BARBELITH underground
 

Subcultural engagement for the 21st Century...
Barbelith is a new kind of community (find out more)...
You can login or register.


Post-Modern Magick by Seth

 
  

Page: 12(3)45678

 
 
trouser the trouserian
13:35 / 15.04.05
Here's a message from a Seth ... can you guess which one?

"Many of you, for example, keep searching for some seemingly remote spiritual inner self that you can trust and look to for help and support, but all the while you distrust the familiar self with which you have such intimate contact. You set up divisions between the self that are unnecessary."
 
 
Seth
13:35 / 15.04.05
 
 
Gypsy Lantern
13:47 / 15.04.05
The turin shroud?
 
 
caffo
16:11 / 22.04.05
Finished the book today. There's nothing new - just real basic chaos magick theory with a lot of buzzwords. A book with a chapter dedicated to 'goth mages'? Come on, get some AOS syllabus and be happy.
 
 
Less searchable M0rd4nt
16:52 / 22.04.05
What on Earth could one put in a chpater on "Goth mages?" I'm pretty sure I'd have a hard time coming up with more than a sentence, and I am a Goth.
 
 
trouser the trouserian
17:16 / 22.04.05
Goths? Only Bananarama can save us now....
 
 
Katherine
04:23 / 23.04.05
Out of the Shadows had a whole section of goths and magic. Unfortunately mainly describing some various types of goths and not much else. I had the feeling the goth stereotype is used to underline the whole 'left hand path' thing. I'm now wondering if Seth's Post-Modern Magick is doing the same.
 
 
Unconditional Love
11:56 / 23.04.05
the theme of those ideas seems related to the hollow ones from mage the acsension rpg. the outsiders that belong to no tradition, depicted graphically in a gothic fashion.the ideas presented in some chaos magic texts give the impression that fiction and faction are blurred in magickal practice, to some extent that seems to be correct.
 
 
Less searchable M0rd4nt
12:18 / 23.04.05
I've got a deep distrust of texts where concepts are ripped, whole and undissected, from roleplaying games and then shoved into supposed magical instruction.

Sure, I think it's perfectly possible to work with RPG concepts and other chunks of pop-culture fun (I've evoked Getafix the druid to help me give a hand with a herbal remedy before now; another favourite is Marge from Fargo). But sometimes this kind of thing gets a bit "Oh, what an enticing RPG character class! I wish I could be just like them!" It seems a bit... limiting. RPGs are fun and all but trying to cram your whole magical practice into that narrow little frame? Mmm. I'll pass.

Of course you can argue that any path or system contains fictional elements, stuff that people have made up because there was a bit missing from a scroll somewhere or it just sounded good. But there's generally a lot of depth, too, room to spread out. Not to mention people having used these systems sucessfully or less succesfully in the past and having left notes as to what worked for them and what didn't.
 
 
TaylorEllwood
14:56 / 05.05.05
"Of course it may be full of interesting insights into the writers own personal system and how he came across it, how he grew with it, the roads he took, the influences he grew from, the painful processes he went through to get there, how he dealt with other people, family and friends to get there. But i'm betting it won't be." Ghadis

As I'm the author of this book, I'll just say I guess you bet wrong Ghadis. Actually a lot of my book is about some of the BS I had to put up with by magicians who thought pop culture wasn't magical enough...

To answer another question about why I think of william G. Gray and Stephen Mace as lesser known...over they ears i've practiced not too many peopel i've encountered have known either name.
 
 
ghadis
16:00 / 05.05.05
'Actually a lot of my book is about some of the BS I had to put up with by magicians who thought pop culture wasn't magical enough...'

That's not quite what i was getting at but i see your point. It was, of course, very lazy of me to dismiss a book without reading it so i'll try and get hold of a copy and give it a go. I was going on the spate of similer books brought out over the last few years such as City Magick which have all been pretty shite. Hoping yours will be better.
 
