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Frank Miller, Jim Lee: The Goddamn Batman

 
  

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diz
19:12 / 07.01.05
surely good writing is good writing

i wouldn't say that, no. context is important.

example from the world of music: the Beach Boys.

when i grew up, i thought the Beach Boys were quiet, safe, utterly bland pop. "Good Vibrations" was a jingle for Sunkist orange soda. the Beach Boys appeared on Reagan-era Fourth of July specials and episodes of Full House. as i got older, i noticed that people who were really into the history of rock would talk about the revolutionary impact of the Beach Boys and the genius of Brian Wilson. i was baffled. i couldn't possibly understand how radical their sound was in the 1960s, because it had been imitated so widely and appropriated so thoroughly. it had, basically, been so successful that it became background noise. as a result, it took me a long time to understand the psychedelic pop brilliance of something like Pet Sounds simply because it was so fundamental to so much that came afterwards.

DKR is similar. essentially, it reshaped Batman so thoroughly that it's hard to un-see it, hard to imagine what Batman looked like pre-DKR. i was fortunate enough to be just getting into comics in the late 80s, and so i sort of rode the wave in.
 
 
Haus of Mystery
19:25 / 07.01.05
Ooooh. Nice metaphor Diz. I find the pace and energy of DK utterly enthralling still, and I first read it when I was 13. I guess if you've read it and didn't like it there's not much that'll change your mind, but damn, I could still never call it boring or unoriginal. For me the best thing is that it manages to reinvent Batman as an icon, without sacrificing his past to do so. The events in DK feel important, legendary even. Miller has let me down many times since (Sin City past the firts volume - no thanks; Spawn/Batman - I'll pass) but for me Dark Knight, Year One, Born Again, and Elektra:Assassin rank among my all time favourite comic stories.
 
 
Simplist
19:35 / 07.01.05
Someone else here, don't remember who, suggested a good experiment some previous time the "too young/had to be there" issue came up (that time in relation to Watchmen, which someone who'd read it for the first time was describing as "ok, but not great"): Pretend you've never read a comic before, and read a couple of Marvel Essentials or DC Archives volumes. Really let it sink in that prior to the late 80s, that's pretty much how comics were written. Then pick up Watchmen or DKR, experience the contrast, and you'll have a much better sense of what those two books did to comics the year they were released.
 
 
Spaniel
10:42 / 08.01.05
Thanks for the analogy, Diz.
If people want to read a thorough contextualisation of DKR, I'd suggest having a look at Kovacs' essay.
 
 
STOATIE LIEKS CHOCOLATE MILK
10:58 / 08.01.05
I guess context is very important... but I still think DK's just a cracking good yarn. Again, it's hard to separate my perceptions of it from those when I originally read it all those years ago, but I'd reckon it would still rock whenever it was published.
 
 
Spaniel
13:02 / 08.01.05
Cracking good yarn

I'd wholeheartedly agree.
 
 
Our Lady Has Left the Building
14:53 / 08.01.05
So, I thought the All-Star line were the stories set a little bit into the future to all tie in with the Summer's big crisis? Whereas from this it looks like they're just putting out stories like 'Superman for All Seasons' or 'Batman: The Long Halloween' under a specific banner, as they did with bringing in the Elseworlds imprint after 'Gotham by Gaslight'?
 
 
Krug
18:21 / 08.01.05
While your analogies are sound I don't think Frank Miller is with rare exceptions a good writer. His prose is frightfully bad on several occassions.

I've said it before on this board how I recognise the fact what DKR did back in '86, and how influential it is, it's echoes still seen in the superhero comics of today etc etc...

But DKR despite it's memorable moments and place in history and whatnot, is still not a very well written comic book.

That was my point.

If I felt it was badly written, it was badly written. It has nothing to do with age but the quality of the work. It's a good story just terribly terribly overrated. Eighteen years in Watchmen still just takes the breath away and re-reads are always a pleasure. That's a work I can respect the quality of, V for Vendetta came out ages before Watchmen and will never be overrated.

