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Post-Modern Magick by Seth

 
  

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TaylorEllwood
14:43 / 10.05.05
I suppose what I'm asking is "do we lose something if we view these two process as essential similar?". Does this metaphor - pop culture as equivalent to deity (which is normally thrown around in a much more haphazard way than Taylor is doing) blind us to the complexity of worship? Does it prevent us from forming a richer and more sophisticated view?

I think it really depends on the angle of approach. My angle recognizes that I'm working with something which is new and raw, not as refined as say a Norse God...So is there a difference? Yeah I'd say there is a difference, in the sense that when you're working with a pop culture deity, the complexity of worship is not as formed...it also needs to be developed and can be developed traditionally, but also developed non-traditionally just as how one approaches older dieties can change due to changes in culture/understanding.
 
 
trouser the trouserian
14:44 / 10.05.05
I suppose what I'm asking is "do we lose something if we view these two process as essential similar?". Does this metaphor - pop culture as equivalent to deity (which is normally thrown around in a much more haphazard way than Taylor is doing) blind us to the complexity of worship? Does it prevent us from forming a richer and more sophisticated view?

Good question, Lucky. And I'd agree with you. As much as it's tempting to look for similarities, what one's going to encounter is lots of differences. Even amongst the few people who are posting on this thread, there are huge differences in how we see deities and our relationship with them - which obviously emerges from our respectively distinct approaches to magical practice & experience. That we're struggling to achieve consensus on even this issue is hardly surprising. I personally feel that it's nigh on impossible to find a "one-boot-fits-all-sizes" model for the tangle of subjects being debated here. But having said that, I don't believe these differences are irretrievably incommensurable, providing we acknowledge them in the first place.
 
 
TaylorEllwood
14:47 / 10.05.05
Trouser

Then too, the distinction between contemporary cultural borrowings and 'ancient cultures' is often fuzzy. Look at the tv series Hercules: the Legendary Journies. This show was based - albeit very loosely - on the 'original' myths of Heracles, although many of the ambiguities of the Greek myths which might upset a mainstream American audience were omitted - so his one-night bonkfest with the fifty daughters of King Thespios or his numerous (according to Plutarch at least) male lovers didn't get featured. Does knowing the 'difference' affect our enjoyment of the show? Possibly not, unless one is feeling particularly pedantic. How about magically working with the Hercules depicted on the show? Personally, knowing that Hercules was a morally ambiguous figure who bonked everything in sight makes him, to me, a lot more interesting than the less somewhat one-dimensional character depicted in the popular tv show - and finding empathy or resonance with a mythic character is an important element (for me at least) in magical work.

I won't disagree with you Trouser, because I feel you've made a very accurate point here. I know I wouldn't work with the current rendition of Hercules, because as you say he's rather one-sided, one dimensional. So you're right my crit does cut both ways...when it comes to pop culture apropriation of older myths. Now I woudl work with Kratos from God of War, who is a rather intriguing character...
 
 
trouser the trouserian
15:03 / 10.05.05
Taylor,
Is that the same Kratos (transl. "strength") mentioned by Hesiod & Apollodorus? One of the four winged gods who stood beside the throne of Zeus?
 
 
--
15:09 / 10.05.05
Actually, pop culture in magick terms may be a good way of moving away from the classic "isolated, outsider-ish" magician type we always hear about. Very often a lot of the fans of these pop culture genres (be it TV, movies, comics, whatever) assemble into communities, both online and in real life, forming almost a tribe of sorts that look out for each other.

Grant Morrison once said that his characters were like tulpas, that they came to him, and I consider that one of the most important statements I ever read because it finally put into words all these nebulous thoughts I had been having. I don't see much of a difference between fiction and non-fiction. I have a good working relationship with many of my own "fictional" creations: They have come to me or, for whatever reason, I've been gifted with the ability to receive their transmission, and I highly value this. I think it is a mistake to just say that there is nothing special about fictional characters (let's face it, more people are moved by a play like "Romeo and Juliet" then "777") or that they're just created out of thin air. Perhaps they are like gods or spirits who are just a bit more clever at geting themselves in the public eye then their more ancient brethren?

Buffy: fictional character or a goddess with a better sense of PR and what sells?

(I should also point out that even pop culture icons aren't inflexible, but vary based on each viewer's opinion. Consider all the people who saw homosexual subtexts in the relationship between Sam & Frodo, or Harry Potter slash fiction. Or modern-day black retellings of the writings of William Shakespeare. Nothing is set in stone... Like deities, fictional characters, too, can transmutate).

