friends, co-workers, fans, etc., something a fictional character cannot do), even if I don't consciously recognize that fact, and of course now I realize that working with a broader, deeper system is much more preferable to me. The benefits are much...eh...bigger, I guess.

While I can't imagine one disagreeing with me on that score, I wait to be convinced.
 
 
ONLY NICE THINGS
05:26 / 28.01.09
This may also help us.
 
 
trouser the trouserian
06:55 / 28.01.09
It's absurd how long this focus on my experiences has continued, why doesn't someone else relate their experiences?

Yes, I was wondering the same thing myself - and really, just saying "such-and-such has not been my experience" without any further clarification or expansion isn't much of an argument, is it?

We just suggested that making these pronouncements without any sense of an actual magical process you have undergone won't get you very far.

But Haus, the focus here has been very much on alex's "pronouncements" hasn't it? But I for one don't see why, for example, Quantum's pronouncement:

I don't think so. They are loosely based on real gods and demons, and created by one guy or a handful of writers as entertainment, rather than believed in as real beings by hundreds of thousands of people for thousands of years.

- which seems to me to be a prime example of one of those lovely, grand occult generalisations that's actually, very hard to substantiate and falls apart after even the most cursory poking - shouldn't get the same scrutiny. I don't honestly get a sense that quants is saying this out of an actual "magical process".

Trouser the T. has given us a really interesting account of how entities can sort of accrete deity by being treated like deities, which I think is a really interesting insight into practice.

I was musing this morning about the various epiphanies I've had over years in relation to magical work in terms of the intensity, the way they've impacted on my life (which as a process of itself led to an epiphany of sorts, but I won't go into that now) and I began to reflect on some of the major ones - and I'd have to say that one of the most intense - and the most life-changing - was the one which occurred in 1985 as part of a ritual invokation of the discordian Eris. I'd say my life turned around at that point. It was in that moment that I knew the career path I was following (guaranteed job at the end) wouldn't work. It was that moment which I felt reverberating in pretty much all the magical work - and all the "associated" stuff (writing, producing various publications, doing stuff in public etc.) for the next ten years or so. I still have the audio recording of the first part of the ritual, and sometimes, when I can bear to listen to it, I'm snapped back to an echo (at least) to the intensity of that experience.

I've never really had this sense of a divide between, say, pop culture icon X and historical deity Y and the former being somehow lesser than the latter. I'd been taught by my Wiccan teachers that if you want to approach a magival being, you do so with reverence, with love, with passion, with style. So I still have the magical weapons for the Eris ritual, and the painting of Her I commissioned from a local artist, and, come to think of it, I still have the awful verses I wrote about Cthulhu back in 1980.

So here's my thought. I've done magical stuff for years with Lovecraft's creations, with the discordian Eris, with entities with various degrees of "history" to them (is that history always accurate?). Sometimes its been a one-night stand, sometimes something a little more long-term, very long-term (over two decades) in a few instances. But my experiences, I'd contend, aren't down to whether or not the being in question is a creation of a pulp horror novelist or a diasporic Indian goddess who's cult is a couple of centuries old. They're down to me, and how much of my heart I put into my ritual, or however else I choose to seek connection.
 
 
Closed for Business Time
08:54 / 28.01.09
trouser - I meant J. J. Gibson, the psychologist.
 
 
Quantum
10:32 / 28.01.09
Quantum's pronouncement:

I don't think so. They are loosely based on real gods and demons, and created by one guy or a handful of writers as entertainment, rather than believed in as real beings by hundreds of thousands of people for thousands of years.

- which seems to me to be a prime example of one of those lovely, grand occult generalisations that's actually, very hard to substantiate and falls apart after even the most cursory poking - shouldn't get the same scrutiny. I don't honestly get a sense that quants is saying this out of an actual "magical process".


You'd be quite right that I'm not saying it out of an actual magical process, I don't do any deity work with any pantheon or any of the Buffyverse. But here's my scrutiny of that statement;
I prefaced it with "I don't think so" because it's just my opinion I'm expressing. Then I wrote They are loosely based on real gods and demons because IMHO they have similar characteristics to historical entities, for example the prehistoric uberdemons known as Old Ones are quite similar to titans (and transtextually from HPL of course).
created by one guy or a handful of writers as entertainment is true, and for me a major difference between trad myths and pop culture.
...rather than believed in as real beings by hundreds of thousands of people for thousands of years. is again true. To be clear though, I am not appealing to age or popularity as metrics of how real an entity is, I just think it's an important difference. To me, the evolution and natural selection of ideas means that weak ideas get forgotten and the strong ones don't- it's a very rough rule of thumb with plenty of exceptions, but generally I think popular ideas that have been around for a while have more appeal, more depth, more traction for me.