So at the risk of sounding redunant, Good writing is good writing. Which is all I'm talking about. Good writing stands out after being ripped off countless times. I think it's fair to talk out of historical context for one moment.

That's all.

I hope this doesn't offend anyone.
 
 
Spaniel
08:55 / 10.01.05
I am offended! How dare you express an opinion!

At risk of further derailing the thread, badly written how?
 
 
miss wonderstarr
09:17 / 10.01.05

But DKR despite it's memorable moments and place in history and whatnot, is still not a very well written comic book.


Someone named after a fictional alter-ego of Peter Milligan (as I remember) and using "it's" wrong... you have a mountain to climb in convincing me that DKR is badly-written.
 
 
Krug
12:10 / 10.01.05
/Someone named after a fictional alter-ego of Peter Milligan (as I remember) and using "it's" wrong... you have a mountain to climb in convincing me that DKR is badly-written./

Right.

I forget the bit, where anyone here should get nickname approval from you seeing you've not even been here a year.

Also, I'm just dying for a nod from you. All of us on this board, can't wait for the post where you'll just acknowledge us and our opinions.

Batman's narration is often plain embarassing, why he even bothered leaving for TEN YEARS is ludicrous and comes back just because the writer wants him in his outfit is of course just stellar work. And the whole slang he invented was just what the book needed. How could a grown writer, dish out shit like that? Anthony Burgess has got nothing got nothing on him! I could go on but it's been years and I don't see you're so baffled that anybody could think that Frank Miller was one of the poorer writers in comics.

I may not convince you into thinking differently, but at least I'm bring my manners to a message board. Are you already on the John Byrne forum?
 
 
Keith, like a scientist
12:23 / 10.01.05
the angst in this thread is so appropriate to mean old DKR!

um...I've been trying to figure out why I don't like Frank Miller, and why I think Alan Moore is 10,000 times better. What does V for Vendetta and Watchmen have that Dark Knight Returns doesn't? I mean, DKR has a Harlan Ellison cameo, for crissakes! I should love it!

Well, Miller's writing has no soul to me, no poetry. I don't give a crap if he revolutionized comics with his batman yarn, I don't like his writing. It didn't excite me, it still doesn't excite me. That said, I can read uninventive writers with no soul in their writing, either, but damn it, I want a better plot.

So Frank Miller and Jim Lee on All-Star Batman is something I will try, but don't hold out much hope for, no matter how nostalgically wonderful Jim Lee is.
 
 
FinderWolf
13:41 / 10.01.05
On Miller vs. Moore:

I always looked at Miller as very visceral, intelligent action movie/crime noir/hard boiled writer, whereas Moore is more literate, intellectual, sophisticated, like a novelist. Miller's stuff can be 'poetic' but only in the way that, say, Raymond Chandler can be poetic, but Moore's range is much, much wider and can be poetic on any number of topics.

That said, I still absolutely love the first DK and think it's one of the defining comics of the century. Visceral, intelligent action movie. (And very ground-breaking at the time.) Word.
 
 
miss wonderstarr
14:22 / 10.01.05
Right.

I forget the bit, where anyone here should get nickname approval from you seeing you've not even been here a year.


Yeah, and I must have missed the Wiki entry where you can suddenly speak your mind honestly after being registered 12 months. Like, you'd be fine with me passing (pretty lightweight) comment on your nickname if you'd looked me up and found out, oh hey, he first posted on Jan 9th 2004... he's earned his stripes.


Also, I'm just dying for a nod from you. All of us on this board, can't wait for the post where you'll just acknowledge us and our opinions.


This is such feeble deflection. You say Miller's work on DKR was bad writing. I imply it wasn't, and ask you to support the assertion. Your response starts with a bunch of pissy irrelevance, pitifully trying the "bring everyone else onside" gambit and working with some lame argument that because I disagree with your opinion, I must be setting myself up as some kind of great mastermind whose approval you and everyone else have to seek.

