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Angel Season 5 (Spoilers)

 
  

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Tamayyurt
22:22 / 12.05.04
2nd to last.
 
 
Tamayyurt
01:53 / 13.05.04
Finally things start happening and I'm, well, under whelmed. This episode was all exposition. And I found it really hard to care. Nice build up on the big bad this season. I mean, black thorn circle people... who the fuck are they? The best thing was Illyria playing Crash Bandacoot. Also, too bad that little voting speech, "we're not going to walk away from this" was completely ruined by next eps. teaser, "one of the dies... the rest walk away from this." Oh well, I sure next episode is going to be good but not overly satisfying as an series ender.
 
 
Yotsuba & Benjamin!
05:53 / 13.05.04
Seeing as how I'm a big stupid spoiler-head, I'm eager to see the look on your face in a couple hundred hours. It's like the best series finale of all time. Trust me, you'll have no problem being proven wrong. It's that good.

"It is some kind of test...."

HA! What really kicked my ass, though, were the actual Crash sounds playing through the whole scene. He actually gathered fruit when he mentioned it. "This game. It annoys me. And yet I continue to play."

Amy Acker has single handedly made Illy my favorite character on the show.

"All the smells of your kind are equally repulsive to me."

I would've liked more comedy from everyone else, as Spike dropped clunker after clunker, but still. Next week makes the boo-boos all better.

Oh! And the Ugly John mask! Go Team Whedon!
 
 
Tamayyurt
10:40 / 13.05.04
Seeing as how I'm a big stupid spoiler-head, I'm eager to see the look on your face in a couple hundred hours. It's like the best series finale of all time. Trust me, you'll have no problem being proven wrong. It's that good.

God, I hope you're right!
 
 
FinderWolf
12:19 / 13.05.04
Ugly John mask? What are you talking about? Are you saying of the Black Thorn Circle was wearing a mask based on Frank Quitely's / Grant Morrison's short-lived New X-Men character Ugly John, from their first issue?

Yeah, this ep was ok but not great. We all knew Angel couldn't really be turning evil. Illyria saying "...Crash Bandicoot?" was hysterical. And the guardian guy saying in a puzzled tone "...you must gather these crystals...and fruit..." was really funny too. Illyria SO totally loves Wesley now.

How did you see the season finale so early ahead of time, Birdie? You seem like a man with connections... Glad to hear it's really good - can't wait! Is it 2 hours or the regular 1? (I'm still fuming that the Buffy series finale was given a paltry one hour)

The rumors that Wesley dies have me really pissed off - Wesley better not die, mannn!!!

Part of me really wants to be spoiled for the finale's events but I'm holding back.
 
 
Yotsuba & Benjamin!
12:39 / 13.05.04
I actually just read a highly detailed synopsis from someone who had seen it (or actually, more likely, read the script).

Click if you're really really impatient. Like I am.

They're only spoilers in that they tell you everything that's going to happen in glorious detail.
 
 
Yotsuba & Benjamin!
12:40 / 13.05.04
Also, yeah, it was one of the Eyes Wide Shut masks, all Ugly John and shit.
 
 
cusm
13:54 / 13.05.04
I will say one thing. It sounds like they're planning to go out in an appropriately magnificent blaze of glory. See, I knew Angel was up to something the whole time, that much is hardly a suprise. But The Plan is just wonderful, I have to say. For once, the Final Conflict sounds like the good guys are giving evil a real shiner to remember them by. But most of all, that their goals are not even to win so much as send the baddies a message before being stomped out of existence, I find particularly endearing. This should be sweet. I am pleased by how it looks like they'll wrap things up. I just hope the actual action lives up to it.

My money's on Angel biting it, incidently. Seems the only fitting end to the show, doesn't it?
 
 
Tamayyurt
17:35 / 13.05.04
Ugly John mask?

It wasn't really an Ugly John mask it was just a mask with three faces (I think the Senator was wearing it) but they didn't look like pigs.