You'll note I more recently posted this-
Trouser's post is an excellent example of someone using something productively in their practice, irrespective of it's(/their) status as perceived by other people. I think it goes toward proving that it doesn't matter whether your personal deities are traditional saints or the device from the Wasp Factory, it's what you do with them that counts.
Which would seem to agree with your "But my experiences, I'd contend, aren't down to whether or not the being in question is a creation of a pulp horror novelist or a diasporic Indian goddess who's cult is a couple of centuries old. They're down to me, and how much of my heart I put into my ritual, or however else I choose to seek connection."

Not to get defensive but my grand occult generalisation is in fact my opinion that more complex and mature ideas/concepts/godforms/fictional characters are more rewarding to work with, which is borne out by the anecdotal evidence of various people I have spoken to about it. See XK's post I have done a fair amount of animus work with fictional characters. When a Personalty has stepped back through the work it wasn't the fictional character but another Being using that symbol structure.


It's absurd how long this focus on my experiences has continued, why doesn't someone else relate their experiences?

What, you mean apart from XK and Gypsy Lantern and Trouser the Trouserian..? Read the thread more closely.
 
 
Quantum
11:14 / 28.01.09
Crap, am awaiting another mod to approve my edit to make that post readable.

Meanwhile, investigating JJ Gibson, @Closing Time- I'm not sure I understand what you mean by 'the Gibsonian sense' here;
I can't get around the hunch that at least for some s/S-relations the "/" is not arbitrary, but given or afforded (in the Gibsonian sense) by pre-discursive experience or understanding.

Do you mean in terms of direct realism, like the signifier/signified have some sort of real relation based on our direct veridical experience? Help me out, my semiotics is weak.

On the same subject, Trouser said myth-making involves the appropriation of cultural/historical objects or signs and attaching new meanings to them which makes me think of the contrary case, where myth making involves generating entirely new objects and signs and attaching old meanings to them.
I'm thinking specifically of mythopoeic poets like Shelley and Blake, Ozymandias is an example of appropriating old signs (Ramses) and attaching new meaning, Urizen is an example of new signs with old meanings (Genesis).

I may be misunderstanding what you meant, or semiotics in general, but it seems to me you can give an old concept a new face or a new concept an old face, the important thing to me is the power of the concept.
 
 
trouser the trouserian
11:20 / 28.01.09
Interestingly, because Darth Vader is an intellectual property, his development is not organic - it is stratified into approved canon, extended universe semicanon and unofficial, unapproved fan history and narrative. One might arguably say the same of Odin - that if one were to claim that he was married to Alex Trebeck, say, one might find one's claim decried as, in effect, non-canonical. However, the set of what Odin means to me is probably broader and deeper, because Odin simply means more than Darth Vader, or indeed Yoda or Buffy.

Haus. Interesting that you bring up the theme of canonicity. Reminds me of the discussion we had on this thread regarding the canonical interrelationships in Buffy - and some of the concerns I raised here concerning the notion of UPG vs "the lore" and ensuing discussion - particularly Mordant's point regarding Diana Paxson's invention of the names of Freya's cats - which has to some degree, become widely accepted. The 'problem' (if indeed one wants to view it as a problem) of establishing canonicity when it comes to magical experience is that its very difficult to do effectively - without becoming exclusionary.

It may even be useful to consider how quickly attempts to establish canonicity become exclusionary - and violent acts. Related examples that spring to mind include Anne Rice's war on fanfic, to the row between American indologists and Hindus who object to their representations of their religious beliefs.

I'm admittedly much more interested in how we determine what's important & valuable magically as a discursive production than the visible results of the process. I'm minded of Gerald Graff's comment (very apt for magicians) to the effect that whilst canons come and go, what we need to do is "teach the conflicts" - in other words, instead of trying to continually reshape what's considered canonical why not shift the spotlight onto the process by which we determine what's important.
 
 
Closed for Business Time
11:59 / 28.01.09
Do you mean in terms of direct realism, like the signifier/signified have some sort of real relation based on our direct veridical experience? Help me out, my semiotics is weak.

Yes, that's partly what I'm getting at. My interpretation of what alex supertramp, and to a certain extent trouser, is arguing is that the relation between a symbolic-mythic entity and it's referents (eg powers, symbolic con-/denotations) is largely a matter of convenience and convention, whereas GL, XK and you(?) seem to argue for the non-conventional, human-independent existence of gods and other entities of liminal ontology.

In terms of semiotics I think the first position (alex, trouser) is closer to a structuralist semiosis where the relation between sign and referent is arbitrary and socially defined - which in practical terms means that doing magic becomes a matter of subjective effects explainable through reduction as neurological epiphenomenalism.

The second position - that working with "established entities" is more real or authentic, seems to presuppose a relation between signs and signifieds that isn't arbitrary, but predicated on a logical or causal association between the two. In this position gods and demons etc are real, mind-independent objects that can be directly apprehended without need for the detour around the realm of concepts.