 
TaylorEllwood
18:52 / 05.05.05
Hello Ghadis,

Well I do try and discuss some of my personal approaches and show work in progress. I also try to keep it open enough for you or anyone to flesh out your own ideas without me being too prescriptive (I Hope). I hope you'll like it...most people seem to...and i'll answer any questions you have, if you like.
 
 
buttergun
19:33 / 05.05.05
Taylor, I have a question -- I see you've left favorable reviews for Seth's "Post Modern Magick" on Amazon. Just wondering what you found favorable about it, as a lot of the posters on here have been dissing it.
 
 
ghadis
20:01 / 05.05.05
Like i said, Taylor, i'll give it a read and hopefully i'll like it. Saying that though i hope that there isn't chapters devoted to sigil making or servitor building. As far as i can see that's now the equivalent of cookery books telling you how to boil an egg or self help book after self help book telling you to sit quietly and visualise a protective circle. Not that there is anything wrong with these techniques but i would hope that a 21stC manual of magic would come up with something new or at least a new take on these techniques.
 
 
TaylorEllwood
23:35 / 05.05.05
To answer the Seth question...I found some of his ideas in intriguing and worth experimenting with. It's how a book inspires me that matters most.

and to Ghadis...you'll find new takes and new approaches, but that's my opinion and I'm biased. Same for Space/Time Magic which is out in August.
 
 
trouser the trouserian
04:26 / 06.05.05
To answer the Seth question...I found some of his ideas in intriguing and worth experimenting with. It's how a book inspires me that matters most.

I think Ghadis was hoping for something a leetle bit more substantial in the way of critique.
 
 
illmatic
10:28 / 06.05.05
Hi Taylor, Glad you’re “here” – some quick questions for you.

I haven’t read your book (though I will) though I did read the downloadable first chapter and this interview with you. Now, my main disagreement with what you’ve said is your definition of pop culture vs. mundane culture. To quote:

Mainstream culture is mundane, everyday culture. It's the daily grind, the 9-5 jobs, the late night news with the latest stories about terrorism or Iraq. It's the reality that expects us to conform, so that we look, act, and think like everyone else. Pop culture is culture that's different, and changing all the time. It's alternative culture, it's someone who stands out and doesn't fit a conformed consensual reality. Pop culture is temporary, representing different values than mainstream culture.

Now isn’t this a bit simplistic? When you consider something that’s seemingly totally “pop” cultural like Buffy the Vampire Slayer or Britney Spears, aren’t they just the flip side of the 9-5? They are the creation of mainstream culture, it’s someone’s “9-5” to manufacture and market these artefacts, they’ve thought long and hard about the audience they’re trying to capture, and these products exist for one purpose and one purpose only – to make money for global media corporations, the same corporations that put out the “late night news”. Surely pop culture is inextricably linked with global capitalism?

I felt the same with regards to your comments about Star Trek. I don’t think Star Trek is in any way alternative. It’s a huge money making franchise and has been for years. It’s completely tied up with the multinational entertainment corporations and has been responsible for making the careers of a number of stars. Secondly, a close reading of it’s themes doesn’t to me show any “alternative” or counter-cultural values – it’s the good ol’ USA in space, pure and simple. Two examples – there’s usually a dominant white male at the helm (Shatner, Picard etc); the opposition to the Borg is pretty simply rugged (American) individualism vs. communism, as I read it. These are very much mainstream values to me, which are embedded in pop culture.

Note that I’m not against the idea of pop cultural magick per se. Indeed, I don’t think it’s helpful to frame things as a straight opposition between the new magickal pop cultural vanguard vs. stuck-in- the-mud traditionalists – it’s just that there are, for me, some unacknowledged weakness in your basic definitions, and some subtleties that need to be brought out. Comments?
 
 
Gypsy Lantern
11:55 / 06.05.05
I don't understand how you can make a distinction between "mainstream" culture and "popular" culture. Don't those terms mean the same thing, more or less?