It's a discussion board. Me asking you to explain why you make a pretty contentious statement, that Frank Miller's writing on DKR is of a poor standard, does not mean I see myself as the Barbelith authority everyone should kowtow to. And my comment to you had nothing to do with anyone else, so you can leave off with this "all of us", join-my-gang-against-kovacs tomfoolery.

I have, quite clearly, acknowledged your opinion. I'd be prepared to take it on board and modify my own opinion of Miller's writing on DKR -- if you could argue with any competence why his work on that book was of a bad standard.

Sadly, that seems to be beyond you.



Batman's narration is often plain embarassing, why he even bothered leaving for TEN YEARS is ludicrous and comes back just because the writer wants him in his outfit is of course just stellar work.


You're rambling different points together here, bluffing through because you haven't got any kind of evidence.

"Batman's narration is often plain embarrassing" is the first point. Surely that's exactly the kind of thing you could back up with a load of quotations, if you really believe it? If it's that bad, can't you think of any?

Why Batman left for ten years, and why Miller brought him back because he wants him in his "outfit", is a totally different point. Without looking at DKR, I could tell you why I think Batman comes back as Batman. I think it's explained convincingly in terms of character. Bruce Wayne is depicted as someone who has a beast inside him that won't go away; he's not satisfied, he's still seeking something he was trying to repress and forget, and one night the memories of his parents' death, combined with the horrors he witnesses while flicking around news channels, push him back over that line.

On a basic level, there would be no book if Miller didn't want Batman back in that "outfit" -- if you buy DKR you are accepting that it's a story about Batman returning, so to sneer at the fundamental concept of him getting his costume on again seems kind of strained. I don't think it came across as a far-fetched plot point, that Miller decided Batman would give up his retirement and hit the streets once more. The title does give it away.


And the whole slang he invented was just what the book needed. How could a grown writer, dish out shit like that? Anthony Burgess has got nothing got nothing on him!


What's your point? Burgess invented some teen slang, Miller invented some teen slang -- or, as I remember reading once, Varley reported some genuine teen slang to Miller, who incorporated it in the story. Maybe you prefer Nadsat...does that make DKR a failure, a case study in bad writing? Clockwork Orange is built on its language. DKR features some characters using a street argot. They are not really comparable.

Your cackhanded use of sarcasm makes it hard to know exactly what your problem is with Miller. "Oh, yeah, Batman comes out of retirement, that's stellar. Right, teen slang, that's just what we needed." I get the message that you didn't really think it was stellar, and that teen slang apparently wasn't what the book needed -- but I don't see how the Mutants' speech patterns hurt the book in any fundamental way, or what was needed if this was a bad idea. You're just sulking around without really communicating anything specific except a general dislike.


I could go on but it's been years and I don't see you're so baffled that anybody could think that Frank Miller was one of the poorer writers in comics.


Firstly, if you feel that strongly I think it's pathetic that you've given up so easily, with "yeah I could give you loads of examples but I don't remember anything else". I expect the "yeah I would destroy your argument, but you're not worth my time and I have a life" line next.

Secondly, I do find it ironic that someone like you, who can't string coherent sentences together, feels Miller is a poor writer. I'm not saying you have to be able to do better than a creator in order to have any issues with their work, because I can't draw as well as professional comic artists yet still feel free to criticise them -- but when you're dissing Miller in his medium, of words, and using words so hopelessly that your basic meaning doesn't come across, it doesn't help you.


I may not convince you into thinking differently, but at least I'm bring my manners to a message board. Are you already on the John Byrne forum?


I don't think you're being well-mannered, and I don't think I'm being rude.
 