For the record, I don't see why there has to be a split, I think one can easily work with both types of "gods" and incorporate both types into their practicing system and get equally good results.
 
 
trouser the trouserian
15:30 / 10.05.05
...when it comes to pop culture apropriation of older myths.

But you can also apply the same reasoning to say, the transfer of Anime from Japan to America, given the very different cultural mores concerning the depiction of sexual images and ambiguous gender markers. Shows like Pokemon & Sailor Moon had to be 'tweaked' by American animators in order to comply with FCC regulations regardinng sexual imagery, violence - even 'inappropriate use' of christian imagery. In some cases, the genders of characters were switched so that US viewers would not have to suffer the agonies of dealing with gay cartoon characters, and references to Buddhism & Shinto suddenly became Christianised.
 
 
Gypsy Lantern
15:31 / 10.05.05
I think one can easily work with both types of "gods" and incorporate both types into their practicing system and get equally good results.

You tend to think a lot of things, but is that blanket statement based on anything other than untested speculation about these areas or have you done the work?
 
 
Gypsy Lantern
15:43 / 10.05.05
Not just trying to give you a hard time there Sypha, but I do think it's really important to establish whether a person is actually speaking from experience in this area - and what that experience entails. So much rubbish gets written about this stuff by people who have never really worked with entities themselves but just "have a cool idea" about how they think it might work. Now someone having a cool idea is all very well, but it rather muddies the waters when one person is trying to relate their own experiential working knowledge and hard earned understanding of something and another is just spouting random theories out of their imagination without ever having really gone near the work. Clarity about this is really crucial, if such discussions are to be useful and informative resources.
 
 
Chiropteran
17:17 / 10.05.05
I think one can easily work with both types of "gods" and incorporate both types into their practicing system and get equally good results.

Well, speaking from my own limited experience, I have found that it is possible to incorporate both traditional and pop-culture spirits ("god" is not appropriate to my specific experience) into my practice, but I would not say that the results are "equally good." My relationships with Papa Legba and the Pumpkin King are each satisfying in their own way, but I know who I go to when I'm in serious trouble.

Jack has done a lot for me, in terms of providing me with some beautiful (and chilling) experiences, and generally helping me grow as a witch (by giving me a specific and somewhat arbitrary framework to experiment within, and some specific goals). Papa Legba has changed my life. Through service to him, I've found a whole new dimension of spirituality (says the former just-about-atheist). When I'm doing big real-life magic (heh), I feel the difference it makes to have the Opener of the Way on my side. I am rarely not conscious of Papa Legba working in my life, while the Bone Daddy comes and goes (and ever only deals with a fairly narrow cut of my life, anyway).

I also know, first-hand, that there are consequences to breaking a promise to the lwa, which I don't feel in nearly the same way with Jack.

I really like what you say here. It's a unique approach IMHO, but it makes a lot of sense that interaction plays a large in the formation of a god.

I don't know how "unique" this general approach is (no offense, GL) - I've come across similar ideas in many places (probably first in Itzhak Bentov's "Stalking the Wild Pendulum," where he suggests it as the mechanism by which deities are created). This idea is also incorporated into Haitian Vodou, to a point (though I can't remember whether this is explicit internal doctrine or external anthropological interpretation) - the Spirits don't live in a vacuum; they need human interaction (and it has been implied that neglect hurts them, more than simply angering them). Of course, the lwa are emphatically not "Gods" - they are served, but not worshipped, and are subordinate to the God that created the world. Still, they might be good to bring into this discussion (politely ), since they seem to occupy a position somewhere between human-created/dependent "pop" spirits and essentially divine "traditional" spirits or Gods. They are also very current and active, so there is little question of an unrecoverable "ancient past" or dubious revival religion to deal with.
 
 
Bruno
20:30 / 10.05.05
wolven angelsweakness of mind allows it to not become too attached to self identity, so each passing from self creation to self creation becomes easier.

integrity, strong moral values, strong self identity, break rather than bend, collapse entirely in the face of mass change or fast sequential change.


I agree to an extent (its why I used the tai-chi/water example). Your position makes sense up to a point but it is easy to confuse it with giving up. The mind is not a static thing for sure and is in flux. When in a hostile environment though it needs strength and balance.

TaylorInstead of just being desensitized to spectacle, being a victim of spectacle, spectacle is actively used by the magician. you feel this will infect the magician with spectacle, with the ideiology, but I argue that the magician will subvert spectacle, subvert the ideology.