I really hope they don't kill Wesley. Killing Angel off would be good. And if they kill off Gunn it'll be alright but not as good. BUT DON"T KILL WES! I have fantasies about him being in a spin off (with Illyria and Connor).
 
 
FinderWolf
17:42 / 13.05.04
I am weak, Birdie. I'm a sucker for spoilers. I read the whole thing. It's pretty good, but I can't say more without commenting on specific points...we'll have to wait for next week to do that. Thanks for the link!
 
 
Yotsuba & Benjamin!
17:51 / 13.05.04
Speaking of the Senator, someone help me out. Where do I know her from?
 
 
Yotsuba & Benjamin!
17:55 / 13.05.04
Never Mind.

Stacy Travis.
Intolerable Cruelty, Traffic, Ghost World.

Thanks IMDB!
 
 
FinderWolf
16:06 / 17.05.04
big interview with Whedon I just found online at the Bendis Message Board...

** SOME SPOILERS FOR ANGEL FINALE ***




------


TheStar.com

Father of all vampires mourns show

Joss Whedon took the cancellation of Angel very hard
As always, he's willing to ease his pain by sharing it

MALENE ARPE
TORONTO STAR

Who is going to make us take our bitter, healing medicine now that the
Buffyverse is closed for business?

For eight years and a total of 12 television seasons, Joss Whedon, creator
of Buffy The Vampire Slayer and the spinoff series Angel, has given the
audience, as he once declared, not what we want but what we need.

He's given us pain, suffering, shocking deaths of major characters (there
are no better portrayals of grief than the death of Buffy's mother in "The
Body," and the death of Angel's Fred in this season's "Shells") passionate,
un-pretty love stories and a parade of selfless sacrifice. He has managed
that most difficult of all balancing acts: to take a staunch moral stand
without ever being preachy. And while they made us shudder in horror as
the characters we loved were chopped to pieces or shot or sucked into
faraway hell dimensions, the shows were written with sparkling wit and
more downright dirty innuendo than any other show on television.

Buffy quit her job a year ago; Angel was fired by the WB and fights his last
fight Wednesday with the series finale, "Not Fade Away." Whereas Buffy
was allowed to have a somewhat triumphant, happy-ish ending, it doesn't
look good for the characters on Angel. But that's in keeping with Angel's
much darker vein.

There will be death. There will be sorrow.

"Oh yeah, baby," Whedon says. "The pain that I felt when they cancelled the
show, I'm going to share."

Whedon -- who says had he thought the passionate fan campaign to save
the show had any hope, he would have been out there with his placard and
bullhorn -- would have liked one more season to tell his tale of the vampire
with a soul and his search for redemption.

"I always felt there was more to say about all these people, that the show
was kinda cut down in its prime. We did have a sort of final statement
prepared for the end of the season, because you go into every season not
knowing your fate, and I do feel like we finished the series saying what I
wanted to say in a grand fashion. But I don't have the feeling I had with
Buffy, which was: We are done, thank you, good night," he says during a
conference-call interview.

Angel (David Boreanaz) and his fellow evil-fighters Wesley, Fred, Gunn,
Lorne and the other souled vampire Spike (James Marsters) -- the latter
added this year from Buffy's cast -- have spent this season working inside
the nefarious law firm of Wolfram & Hart. They've tried to fight the good
fight, while being tempted by the lure of power.

"In past seasons, Angel had always been the loner hero in one form or
another and sometimes he'd been just a bad-ass and sometimes he'd
lost sight of his goal, but he was always just a champion, fighting. This
year was about, if you're inside of a structure, be it corporal or societal, that
is by its nature corrupt, do you affect it or does it affect you?"

Since the announcement of his show's cancellation, Whedon's heroes
have found themselves increasingly at odds with that power structure.
Coincidence?

