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Post-Modern Magick by Seth

 
  

Page: 12345(6)78

 
 
Seth
15:54 / 11.05.05
I think actors are excellent resources because they have very intimately worked with the pop culture entity, becoming that entity for a while.

That’s something that’s always fascinated me about the acting process. A good writing team will notice the strengths of an actor and play to them, or work on added subtext that the actor adds in their performance. The actor is intimately involved in the process of creation, in some creative teams more so than others.

For instance there’s the aforementioned Sisko. Knowing that the actor was the artistic director of the National Black Arts Festival and that he has played both Paul Robeson and Malcolm X sets a story like Far Beyond the Stars into a far deeper context. When you subsequently discover that he directed the episode and improvised his climactic breakdown in front of his astonished fellow-cast your respect for the Trek creative team in the late Nineties goes stratospheric. Avery Brooks’ influence on building his character and the stories goes one fuck of a lot further than lobbying for a beard and a shaved head. Indeed, it becomes very hard to divorce the actor from the role when such a bleed-through takes place.
 
 
Unconditional Love
23:12 / 11.05.05
the magician is in a similar role to the actor within a ritual context, just as building a shrine is setting the stage and gathering the props for invocation, the incense and candles creating the nessecary mise en scene, the costumes and text prepared before hand and practiced to the point of powerful performance delivered with love and passion to the diety invoked.

the diety is the final judge of the performance awarding those who perform well and captivate them as an audience, leaving the show empty from a half hearted performance.

formula rituals becoming as predictable as formula films, the old formulas tested again and again by the magician til an inspiration releases something new from the old structure catching the deities attention, garnering some hope of a revitalisation, breathing some life into an old magickal set, realities actors with new parts to play.

spacetime rehearsed, mitigated, patterned,consumed. every ritual a story a reenactment of meaning of life, every deitie tuning in to witness the performance some turning over, perhaps one remains engaged.

the interaction becomes a relationship, you give your image away, your diet, your time, your lifes energy, the words that fill you, the relationships you form, your identity, your sex, your love.

each movement played out on this screen, they watching you, you watching yourself, watching images of them watching yourself.
 
 
TaylorEllwood
02:20 / 12.05.05
Because I have a sense of humor and this humor is intended as to be light hearted and to loosen up a bit of the seriousness on this thread. If I offend any of you I apologize, but bear in mind it's not my intent to offend so much as to laugh at all of us. I present retro magic.

Hehehe...to answer the criticism on Barbelith about Pop Culture Magic, I came up with a "NEW" form of pop culture magic...tremble in awe, behold my true might, shy away in fear, as I present: RETRO magic! "With this form of pop culture magic I will rule the world!!!" Cue in evil super villian laughter: Ha Ha Ha Ha Ha! "If you thought pop culture magic was blasphemous before to all the sacred values of magic, you ain't seen nuthin' yet Babababee!" Travel with me to the dusty vaults of pop culture as we unearth long lost and forgotten pop culture waiting to climb out and claw it's way back to its rightful place under the mainstream lime light. We demand to be reinstated as pop culture. Acknowledge us, worship us, give us attention!!! Previous generations of ninja turtles will kick the ass of the insipid sappy current versions of Turtles while retro transformers blast the cgi versions of transformers into pixels and old school G. I. Joe easily wins a battle against contemporary G. I. Joe and doesn't lose a single guy to the fight. And let's not forget those old school video games! Time to plug in the old atari and pump some energy into space invaders. In the classic light you'll see sigils fizz into existence as aliens get blasted away and continue blooping onward in a rain of doom that cannot be stopped!!! And lets not forget some of those old B movie classics as they stumble and shuffle zombie like to devour your brain with spectacle. Laugh or weep, we're all going insane as retro magic takes the field. Make way, make way for yesterday's pop culture, coming soon in a home near you. Your magic will never be the same...
 
 
Chiropteran
12:53 / 12.05.05
And lets not forget some of those old B movie classics as they stumble and shuffle zombie like to devour your brain with spectacle.

Hey, I do work with old B movies...
 
 
Bruno
16:28 / 12.05.05
For those who are interested.