The idea of 'Subverting the ideology' is very relative, one man's subversion is another man's mainstream.

Well then tell us how to banish spectacle, instead of just saying it.

When I wrote that I was thinking in terms of: 1. identifying it when you see it (e.g. observing people who are very media saturated, the behavior patterns and roles they reenact) 2. identifying parts of yourself that have been influenced this way (you could try spending a very long time watching shit on TV and then observing yourself)and 3. when you are doing whatever banishing you usually do, making sure as best as you can that spectacle is being banished too.

Lucky Liquid's point about detournement as banishment is on point too.

And around we can go in a circle until we're both dizzy, because i'm fairly sure I can predict your answer to what I just said.

My point was never to convince you, it was to attack your position from a vanguardist situationist point of view. There was a vacuum that asked for filling.

Lucky LiquidDo you abstain from all media then? if so, how on Earth are you managing to post on here?

There is a difference between here and other media, here there is a dialogue. This place can be quite infectuous though can't it.

I have fasted from all media for a month or two before and it is very life-changing. Especially if you are not in a city. This weekend I went to friends' house for a while and we watched the simpsons, it is quite funny too. But I dont watch TV at home.

I'd say you can also enjoy the products of Babylon. "Whore of Bablon" and all that
By Babylon I mean the alien civilisation of the conqueror. I had a moment of truth one day and understood that this so-called civilisation is alien, I was around rastas when it happened.

TrouserDetournement certainly has its uses - particularly in adbusting media-hoaxing & social protests (i.e. the recent Yes Men hoax on BBC) but I don't believe that detournement is any longer inherently subversive.

Trouser I agree, its not inherently subversive. Detournement is not a rare tactic in ads nowadays, there are these bus-stop ads I saw that deliberately look like they have been vandalized with markers.
 
 
Seth
21:02 / 10.05.05
First things first: I’m sorry, Taylor. I unreservedly apologise for my condescending tone and disrespect for you and your practise.

To put my remarks into context… I’m sure that my passion and anger on this subject are unmistakeable. I’ve come to this thread – and indeed my understanding of you as a person – with a history of having read and heard occultist’s accounts of divinity, accounts that I’ve more often than not found either dismissive, glib, purely theoretical or received unquestioned from modern occultist thinking. To have offloaded that onto you was wrong of me. I damaged my own case in the process, and I hope to re-establish my voice in this thread with considerably more goodwill and less knee-jerking on my part.

I have a huge issue with the way in which many people use the term “God.” I’d describe my objection as an objection to appropriation. To describe the process by which a God is formed as a work of cumulative fiction that a society of individuals charges with significance instantly strips that God of its Godhood and domesticates it in the mind of the practitioner, in the sense of adapting it to an environment in which it can be more or less understood to be a product of humans and be of use to humans (regardless of whether that process has the end result of forming what Gypsy might term an artificial intelligence). It is divorced from its context of being worshipped and in doing so becomes something other-than-Godlike. In an earlier post I used the dictionary definition of God to illustrate this.

The parameters in which one perceives it existing instantly become redefined. No matter how rich and complex one’s beliefs about how a God becomes a God (and there have been some brilliantly rich and complex beliefs on this thread), hypothesising and building a theology about its origins in the minds and actions of humanity instantly takes away a God’s position of being Godlike to the practitioner, therefore becoming a less powerful being to be in a relationship with. I believe that’s losing too much into the bargain. The concept of the term “God” as it stands is part familiar, part alien, and totally wild, ragged, raw and staggeringly potent to the unconscious. It bypasses a conscious intellect that would prefer it left comfortably tagged, or at least described and defined in the abstract, and is all the more powerful for it. It is bigger than humanity, and as such affects our sense of ecology, the context into which we fit.

One of my concerns that I’ve already alluded to is that to come at one’s practise from this kind of belief loads the dice in terms of results. The experimenter sets the terms for the experiment, the observer actively interacts with what they’re observing. In the realm of our subjective experience as soon as you define what you believe a God to be then you potentially limit it in what it is capable of doing. I repeat from an earlier post that I refuse to come to a conclusion about what constitutes a “God.” The most I’ll say is what I’ve already said: that the term should not be used lightly and without a clear knowledge of what it means and how you’ve necessarily changed that meaning.