"We knew as writers we were projecting a little too much. The fact of the
matter is if it only reads that way, then you're doing the wrong thing. I
actually don't have as contentious a relationship with the executives as I,
trying to seem like a cool rebel, would have it seem. The fact is, they let me
put on my weird show for a total of 12 years and I'm grateful for that.

"There's definitely some executives that I'd like to take a ball-peen hammer
to, (but) there's just as many who have been supportive and creative.
Definitely, we were feeling the hurt and it definitely informed what we were
doing."

Whedon says his show was "old and in the way," as the WB is trying to
divest itself of expensive properties to make room for more reality
television -- a genre for which Whedon obviously has no love.

"Ultimately the (vampire) shows were cult shows; we didn't make Friends,
so nobody is going to use us as a financial model. And the financial
models are what changed television. If I had created reality television I
would have had a much greater influence, but then I would have had to
KILL MYSELF."

With shows like his own, as well as the Star Trek franchise and other
science fiction and fantasy shows struggling to find backing while the
ratings soar for dating, surgery and survival programs, Whedon still
believes that well-written genre television is important and can survive.

"Genre TV is a great way to speak to people, very directly without being
either didactic or maudlin or, you know, boring. It's a way to really hit home
emotionally and societally without having to lecture people, and it can be
very beautiful, it can be very direct and get to a place no other show can,
because people love to imagine themselves in a fantastic universe,
especially if that universe is not just in the service of cute tricks," he says.

"In that sense it has a good chance of surviving, of going on. But it also
faces peril in that there are very few mainstream hits that use that mold;
people don't take genre seriously. They don't want to spend the money.
The fact of the matter is that's a very big issue when you're dealing with
fantasy."

Whedon, who says he doesn't believe we've heard the last of the
Buffyverse and will find ways to explore his own creation, be it via comic
books, miniseries, spinoffs or feature films, will be going to work in two
weeks on Serenity, the major motion picture take on his short-lived Fox
project, the sci-fi western Firefly, which is set for a 2005 theatrical release.

As for rumours the Angel finale has a cliffhanger ending, leaving the door
open for further explorations?

"I do not think of it as a cliffhanger at all. It is not the end of all things. It is
not a final grace note after a symphony, the way Buffy was. We are definitely
still in the thick of it, but it is, and was meant to be, a final statement about
Angel. ... The point of the show is, you're never done. Whoever survives the
show, to get that point, will embody it, but no matter who goes on, the fight
goes on.

"Did I make it so that it could lead into an exiting sixth season? Yes I did.
But it still is a final statement, if that is what it needs to be."

The finale of Angel airs Wednesday at 9 p.m. on the New VR and Victoria
Day at 10 p.m. on Space, after an all-day viewers-choice marathon of
favourite episodes. The Space broadcast begins at 11 a.m. with the series
premiere, followed by the top 10 episodes.

Additional articles by Malene Arpe

------
 
 
FinderWolf
16:07 / 17.05.04
Big Entertainment Weekly interview I also just found...

---

Issue #766 of Entertainment Weekly, May 21,2004

by Jeff Jensen

Eighteen months ago, Joss Whedon had three TV series on the air. And now, he has none. In the cult-pop underground, where he is something of a wickedly big-brained deity, there is an anguished gnashing of fangs. While he promises a return to TV in the future, Whedon is preparing an expansion of his kingdom to two fronts. This month he begins a 12-issue stint as a writer of Marvel Comics' The Astonishing X-Men. The pairing of scribe and title is both fitting (X-Fan Whedon cites the mutant freedom-fighters as a formative Buffy the Vampire Slayer influence.) and ironic (Whedon wrote an unused draft of Bryan Singer's first X-Men movie). "Joss knows how to write an ensemble and has the aibility to nail a character with a sentence and a half," says Marvel editor in chief Joe Quesada. "He has some kind of black-voodoo writer magic."