Also, (and allowing for the fact that I might well be reading the above quote out of context) I find the idea of considering the evening news "mundane" to be slightly disconcerting...
 
 
ghadis
13:46 / 06.05.05
Does seem a bit odd. Taylor, do you mean that things like War, Famine, Murder, Rape will all go away if we run around dressed up as Captain Kirk babbling inanities in Klingon or something? Or will they just lose their power to make us conform (whatever that means)
 
 
TaylorEllwood
13:51 / 06.05.05
Trouser,

Buttergun asked the question and my answer in regards to Seth book will have to suffice, whether it's vague or not. The last time I read that book was quite a while ago and in the large amount of reading I'm doing for qualifying exams and research for the next book, I haven't really thought about in depth for a while.
 
 
TaylorEllwood
14:06 / 06.05.05
Lucky

Now isn’t this a bit simplistic? When you consider something that’s seemingly totally “pop” cultural like Buffy the Vampire Slayer or Britney Spears, aren’t they just the flip side of the 9-5? They are the creation of mainstream culture, it’s someone’s “9-5” to manufacture and market these artefacts, they’ve thought long and hard about the audience they’re trying to capture, and these products exist for one purpose and one purpose only – to make money for global media corporations, the same corporations that put out the “late night news”. Surely pop culture is inextricably linked with global capitalism?

Just because something is created by 9-5 people doesn't mean the people who chose to consume/watch it/read it are goign to perceive it that way. And given that the subject material of Buffy as an example represents a counter culture (inaccurately, but nonetheless) of sorts that doesn't necessarily conform to the 9-5 mainstream reality, and can be used to resist said reality. Now admittedly it's a product of the global corporate culture but my take on pop culture is taking that corporate culture and subverting it, by using it against the system, taking the symbols and ideas of pop culture and using them as a method magic to not only empower yourself, but fuck with the system. So to my mind even if pop culture is the flipside of corporate culture, what better way to infiltrate it then to use the tools it creates to make money. But that's my definition and its highly subjective to how I choose to use and understand pop culture. I make a point much later in the book that the entire purpose of theb ook is to stimulate your own approach to doing pop culture magic and that the book shouldn't be perceived as canon, but used as possible inspiration.

I felt the same with regards to your comments about Star Trek. I don’t think Star Trek is in any way alternative. It’s a huge money making franchise and has been for years. It’s completely tied up with the multinational entertainment corporations and has been responsible for making the careers of a number of stars. Secondly, a close reading of it’s themes doesn’t to me show any “alternative” or counter-cultural values – it’s the good ol’ USA in space, pure and simple. Two examples – there’s usually a dominant white male at the helm (Shatner, Picard etc); the opposition to the Borg is pretty simply rugged (American) individualism vs. communism, as I read it. These are very much mainstream values to me, which are embedded in pop culture.

Two other examples: A black leader in the DS5 series a white female leader in the voyager series. Also I might add the inclusion of various races human and otherwise working together, which strikes as remarkably different from the mainstream racist society that still exists on some level today. Again how you choose to perceive Star Trek as opposed to how I view it will shape how and if you choose to work with it. I see Star trek as a perfectly servicable tool for doing magic. I'm not concerned with it's corporate money making or its mainstream values, I'm concerned with how I can use it to accomplish my goals as a magician. I'm also concerned with how a lot of people choose to perceive, aka the trekkies and their particular devotion to this show and how that can also be used as a tool. Again it coems down to perception and how you choose to mediate your perception of an artefact toward how you wish to use it to accomplish your goals.

Note that I’m not against the idea of pop cultural magick per se. Indeed, I don’t think it’s helpful to frame things as a straight opposition between the new magickal pop cultural vanguard vs. stuck-in- the-mud traditionalists – it’s just that there are, for me, some unacknowledged weakness in your basic definitions, and some subtleties that need to be brought out. Comments?