Other ways of banishing spectacle:
1) derive
2) identifying strongly with nature (not symbols of nature but nature itself), physical contact with plants and earth, dirt, physical exertion.
3) shouting or talking loudly. Doing this in public, moving to a state where you do not give a fuck how you SEEM (because everyone knows that in spectacle being has become seeming). Verbally abusing buildings and advertisements or other symbols of spectacle. Works best in the most gutter dialect of your native language.
4) Property damage (not recomended for the beginning student)

-bruno
 
 
Unconditional Love
02:14 / 13.05.05
Enlightenment rationality and humanist religion has progressively disenchanted our modern world so that today it seems that spirits no longer inhabit objects. Our primitive tendencies are disciplined by rational judgement and deist faith, and the aura of objects--their ability to look at and engage us--is limited to an appreciation of the artist's vision. Contemporary consumption, however, purposefully blurs boundaries between art and commerce, and adopts practices functionally equivalent to magic systems and fairy tales--it is no coincidence that glamour originally referred to casting of spells. It asks us to believe in the transformative powers of material objects, such that perfect slipper makes the princess, or, perhaps, in the modern version of the story, the perfect sportswalker makes the estate attorney (Figure 2). Rationality tells us that the "real" origin of power lies in social relations that legitimate possession of the object, not in the object itself, but we nevertheless want to believe its fetish character.

The term fetish originally applied to objects of traditional religion that were believed to possess animate powers. Consistent with our "depth ontology," early modern anthropologists condemned superstitions of primitive peoples and the term was borrowed in negative theories of the capitalist economy and modern psyche.

Consumption geographies
 
 
Regrettable Juvenilia
07:21 / 13.05.05
3) shouting or talking loudly. Doing this in public, moving to a state where you do not give a fuck how you SEEM (because everyone knows that in spectacle being has become seeming). Verbally abusing buildings and advertisements or other symbols of spectacle. Works best in the most gutter dialect of your native language.

Gosh, I can't imagine how this could ever be recuperated by the Spectacle! It certainly hasn't been for the last 50 years, has it? Definitely not.
 
 
trouser the trouserian
08:43 / 13.05.05
Raoul Vaneigem was of course, a Millwall fan...
 
 
Bruno
09:10 / 13.05.05
Gosh, I can't imagine how this could ever be recuperated by the Spectacle! It certainly hasn't been for the last 50 years, has it? Definitely not.

Oh no, a cutting sarcastic comment. Man you live in London too, yeah? If, in the tube, you walk up and down talking to yourself, is that recuperated? If you derive into a posh neighbourhood and freestyle what you think of them?

I didnt mean football fan hooliganism or saturday-night Ayia-Napa-style screaming after too many drinks. That is not "I do not give a fuck how I seem", it is "look at me, look at me everyone, I do not give a fuck how I seem". Do you see the difference?

Maybe I view it differently because I do not use english when i do it, and for me my language is a marker of resistance.
 
 
illmatic
09:45 / 13.05.05
Look, the idea of the spectacle isn't just about critiquing or resisting media imagery. It's a much wider critque of alienation, passivity, consumerism and the effect of these systems upon us. Debord: The spectacle is not a collection of images; it is a social relation between people that is mediated by images.

As I see it, we're all hugely enmeshed in this. If you really want to resist, engagement with the people around you and your own creativity seems to be two decent ways of responding.

Simply proffering up a crude act up as a revolutionary gesture doesn't seem likely to get you very far...
 
 
illmatic
09:55 / 13.05.05
And of course we're sidestepping the whole debate here as to how relevant are Debord's 40 year old insights anyhow... 'nother thread?
 
 
illmatic
10:08 / 13.05.05
Actually, this thread in Headshopp might be a good place to do so, rather than starting a new one. Or the current Chaos Magick/Situationism thread, if you want to relate it specifcally to magick.
 
 
Unconditional Love
11:11 / 13.05.05
To see the connections between these seemingly disparate parts of culture, it’s useful to take a step back—both in time and focus—to look at how both evolved in the context of other social, economic and technological developments. Christianity in particular is deeply entwined with pop culture, a relationship that can be traced to the invention of mechanical type in the sixteenth century, and the subsequent flourishing of print capitalism. Printed for the first time in vernacular, or the spoken language of the people, instead of Latin or Greek, the Bible became the first bestseller, helping to give birth to both media culture and the democratization of religion. Once the sacred possession of the church hierarchy, the word of God was now available and comprehensible to the masses.

