True dat.
conscious or unconscious parallels between JC and Superman
Surely conscious, and Siegel was the original fanfic dude wasn't he... whoops, maybe that's a conversation for Comics.
Anyway I've been meaning to get back here to post my own experiment. Here's a little story for you...
So, imagine the scene- it's late evening, my partner and I are watching kung fu* and we are thirsty. Asked to get a drink, I willingly comply to keep my pregnant loved one content.
But wait! Entering the kitchen I find the light is broken for unknown reasons, so I am forced to stumble through the pitch black, I bark my shin! but successfully switch on a lamp, seize a bottle of fizzy water and return to the living room with the beverage. 'The lightbulb's blown in the kitchen honey' I tell my partner, and we continue to watch the kicking action, enjoying the carbonated water.
Why am I telling you this little story? Well, firstly to ask 'Is it fiction?' Is it on a par with Buffy or Superman?
Secondly to ask 'Is it Mythic?' The protagonist of the story undergoes the trials and tribulations of the classic hero's journey, consider;
A hero ventures forth from the world of common day into a region of supernatural wonder (the kitchen) fabulous forces are there encountered and a decisive victory is won (the dark, switching on the light) the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man (the fizzy water)
You could even map the traditional shamanic journey onto my quest, or myths of the descent into the underworld**, but you take my point- although my story follows the format recognised by Campbell*** it is lacking something, some mythic quality. Otherwise, people could worship the fictional me as a god because I went into the kitchen.
What's missing? Elsewhere in this forum, Trouser the Trouserian used the phrase 'Compelling Narrative' which I am going to steal for this purpose. The story of my water quest is not moving or gripping, it has no affect, it is not compelling. The story of (for example) Maui by contrast is compelling and magical. But that's not the only thing.
Buffy is compelling like popcorn, but not in the same league as Jesus. Even though she died for us, for me the narrative just does not carry the weight of myth, and even if some people faint from excitement about Buffy (plenty of affect there) the story has a different purpose.
To switch examples, I'm going to see Watchmen tonight (SQUEEE! SO EXCITED!) which is very definitely a compelling narrative, but I would not consider the characters myths or gods. And not because they're not old enough, or because they're pop culture (I could easily be convinced Promethea is a contemporary mythic figure, I think deliberately so, but that's another discussion) but because their purpose is different. They are created to entertain, not to be gods.
Does that make sense? For me the purpose of pop culture stories is to entertain, the purpose of myths is to explain the world. No matter how moved I am by Starbuck's adventures, or affected by the excellent performance of Edward James Olmos, BSG is just not mythic, Adama is not a god.
Yoda is not a god, Vader is not the devil, they are shallow retellings of classic stories. With lightsabers.
(Jet Li's vehicle 'Unleashed' if you must know)
**We almost named our daughter Persephone as it happens
*** I could have added more mundane details to cover The Seventeen Stages of the Monomyth but didn't bother-
-Departure (or Separation)
The Call to Adventure
Refusal of the Call
Supernatural Aid
The Crossing of the First Threshold
Belly of The Whale
-Initiation
The Road of Trials
Mother as Goddess
Woman as Temptress
Atonement with the Father
Apotheosis
The Ultimate Boon
-Return
Refusal of the Return
The Magic Flight
Rescue from Without
The Crossing of the Return Threshold
Master of Two Worlds
Freedom to Live |