See above. I hope I've answered your questions.
 
 
TaylorEllwood
14:25 / 06.05.05
GypsyLantern:

I don't understand how you can make a distinction between "mainstream" culture and "popular" culture. Don't those terms mean the same thing, more or less?

No, in my opinion, they do not mean the same thing. why do you think these terms mean the same thing?

Also, (and allowing for the fact that I might well be reading the above quote out of context) I find the idea of considering the evening news "mundane" to be slightly disconcerting...

Why? Lets consider that the evening news is slanted toward news that tries to get peoples attention, gets them on that channel and feeding that giant corporate sponsor. So focus is on murder, war, rape, famine, and violence for the most part, because the news corporations figure that focusing on that will get peoples attention. But you see this on the news all the time, so eventually it becomes mundane, because that's all that's focused on. and we can say, but these are important social matters and crimes, etc, so they should be focused on. I'm not saying they shouldn't be, but I doubt the average american gives a flying fig as long as it doesn't affect him/her and that is what is really disconcerting. The news conforms these people toward desensitization, toward not caring about what happens, toward mundanity. That and the corporate sponsor who sees this form of news as getting money. I label it mundane...would you rather I label it sensationalistic? The labels we give something, whether it's evening news determines a large part of how we choose to interact with what is labeled. In seeing it as mundane, for me, I recognize that the evening news is a source of conformity, of desnsitization. I don't propose either that dressing up like Captain Kirk will get rid of war, famine, etc. I do propose that it may be useful for the magic that you work, which is what my book is focused on. If that helps you avoid conformity (however you choose to define that) then that can be very useful for you, or not, depending on what you desire. It may also be useful because dressing up like Captain kirk and having a war protest, or something similar could be an extremely subversive form of magic that could fuck with the consciousness of people lost in mundanity. A good recent example of that is all the star wars people who decided to protest over not being able to see the next movie in the theatre of their choice in San Francisco I think. Now granted I think they could've chosen a better goal for protesting, but it was a different kind of protest/activity that went against the conformity of mainstream society.

The goal with this book isn't to solve all the social problems of the world. I just hope it'll invigorate your approach to magic by offering you a different perspective on how you might want to do magic and how you may want to apply magic to activities/hobbies you enjoy.
 
 
trouser the trouserian
14:32 / 06.05.05
Regarding Star Trek, I'm just in the middle of Simon Danser's new book the Myths of Reality and he notes that the power of Star Trek as mythic narrative was that it reflected the American mood of neo-humanist optimism in the mid-60's:
Although a little hard to imagine now, back in 1965, Star Trek was an aspirational vision of how America might evolve.
He goes on to say that this "radical vision" of future America included a russian, and a black woman - and notes that the first inter-racial screen kiss on American network tv was between Captain Kirk and Uhura.

Whether Star Trek was ever "counter-cultural" is highly debatable though. According to Danser, one can view Star Trek as a "frontier myth" (the show was originally entitled "Wagon Train to the Stars").

I'd reccomend Danser's book to anyone interested in the relationship between myth & culture.
 
 
trouser the trouserian
15:03 / 06.05.05
re: the relationship between "popular" and "mainstream culture", I feel that, rather than viewing them as binary opposites (a mode of thinking which after all, is itself a product of western cultural discourse) it may be more liberating to view the relationship as an ongoing dialectic process, if only as a stance with which to attempt to counter the hegemonising forces of the mass-media. Thoughts?
 
 
Gypsy Lantern
15:15 / 06.05.05
No, in my opinion, they do not mean the same thing. why do you think these terms mean the same thing?

As I understand the terms, if something is “popular” then a lot of people like it, and if a lot of people like something then it is “mainstream”. I’d argue that all of the above examples of “popular culture” – such as Buffy, Star Trek, et al are mainstream cultural artifacts. I don’t really understand the distinction you seem to be making. The terms are practically synonymous, surely?