I’m not of the belief that people should worship every God they encounter. However, an encounter with a God should to me by definition make the practitioner stand back in awe thinking, “Fuck me. I can see how thousands/millions of people worship you!” The worship reflex is triggered while potentially not being fully acted upon. The flipside of this is that one can trace the effects of the belief that the Gods have their origins in man in the accounts of the practitioner: they’re lacking in the sense of scale, magnitude and hard-sought depth that you’d find in accounts from the religions that actively worship that God. In this case it’s not about the amount of significance you invest that effects the results, but the type of beliefs you have about what you’re getting involved with.

I guess my standpoint is that if you’re going to work with a God, let them be just that: a God. Reversing the lens for a second, it’d be fascinating to hear the opinions of people within mainstream religion concerning how occultists have come to relate to their Gods…

Now that its been clarified that we’re not necessarily creating a quick-fix pantheon of TV and Comics characters, but seeing how those characters may relate to and depict classic types from character and myth, I’d agree with Taylor that Ben Sisko from DS9 bears all the traits of a mythic hero. He’s part divine, part human, inextricably bound to fates beyond his understanding and seen as a messianic figure by a religion he’d prefer to distance himself from. He’s an aspect of the archetypal God-Man, a Christ, a mediator, arguing on behalf of the Gods to Man and on behalf of Man to the Gods. Added to this he’s a destroyer and warrior figure, contrasted with being a nurturing Father and community builder. He’s also the mask that the writers of the show wear in order to allude to their own involvement, again making him a Christ figure: the created enters the creation. As a lens through which to see existing forms he adds a fascinating new spin on things. I’ve worked with Sisko a lot in the past, and I probably feel more comfortable with him because he’s deliberately constructed to be a magico-religious figure, coupled with the identification I have with him as being similar to myself and my Dad. He has a cache to me that other fictional characters do not, because he is already a deity in the internal logic of the telly prog to which he belongs.

However, it’s worth reiterating that: everything in my experience is already deeply in my unconscious long before I consciously choose to invest additional significance into it. I tend to only pay attention to those cultural artefacts that seem to have already sprung into a seemingly autonomous life within me. Further choices to invest in them are organic and don’t feel a great deal like real choices to me. I rarely have to choose to work with characters, story types, themes and ideas from the culture around me. They seem to crop up as and when they need to. I didn’t go looking for Sisko in any conscious sense, and don’t intend to form a belief system or pantheon around him. Any ideas I have concerning Sisko’s existence outside DS9 as an entity to whom I can relate are likely a product of my identification with the character, my respect and admiration for Avery Brooks, and that constantly surprising manner in which a well-drawn character will appear to have a life all its own inside our own world-models. None of which is necessarily synonymous with the term “God” to me.
 
 
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21:33 / 10.05.05
I don't like to proselytize, butttt... If Schrondinger is right then theoretically almost anything in the universe is possible, so I can easily concieve of one having success utilizing both traditional and non-traditional gods. This is simply opinion: I myself don't work with gods, they don't fall into my framework or view of the universe, and the closest concept I have to such a notion is the ideas of philosophy, aesthetiks, art, and idealism. I do not believe in gods, but I believe they exist, if you are willing to let them exist (what I mean to say is for some people they exist and for other people they don't: It's objective, and you chose to decide who to work with). This is no diss towards people who work with such entities, as I believe that you sincerily do, it's just I know many people in life who get by fine without turning to some other source and I choose to follow their lead at the present momement. Certainly there are instances where gods/archetypes of the collective unconscious call out to a practicioner, however, I've never received such a summons, so I can't comment on this (at the moment I'm comfortable being my sole employee). I will however say that I've found my own techniques to generally be superior to much of what I've read in the books in my work, probably because I created them (techno-exorcism in particular had a profound effect on certain negative thought-patterns that had been obsessing me) and that I have a close working relationship with my characters and the worlds they inhabit (I don't create the characters but I do create the worlds they play in... I am just an observer reporting the details in that aspect). I won't go into too much detail here as I'm a tad busy right now, it would take awhile and some things are hard to express with words, but I can assure you that to me these spirits are very real.

(Okay, I do admit to having a special fondness to Ganesha and the Egyptian gods, Bast in particular, but my relationship towards them, at this stage, is merely the occasional offering or prayer and a place on my shrine. Other then that, not much).
 
 
ghadis
23:53 / 10.05.05
I think this thread has come out with some really interesting thoughts and ideas from lots of people. It's particularly interesting to hear your thoughts Taylor and I hope that you will stick around and look at some other threads and contribute to them in some way. There have been lots of threads discussing very similar ideas that I?m sure you?ll be interested in reading and joining in with. Not just here in the Temple but elsewhere, the Headshop or Switchboard, for example.