Whedon will also make his film-directing debut with Serenity, a big-screen revival of Firefly(whose cancellation by Fox still irks him), due in 2005 from Universal. Whedon says it's been hard getting over the end of the Buffyverse, but he's ready for new challenges. "With both Serenity and X-Men, its gratifying to be walking in worlds I love, I am surrounded by old friends in new mediums. It doesn't get any more exciting than that." More from the Hellmouth's mouth...

EW: Does it feel like the end of an era?
JOSS WHEDON: It does! Somebody on the Internet - and it wasn't me - said this era of the Buffyverse, these eight years, were like Camelot. "One brief shining instant." I have to say, I did get a little choked up.

EW: Wish you had another season of Angel?
JW: I was really upset [When Angel got canceled]. When we hit 100 episodes, we felt we had made a stand. I felt we had hit [our stride] in our fifth year - and then we got cut down. With Buffy, I was ready to end. Firefly - I went into such a state of denial, it caused a film. But with Angel, it was like "Healthy Guy Falls Dead From Heart Attack." I believe the reason Angel had trouble on The WB was that it was the only show on the network that wasn't trying to be Buffy. It was a show about grown-ups.

EW: Why didn't Sarah Michelle Gellar appear in the final Angel?
JW: We wanted her earlier in the season; she declined. When we realized it was going to be our last season, we made some inquiries about her appearing on one of the shows before the finale. But she was only available for the last one, and I didn't want her in the last one - in part, because when she wasn't available earlier, we did an episode all about her. [The story] is something that occurred to me based on what was going on [while trying to get Sarah], which was: Well, she has clearly moved on. Maybe we should too.

EW: There's been talk of Buffy or Angel TV movies. True?
JW: The WB mentioned the idea. At first I thought an Angel TV movie feels like electrifying a corpse to see it twitch. But then again, I have these characters I love. Maybe a series of movies, focusing on a different aspect of the Buffyverse, would be fun. But I don't know if there's a market for what I'm proposing. The marketplace is just so bi-zarre right now.

EW: Bizarre?
JW: The reality television thing. I've definitely been the guy in Singin' in the Rain who's like, "Talking pictures - it's just a fad!" The face of the marketplace is changing; none of the networks are doing that well, and they're all scrambling. ABC is kind of falling apart, NBC and CBS are entrenched, my history with Fox [as a network] is...not great. The WB basically said, We have to do more reality, we don't have room for Angel - this, when Angel had always done well, and was doing better...I'm not sure what else I needed to do! Thats the question we [TV producers] are constantly asking: What do they want? The thing is, they don't know what they want. There's no one with vision. There's no commitment to developing good, quality shows. Even though Fox invested millions of dollars into Firefly they ultimately didn't believe in it. They scheduled it in the death slot [Friday] and let it die.

EW: So they invested millions in a show they didn't like, just to kill it? Why would they do that?
JW: [Bewildered] Because Fox is a bad network that makes bad decisions. [ While The WB would not comment, a Fox spokesperson said: "We wish Firefly had found an audience, and we would like nothing better than to be in business with Joss again."]

EW:About Serenity: There were rumors you were asked to make some changes to your screenplay to accommodate Universal's vision for franchising. True?
JW: Absolute nonsense. You're seeing alot of movies that are built to be a springboard for a franchise. Like Underworld. Well, I'm saying maybe you should take a long hard look at your f---ing movie before you worry about your franchise. Obviously, Universal does see this as a potential franchise-springboard marketing vehicle. But none of that matters unless I make a movie that not only people who loved Firefly will respect, but people who never heard of it can walk in and have a wonderful time.

EW: Are you losing any cast members?
JW: Every. Single. Member. Of. The. TV. Show. Is. Back. I wouldn't have done it without everybody.

EW: Do you want to concentrate more on making features?
JW: I've spent my whole life waiting to make films. At the same time, I have a love for TV that is different. TV does a thing that film can never do. It takes you to a place that no novel written after the late 19th century can. You can just go through people's lives; it's like a marriage. I love both. I want to do both.