The production of signs under the second position is then constrained by the affordances (the qualities of an object that allows an individual to perform an action) of the entities we interact with.

Jeez. Does this make any sense?
 
 
My Mom Thinks I'm Cool
12:57 / 28.01.09
I guess everyone's understanding of the difference between pop culture entities and ancient entities hinges on how I practice magic.

no, I was saying, and everyone else has been saying, our understanding of your experiences hinges on you telling us about your experiences.

have I not made this clear? do you have me on ignore or something?

no one is demanding you prove yourself as a magician. you keep asking why anyone would possibly want to know anything about your experiences. I was trying to answer your question, purely because you seemed confused.

really, just saying "such-and-such has not been my experience" without any further clarification or expansion isn't much of an argument, is it?

how does

your experience seems to be that there is no significant difference between these kinds of workings, and that's fine by me

sound like I'm "making an argument"?

I am, at no point, trying to say "you're wrong and here's why". I don't think you're wrong. I don't need you to prove anything to me. I don't need you to explain your experiences so that I can understand how I work with my gods, and how you managed to read that into my posts is beyond me.

I was just trying to help explain things you seemed not to understand.

I admit it's entirely possible that the only "real" difference between working with a God and working with an icon is a sort of psychosomatic effect because we expect there to be a difference. I don't believe this is true, but I see no way to prove it and I am not trying to.

I can imagine many reasons it would actually be preferable to work with Yoda instead of Odin. I can also imagine many other reasons it'd be the other way around. I guess it depends on what your goal is and how those pros and cons weigh for you. like I and other people said about ten times - not better or worse, different.

personally, I don't get to pick who I'm working with, and the few times I tried didn't work out well for me. Gods and such decide to work with me, and I just say "okay!"
 
 
Gypsy Lantern
13:05 / 28.01.09
Sorry for delay in getting back to this. A twelve hour work day intervened... Where were we?

There's no reason I can't sit in my room and summon Willy Wonka, as apposed to any of your other more 'traditional', or if you prefer 'acceptable', entities.

No, there isn't. But what I'm saying is that the experience you will get will be qualitatively different. If you work with Willy Wonka, you will get something else on the other end of the line, for sure, just as you do when you work with Cthulhu. The fictional mask feeds into a mystery, but what I've found myself, is that characters from fiction tend not to have the same complexity, autonomy and agency in terms of the
feedback/response you get from them and the depth of relationship that you can find yourself involved in. Working with Willy Wonka is alright for a two week experiment, but I don't think there's really as much depth there to sustain you through a lifetime of devotional practice. I think the proof is largely in the pudding, as it were, and although I've ran into a lot of people such as yourself - terribly excited about pop culture "godforms" - I am yet to meet someone who has sustained the same sort of lifelong depth of relationship and intimacy, that I regularly encounter among people who work with entities that are encoded with a history of human traffic.

"Acceptable" doesn't come into it. I'm not coming round your house telling you what you can and can't do (yet). You could dedicate your whole life to working with Al Swearengen for all I care, but my impression - from my own work in this area and from observing the accounts of others - is that fictional characters do not have the depth and complexity to sustain long-term, as in a lifetime of, practice and devotion. My hypothesis is that it may in fact be the history of human interaction that makes the qualititative difference, as that would appear to make some sense. If, for the sake of argument, both older deities and fictional characters are both "FICTIONAL" (as you put it) - and I'm afraid my jury remains agnostically out on that one - what do they *not* have in common? What seperates them? Odin has thousands of years under his belt being called on and interacted with by humans, people have fought for him, lived and died for him, dedicated their whole life to him, whole cultures have had traffic with him. Nobody has done that with Buffy, and I kind of doubt that they ever will. So could it be that its the level of *interaction* over time, that creates the observed qualititative difference between these two modes of arguably "FICTIONAL" entities?

This is the internet, I don't feel obligated to detail my religious history with you, just because you demanded it.

No. This is Barbelith Temple, and although it has fallen on hard times, that used to stand for something. I'm not asking you to detail your religious history or disclose any private information. I very rarely talk directly or openly about my own personal practice on the internet, but everything I write is directly *informed* by that practice, and I endeavour to make that experiential background as transparent as possible by giving account of how my ideas about magic have emerged out of my experience. Without bringing that to the table, my posts would be worthless, as it is impossible for a reader to gauge whether the content of my posts - and my ideas about magic - are the hard won fruits of experience or something that I've just made up in order to sound cool on the internet. By not providing any experiential background, you are not allowing me or anyone else to assess whether your ideas are based on something you have actually done, or if you are

I'd appreciate if you stopped making baseless assumptions about my magical practice. We've never met, you don't know anything about me, stop trying to dissect my argument by what you think I've experienced or not.