The relationship between Christianity and pop culture goes deeper than this, as sociologist Max Weber showed in his study of the connections between Puritanism and capitalism in nineteenth-century America. The belief structure that underlies capitalism works in sync with such Puritan tenets as the work ethic and an emphasis on individual self-improvement. These values proved easy to hijack by the forces of consumerism, so that throughout the nineteenth century, the focus in Christianity began gradually to shift away from the afterlife to this life. At the same time, consumption came to be seen as somehow aligned with patriotic and even spiritual duty: the health of the Kingdom of God was reflected in the wealth of his kingdom on earth, just as the accumulation of individual wealth was seen as a reflection of individual virtue.

Issues In Pop Culture
 
 
Bruno
11:34 / 14.05.05
Lucky Liquid: I dont like this word 'crude' and what it implies. Crudeness can be effective. But you are right that what I wrote does not do justice to the enormous scope of spectacle. If you want to attack Debord, do it. Go for the groin or the neck.



Every ritual contains a. the action and b. the intent behind it. When instead of intent itself, there is only a representation of intent, then the ritual has become spectacular. By banishing spectacle I did not mean eliminating it from society (that is a long term internationalist project), but freeing and protecting the individual practitioner's consciousness of spectacle's influence (which I believe is possible, even though we live in Babylon). And then we can conserve energy, and create, and build substantial relationships with others.

For techniques I could have given the examples of dance or sex but they are, more often than not, spectacular (when instead of intent there is only a one-dimensional imitation of it). My mistake in trying to give examples of banishing techniques is that I did not take into account that every specific technique for liberation can be co-opted, even destroying property, look at football hooligans, rock stars breaking hotel rooms, even wars.

W S Bourroughs says "if the devil offers to buy your soul take the offer as a compliment. Every soul is worth saving to a priest, but not every soul is worth buying." and that is how spectacle works, when you become more powerful, the spectacle is more attracted to you, it 'wants' to feed on your energy. So, keep moving, be alert, don't sleep. You know where we live.
 
 
illmatic
13:09 / 15.05.05
did not mean eliminating it from society (that is a long term internationalist project), but freeing and protecting the individual practitioner's consciousness of spectacle's influence

What's wrong with, y'know, just enjoying it? Sometimes?
 
 
Unconditional Love
13:38 / 15.05.05
an alternative view of the spectacle could be considered the sensorium.

sensory anthropology, which seeks to understand other cultures from within their own unique sensoria. Anthropologists such as Paul Stoller (1989) and Michael Jackson (1983, 1989) have focused on a critique of the hegemony of vision and textuality in the social sciences. They argue persuasively for an understanding and analysis that is embodied, one sensitive to the unique context of sensation of those one wishes to understand. They believe that a thorough awareness and adoption of other sensoria is a key requirement if ethnography is to approach true understanding.

A releated area of study is sensory (or perceptual) ecology. This field aims at understanding the unique sensory and interpretive systems all organisms develop, based on the specific ecological envionments they live in, experience and adapt to. A key researcher in this field has been psychologist James J. Gibson, who has written numerous seminal volumes considering the senses in terms of holistic, self-contained perceptual systems. These exhibit their own mindful, interpretive behaviour, rather than acting simply as conduits delivering information for cognitive processing, as in more representational philosophies of perception or theories of psychology (1966, 1979). Perceptual systems detect affordances in objects in the world, directing attention towards information about an object in terms of the possible uses it affords an organism.

sensorium
 
 
Bruno
18:53 / 15.05.05
What's wrong with, y'know, just enjoying it? Sometimes

Very relative. Happiness, enjoyment: the most co-opted of words. If we are talking about the odd media image, sure, there's nothing wrong with enjoying it in some way, if we are talking about the alienated and passive social relations, well, fuck that man. I enjoy resisting them, when I have the energy to do so.


wolven angels, despite being continuously off-tangent, is the master of wisdom in this thread. The power of copy paste has been revealed.
 