As to the ongoing discussion. I don?t really have much to add to what I said before. I think a lot of my ideas have been put across far better by Seth and others in the posts above. The idea of God or Deity, to me, is far more than a construct of myth or stories or ideas or intentional energy about Deity or God. These myths and stories are a starting point and a very small step to making some sort of connection with them. They are an attempt to try and gain some kind of relationship, some kind of foothold, to understand them. The Myth and the story and even the Idea is not the God. It's a tip of the iceburg. Its a starting point in which to try and make a contact. I don't feel that this is the same with a pop culture god.


I do not believe in gods, but I believe they exist, if you are willing to let them exist (what I mean to say is for some people they exist and for other people they don't: It's objective, and you chose to decide who to work with)

Sypha...I think the work you're looking for is subjective. It's a tricky one i know. I often make the same mistake.
 
 
ghadis
00:13 / 11.05.05
By work i mean word of course. Though it may be some sort of Barbelith Freudian slip.
 
 
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00:54 / 11.05.05
Ah, my bad. Sorry, my sinuses have affected my typing and in my rush to reply as quickly as possible I sometimes err.
 
 
MandelbroT
02:04 / 11.05.05
I've been watching this thread but held off posting until I could get "Pop Culture Magic" in my hands and look through it. Got it today and have had a couple of hours to skim through it. I like it, it works for my current paradigm. I'd say it falls somewhere in a triangle of Hines' "let's summon up the elder gods", Morrison's "let's draw a sigil, have a wank, and be Bond for a date, with a touch of Carrol's technique-centric old-school attitude.
Some of the ideas will be immediately useful for a project I'm working on (creating a tri-force to be dedicated/invoked on the day the new Legend of Zelda comes out, with daily rituals for about the first month or so as all the hardcore zelda fans play their new game and generate power and belief) but you mileage will vary.
The format reminds me of RAWs Prometheus Rising/Quantum Psychology with a chapter and then a few exercises.
The book isn't really for beginners, no chapter on sigils or servitors. It expects you to have a basic working knowledge and vocabulary. It even discusses "occult literacy". Like most of my books I'll read through it, absorb it, take a few notes and stick it on the shelf to reference from time to time. And there is an interesting appendix about instant messaging magic. something to think about. For my money Taylor brought something to the table. Thanks
In terms of the discussion regarding gods the book works for me. But I don't really like the word "god" anyway. I think it has too much cultural baggage and each one of us as an individual has a kind of personal definition or imprint that can make discussions difficult. The gods fall somewhere in an Archetype/spirit/egregore soup for me. But I'm way more Magician than Priest.
 
 
TaylorEllwood
05:52 / 11.05.05
Bruno:

The idea of 'Subverting the ideology' is very relative, one man's subversion is another man's mainstream.

That's true...As a magician I subscribe to an occult ideology, which is mainstream for me. My subversion of mainstream ideology is a subversion of their own subversion of occult ideology (Buffy as an example)


When I wrote that I was thinking in terms of: 1. identifying it when you see it (e.g. observing people who are very media saturated, the behavior patterns and roles they reenact) 2. identifying parts of yourself that have been influenced this way (you could try spending a very long time watching shit on TV and then observing yourself)and 3. when you are doing whatever banishing you usually do, making sure as best as you can that spectacle is being banished too.

This might surprise and amuse you (it does for me)...but I actually don't have cable TV...haven't had it for three years now...I've chosen not to have T.V. because of it's way of eating up time and also the weirdness it creates when it comes to reality. I still pick up some shows that I really like to watch on DVD, but no commericals makes a difference. So in a sense I have banished spectacle from my life, only to realize how useful it can be to work with and experiment with.
 
 
TaylorEllwood
05:56 / 11.05.05
Seth:

The parameters in which one perceives it existing instantly become redefined. No matter how rich and complex one’s beliefs about how a God becomes a God (and there have been some brilliantly rich and complex beliefs on this thread), hypothesising and building a theology about its origins in the minds and actions of humanity instantly takes away a God’s position of being Godlike to the practitioner, therefore becoming a less powerful being to be in a relationship with. I believe that’s losing too much into the bargain. The concept of the term “God” as it stands is part familiar, part alien, and totally wild, ragged, raw and staggeringly potent to the unconscious. It bypasses a conscious intellect that would prefer it left comfortably tagged, or at least described and defined in the abstract, and is all the more powerful for it. It is bigger than humanity, and as such affects our sense of ecology, the context into which we fit.
One of my concerns that I’ve already alluded to is that to come at one’s practise from this kind of belief loads the dice in terms of results. The experimenter sets the terms for the experiment, the observer actively interacts with what they’re observing. In the realm of our subjective experience as soon as you define what you believe a God to be then you potentially limit it in what it is capable of doing. I repeat from an earlier post that I refuse to come to a conclusion about what constitutes a “God.” The most I’ll say is what I’ve already said: that the term should not be used lightly and without a clear knowledge of what it means and how you’ve necessarily changed that meaning.
I’m not of the belief that people should worship every God they encounter. However, an encounter with a God should to me by definition make the practitioner stand back in awe thinking, “Fuck me. I can see how thousands/millions of people worship you!” The worship reflex is triggered while potentially not being fully acted upon. The flipside of this is that one can trace the effects of the belief that the Gods have their origins in man in the accounts of the practitioner: they’re lacking in the sense of scale, magnitude and hard-sought depth that you’d find in accounts from the religions that actively worship that God. In this case it’s not about the amount of significance you invest that effects the results, but the type of beliefs you have about what you’re getting involved with.
I guess my standpoint is that if you’re going to work with a God, let them be just that: a God. Reversing the lens for a second, it’d be fascinating to hear the opinions of people within mainstream religion concerning how occultists have come to relate to their Gods…


apology accepted. I see your point here and in fact it's one reason I never really try to define my relationship with magic. As you said above, there's a sense of just wow...that's how much of a force you are. I don't know if i'd ever want to explain magic...and yes I know as a writer some might say I am, but what i'm explaining are my techniques, my interactiosn with magic in terms of practical workings. But the workigns that are very spiritual, that are worship...it's a private place for me...and the magic.
 
 
TaylorEllwood
06:02 / 11.05.05
Ghadis:

I think this thread has come out with some really interesting thoughts and ideas from lots of people. It's particularly interesting to hear your thoughts Taylor and I hope that you will stick around and look at some other threads and contribute to them in some way. There have been lots of threads discussing very similar ideas that I?m sure you?ll be interested in reading and joining in with. Not just here in the Temple but elsewhere, the Headshop or Switchboard, for example.

The irony is that I haven't visited Barbelith for a while. Just crazy busy and I have to measure my time out carefully when it comes to online or no writing gets done. I found out about this thread when a friend mentioned my name and book had been mentioned in this thread. So I checked it out. The resulting conversation has been intriguing and fun for me overall. I'll stick around some, as time allows. My apologies to buttergun, as the conversation shifted from a question about Seth's book to a whole different thread.

Mandelbrot: Glad you like the book. I'll be curious to hear more about your own workings, if you chosoe to discuss them.
 
 
Gypsy Lantern
08:08 / 11.05.05
anything in the universe is possible, so I can easily concieve of one having success utilizing both traditional and non-traditional gods. This is simply opinion: I myself don't work with gods

I've got some cool ideas about how I think heart bypass surgery might work, but I don't hang out on medical forums presenting these ideas as workable fact and arguing my point with doctors. Perhaps you would like me to call round and try my various beliefs about surgery out on you? According to Schrodinger, everything in the universe is theoretically possible, so what I believe about a person's major arteries is bound to be true, at some level. Do you want to fix up a date for that, it'll be a lot of fun.
 
 
illmatic
10:41 / 11.05.05
And also, stop invoking some authority who’s work you don’t really understand to buttress a bad argument. I’m not going to pretend to understand the complexities of what Schrodinger said, but it’s a damn sight more than “everything is theoretically possible
 
 
illmatic
10:50 / 11.05.05
My angle recognizes that I'm working with something which is new and raw, not as refined as say a Norse God

I'd say there's a newness and rawness continually emerging in any living relationship with a deity (as you acknowedge at the end of your post). I'd say this provision of new insight/experiences/gnosis is one of the key things that characterises it as a real relationship, and not just playacting. For instance, in the book I referenced above I was particulary struck by the way new forms of the God Azaka (may have spelling wrong) began to emerge when his worshippers moved into the city. New forms and expressions his personality began to emerge through rituals which reflected the urban environemt. I'm just highlighting this idea because one of the tropes I've encoutered several times re. pop culture magic is that 'cos it's new, it's somehow more relevant. In my estimation, these "older" traditons are also continually remaking themselves.
 
