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So, I finally made it through FC. I was waiting for the trade, but someone gave me the last few issues, so...
I liked it. I always liked it, issue by issue, I think, but as a whole it was even cooler (as it should be, yes?) and fulfilling pop righteousness.
Everyone got some great moments, from Superman to Green Arrow. Most Excellent Superbat, of course, had many. But, y'know what? They're better moments for the gleams of criticism, complaints and lauding, that I experienced before getting hold of the last few issues. No amount of description could top the play and interplay of the scenes themselves.
I think I prefer the series without the interruptions, though. Taking out Submit and the two issue Batman and Superman tales reiterates the overlapping nature of stories and that, for the characters, these are events in their lives, not structured narratives. It's cooler not to have the Superman 3D experience before mad vampire Monitor from hell shows up for the I am Your Father/Dad, I Hate You scene. As cool as the Batman story was, and it was very cool indeed, I don't need in this story an explanation of how Batman got free. He is Batman. He gets free. He wins. He thinks of everything.
The artist-shifts actually work for me. The early art made me a bit queasy and by the end it's big and purified.
Hawk-death made our friend from Mars' murder seem gratuitous at its couple pages. Reminded me of the climactic bits in Miller's DKSA. Super-shorthand communication.
And I was extraordinarily (and surprisingly) pleased that Turpin did not die. I didn't even think about it really, until he was saved, and then it was fanboyishly cathartic. |
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