 
Anathema
00:00 / 16.05.05
Ok, so I haven't read this whole thread because it got a bit out of hand and annoying somewhere around page 3... but I did have a few thoughts I'd like to add:

Taylor Ellwoods work is some of the most unique and innovative stuff out there currently. He is a prolific writer and is generous with his contributions, having allowed me to use a number of his essays on my websites and publications, and I've also seen many of his excellent works in numerous other quality sites and journals. I commend him for the courage to take on the criticisms here on this forum, and I admire the way with which he has handled it with grace... answering the questions directly and without much anger. I would not have the same patience that he has displayed if there were so many people attacking my book without having even read it in it's entirety (or at all).

I find it somewhat hypocritical that this thread started off as being about Seth's book, with people putting it down for not being new or innovative enough (again with having even read it), yet they then turn around and criticize what Mr. Ellwood is doing... when his work and ideas are some of the freshest and most unconventional concepts to come out in quite some time. He is not rehashing the same old bullshit... he is offering something entirely new. Whether that fits into anyones neat package of traditional magick or not really doesn't matter. You don't have to understand it, accept it, do it, agree with it, or like it... but give the guy a fucking break! I would think a group of people like those found here at Barbelith would be eager to see an alternative to all the sappy crap being sold under the guise of "magick" these days. You guys rail against the likes of Silver RavenFluff, and yet here is someone who is for real... someone who does the work, manages to stay sane long enough to write about it, and is generous enough to share it. I think he deserves a little better than the treatment he is getting here, if only for the courage to take you all on in this little gang bang.

Just because someone other than Phil Hine writes a book about magick doesn't automatically mean that it sucks.

Keep up the great work Taylor... at least one of us out here greatly appreciates it.
 
 
--
02:06 / 16.05.05
Well, I don't know about anyone else but I never criticized Taylor's book (in fact, I just ordered it off Amazon, because this thread got me curious). I DID criticize Seth's book, but I actually did read that one and simply wasn't fond of it. Certainly I agree that one should at least be familiar with what they're criticizing before they... uh... critique it. Yeah.

We're catty bitches.
 
 
Anathema
05:44 / 16.05.05
I didn't mean to imply you in particular, my comments were more in reaction to the tone of the whole thread. Like I said, I didn't read all of it as I got pretty disgusted at seeing Taylor's ideas referred to as "inane", "stupid", etc...

It's just not cool to see someone treated that way here, a place where I would have thought innovative ideas would be welcomed rather than put down. Instead Taylor was immediatly pushed into having to be on the defensive. Why? I just don't see the need for the hostility and disrespect.

The whole "my god is better than your god" mentality is somewhat surprising. Do you folks realize how silly it is to be arguing over which diety is more authentic... Gede or a character from Buffy/Star Trek? If something works for you, do. If not, than find something else that does. But why negate what works for someone else? If self-made systems didn't work than none of us here would have ever heard of Austin Osman Spare and things like modern sigil magick and chaos magick would not even exist.

Belief can be invested into anything and inspiration can come from anywhere... be it a traditional and established god, a TV superhero, or a self-created diety. It all gets pretty ridiculous if you think about it long enough.
 
 
Unconditional Love
07:00 / 16.05.05
i think larger issues are being discussed than taylors book, which by the way i think gives a useful view point to a magician that has grown up in a capitalist culture and a useful set of techniques, that said some of the ideas throw up alot of thoughts about media as a magickal system in general, which inturn involves politics and view points that arent nessecarily going to support taylors ideas, what ive posted isnt trying to destroy or negate taylors work, but add to the chaos that his work exsists within, the mediated world of an image and word dependent culture, two of the main symbolistic aspects of magickal work and for the majority of magicians in todays world the media they learn by, an understanding of the wider context in which a magician learns, ie the process in which the mind has been educated to bind forms, words, images, sounds etc, i think is part of a useful dialogue for all those that consume media or are consumed by it.

kudos to taylor for getting his book in print and doing the work to get it there, and for stimulating more debate around the medias relationship to magickal systems and conception of magickal traditions.

what comes across to me in this thread is a sense of inquiry, into the author and the ramifications of the ideas presented.
 
 
illmatic
08:34 / 16.05.05
Um, Anathema, I think you should read the rest of the thread. I think Taylor has had his ideas interrogated a bit, but a critical approach isn't necessarily a bad thing if you're trying to get over new ideas. As to hostility, I for one have been bending over backwards not to be rude in this thread, and by the third or fourth page any hostility had died out, and it's a fairly well mannered exchange for then on, which I hope everybody got something out of.
 