 
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10:59 / 11.05.05
Perhaps some people have better things to do then to clarify and pontificate, in excrutiating detail, every single last little thing about their practice (which is sometimes a private thing) to a group of people they, let's face it, barely even know, and that blanket statements can be a good shorthand method for saying more with less (brevity being the soul of wit and all).

Pasta tastes good. There's a blanket statement. Now, would you prefer that I go into exact detail on just why pasta tastes good? Would you like me to describe the textures, the taste, perhaps the sauce and so on? The psychological ramifications? Must I envoke Chef Boyardee? Would this be satisfactory to let you know that I do, indeed, enjoy the taste of pasta and that yes, I am backed up by real life data here?

Christ...
 
 
Gypsy Lantern
11:08 / 11.05.05
If you have never tasted pasta in your life, you can't have a very involved conversation about pasta dishes with an Italian chef.

Perhaps some people have better things to do then to clarify and pontificate, in excrutiating detail...

You seem to spend your entire fucking life pontificating about shit in excruciating detail. Indeed, it seems to be one of your defining characteristics.

a good shorthand method for saying more with less (brevity being the soul of wit and all).

You might want to be listening to some of your own advice there...
 
 
trouser the trouserian
11:13 / 11.05.05
This is a good thread ... can it Pleeeze not devolve into another flame-war? Just once...
 
 
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11:24 / 11.05.05
Well, it's pretty obvious that I've cut down on the lenght of my posts as of recent... Now people say there's not enough detail, where before there was a surplus (the "brevity" comment was tongue in cheek).

Magic, almost more so then any other subject, is tough enough to "prove" to strangers in real life... Trying to prove it to people you can't even see on the internet borders on the farcial. But really, this has nothing to do with the topic at hand anyway, and we wouldn't want Taylor to get a bad impression of this place on his first visit here, no?
 
 
ONLY NICE THINGS
11:34 / 11.05.05
Fair point. On the other hand, if you call Schrodinger "Schrondinger", it's fair to expect somebody to question your grasp on his theories.

Back on Hercules... I'm interested in the idea that the modern Hercules is one-dimensional. This possibly feeds back to the discusison of Eris we have every six months or so. Does a new reading of a character (Sorbo's cheery, heterosexual, wisecracker) overwrite or supplement? As trouser says, there are a vast number of sources and stories that represent Hercules - the tirelessly excellent Hercules of the Argonautica is a fair distance from the exhausted, regretful but dutiful Hercules of the Alcestis. The decision to focus on, say, the Sorbo Hercules, or the Marvel Comics Hercules may neglect these other Hercules forms, but does it overwrite them? I suspect it doesn't, and would further suggest that your idea of something is not as clean as you might think - Hercules will have ideas beyond Sorbo, even if those are only the Marvel Comic and the Disney movie, and it's not entirely possible, I suspect, to exclude those entirely from workings. In a way, that does actually mean that ignorance is your friend in terms of getting the sort of relationship you want with the sort of being you want, but I suspect it also makes for a paler, less rewarding interaction. Apollo isn't just a good being to interact with because he can do something for you, for example gift some trait from the Wildstorm Apollo, but because contact with him has the power to change who you are and how you interact with the world.
 
 
Gypsy Lantern
11:37 / 11.05.05
Look, my only problem is this: What you seem to be missing is that, for a lot of the people who post in this forum, the theory and practice of magic is actually something quite tangible that they engage with in their lives on a regular basis.

Many of these posts you read here are based on actual experiences that people have had, and what makes interesting reading for me is when people are genuinely trying to communicate something about that.

What makes extremely tiresome and infuriating reading is when someone comes along and forcefully asserts a bunch of unexamined and untested ideas and expects them to be taken on board, whilst simultaneously admitting they haven't actually had any direct firsthand experience of what they are talking about. It's just irritating. You really are trying to tell someone what pasta is like, without ever having tasted it yourself. Can you not see how that must come across? Magic is experiential. If you want to talk about magic with practitioners, then at least accept that your opinions on it can never really be credible unless they are based on your own direct experience. It's like someone who has never done any martial arts training and never been in a fight, suddenly turning up somewhere like www.geoffthompson.com and laying down the law about reality based self defence based on "what they happen to think".
 
 
Gypsy Lantern
11:40 / 11.05.05
"Schrondinger" is my new porn star name.
 
 
trouser the trouserian
12:05 / 11.05.05
Apollo isn't just a good being to interact with because he can do something for you, for example gift some trait from the Wildstorm Apollo, but because contact with him has the power to change who you are and how you interact with the world.