EW: And you want to do comics. You're making The X-men an old fashioned superhero comic again - even putting them back in their colorful costumes.
JW: The thinking behind that was Marvel saying, "Can you put them back in their costumes?" and me saying, "Okay."

EW: For a corporate mandate, you sell it well. Your first issue made me wonder if you feel recent comics have gone too far in deconstructing superheroes.
JW: We really have deconstructed it. One of the things I like about the X-Men is they're not killing people. I miss the idea of...heroes who stop that kind of thing from happening. Here's why I'm not running Marvel: If I was, I would kill the Punisher. I don't believe in what he does. The Punisher just shoots up places. And if you're telling me he's never hit an innocent, then I'm telling you, that's fascist crap. Which is not to say I won't kill anybody. I mean, it's me. If I didn't kill people, well, gosh, I would feel all ooky inside.

Beside the picture of Joss in a leather coat,grey shirt,and blue jeans theres a box that says "HITS O'WHEDON".

FAVORITE SEASONS:
Buffy Season 2. Buffy has sex with Angel. Angel turns evil. "It's the first time we went 'Oh my God. Look what we can do.'" Runner-up:Season 5. It starts with the arrival of Buffy's mysterious sister. It ends with Buffy dead.

Angel Season 3. The show finds its legs with the official addition of Fred(Amy Acker) and a story line that saw Angel get a son... who tries to kill him. Runner-up:Season 5, or "the last season" Whedon particularly enjoyed the Angel-Spike relationship. "Spike is the greatest ingenue Angel ever had."

ANY SPIN-OFFS IN THE WORKS?
At present, theres only one: an animated Buffy, filled with "all the things we couldn't afford, and all the jokes that were much too silly."

ANY CHANCE ANGEL WILL END ON A CLIFF-HANGER?
"I wouldn't do that. That's a crappy thing to do. [But] the last thing you will see of Angel is the last thing you should see. Angel is about redemption, and redemption is ongoing."
_________________
 
 
Seth
07:38 / 18.05.04
I'm already spoiled for the last ever moment of Angel, and if it's true to the spoiler then it's perfect.
 
 
Jack The Bodiless
11:45 / 18.05.04
So it is, so it is...
 
 
Tamayyurt
14:43 / 19.05.04
Damn, you're making it really hard for me to resist reading the spoilers!
 
 
PatrickMM
03:05 / 20.05.04
Fuck, that last moment was Twin Peaks finale good. This was an awesome finale, better than Buffy's last years. Spoilers below.

First off, the things that bothered me about this finale were mainly due to the structure of the season, rather than developing the cult of the black thorn over the whole season, they just appeared last week. I liked the incorporation of Cybassis, and the red guy from earlier episodes, but it's not the same as a really developed villain.

However, other than that, I loved almost everything else. The scenes of the people living their last day were great. Spike's poetry was hilarious, and Gunn's return to Anne was a nice tie in to stuff earlier in the series.

The most affecting moment for me, other than the final scene, was Lorne killing Lindsey, which was just chilling. The character had always been comic relief, and the light amidst all the darkness, and to have him be the one who lost hope. His exit was amazing.

Wesley's death wasn't quite as affecting, since it happened at the hands of red guy who had appeared in two previous episodes. His stabbing by Holtz's sidekick back in season three was more more affecting. However, the scene with Fred at the end was such a perfect death, and Illyria's feelings in the final scene, she had become a really complex character by the end of the series.

The last scene of the series was perfect. It reminded me a bit of Watchmen, with Rorshach's stubborn refusal at the end to give in, even though he knows what it's going to lead to. Angel and co. won't compromise, even though they know they'll die, they're going to fight, and that really was what the show was about. When the credit hit, I was at once saying "Fuck, it's over," and "Yes, that was amazing." I love the bleakness of the ending, in that, we can assume that all four of them will be killed, but at the same time, it was just so life affirming. If this is how the Buffyverse has to end, I have to say that I'm satisfied.