I'm not making baseless assumptions about anything. You are not providing me with sufficient experiential background to your ideas for me to be able to take any of what you say very seriously. It is essential to dissect your argument based on whether or not it appears that you have actually spent a reasonable degree of time (i.e, more than a year) working with both fictional and more established entities. If you have, then you are contributing signal; if you have not, you are contributing noise. Nothing you have written so far really has the ring of the experiential about it, this may just be a stylistic thing in your writing, but that's all I have to go on. Without dissecting your argument by this sort of criteria, there is nothing to seperate the accounts of people who have actually done something and are reporting on their experiences, from the accounts of attention seeking muppets who have never really done much deity work themselves but feel entitled to parade their speculative fiction as it were the same as an experiential account. All I am looking for is enough experiential basis so that I can file you in the former category, rather than the latter, where you currently reside in my mind.

I've only seen Gypsy Lantern straight away differentiate gods and Buffy based on his experience of his gods alone, rather than comparing it with an experience of trying to contact deity-Buffy.

Did I talk at length above about my experiences working with the Lovecraft pantheon of fictional deities, and how I currently utilise pop culture iconography in the context of Vodou? Or did I just imagine writing that? I actually *do* have a place for Omar from The Wire in my cosmological view of the Universe. It's more along the lines of how XK frames it above though.
 
 
trouser the trouserian
13:14 / 28.01.09
Closing Time

Well, it's some time since I read Saussure, and I'm not sure I'd want to get into a protracted debate regarding his principle of arbitrariness at this moment in time - though maybe a seperate thread on Semiotics would be an idea. However, as to your interpretation of my argument here - yes, I am much closer to a structuralist position - namely that entities can be considered as cultural productions rather than being - as you put it - "mind-independent entities". However, I don't agree that this necessitates taking up the position that-doing magic becomes a matter of subjective effects explainable through reduction as neurological epiphenomenalism. It doesn't have to be an either/or proposition, does it?
 
 
Closed for Business Time
13:57 / 28.01.09
trouser,

maybe a thread on semiotics and magic might be a good idea. at least it would afford me the opportunity to make a right fool of myself.

as for the either/or of what/where is magic - i do agree that ontic explanations of magic don't have to be either neuro-materialist or spiritualist-idealist. they could be social as well, if we grant the existence of language-independent social entities with the capacity to produce material causal effects not reducable to individuals' actions. i think this could be a way to go, a third path between psychological and spiritual explanations of magic and liminal entities.

in this sense (mind you, i'm half speculating, half talking outta my ass here) gods and demons emerge from protracted associations between different actors/objects in complex systems.

the following definition is ripped from the Wiki article on emergence: "The common characteristics are: (1) radical novelty (features not previously observed in systems); (2) coherence or correlation (meaning integrated wholes that maintain themselves over some period of time); (3) A global or macro "level" (i.e. there is some property of "wholeness"); (4) it is the product of a dynamical process (it evolves); and (5) it is "ostensive" - it can be perceived. For good measure, Goldstein throws in supervenience -- downward causation."

would this be a more fruitful view?
 
 
Quantum
14:07 / 28.01.09
Jeez. Does this make any sense?

It does, but in terms of how you expressed the dialogue there I actually fall into the first position ('a structuralist semiosis where the relation between sign and referent is arbitrary and socially defined').
In fact I go further in a way, as I don't personally subscribe to the Fregean sense/reference relation which seems to underpin the sign and referent relation you're using. I forget which theorist I am agreeing with when I say I believe it's signs all the way down, we have no access to the referent if there is such a thing.

In this position gods and demons etc are real, mind-independent objects that can be directly apprehended without need for the detour around the realm of concepts.

...so I sort of end up there, because to me all apparently mind-independent objects are in the realm of concepts, as what we can experience is all in the mind (idealism).

So I believe anything can float your boat from an Archangel through Buffy to your favourite bong, if approached the right way, but some things IN MY OPINION are more suited to worship than others, like some things are more suited to hammering than other things.
 
 
trouser the trouserian
14:59 / 28.01.09
Closing

Anything that attempts to circumvent the "objective-subjective" divide is, I think, worth looking at. I am quite taken with Geoffrey Samuel's propositions of the multimodal framework, for example - no time to go into this now, tho'. I'd have to look into Emergence more fully before commenting further - but in general, I'd say that I was in favour of schema that are inclusive of multiple considerations and affects.

I am yet to meet someone who has sustained the same sort of lifelong depth of relationship and intimacy, that I regularly encounter among people who work with entities that are encoded with a history of human traffic.

My work with Cthulhu et al spans a period from 1979 to 1995 and that with discordian Eris commenced around 1984 and tailed off around 1998. Granted, there were periods when I was more actively engaged than others, so with Cthulhu it goes (roughly) 1979-81 fairly intense, it sort of recedes into the background between 1982 to 1986, pops up again fairly intensively between 1987 and 1993, and sort of bubbles under '94-95. I think the last time I did anything Cthulhu-oriented was in 1999.

personally, I don't get to pick who I'm working with, and the few times I tried didn't work out well for me. Gods and such decide to work with me, and I just say "okay!"