I’m actually quite down on the idea of pop culture magic myself at the moment, to be honest. I’ve done a fair bit of it over the years, having been in groups that worked extensively with the Lovecraft mythos to groups that invoked the teletubbies at the four quarters as a matter of course and conjured up Mr Spock to solve logical problems. But these days I find that a lot of it feels a bit superficial, even showboaty, compared to other things.

I wouldn’t deny that elements of pop culture can be approached in terms of magic, or that you can’t get reasonable results from working with this stuff - and my criticisms certainly aren’t based on a kind of knee-jerk conservatism about magic… I just can’t really be arsed with it anymore, personally. I can’t imagine ever getting anywhere near the same kind of profound, life changing, genuinely transformative experiences out of a relationship with Buffy the Vampire Slayer that I could from a relationship with, say, Ghede.

In my interactions with deity, I’m hungry for richness and mystery, depth and complexity. That’s one of the key reasons why I do it, to experience the mysteries, learn more about reality and consciousness, and grow in power and understanding as a result of this process. I don’t really get that with the pop culture stuff.

You can get results, like you might with an artificial servitor, but it doesn’t seem to rip into your world and rearrange your entire frame of reference in the way that isn’t just symptomatic but actively characterises the process of working with certain other Gods or Goddesses.

Have you ever really been pushed by your relationship with a pop culture entity? Do they challenge you and put you on the spot on a day-to-day basis? Has your work with them ever scared you shitless to the point that you wake up screaming in a cold sweat? Does your relationship with them permeate every aspect of your life? Do you ever consult them before making important decisions? Are they in your corner? Has your relationship with one of these deities ever led you to radically rethink any of your fundamental beliefs about the world and your place in it?

This type of thing is absolutely central to the business of working with deity, as far as I’m concerned, and I’ve never got anywhere near it with the pop culture stuff I’ve done – which seems to operate on very different terms and fulfil a different sort of magical function. You can certainly do stuff with pop culture deities, but I’m not sure it’s actually triggering the same kind of processes or delving in at the same kind of depth as other types of entity work. I might be wrong.

Thoughts?
 
 
TaylorEllwood
17:23 / 06.05.05
Trouser:

re: the relationship between "popular" and "mainstream culture", I feel that, rather than viewing them as binary opposites (a mode of thinking which after all, is itself a product of western cultural discourse) it may be more liberating to view the relationship as an ongoing dialectic process, if only as a stance with which to attempt to counter the hegemonising forces of the mass-media. Thoughts

I could definitely see this. In fact, I think of pop culture as very fluid and constantly changing, with parts of it mergring with maisntream culture and eventually being incorporated in it. So yes a dialectic process, IMHO, is definitely workable.
 
 
TaylorEllwood
17:45 / 06.05.05
Gypsy Lantern:

As I understand the terms, if something is “popular” then a lot of people like it, and if a lot of people like something then it is “mainstream”. I’d argue that all of the above examples of “popular culture” – such as Buffy, Star Trek, et al are mainstream cultural artifacts. I don’t really understand the distinction you seem to be making. The terms are practically synonymous, surely?

No, they aren't. Just because a lot of people like something don't mean it's mainstream. As an example, a lot of people practice magic and like it. Does this mean that because a lot of people like occultism, it's mainstream? I don't think so and I'm willing to bet a number of people would agree with me that it's not mainstream culture persay. What makes pop culture different from mainstream culture is the very fact that some of those people are willing to fetishize the pop culture through costumes, fan fic, and other forms of expression and usually the culture that grows around the phenomena has it's own norms, which may or may not agree with the mainstream culture. In a sense pop culture is part of mainstream culture, just as a counter culture is part of mainstream culture, but the differences in values and norms are what make pop culture different from mainstream culture. I don't think mainstream culture embraces occultism for instance and yet in pop culture shows such as Buffy occultism is blatantly shown, if with a hollywood twist. Let's use star Trek though. Do you really consider that people who dress up like klingons, trek officers and other assorted races are acting as part of mainstream culture. How does mainstream culture usually react to such people? Usually it's with derision because these people have chosen to take their enjoyment of the show to a new level by learning a language of a fictitious alien race or dressing up in starfleet uniforms. mainstream culture even lables these people trekkers/trekkies, etc. These people have formed a subculture around Stark Trek, which doesn't necessarily fit into the mainstream culture of everyday life.