 
_Boboss
14:44 / 10.01.05
well, you got a bit rude there. you're alright kovacs, but often the master of the unnecessary tetch, as that last post kinda proves.
 
 
miss wonderstarr
15:30 / 10.01.05
I thought it was appropriate. If someone says something contentious, and I ask them to explain it, and they reply with a bunch of insulting smokescreen followed by some flailing, insubstantial rant, I think I'm justified in pointing out what I think is wrong with their post.

I would very much like to hear a good argument as to why DKR is badly-written. Laimling didn't provide me with one.
 
 
_Boboss
15:44 / 10.01.05
good soldier.
 
 
Unicornius
15:47 / 10.01.05
I think Beau Smith nailed Miller when he compared him to a one puch fighter, he only has one move but when it gets you it knocks you out cold.

Anyway I'm very excited about this announcement and the Morrison & Quietly in Superman
 
 
Spaniel
16:43 / 10.01.05
I think Beau Smith nailed Miller when he compared him to a one puch fighter, he only has one move but when it gets you it knocks you out cold.

Er, to be explaining?
 
 
Krug
16:51 / 10.01.05
This is quite hopelessly going to go in circles but I'll bother responding one more time hoping you won't miss the point and go on another rant. See, you take three paragraphs to say absolutely nothing other than "You're a moron. Write a longer post. I think you're conspirating against me with other 'lithers. Dark Knight Returns needs no defence, you bring yours."

Obviously DKR is a well respected work in the medium and the majority disagrees with me about the quality of the work. I have no problem with your attachment to Miller/DKR so I wonder what bothers you about my quick dismissal of it. I thought this wasn't Newsarama where people got into silly fist-fights because someone didn't think Spawn fukkin rul3d.

/It's a discussion board. Me asking you to explain why you make a pretty contentious statement, that Frank Miller's writing on DKR is of a poor standard, does not mean I see myself as the Barbelith authority everyone should kowtow to./

Excuse me? Do you actually remember three minutes after you say it? To remind you as you like forgetting whatever crap you post, I will not climb any of your imaginary mountains to please you.

And perhaps it doesn't mean you see yourself as an Authority, I concede this much. You're a bit paranoid aren't you? There's no conspiracygangbang coming your way, you're just a nutter.

/I have, quite clearly, acknowledged your opinion. I'd be prepared to take it on board and modify my own opinion of Miller's writing on DKR -- if you could argue with any competence why his work on that book was of a bad standard./


No, I was not arguing anything. To make an argument I would have to get all riled up, go read the book again. Which is why my posts were direct, short and made my feelings clear. If I cared, I would post quotes from it, something requires a lot of time that would accomplish what? Have a sound argument with YOU? something that I wasn't interested making in the first place? Get over yourself. I'm regretting that I'm allowing you this much thought already and this post is longer than yours. Something I was hoping to avoid. I think I'm old enough to have my say on something and not told by someone senile that I need to go back and do a show-and-tell that satisfies them.

/Sadly, that seems to be beyond you./

Sure, think what's comforting.

Sadly, you belong in John Byrne's forum.

/Why Batman left for ten years, and why Miller brought him back because he wants him in his "outfit", is a totally different point. Without looking at DKR, I could tell you why I think Batman comes back as Batman. I think it's explained convincingly in terms of character. Bruce Wayne is depicted as someone who has a beast inside him that won't go away; he's not satisfied, he's still seeking something he was trying to repress and forget, and one night the memories of his parents' death, combined with the horrors he witnesses while flicking around news channels, push him back over that line./

NO.

It was poorly done, the bit with the wolf howling and Batman's monolog as he stares at the moon half naked qualifies in my book as crap. Don't hold your breath for an "argument."