 
ONLY NICE THINGS
08:36 / 16.05.05
Ok, so I haven't read this whole thread because it got a bit out of hand and annoying somewhere around page 3

Applying this principle, I have decided that, since your post is on page 6, it is not worth reading.
 
 
Gypsy Lantern
09:14 / 16.05.05
Taylor Ellwoods work is some of the most unique and innovative stuff out there currently. He is a prolific writer and is generous with his contributions... and I've also seen many of his excellent works in numerous other quality sites and journals

You sound like his mother. Are you?

when his work and ideas are some of the freshest and most unconventional concepts to come out in quite some time.

Does that make them exempt from criticism? The last time I checked, barbelith was a discussion forum. A place where ideas are discussed, picked apart, examined, and closely criticised. A recent subject that has garnered a lot of heated discussion around here, provoking strong feelings on either side, is the debate around fictional entities compared to older Gods. It's an interesting subject. There has been loads of threads about this over the last three years or so, which have got absolutely nothing to do with Taylor Ellwood's recent book that also looks at these ideas.

This thread is really just an extension of this ongoing debate, which was taking place here before Mr Ellwood showed up and will continue after he leaves. The fact that someone has recently written a book about this subject is fairly inconsequential to the debate as a whole. These are not particularly new or innovative ideas, at least not around here, and Mr Ellwood certainly doesn't have ownership of them.

You don't have to understand it, accept it, do it, agree with it, or like it... but give the guy a fucking break! I think he deserves a little better than the treatment he is getting here, if only for the courage to take you all on in this little gang bang.

I think people did get a bit out of order in attacking the ideas in 'Pop Culture Magic' without having read it - but it's a subject that people are passionate about, and you have to expect that sort of thing if you're going to publish. I think Mr Ellwood has handled the criticism his ideas have received here brilliantly and impeccably. Although we may have to agree to disagree on certain points about magic, I hugely respect that. I think he's displayed a huge amount of integrity by calmly and reasonably explaining his ideas in the face of some pretty heated criticism - and deserves big props for that.

But at the same time, the various opposing viewpoints are also entitled to their platform, and I think that if you cut away the strong language, some really excellent posts have been made on both sides, and some very interesting points and perspectives have been presented. This is a good thing. Discussion and criticism should be the fucking lifeblood of forums like this, if we're to collectively learn anything about the processes of magic by talking about it here.

The whole "my god is better than your god" mentality is somewhat surprising. Do you folks realize how silly it is to be arguing over which diety is more authentic... Gede or a character from Buffy/Star Trek?

Since you never bothered to read the entire thread - presumably due to spontaneous possession by the dread spirit 'Outraged of Tunbridge Wells" - you can be forgiven for completely failing to grasp the broad thrust of the various opposing arguments to Mr Ellwood's proposed conception of deity.

The opposing argument is a damn site more sophisticated than "my God is better than your God". Read the thread. It has nothing to do with "authenticity", whatever that means. Several practitioners have observed an experiential difference between working with pop culture entities and working with Gods from older magico-religious traditions. This point has been raised and a number of working theories have been proposed that try to describe why that might be the case. Read the thread.

If something works for you, do. If not, than find something else that does. But why negate what works for someone else?

Yes, for fucks sake, we all know that. Nobody is "negating" anything. Do whatever the fuck you like, I couldn't give a toss. But if you're bringing your ideas into a discussion forum, then don't be surprised if some people think those ideas are way off the mark and proceed to tell you so. Wear a helmet.

For my part, the experiences I have had with a living magico-religious tradition that has thousands of years history behind it have been vastly different to my fairly extensive experiences of working with fictional and pop culture entities. Would you rather I just kept quiet about that? My personal experiences seem to contradict the widely accepted chaos magic dogma concerning the egalitarian nature of all things we can invest belief in. As far as I'm concerned, the most valuable thing chaos magic did was encourage personal observation over received dogma, and I think it's useful and constructive to try and convey our own experiential understandings of magic where we can. I think that's all that anyone is trying to do in this thread.
 