I can’t imagine ever getting anywhere near the same kind of profound, life changing, genuinely transformative experiences out of a relationship with Buffy the Vampire Slayer that I could from a relationship with, say, Ghede.

And yet at one time Ghede was just as new as Buffy and perhaps had to contend with older beliefs and gods. I don't see how the newness of a potential deity, persay, is an issue toward having a meaningful relationship with said deity.

Have you ever really been pushed by your relationship with a pop culture entity? Do they challenge you and put you on the spot on a day-to-day basis? Has your work with them ever scared you shitless to the point that you wake up screaming in a cold sweat? Does your relationship with them permeate every aspect of your life? Do you ever consult them before making important decisions? Are they in your corner? Has your relationship with one of these deities ever led you to radically rethink any of your fundamental beliefs about the world and your place in it?

I've had what I consider to be some very power life-altering situations occur by working with pop culture deities. The system of magic that Storm and I put together based on her Wraeththu series for instance and my workings with it have had me working very intimately with several of the deities from the pantheon created. I work with them everyday, so again I fail to see how just because something is older it's better. I think, as with any form of magic, its the dedication YOU put toward what you choose to work with that makes or breaks the magic. And this can be done with pop culture.
 
 
ghadis
22:04 / 06.05.05
Don't have much time to post on this at the moment but to my mind this...

'And yet at one time Ghede was just as new as Buffy and perhaps had to contend with older beliefs and gods. I don't see how the newness of a potential deity, persay, is an issue toward having a meaningful relationship with said deity.'

...is a pretty inane comment. Trying to equate Ghede and Buffy as both potential deitys who at one time or another have to battle through the obstruction of past beliefs and ideas of people to gain their position is just stupid. It has nothing to do with the newness of a deity at all. It does have something to do with how that deity came about. Buffy is a fictional character. Thats it really. You can of course take a lot of ideas and inspiration from that character, you can also see that character as a form or a manifestation of deity and do a lot of magical work with her. But Buffy is not a potential deity and was not intended to be by her creator.

Of course you could say that most Gods and Godesses have been built up and given form by stories and myth and have been syncretised with other ideas and gods but this has always been in the context of them already being Deity. If the pop culture approch to Buffy is to force Deity on to a fictional persona then that just leaves me with the question, why?

I think the problem that myself and a few others on this board have with this idea is one of depth and challenge. There is nothing wrong with building your own magical system and world view but i think it should be something that you have to work for.

The terms The Mysteries and The Work, i feel, are paramount to what magic is. You have to work your way through the mysteries and gain insights along the way. You can't do that with a system that you have completely made up yourself. You won't be challenged. We all have blind spots and weaknesses and i could make up a system of magick for myself tommorrow using charactors off childrens TV or Star Wars or something but that will still be my own system and it won't get under my skin and really bring out of myself what magick should bring out. We need the Mystery.
 
 
TaylorEllwood
22:34 / 06.05.05
Ghadis

...is a pretty inane comment. Trying to equate Ghede and Buffy as both potential deitys who at one time or another have to battle through the obstruction of past beliefs and ideas of people to gain their position is just stupid. It has nothing to do with the newness of a deity at all. It does have something to do with how that deity came about. Buffy is a fictional character. Thats it really. You can of course take a lot of ideas and inspiration from that character, you can also see that character as a form or a manifestation of deity and do a lot of magical work with her. But Buffy is not a potential deity and was not intended to be by her creator.