This, I think, is a really interesting statement and resounds with my own experiences. I was talking to my partner this morning about what motivates us (magically) to do what we do - she's an artist. She said something to the effect that she doesn't make a conscious choice about what art she does - it's not like she makes a conscious choice one morning to do a whole series of dragonfly prints - it's rather more complex than that - it's more of what feels right at that moment. It put me in mind of the time I did a 'protracted working' (by which I mean it went on for about eighteen months) with Isis. I've never had much of an affinity with Egyptian gods - never really been drawn to that whole approach. Yet in 1984, reading Dion Fortune's "Moon Magic" (for the umpteenth time) I was suddenly and inexplicably moved to tears - a sudden sadness welling up unbidden, as it were. This experience coalesced around the Isis portrayed in Fortune's novel and I began, haltingly, to worship Her and take Her as the pivot of my existence. The ritual of unveiling which I did at the 'peak' of this intense period threw me into a state which took several weeks to "come down" from. I'm still not sure why I did it - only that the whole affair "felt right" at the time.

So how is this relevant? I sometimes get the impression that an element of the whole pop-cultural argument is that individuals are seen to make a conscious choice along the lines of "hey, ho, it's a wet tuesday, I think I'll invoke Cthulhu 'cos that will be cool". I think its more complex than that - or at least, it's more complex for me. I have attended rituals where the presiding deity has been chosen out of hat (not chaos magic's finest hour) and the resulting experience for me at least, was not memorable. I prefer actually, to speak of these relationships as though they were love affairs - sometimes fleeting, tantalising, sometimes more drawn out, sometimes I'm surprised by the rediscovery of a passion I thought long burnt-out. Chosen or choosing - sometimes its a fine line between one or the other.

thoughts?
 
 
Gypsy Lantern
15:35 / 28.01.09
Nothing you have written so far really has the ring of the experiential about it

I should qualify that statement. Generally, when someone has direct personal experience of deity work, you can pick that up just from the way in which they talk and write about those encounters. It shows through in how they discuss the subject. They will tend to contribute ideas and insights that are their own, arising from something they have done, and you will be able to tell that from how they discuss it. While they may not divulge the actual details of their practice, it will be apparent that they are talking about a core experience that *they* have had themselves.

You conspicuously don't do this. You don't really seem to be bringing anything to the table that looks as if it has arisen from your own work, and as pointed out above, all of the ideas you are forwarding could have been taken wholesale from The Invisibles or Pop Magic and simply regurgitated on this thread in occasional BLOCK CAPITALS for emphasis. When called upon to contribute something beyond this reheated chaos magic doctrine, something that actually appears to be drawn from your own encounters with both fictional and historical/cultural entities, you immediatly clam up, get defensive, and perform cartwheels in order to evade the issue. None of which really creates the impression that you are basing your ideas on your own solid long-term experience of both modes of entity, which in turn makes it very difficult for me to attribute any value to what you have to say on the subject.

I would be interested to hear about someone's longterm and committed relationships with fictional deities, in order to compare that with how deity work seems to function in traditions such as Vodou. However I have yet to encounter a single person who has reported any experiences of working with pop culture entities that appears to any degree comparable to what it is like working with the Lwa, or the Norse, or whoever. It really seems to be two different yet related things, as far as I can tell, based on both my own experiences and the various first hand accounts I have read. I've encountered plenty of people who have done a one-off fly-by-night ritual for Batman or Superman, or worked with them for a few weeks, or who do a ritual based around them once every few months, and get results. I'm not disputing that as I've experienced it myself. But I have never encountered anyone who has a permanent altar to their pop culture entity, speaks to them everyday, makes big all night services for them with drums and dancing, has certain obligations to them they must observe, is learning a system of magic directly from them, and regularly has experiences that go against their expectations. All of this is characteristic of deity work, as I understand it, and I've never got that from pop culture entity work myself or come across another person that has.

That last point is perhaps the most important. Work with the Lwa continually produces experiences that go against expectation. I may have a comfortable routine for establishing communication, but once the connection is open, it is very much like conversing with another complex living personality, with a history, an agenda, likes, dislikes, and so on. I've never personally got that same degree of complexity out of fictional entities. They can be an archetypal window on a larger mystery, but there doesn't seem to be enough depth there to sustain a lifetime of devotion. I've also found that fictional entities tend to be limited by the parameters of the fictional works they have been extracted from. It's difficult to have a relationship with Cthulhu, as a raw elemental force, without Lovecraft and his weird hang-ups getting in the way on some level. That's really what made me move away from that stuff. I felt that I was definitely connecting to *something* through the fictional mask, but that mask was itself limiting my ability to access what was behind it. I've found the Vodou lens on the mysteries a lot more flexible as, for one thing, there isn't a core text that demarcates the operating parameters of entity.