 
ONLY NICE THINGS
09:34 / 16.05.05
Personally, I'm shocked and disgusted that, on a board that claims to be dedicated to Grant Morrison's Invisibles, any authoritative-sounding pronouncement from somebody with a book out should ever be questioned or subjected to any examination. Have we learned nothing from the Invisibles?

I'm seeing some interest in the role of the actor as "divine mask" in the channellling of pop culture entities - tie that in to masks in shamanic practice, possibly, masks in Greek drama, transition of shamanic tendencies into Greece from Thrace, the impact of that tradition on western atitudes to the actor and the role... that might be worth a new thread, though. Or we could move on to another recent book. Could I nominate something by the wonderfully-named Nineveh Shadrach?
 
 
Anathema
18:55 / 16.05.05
"You sound like his mother. Are you?"

I don't have to be his mother to see that calling someone who is trying to express and explain their ideas inane and stupid, is out of line.

Forgive me for rocking the little boat here by (gasp!) suggesting that the same sorts of dialoges can be had in a much more respectful manner.

And yes, I've read the entire thread now. Sure, there where some interesting ideas tossed around, but unfortunately all the sarcasm and the "I am so much more experienced at magick than you are" attitudes make it near impossible to take much of what is being said with any manner of seriousness.
 
 
ONLY NICE THINGS
19:34 / 16.05.05
So, hang on... you're both a crazy boat-rocking iconoclast and a seigneurial voice of reason calling for mature and respectful debate. Good skills.

You're a fan. Nothing wrong with that, but it does mean that as soon as one of the objects of your enthusiasm is treated with anything other than the respect you feel he or she (most probably he, I imagine) deserves, you get the red mist, bowl in, scream a bit so he can see what a good friend to him you are, and then tell everyone else how immature they are when you've run out of breath. It's a pretty standard pattern, and one that never ceases to sound better from the inside.

Now, if you have anything interesting to say either about "Post-Modern Magic" by Seth or "Pop Culture Magic" by Taylor Ellwood, or indeed "Secrets of Ancient Magic" by Frances Harrison and Nineveh Shadrach, go to. Alternatively, we could look at the roots of the innovative practice of summoning pop culture icons, as pioneered in Pop Culture Magic (available, by the way, kids, from Immanion Press, home of our own dear Sax). The passage in the Invisibles Issue 1 (1993 or thereabouts, I think) where King Mob summons the totemic figure of John Lennon may be a good place to start. Pop culture... in pop culture. Cool, eh?

Incidentally, chums, anyone planning to buy "Pop Culture Magic" may wish to help Barbelith hosting fees by buying it through this link:

Poppy

You may also wish to consider:

Post-Modern Magic

or

City Magick

Regrettably, "Memetic Magic" seems only to be available on Amazon.com. Oh, who will make my simple wish come true?
 
 
Anathema
19:53 / 16.05.05
You're a fan. Nothing wrong with that, but it does mean that as soon as one of the objects of your enthusiasm is treated with anything other than the respect you feel he or she (most probably he, I imagine) deserves, you get the red mist, bowl in, scream a bit so he can see what a good friend to him you are, and then tell everyone else how immature they are when you've run out of breath. It's a pretty standard pattern, and one that never ceases to sound better from the inside.

Who's run out of breath? I can keep going if you like.

Screaming fan? No, just an individual who values the authors work. My comments about the maturity level of the conversation could just as well apply to many other threads here. This just happens to be the one I noticed, and it stood out because I've actually read the guys book and dealt with him in the past. He responded politely to the questions he was asked, and therefore deserves to be treated with the same respect. It's quite simple and doesn't need to be turned into a long drawn out debate.

Please don't try to tell me what I should or shouldn't be talking about. If you don't want to keep this going, than stop replying and egging it on. I already made my point three posts ago...
 
 
ONLY NICE THINGS
20:01 / 16.05.05
So, you have no interest in actually talking about the subject being discussed? Only how you like Taylor Elwood very much, and feel for some inexplicable reason that he needs you to defend him from, as far as I can tell, having to talk to other people? That's lovely, and I think it deserves more attention. In fact, why not start a whole new thread about it? Possibly in the Conversation, if you would like to talk more about how Taylor (he likes it when you call him Taylor. You know it) would be lost without you, or in the Policy if you feel that the way Mr. Elwood is being treated, with people reading his posts and responding to them, is thoroughly unacceptable among civilised magicians.
 