/On a basic level, there would be no book if Miller didn't want Batman back in that "outfit" -- if you buy DKR you are accepting that it's a story about Batman returning, so to sneer at the fundamental concept of him getting his costume on again seems kind of strained. I don't think it came across as a far-fetched plot point, that Miller decided Batman would give up his retirement and hit the streets once more. The title does give it away./

This paragraph is a veil to conceal what I thought was an unconvincing and was not executed well at all. I say no, you say yes. By saying Yes fifteen times, in fifteen boring ways in unnecessary sentences, you're not making an argument. A competent argument (which is something you're shooting for, I am not) does not constitute of blabberings of Yes, camouflaging stupid thoughts and overdose of repetitiveness like yours.

/What's your point? Burgess invented some teen slang, Miller invented some teen slang -- or, as I remember reading once, Varley reported some genuine teen slang to Miller, who incorporated it in the story./

I guess she was also out of her mind when her report had anything to do with real life.

/Maybe you prefer Nadsat...does that make DKR a failure,/

I do not prefer it, you should read out that out loud to anyone and try the same with Nadsat, see how people take both.

/a case study in bad writing? Clockwork Orange is built on its language. DKR features some characters using a street argot. They are not really comparable./

I was NOT (I hope the shift button helps you) comparing works, I'm getting a bit irritated at how utterly stupid your thoughts are. Burgess invented NADSAT, Miller invented crapslang for their respective works. That's where the the comparison began and ended. By suggesting that Miller's book had lesser to do with language, does not make his slang any less frightful. It reads like a copout. And yes, they are comparable on that level.

/Your cackhanded use of sarcasm makes it hard to know exactly what your problem is with Miller. "Oh, yeah, Batman comes out of retirement, that's stellar. Right, teen slang, that's just what we needed." I get the message that you didn't really think it was stellar, and that teen slang apparently wasn't what the book needed -- but I don't see how the Mutant's speech patterns hurt the book in any fundamental way, or what was needed if this was a bad idea. You're just sulking around without really communicating anything specific except a general dislike./

They didn't hurt the book in a fundmental way but they added to, in MY MIND, Miller's failure as a writer to produce something that could impress ME.

/Firstly, if you feel that strongly I think it's pathetic that you've given up so easily, with "yeah I could give you loads of examples but I don't remember anything else". I expect the "yeah I would destroy your argument, but you're not worth my time and I have a life" line next./

No, I will not under any circumstances read DKR anytime soon because I shan't be wasting my time on it a third time. Resultantly, If you feel that my "argument" about DKR(one more time: I'm not making one, you have it in your head)is weak, start congratulating yourself. Oh wait, you've been doing that already.

/I'm not saying you have to be able to do better than a creator in order to have any issues with their work, because I can't draw as well as professional comic artists yet still feel free to criticise them -- but when you're dissing Miller in his medium, of words, and using words so hopelessly that your basic meaning doesn't come across, it doesn't help you./

Surely, disinterest can also be interpreted as say...lack of interest as opposed to failing with words? Whatever happened to "sometimes people mean what they say"? It's a bit hopeless for you to be on a message board where you're unable to see anybody's point and foggy up their thought balloons with incessant blabbering.

/I don't think you're being well-mannered, and I don't think I'm being rude. /

I think somebody quickly confirmed my statement so I shan't bother with this one.

And this took a while. I've had my say, feel free to be more petty if you like, I'll be checking to see if Barbelith has an ignore option for your posts.
 
 
Spaniel
17:13 / 10.01.05
I dunno Miles, I think you're getting rather over-excited. Kovac's tone might've been a little condescending but you're doing nothing to help matters.

Also, I really don't think its unreasonable to ask you to back up your assertions. This is Barbelith, afterall, not Newsarama.
 
 
FinderWolf
17:20 / 10.01.05
>> I think Beau Smith nailed Miller when he compared him to a one puch fighter, he only has one move but when it gets you it knocks you out cold.

Er, to be explaining?

I thought this made sense...everything Miller does has that hard-edged, noir sensibility to it, even "300." It all feels very Raymond Chandler, tough hardboiled first-person voice leading man-tough guy stuff. Miller doesn't have much versatility, but when he's on his game, he's terrific at what he does.
 