And last, I can't believe that the WB cancelled the show to air Jeff Foxworthy and Drew Carrey. The sixth season would have been amazing judging by this potential.
 
 
Mazarine
03:20 / 20.05.04
Well, I can't really sum it up better than Patrick. It was the balance of comedy and sadness that I wanted. I liked the tone that it ended on.

Lorne's scene... man. That was a killer, and I did not see that coming.

I guess I'm satisfied too. It hurt in all the right places.
 
 
Yotsuba & Benjamin!
10:41 / 20.05.04
Yeah. Bee-frickin-youtiful.

Illyria is officially the most heartbreaking and wonderful character in the B-Verse. I want to go to the movies with her.

And Lorne's "Goodbye, Folks." That one's going to sting the most when one sits down to watch all five seasons.

And yes, I kind of sincerely hope that's the en toto end of the B-Verse on film because that was simply perfection. As Joss said, (paraphrase), redemption is ongoing. And as I said, it's all about the choice, not the act.

About 8 Million Times better than the Buffy finale. I cared about Gunn, even, who never really appealed to me. And, oh, kudos to the director for making that last sequence a zillion times more badass than I ever imagined it could be.

RAIN!

*SWORD ZING!*

"Joss Whedon"
 
 
Tamayyurt
11:41 / 20.05.04
Yeah, I agree with all of you it was a fantastic ending to the show, even though I wasn't too thrilled about Wesley's death. I loved the Connor/Angel moments and I love how he figured out there was an apocalypse and came to fight with Angel (despite his distaste for fighting). I love that Harmony betrayed all of them... so in her character. And I like that after 5 years Lindsey seems to have genuinely seen the light (I'll even sing for you) to be ruthlessly cut down by Angel.

And the most important bit... I love how now Spike is the sole vamp entitled to the Shanshu prophecy!

And I don't know about Gunn but I'm sure Angel, Spike, and Illyria survived cause two out of those three are going to be in Buffy's possible movie.
 
 
FinderWolf
13:07 / 20.05.04
One review I read in a major newspaper said they wouldn't be surprised if Angel's signing away the Sanshu could be reversed. A prophecy is bigger than just a document, even a magical document, right?

Lorne actually said "Goodnight, folks." Has more of the show biz flair than just "Goodbye, folks." It was scary how he so casually killed Lindsay, who was potentially showing signs of being less of an asshole. I'm not quite sure whether I think Lorne did the right thing, which is all the creepier. But Lorne saying over and over that he's not tough enough for this work anymore makes perfect sense -- he's not a warrior and he never really grooved on all the fighting.

Wesley....augh. He's my favorite character. But I do like the idea that they killed someone, and that it was a daring choice (killing a major character who we will all really miss, a la Fred). His death scene was great...Illyria was amazing. "Would you like me to lie to you now?" Heartbreaking. "I crap better magic than this!" was a funny line. Goodbye to one of the best characters in the Buffyverse...Wes went through one of the best character arcs ever, if not the best.

When Fred/Illyria said "You'll be where I am, we can be together" I totally teared up. I'm tearing up now as I write this. But that fact that Illyria had enough depth to even come up with that sentence is just amazing.

Hamilton/Jayne...good all around. Adam Baldwin adds another fun role to his resume. Nice to see him in any Joss project.

I kept thinking of the Angel vs. Wolfram & Hart / Joss vs. various TV network corporate suits analogy all the way through, esp. after reading all those interviews about it. The idea that there will always be this battle between art & commerce. And that this finale was Joss' big 'fuck you' to the studios as much as it was about Angel's 'fuck you' to Evil. And this is probably the only time I can recall a bunch of heroes saying "We will probably lose, but we will go down fighting" and really meaning it. Unlike most superhero type stuff, they're not going to vanquish the enemy. They just want to know they dented the enemy a little bit and made an impression before they go down fighting. Just want to give the evil in the world -- and/or the corporate suits & studios that will replace Angel with 'Dark Shadows,' 'Lost In Space' or fucking more reality TV -- a nice big shiner before they disappear into oblivion. And to that I say, bravo.