Another key point may be that a lot of fictional characters such as Buffy, Yoda, Al Swearengen, etc, may reflect certain archetypes (the hunter, the wise man, the gangster, respectively) but they are not deities in the context of the fictional work they exist within - so it always feels a bit jarring to extract them from that and expect them to have the attributes and power of deities in our world. If you extracted her from her fictional world, why would Buffy be able to get something done for you? The logic, or LOGIC if you like, doesn't seem to follow. Why would Yoda have deity level powers in our world that he doesn't have in the fictional world he belongs in? What does he actually do for you? Teach you to levitate X-Wing Fighters? Speak in linguistically peculiar platitudes? What you tend to find with historical/cultural deities, is that they possess deity level power, have a specific remit and area of operation, and possess their own magic that they can teach you if you have cultivated a deep enough relationship with them to warrant being taught. Ghede can teach you complex stuff about working with the spirits of the dead that isn't in any book, and through the course of a longterm relationship, you gradually get to learn some of that and develop as a magician as a result of that relationship. I've never once encountered someone who works with pop culture entities who has reported a lifetime relationship with those deities that functions in this way, with a distinct learning curve and obligations on both sides. The parameters of pop culture deity work tend to be more along the lines of "do a ritual for The Flash, beat the rush hour traffic", which is not quite the same process as what I'm describing.
 
 
Tuna Ghost: Pratt knot hero
15:53 / 28.01.09
Excellent explanation, Gypsy. Like I said: it would most likely have to be a very limited system to put Yoda on par with any major (or minor, even) diety or spirit in regard to benefits of your practice..
 
 
alex supertramp
17:35 / 28.01.09
In regards to my magical practice, I'm simply not willing to comment any further. I've said my piece about that, over and over. Talkig about it any more is a waste of everyone's time.

I would like to comment further on some of these posts though, I don't have time at the moment.
 
 
Ticker
18:53 / 28.01.09

Closing Time
Yes, that's partly what I'm getting at. My interpretation of what alex supertramp, and to a certain extent trouser, is arguing is that the relation between a symbolic-mythic entity and it's referents (eg powers, symbolic con-/denotations) is largely a matter of convenience and convention, whereas GL, XK and you(?) seem to argue for the non-conventional, human-independent existence of gods and other entities of liminal ontology.


GL:
I may have a comfortable routine for establishing communication, but once the connection is open, it is very much like conversing with another complex living personality, with a history, an agenda, likes, dislikes, and so on. I've never personally got that same degree of complexity out of fictional entities.

Trouser:
Yet in 1984, reading Dion Fortune's "Moon Magic" (for the umpteenth time) I was suddenly and inexplicably moved to tears - a sudden sadness welling up unbidden, as it were. This experience coalesced around the Isis portrayed in Fortune's novel and I began, haltingly, to worship Her and take Her as the pivot of my existence. The ritual of unveiling which I did at the 'peak' of this intense period threw me into a state which took several weeks to "come down" from. I'm still not sure why I did it - only that the whole affair "felt right" at the time.


For many years my practice included mainstream pagan Deities who might have well been fictional characters for all the lack of external agency I experienced in my interactions with Them. It was the sense of discrete external Personhood separate from my self that caught me off guard when I did begin working my current Deities. They decide to pick me during 'pledge week' when in my early twenties I went on pilgrimage with my Dad to Ireland. Before that trip I had never had an experience of what Closing Time refers to as "non-conventional, human-independent existence of gods".

I've been reading some Dion Fortune for my Geomancy course and she mentions Over Souls of a place, what I and mine would call Genius Loci. Now remotely away from Their sites I've had experiences with my Deities that are profound and meaningful but never on par with what I have when I am physically at the sites I associate with Them. I tend to believe in the model of polytheism John Michael Greer explains in his excellent book A World Full of Gods. They have limits and are not the pagan replacement figures for the omnipotent Deity of the Judeo-Christian Western trad. I have at times felt a conflict between my understanding of Them and the Personality coming through. Over the last few years a great deal of my work was to clarify Who I was interacting with as my experiences were wandering off from what I understood of the mythic history of the Deities. The question arose, was I having a relationship with the Deities I thought I was or was it an entirely different Being?

The barometer/litmus test for me was that sense of Presence and agency on the other side of the relationship. The historical and mythic information I had was at some points no better than scholarly fanfic as there was no living tradition of worship for these Deities. The information I had access to was not written by believers for believers.

I think this is an important difference from say GL's experience in a living tradition where elders can mentor and give feedback.

One of the strongest threads I followed were experience like Trouser mentions in the quote above. When the work resonated in my intuitive core as legit I kept going in that direction.