 
Unicornius
17:22 / 10.01.05
Sure Bobossboy, actually I'm going to post the entire quote:

"Frank Miller. A ground breaker. He was one of the guys to tear comics a new poop chute. Thing is, Frank only has one punch. It’s a knock out punch if he gets the chance to land it, but still just one punch. It might be ‘cause Frank can afford to be a one trick pony. Maybe that’s all he wants to give us.

He also compliments other writes: Moore, Gaiman, Johns, Loeb, Bendis, Millar, among others. Didn't mention Morrison though.

The article is here.
 
 
FinderWolf
17:22 / 10.01.05
As for Dark Knight and its artistic value, if the kid (I only say this since there has been some mention of his youth as a factor in not seeing DK as groundbreaking) doesn't like it, so what? Let him not like it. Most people like it, he's allowed to have a differing opinion.
 
 
Unicornius
17:23 / 10.01.05
Because he can only do noir or wants to.
 
 
FinderWolf
17:24 / 10.01.05
oh, and pretty much every Frank Miller story is about a guy who's tough as nails with an unbreakable spirit who astonishingly triumphs when all the odds are against him, when everything's been taken away from him, etc. etc.
 
 
Spaniel
17:27 / 10.01.05
I see what you're getting at.
I agree that Miller has none of the versatility of Moore.
 
 
Spaniel
17:33 / 10.01.05
Let him not like it. Most people like it, he's allowed to have a differing opinion.

Come on, Wolfman. To reiterate, it really isn't unusual to be asked to argue your corner on Barbelith, especially when you make a statement as contentious as "DKR is badly written".
 
 
FinderWolf
19:38 / 10.01.05
oh, I'm not disputing people having a healthy debate/argument. nothing wrong with that. I was just noting that if after a while the person whose opinions we want to budge doesn't look like they're budging, might as well choose that moment to stop trying to convince them. but it's no biggie, I wasn't trying to imply that people were being really nasty or something.
 
 
miss wonderstarr
19:59 / 10.01.05
I'll bother responding one more time hoping you won't miss the point and go on another rant. See, you take three paragraphs to say absolutely nothing other than "You're a moron. Write a longer post. I think you're conspirating against me with other 'lithers. Dark Knight Returns needs no defence, you bring yours."



Obviously, I disagree.

1. As far as rants go, your post here seems longer, far more worked-up and significantly more abusive than anything I've written on this thread.

2. I didn't say you were "conspirating". I said that you were imagining some "us against you" situation with your silly comment about "all of us", as though you spoke for the community.

3. I didn't say DKR needed no defence. Clearly, I did offer some form of defence in that post. But I think the onus is on you to "bring yours", if you make a contentious statement. Saying DKR is badly written begs for some kind of explanation.



I have no problem with your attachment to Miller/DKR so I wonder what bothers you about my quick dismissal of it. I thought this wasn't Newsarama where people got into silly fist-fights because someone didn't think Spawn fukkin rul3d.

I don't know what your obsession is with other comic book discussion boards. I don't read Newsarama or Byrne's forum.

I wouldn't say I was bothered, more that I think a quick dismissal like that calls for some kind of explanation. Your opinion of DKR is surprising. I don't think it's unreasonable to ask you how you justify it.


Excuse me? Do you actually remember three minutes after you say it? To remind you as you like forgetting whatever crap you post, I will not climb any of your imaginary mountains to please you.


Once again you resort to silly personal abuse. The idea that someone would have to "climb a mountain" simply implies they would face a major challenge. It doesn't mean I actually have some visual image of an Everest and demand that you scale it, to satisfy me.

You don't have to make a mountain out of a molehill. For your reference, that means "make a big fuss out of something small."


And perhaps it doesn't mean you see yourself as an Authority, I concede this much. You're a bit paranoid aren't you? There's no conspiracygangbang coming your way, you're just a nutter.