The 'non-cliffhanger cliffhanger' sort of worked for me in a weird way. And the years of literary meaning behind Angel's final line, and the childish glee and adventurous twinkle in his eye as he says "I kinda wanna slay the dragon" was just really wonderful. He just really wants to be a hero and fight the good fight. It's where he belongs, and he loves it. And Joss just wants to slay the dragon too, and just get on with his work - telling good stories.
 
 
FinderWolf
13:15 / 20.05.04
Harmony's final betrayal was hysterical. And Angel even wrote up a recommendation letter and left it on the desk!!! That part killed me.

Connor's stuff was really nice. His lines "I understand what you did for me, I'm grateful, I'd like to leave it at that" were terrific. "You call me for coffee and it's not the apocalypse? Please." was damn funny.

All those demons and monsters in the alleyway looked damn scary, too!!
 
 
Tamayyurt
13:48 / 20.05.04
Yeah, very LOTRs.

And Angel even wrote up a recommendation letter and left it on the desk!!!

Oh I forgot about that. That was great. I mean, even harmony did her part by feeding Hamilton false information (even though she didn't know it and was just following her evil nature).

Who do we start writing for the Connor Spin off? Come on, it'll be awesome! Andrew can even be his watcher.
 
 
cusm
16:03 / 20.05.04
Noone's mentioned Eve's crushed look as Angel tells her that Linsey isnt't going to be meeting them, as she realizes that Angel had him killed, so she just stays while the building collapses around her. Lorne's prophesy comes true. That bit is important in knowing that Lorne killed Linsey because Angel asked him to, which was why he was like 'ok, but this is the last thing I do for you. I'm out.' Cause really, that sort of killing is just a murder. Murder for rightous reasons, but still. Linsey was on that edge of redemption. It probably wouldn't have happened, but he was close, and he and Eve had True Love to save them both. I never expected to feel for the two of them having a tragic end. I love how the lines between enemies and friends are so easily blurred that way in this show.

More generally, the grey morality throughout was one fo my favorite parts about this show. The Good Guys sometimes have to do terrible things, and often do, and it seriously affects their character.

Again, Lorne's scene was fabulous. I couldn't help but applaud him. Seemed appropriate.

I really like Wes's character arc. I can see why he was the one to go, too. His story was done. He had grown from bumbling naive fool to hardened 2 gun warrior to broken anti-hero with nothing more to live for, and went out in a blaze of sorcery. Its funny that we've never seen him use combat magics until the last episode like that. Almost suggests that you have to be broken a bit beyond humanity before you can do that, combat magic being inherently the Black kind.

The bit with Illyria was really touching to me for a realization that is just so awful. Wes isn't going where Fred is, cause Fred isn't in any happy afterlife. Her soul was torn apart, remamber? There's little bits of it living inside Illryia now. Her and the Primordial are increasingly one as Illyria's humanity grows stronger. Her grief at the end ('I can not control it. I wish to hurt things now.') is just more proof of it. I would have loved to have seen a longer arc with her integrating the bits of Fred and dealing with the composite complex being that she has become.

Otherwise, the end left me really pumped. I loved the blaze of glory. I have to agree with Joss, it was the perfect end to this series.
 
 
Eskay Doss
16:12 / 20.05.04
I was never really a big Angel or Buffy fan, but i didn't miss an episode this season. It was so great. And the big finale - wow!!! Every major character got a moment to shine, and for all their ugly bits proved themselves redeemable, even loveable.

For all the latecomers to the world of Angel such as I, anyone care to give a simple breakdown of each season? You know, highlights, major plot points etc. I want to rent the dvd's and put together an "Essential Angel" collection, capped off by the complete 5th season.
 