The fictional characters and even the early interpretations of Deity I tried working with were not doors by which I could enter into the Presence I sought. The latter shapes and names gave me entrance and I followed the feedback upstream. The more work I did the greater the improvement in the connection until finally I don't feel a vast separation between here and there. I know Who I have a relationship with not by pointing at sacred texts or fanfic but by an internal sense. I can write Their names but the words don't have the same resonance for other people. I imagine this is always true when the symbol fails to express the Person it stands for due to lack of firsthand experience. I think I spent a few months last year freaking out over names as symbols because the exploratory work was so intense.

Ultimately I advocate the deeper relationship where there is no doubt only the strong bonds of friendship and family. If you get there through the door of a fictional character or not, the building of the relationship still requires hard work.
 
 
alex supertramp
19:16 / 28.01.09
"I should qualify that statement. Generally, when someone has direct personal experience of deity work, you can pick that up just from the way in which they talk and write about those encounters. It shows through in how they discuss the subject. They will tend to contribute ideas and insights that are their own, arising from something they have done, and you will be able to tell that from how they discuss it. While they may not divulge the actual details of their practice, it will be apparent that they are talking about a core experience that *they* have had themselves."

Wow, you are seriously insulting, Gypsy lantern. All of my ideas are founded on my personal experiences. You are just harping on this elitist notion that you ASSUME, block letters intended, that I haven't had any personal experiences. My writing doesn't suggest that at all. I've substantiated my ideas. I mean, come ON! Can't you see how ridiculous you're being?

Seriously, BACK OFF. If you can't take my ideas, don't attack me personally. Substantiate this claim that my ideas "could have been taken wholesale from The Invisibles or Pop Magic and simply regurgitated on this thread in occasional BLOCK CAPITALS for emphasis." Where do you get off saying something like that?
 
 
alex supertramp
19:19 / 28.01.09
"By the way, you come off like you have no idea what you're talking about."

This is basically all I get from you Gypsy Lantern. What a useful and insightful commentary, it will surely help my magical practice in the long run.
 
 
alex supertramp
19:33 / 28.01.09
"You are not providing me with sufficient experiential background to your ideas for me to be able to take any of what you say very seriously."

There is CERTAINLY not sufficient experiential background to your ideas for me to take any of what you say seriously.

You just keep saying how I'm inexperienced, so I'm wrong. This isn't productive, Gypsy Lantern.

I've backed up my opinions. I've worked with your ancient and your new entities. I don't notice much of a difference between them. Yodia's 'fictional' history seems as real to me as Zeus's 'fictional' history. Although people have been perhaps adding or tweaking Zeus's history over an extremely long time, it doesn't make a difference to me when communicating to Yoda versus Zeus. Yoda still sounds, or feels, as real to me, despite relative youth compared to Zeus. Yoda has his own thousand years of history. The volume of canon and myth available to read and meditate on is probably larger for Yoda than for Zeus, although Zeus is in a LOT of myths.

In my personal experiences, new entities and old entities are definitely different, but also (IMO!) definitely equal.

I'll start getting ready now for a vitriolic attack on the amount of experience or lack thereof I'm demonstrating with my "taken wholesale from The Invisibles or Pop Magic" ideas.

BTW, Gypsy Lantern? I'm a writer, and saying I took ideas 'wholesale' from anything is like peeing on my lawn. In other words, I don't like when you say that.
 
 
alex supertramp
19:45 / 28.01.09
" 'In this position gods and demons etc are real, mind-independent objects that can be directly apprehended without need for the detour around the realm of concepts.'

...so I sort of end up there, because to me all apparently mind-independent objects are in the realm of concepts, as what we can experience is all in the mind (idealism).

So I believe anything can float your boat from an Archangel through Buffy to your favourite bong, if approached the right way, but some things IN MY OPINION are more suited to worship than others, like some things are more suited to hammering than other things."

I agree with pretty much everything you've said Quantum. I wouldn't really worship Willy Wonka. At least, I haven't found a reason to yet. Does Tim Burton worship Willy Wonka when he remakes it? I might, if I wrote the script.

So yeah, there are definitely entities more appropriate for worship then others. I wouldn't worship the ninja turtles, you know? It does matter which modern entity we're talking about. Of course there's a difference between Doctor Octopus and anything else.

If I were a crazy megalomaniac, I still might be inclined to worship Doctor Octopus, though. Good thing I'm not.

Muh hah. BWAhahaha!
 
 
Tuna Ghost: Pratt knot hero
20:06 / 28.01.09
Does anyone else see something...disturbingly familiar in AS's posting style?
 
 
alex supertramp
20:23 / 28.01.09
One more time, I swear. Gypsy Lantern:

"Another key point may be that a lot of fictional characters such as Buffy, Yoda, Al Swearengen, etc, may reflect certain archetypes (the hunter, the wise man, the gangster, respectively) but they are not deities in the context of the fictional work they exist within - so it always feels a bit jarring to extract them from that and expect them to have the attributes and power of deities in our world."

I do agree with this point, but I feel there are some more complexities to it. I guess Yoda is not a deity in name, by Star Wars canon. Let's look a little closer.