I wonder if you think this kind of playground insult makes you come across better. I personally think it weakens anything worthwhile in your post.


No, I was not arguing anything. To make an argument I would have to get all riled up, go read the book again. Which is why my posts were direct, short and made my feelings clear.


I suppose you made your feelings clear (you have no liking for DKR) but not your reasons for those feelings. I think the reasons would have been more interesting. So far you've just said the Batman narration is embarrassing, the reason for his return is unconvincing and the slang is no good.

You should also get it into your head that an "argument" doesn't just mean someone standing up shouting. An argument can also mean putting across a point of view in a structured and convincing way. You are misunderstanding here, and throughout your post, if you think "argument" means "riled up".

And really if you make a contentious statement, claiming a book that most people think is really good is in fact embarrassingly bad, I don't see why it's such a stretch to go back and read the book in question.


If I cared, I would post quotes from it, something requires a lot of time that would accomplish what? Have a sound argument with YOU? something that I wasn't interested making in the first place? Get over yourself. I'm regretting that I'm allowing you this much thought already and this post is longer than yours. Something I was hoping to avoid.


Interesting that you

1. say you don't want to get riled up, then start posting in capitals and resorting to more personal insults

2. say you don't want to waste any more time than is necessary, then take up a paragraph stressing that you're not going to be wasting your time... then keep going for a good while longer

3. say you're not going to have an argument with ME because I'm not worth it, then apparently can't stop yourself.


I think I'm old enough to have my say on something and not told by someone senile that I need to go back and do a show-and-tell that satisfies them.


This is probably your low point. You're old enough to have your say, but I'm old enough to be senile. Please post up your age limits so I can know how old someone has to be in order to express an opinion here, and how old they can be before their opinions are discounted on the grounds of senility.

What with that and the one-year rule whereby you have to have registered in Jan 04 or earlier for Laimling to recognise your right to post, I seem to have missed a lot of Barbelith etiquette.


NO.

It was poorly done, the bit with the wolf howling and Batman's monolog as he stares at the moon half naked qualifies in my book as crap. Don't hold your breath for an "argument."


Well... after seeing the extent of your critical assessment (monolog = crap), no I won't be expecting you to come out with anything substantial or especially valuable with regard to DKR. Which is a shame, because I'm sure someone could give a good, reasonable explanation of the book's flaws.


This paragraph is a veil to conceal what I thought was an unconvincing and was not executed well at all. I say no, you say yes. By saying Yes fifteen times, in fifteen boring ways in unnecessary sentences, you're not making an argument. A competent argument (which is something you're shooting for, I am not) does not constitute of blabberings of Yes, camouflaging stupid thoughts and overdose of repetitiveness like yours.


If you're so against needless, repetitive paragraphs that say nothing, why did you just write one?




I guess she was also out of her mind when her report had anything to do with real life.


Maybe I should be really flattered that you're calling Lynn Varley insane as well as accusing me of being paranoid and senile. At least I'm in good company. I don't think it helps you to keep up the silly and semi-literate insults though.


I was NOT (I hope the shift button helps you) comparing works, I'm getting a bit irritated at how utterly stupid your thoughts are.



I really hope I'm not the only one who thinks you're being gratuitously abusive towards me.


Surely, disinterest can also be interpreted as say...lack of interest as opposed to failing with words?

Unfortunate example, because disinterest doesn't mean lack of interest: it means an impartial stance. It doesn't really matter except as a further suggestion that you shouldn't be knocking anyone's ability to write well.

=================
UPDATE

so I'm still waiting for further information on

-- why DKR is badly written

-- whether there's really a rule that you can't express an opinion until you've been registered a year

-- what the official Barbelith age limit is for "having a right to post" at one end, and "senile, so should shut up" at the other.
 
 
miss wonderstarr
20:11 / 10.01.05
oh, I'm not disputing people having a healthy debate/argument. nothing wrong with that. I was just noting that if after a while the person whose opinions we want to budge doesn't look like they're budging, might as well choose that moment to stop trying to convince them. but it's no biggie, I wasn't trying to imply that people were being really nasty or something.