Intent by the creater vs. impact on the people who choose to work with said entity. The intent that I have with what I write, doesn't entirely govern how you choose to work with the book or perceive the ideas, as should be obvious from this thread. Nor does the intent of the creator of Buffy entirely govern how people choose to work with her, perceive etc. And how do you know Ghede isn't fictional? What makes Ghede more real than Buffy? Can you point to an actual historical personage that was Ghede? If not, I don't see how Ghede is different persay other than that he's been around a bit longer and worshipped/worked with as such.

Of course you could say that most Gods and Godesses have been built up and given form by stories and myth and have been syncretised with other ideas and gods but this has always been in the context of them already being Deity. If the pop culture approch to Buffy is to force Deity on to a fictional persona then that just leaves me with the question, why?

Why don't you qualify your definition of deity for me, because to me the ancient myths are just another form of fiction and the characters in them are fiction. But that's my opinion. Some may be based off of history, but not all of them. And yet people choose to believe in fictional gods and work with them. As for why to forcing deity, in your words, onto a fictional persona...again why not? If people choose to invest attention, belief etc in the characters that gives those characters life beyond the television screen, book, etc, which gives rise to the possibility of working with said characters. There's power in what people choose to invest their attention and beliefs in. tolkein's Lord of the rings is a good example. It's now considered a classic work of literature and has lasted long enough to be made into several different versions of movies. People invest a lot in the reading/watching of Lord of the rings, invest belief in the characters. And I think it's a waste not to work with that energy.

I think the problem that myself and a few others on this board have with this idea is one of depth and challenge. There is nothing wrong with building your own magical system and world view but i think it should be something that you have to work for.

This is a rather bald assumption on your point. Have you created a system of magic? Just fyi, it takes a lot of work to create a system of magic, as well as some borrowing from other systems of magic, which means you have to work at knowing those other systems and understanding how that's going to correlate/translate into a new system you're creating. Then you have to be able to explain how it works to other people and of course because it's untried territory, you're experimenting, which involves a lot of work as well. Some of what you do isn't going to work or will need to be tweaked in a different direction. I don't see how with any type of magic that you could not work at it. To make any kind of magic work, you have to put the time and persistence in.

The terms The Mysteries and The Work, i feel, are paramount to what magic is. You have to work your way through the mysteries and gain insights along the way. You can't do that with a system that you have completely made up yourself. You won't be challenged. We all have blind spots and weaknesses and i could make up a system of magick for myself tommorrow using charactors off childrens TV or Star Wars or something but that will still be my own system and it won't get under my skin and really bring out of myself what magick should bring out. We need the Mystery.

If you haven't done it, how do you know? Just because I've helped create a system of magic doesn't mean that I don't get anything out of it, that it doesn't get under my skin. Particularly if you share said system of magic with other people, it's going to evolve and change beyond your original intent. and let's not forget that by choosing to work with any entity, including a pop culture entity, you're still dealing with a being that has it's own perspective, and consequently is going to intervene or act in your life in ways you don't expect, getting under your skin and and making you work at it. To me working with pop culture is part of the Mystery...it's taking something that's current and seeing how working with that works or doesn't work. It's an experiment, with lots of unknowns. That's the fun of Mystery. I don't know if working with a particular pop culture entity will work out, but lets find out anyway. That's my approach and lo and behold at least for me it has worked. If it doesn't work for uou...if you need Ghede or some other older form of Deity to work with than go with that and get your mystery and work there. It goes back to what I said earlier: It's what YOU the magician chooses to invest in your approach to magic that determines how effective that magic is. You're absolutely right that you have to put the work and time into what you choose to do, but don't assume that just because an approach uses pop culture it's less valid than your own, at least not until you've tried it and put some effort into it.
 
 
ONLY NICE THINGS
23:22 / 06.05.05
Do you really consider that people who dress up like klingons, trek officers and other assorted races are acting as part of mainstream culture.