"A deity is a postulated preternatural or supernatural being, who may be thought of as holy, divine, or sacred, held in high regard, and respected by human beings.

Deities are depicted in a variety of forms, but are frequently expressed as having human or animal form...They are usually immortal, and are commonly assumed to have personalities and to possess consciousness, intellects, desires, and emotions similar to those of humans. Such natural phenomena as lightning, floods, storms, other 'acts of God', and miracles are attributed to them, and they may be thought to be the authorities or controllers of various aspects of human life (such as birth or the afterlife)."

One could argue that Grandmaster Yoda was "thought of as holy, divine, or sacred, held in high regard, and respected by human beings". I would assume non-Jedi's in the Star Wars universe would call this 3 foot tall, 1000 year old, nearly omnipotent alien holy, divine, or even sacred.

I would say that Yoda has "human or animal form".

I would also say that Yoda is 'immortal', having passed on his individual "consciousness, intellects, desires, and emotions" into the living Force.

This last part is also debatable. "controllers of various aspects of human life (such as birth or the afterlife)" Yoda inarguable shaped the lives of 2 generations of Skywalkers, and nearly a 1000 years of Jedis he trained. Whether you could call that 'controlling' the fate of human lives, I do not know. I do know it was Yoda who decisively said about Vader, "Your apprentice, young Skywalker will be." had Yoda not made that decision, (and it was a decision for the leader of the Jedi Council, the Grandmaster) who knows whether or not Darth Vader could ever come to exist. Yoda also offers to teach Obi Wan Kenobi how to achieve immortality through the force. At the same time, Yoda is over seeing the birth of Luke and Leia, and their separate adoptions. Birth, afterlife.

YODA ASIDE, there are still questions about your statement Gypsy Lantern. What about the Guardians of the Universe, who are a lot more like deities than Yoda is? They are usually depicted as immortal, omnipotent (or more powerful than the extremely powerful Green Lanterns, at least), and somewhat omniscient of the goings on in the DCU.
 
 
alex supertramp
20:25 / 28.01.09
"Does anyone else see something...disturbingly familiar in AS's posting style?"

What are you suggesting?
 
 
ONLY NICE THINGS
20:49 / 28.01.09
Only as an instantiation of a type, Tuna Ghost.

Man, I don't know. It just feels like reading books is really fucking hard these days. I mean, I know I've been spoiled, but man. I'm trying to approach the good and interesting points being made around this thread, but man.
 
 
Tuna Ghost: Pratt knot hero
21:31 / 28.01.09
Haus: Let's hope I'm just paranoid. The similarities are beginning to pile up in my mind.

I had almost started getting into the present misunderstandings regarding Yoda and the Guardians before, in a moment of clarity, I realized how utterly ridiculous it was.

Alex Supertramp: please bear in mind nobody is attacking you personally. Framing the argument as such is, aside from rather telling, an easy way of casting oneself as a victim when there is no reason to do so. Feeling insulted when someone begins to question your experience is natural, but please remember that you haven't given us any reason to believe otherwise. You've repeatedly refused to offer any background into your practice or why you feel Yoda and Odin are, in your opinion, pretty much the same type of thing.

Please believe me when I say that there is no insult intended when someone tells you that, without any background or explanation, your ideas and opinions mean diddly-squat. They could have easily been taken directly from various materials and regurgitated. That may well not be the case, but what exactly do you expect us to do with them?

You are just harping on this elitist notion that you ASSUME, block letters intended, that I haven't had any personal experiences.

Far be it from me to put words in Gypsy's mouth, but I think a more accurate statement would be " personal experiences from which one could garner good, reliable, and communicable information on the topics at hand".

My writing doesn't suggest that at all. I've substantiated my ideas.

But it does, and you haven't really. Others have fleshed out your ideas far more than you yourself, sir. I would ask for you to point where you've substantiated your ideas, and I expect we'll find that there's a big misunderstanding of the word "substantial" in at least one of us. A detailed (albeit often incorrect) list of Yoda and the Guardians' qualities doesn't count, as it doesn't have anything to do with the arguments offered. If you disagree with that statement, I invite you to explain why.

Seriously, BACK OFF. If you can't take my ideas, don't attack me personally.

Forgive me for repeating myself in the same post, but nobody is attacking you personally. Your ideas are not being "taken" (what do you mean by that, by the way? Accepted? Understood? Agreed with?) because you've offered us no reason to do so. This is not an attack, only an invitation for you to share.

Substantiate this claim that my ideas "could have been taken wholesale from The Invisibles or Pop Magic and simply regurgitated on this thread in occasional BLOCK CAPITALS for emphasis." Where do you get off saying something like that?

Personally, I need no substantiation because I agree completely. I imagine many others do as well, because you haven't elaborated on the ideas found in those materials very thoroughly, only repeated them.
 
  

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