Probably true, but then where would discussion boards be without debate. I won't hammer this particular debate too much further though, as I don't see it going anywhere productive. The point about Miller having one punch seems pretty valid -- however, that doesn't hurt DKR. It only matters in terms of his work as a whole, because of the potential for repetition. And while I can see the similarities between DKR and Daredevil (of which there were loads of issues...they don't all have the same tone or style), Sin City and 300, I wouldn't say Year One, Elektra, Give Me Liberty, Ronin and DK2 feel the same by any means. He did write all those, didn't he?
 
 
vajramukti
20:43 / 10.01.05
my thoughts on miller having another go are mixed:

on the one hand, he's one of the few writers with the chops to take a property like batman and shift it in new and interesting direction. he's never really adressed the original robin before, and finding a dynamic that harmonises with his prior vision of batman is interesting to me.

on the other hand, he has the potential to cock up the whole thing. DKR changed the face of batman forever, year one solidified it, while DKSB is destined to be a joke footnote.

futhermore, I'm leary of having miller come along and put his stamp on the batman for another twenty years, locking out other voices in favour of hard boiled millerbat with black briefs. if he decides not to push the envelope again, we're stuck with what is arguably a played out vision of the character with not much milage left. DC has essentially given up where miller established a starting point. the moment they put bats in a year one suit is the moment they threw in the towel in my book.

what i'd like to see is an integration of hard boiled millerbat with the kind of sci fi superhero sensilbity that grant brought to his jla stories. science ninja uberbat, if you will.

once you accept that premise you can change the whole fabric of the mythos, without turining it into a joke. i can easily see a blade runner esque gotham full of monsters like clayface, killer croc, and an amped up joker who has not been a physical threat to batman in a long long time. right now we're meant to accept raymond chandler in tights and tepid family drama in place of an actual scarycool batman with kickass technology in an interesting setting.
 
 
Haus of Mystery
20:55 / 10.01.05
1) Beau Smith? Yeah he's someone to be listened to. This is after all the man who wrote Wyetta earp, Parts Unknown, and recently discussed bar brawling and comic book 'Hotties' with Billy Tucci (creator of the godawful 'Shi')

2) Kovacs and Miles - you're posts are too long boys. More Trisha-speak please.
 
 
_Boboss
08:01 / 11.01.05
i worry that with trisha moving to channel 5 there may be less t-talk about these parts. luckily milly and vax both seem quite up on the jargon:

'get over yourself' etc.

isn't dk2 the science-ninja uberbat one?

i think to reduce miller to a good jab is a bit inaccurate. his use of spatial design to complement the narrative, sin city book one, is second to none. he's also to my mind the best writer to use stream-of-consciousness captions to detail the thoughts of those in spandex land.
 
 
A
08:50 / 11.01.05
Hmmmm. I'm pretty sure that Beau Smith wrote "Primate", a comic-- about a revenge-crazed super-intelligent gorilla that kills people with a big knife and is pals with some big-titted chick-- which is, as I have stated in this forum on more than one occasion, the single worst comic I have read in my entire life.

I read Dark Knight Returns for the first time about two years ago, and I think it definitely suffered from the fact that I had already read so many Batman comics that were heavilly influenced by it.

The main reason I found it slightly dissatifying, however, is that, to me, Miller's version of Batman just doesn't seem quite right. I think that there are four common ideas about Batman that are misconceptions- 1. He's a fascist, 2. He's motivated by revenge, 3. He's insane, 4. He and Robin have some homoerotic stuff going on. I think Miller's Batman is just a bit too fascistic for my likings.

I'm sure that writers can get some fine stories out of the first 3 points (the last one is just silly), but that just ain't the Batman that I understand, who is actually a swell guy who helps people and stuff.
 
  

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