Very good point, Haus. It puts me in mind of a related question I posed in this thread regarding how our experience of deities/entities is shaped by our "fore-knowledge" of them (a nod to the interactionist perspective that Gypsy brought up earlier).

Earlier, Taylor said when you're working with a pop culture deity, the complexity of worship is not as formed and I think this is a point which is worthy of further exploration. One might, for example, reverse it and say that, in the case of some contemporary mythic figures - Buffy, Xena, Batman, we actually have far more in the way of biographical/historical information on that character - in terms of their history, relationships etc., than we do about, say Othinn. The wealth of material contained in the Buffy series dvds, the dedicated fan discussion sites, the fan-fics & slash, scholarly analysis (reading Buffy in terms of Lacan, for example) all goes to create a huge pool of information for magical practitioners, to say nothing of the complex array of mythemes which can be extracted from the series itself. Moreover, this information is easily accessible (you can just kick back and watch the show, for a start) in a way that most information about the Norse Gods isn't - if you want to go further than potted, utilitarian prescriptions on pagan websites and crappy books (by which I mean god x performs function y), then at some point, one has to read secondary/primary sources and maybe even (gasp) learn a couple of languages.
Equally, the 'worship' (which I am reading as referring to one's matrix of practices relating to diety work) may not be 'established' in the sense to which its often assumed to be by modern magical practitioners, but I question how 'established' extant practice is anyway. I'd suggest that one would have a different experience - and come away with a different impression of deity work when, say, a bunch of inexperienced chaos magicians decide to call on Othinn the first time without doing much in the way of preparation, and a different group - let's say dedicated members of one of the many Northern Tradn groups, who have evolved a different set of perspectives/practices based on many years of working with the Norse deities. So I'm questioning here that the idea that (to borrow Levi-Strauss's phrasing) pop-culture magic entities are 'raw' whilst some entities drawn from magico-religious traditions are 'cooked'.
 
 
illmatic
12:35 / 11.05.05
Actually, I have the forlorn hope that reading some of this stuff might actually inspire you to actually commit to some practice, Sypha. Say, six motnhs of regular work and seeing where you get to, what new you to say. Nah, forget it, it was a wild moment of optimism.

As to it being impossible to prove over the web, there are plenty of people who post here who I've not met, who have a way of writing about their experiences which carries weight and convinces. Direct personal experience shines through.
 
 
TaylorEllwood
14:12 / 11.05.05
Trouser,

Actually this Kratos I referred to is a mortal...but a nicely complex character I intend to work with further.
 
 
TaylorEllwood
14:20 / 11.05.05
Haus

Apollo isn't just a good being to interact with because he can do something for you, for example gift some trait from the Wildstorm Apollo, but because contact with him has the power to change who you are and how you interact with the world.

This is a good point to make and how I approach my interactions with deities, pop culture or otherwise. I know that by working with them, I am inviting them into my life, to have an effect on my life...especially effects I may not expect.
 
 
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14:37 / 11.05.05
Would you like me to describe the textures, the taste, perhaps the sauce and so on? The psychological ramifications?

Not with pasta, no, but if you can go into that type of detail about magic then it can move a discussion along further and help people relate, gain confidence (if they find that they share experiences with someone who has more knowledge and experience of magick than they do) and learn.

One of the main reasons I'm here is so that I can use this place as one of the many ways to gradually learn how to practise magick better and then pass on as much of that knowledge as I can to others in the future. If all I read is blanket assumptions I'm not going to be able to do that.
 
 
TaylorEllwood
14:44 / 11.05.05
So I'm questioning here that the idea that (to borrow Levi-Strauss's phrasing) pop-culture magic entities are 'raw' whilst some entities drawn from magico-religious traditions are 'cooked'.

Maybe raw vs. cooked isn't the best analogy to use either for this. In PCM I do reference the easy accessibility to information about characters, especially info from actors themselves. I think actors are excellent resources because they have very intimately worked with the pop culture entity, becoming that entity for a while. Also the reformatting via pop culture of older established god forms is not necessarily new so much as changed to meet the times. I think though it really just depends. I've found a vivacity, a vibrancy with pop culture entities that I really enjoy working with. The newness of them, along with the attention of so many people...it gives a lot of power to those entities...but learning how to channel that, to construct interactions...I think it depends on what you choose to use. Hermetic practices inform a lot of my own workigns with pop culture dieties for instance. Rawness or cooked...who can say. Whether it's a pop culture entity or a more established one, I'm changed all the same by thsoe interactions.
 
  

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