 
Anathema
20:14 / 16.05.05
Oi vey... you must be really bored.

For the sake of avoiding the moronic direction in which you obviously intend to take this, I'm done. Flame on...
 
 
---
20:34 / 16.05.05
stop it, stop it, STOP IT BEFORE I INVOKE BATMAN.
 
 
ONLY NICE THINGS
20:39 / 16.05.05
And another brave young man is driven away from his god-given right to suggest that anyone he does not like is gay and all doing it with each other in a big gang bang, another star twinkles and dies, another troll stomps off in a huff.

What have we become? What have we done to ourselves?

So, anyway. Is there, does anyone think, some sort of underlying aesthetic here? It strikes me that there seem to be a fair few books out there which are taking ideas from art history, philosophy and cultural studies and applying them to magical practice. Post-modernism, pop culture, memes... is this a reflection of the changing backgrounds of modern magicians? Is is a break from tradition or a continuation of the idea of magic as interrelating with scholarly disciplines - so, fifty years ago Crowley assumed he was writing for an audience of people who would be able to follow his Latin and Greek and references to Nineveh (no, not Nineveh Shadrach), and in the same way modern practitioners are looking for points of comparison both with the culture of their readers (Buffy, for example, or White Wolf games, or Legend of Zelda), but also with the prevailing academic context (a greater focus on media and cultural studies)? Is this an instantiation of a flat, broad model, where sources are easily available and access is limited primarily by their ubiquity (it's a lot harder to read everything written about Buffy than by Crowley), as opposed to a more traditional model where sources are, for want of a better term, vertical - often made more valuable by being old, hard to find, hard to understand... the translucent plastic Obi Wan Kenobi of magical lore?
 
 
TaylorEllwood
22:20 / 16.05.05
Hello Bruno,

For those who are interested.

Other ways of banishing spectacle:

1) derive

See, to my mind this is what Pop Culture magic does...it derives from spectacle. But I'm guessing we'd disagree/have different definitions.

2) identifying strongly with nature (not symbols of nature but nature itself), physical contact with plants and earth, dirt, physical exertion.

agreed.

3) shouting or talking loudly. Doing this in public, moving to a state where you do not give a fuck how you SEEM (because everyone knows that in spectacle being has become seeming). Verbally abusing buildings and advertisements or other symbols of spectacle. Works best in the most gutter dialect of your native language.

Would you count glossalia as part of this?

4) Property damage (not recomended for the beginning student)

hehe...need I say more...
 
 
Anathema
22:21 / 16.05.05
And another brave young man is driven away from his god-given right to suggest that anyone he does not like is gay and all doing it with each other in a big gang bang, another star twinkles and dies, another troll stomps off in a huff.

Gay? Seriously, what are you going on about? Why the need to shut me up with your smarmy comments and yet simultaneously keep pushing this much farther than it ever needed to go? You are a moderator right? So why are you so insistant in baiting this on?

Does everyone who posts something you don't agree with automatically get labelled a troll or am I just lucky?
 
 
TaylorEllwood
22:36 / 16.05.05
Anathema and everyone else:

Despite being occasionally frustrated with discussions on this thread (as I'm sure other people may have been), I've greatly enjoyed the discussion. I am not offended at all that any of you chose to disgree with me. If anything I have a lot of respect for any of you who disagreed. To often in occultism there is a tendency to accept what an author says without critically questioning it. So I'm glad I got some disagreement and if you read the book I even say in the conclusion something along these lines. I also feel some great counter points were made and y'all got me thinking about what you had to say. I'm glad I could also get some people thinking. I wouldn't be much of an author either, if I couldn't deal with criticism on my work and questions about it as well. To be very frank, I am honored greatly by all of you in choosing to discuss my ideas and disagree with them. Thank you for that honor. I often maintain that an author is partially successful because of his/her talent, but is also partially successful because people choose to read his/her work and discuss it.

But anathema, I also appreciate the vote of confidence in me from yourself. I'm genuinely glad you like my work and find it to be innovative and new. It's always goods for an author to hear from people who like the writing.

For the record I am a he, if that even really matters...

Now, lets continue to productively discuss ideas and learn from each other.
 
  

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