Way-ull... if on the days they aren't dressed as Klingons, which is to say most days because Klingon foreheads are an absolute cock to get right, if they are working in the IT departments of large corporations (Enterprise DVD collections cost money), and voting Tory because they think they pay too much tax on the money they earn which might otherwise be spent on getting better forehead wrinkles... yeah. I think I probably do. lots of people do things that other people find laughable or weird at weekends. Could be guilt-ridden transvestism, or bus spotting, or Buffy weekenders. In fact, bus spotting is far more counter-cultural and subversive than Buffy, because it is an organic, communal effort not supported by a vast multinational corporation seeking to sell product to new markets, not least by convincing them that liking Buffy is somehow more transgressive than, say, Party of Five because it has witches in.

Don't get me wrong, I love Buffy, and my Star Fleet uniform is pressed and ready for action. Butbutbut, it's a real stretch to suggest that something watched by millions of people kicking off their shoes after a long day at BastardCorp is fundamentally other because it has magic in it. End of Days, Stigmata, Chrestomanci, Harry Potter, Silver Ravenwolf, Milan Kundera... magic as everyday practice may not be mainstream, but magic as feature of dramatic narrative aimed at shifting units is about as mainstream as the abandoned child or the wicked relative.
 
 
TaylorEllwood
00:33 / 07.05.05
Don't get me wrong, I love Buffy, and my Star Fleet uniform is pressed and ready for action. Butbutbut, it's a real stretch to suggest that something watched by millions of people kicking off their shoes after a long day at BastardCorp is fundamentally other because it has magic in it. End of Days, Stigmata, Chrestomanci, Harry Potter, Silver Ravenwolf, Milan Kundera... magic as everyday practice may not be mainstream, but magic as feature of dramatic narrative aimed at shifting units is about as mainstream as the abandoned child or the wicked relative.

It's not the fact that it's watched that makes it fundamentally different...it's the fact that these icons, trends whatever you want to call them can be used by people for different purposes beyond the commerical expectations. As I've said earlier, it can be used for instance to subvert the corporate culture. That and the very fact that so much attention is put toward Buffy or Star Trek, and therefor so much energy, it makes sense to me use what is popular in the consciousness of the culture. I, personally, don't feel pop culture is mainstream culture. some of you disagree and that's fine. At this points let agree to disagree cause this argument is running in a circle.
 
 
TaylorEllwood
03:24 / 07.05.05
one point I want to make is this: As far as I can tell the peeps I've been arguing with about my definition of pop culture and the overall applicability of pop culture to magic have only read at most 25 pages of my book (and not even that, as I believe there is five or so pages dealing with copyright, title page, et) and an interview with me. I have no problem if you disagree with me (even vehemently and inanely as one of you has) about how I approach magic. But at least read my book in it's entirety if you're going to comment further on this and the approaches therein. There's a good ten to fifteen more pages in the book on theory about pop culture, for instance that you haven't read that might just modify your understanding of my definition.
 
 
--
04:30 / 07.05.05
Is that a not-so-subtle plug?

Seriously, I'll probably give it a whirl. It has a nice cover, at least.
 
 
ONLY NICE THINGS
04:42 / 07.05.05
If I were you, Syph, I'd probably have a crack at Textual Poachers while you're there, which I think looks quite clearly at the tension that cult (which I think is what Mr. Elwood seems to be talking about when he uses the term "pop culture") products have with the mainstream.
 
 
ghadis
07:11 / 07.05.05
' I have no problem if you disagree with me (even vehemently and inanely as one of you has) about how I approach magic. But at least read my book in it's entirety if you're going to comment further on this and the approaches therein.'

Well i think people are now commenting on what you've said on this list as opposed to what you've said in your book. I am going to track it down, like i said, and give it a go as it does sound interesting. You've brougt up some interesting points in this thread and i do see what you're saying and agree with you in many ways.
 
  

Page: 12(3)45678

 
  
Add Your Reply