 
Foust is SO authentic
17:12 / 20.05.04
Oh yeah, that completely blew away the Buffy finale.

And as much as I love the Buffyverse, I hope there is no tv movie for Angel; the finale was just too perfect. Too much happened; if there's a tv movie in which Angel becomes human, I'll be spitting mad.

I loved that moment. When Angel signed away the prophecy. I just sat there thinking "fuck fuck fuck" to myself. It was gut wrenching. And he did it without hesitation.

I don't believe I've ever seen heroes sacrifice so much in the name of the battle. Angel signed away his soul and murdered a good man. Lorne basically did the same. This wasn't some been-there, done-that final sacrifice for the hero to make, like Spike "dying" in Buffy's finale was. I wasn't sure if Angel would become human by the end, but I sure as hell didn't expect him to lose all hope so... so casually. If they reverse that in a tv movie, I'll feel ripped off.

Lorne's scene was heartbreaking, have to agree with you all.

So was Eve's last seen, for that matter. No longer the bratty character she was at the start of this season.

Wesley's death... Ill made the scene. Ouch.

My initial reaction to the final scene was disgust, but I changed my mind after about 30 seconds of thought. I think that it was just about the best last scene for any series that I can think of.

I don't want there to be a tv movie in which we find out that Team Angel beat the demonic army and Angel gets humanity. I'll feel really, really cheated.
 
 
FinderWolf
17:52 / 20.05.04
Someone on the Aint It Cool News talkback/message board wrote this, and I couldn't agree more:

----
"Thank you, from your friends at the WB"!!! That's the
funniest thing I've seen all season.
---

Yeah, we cancelled your show for shit reality TV and old warmed-over remakes and CHARMED gets a 2-hour season finale but you get a 1 hour "WB SERIES" finale. Thanks to all the fans from the evil suits at the WB.

Also, I found a personal post from Joss (seems geniune) on the Aint It Cool boards:

----

Joss Whedon's post tonight on the Bronze Beta:

Comment: Can't stay long. Wanted to say thank you one more time, to all of you except anyone who ever criticized anything ever at all. I came on these boards in Buffy's first year and the support -- and even the criticism -- has been more helpful than I can type. I set out in television with one simple goal: to purchase a russian bride. Didn't work out. Immigration stuff -- it's complicated. But I did get to make this show, and that other one, and that other other one, and meet some of the best artists and the best friends I've ever known. I had dinner with Tim Minear the other night, and we talked about what kind of show we want to make next. And it always comes back to the same themes... people getting strength. People helping out. People being thankful for whatever they have, be it power, a decent life, or a fun-tastic russian bride. And I'm thankful that for the last eight years my cohorts and I got to feel like the superheroes. 'Cause of y'all. I don't know if the Buffyverse is going to return to TV, but I hope so, and I know we'll be putting SOMETHING out there. Maybe on HBO, 'cause I like me some cussin'. Keep you posted. -j.

-------
 
 
Yotsuba & Benjamin!
18:09 / 20.05.04
And the best part about all those dark and painful decisions (Angel's Sanshu abandonment/hit on Linds, Lorne's murderosity) was that they were all to honor Fred. Really, this is how you should watch the last half of Season Five for maximum heartache:

1) Hole In The World
2) Shells
3) Time Bomb
4) (Second To Last Episode)
5) Not Fade Away

It's all about Fred's death and making it count. They should've showed her face in the clouds, Lion King style, giving a thumbs up.

Maybe I'm just thinking this because of how much I loved AA's Illyria and her delivery of THE BEST death scene in Buffiverse History (although props must go to the Whede for writing the deadly, Paul Thomas Anderson line "Why can't I stay?"). She finally gave an apocalypse a heart. Even "The Gift" didn't have as much pull (and that had a LOT of pull, as I wept profusely and still do, even if I just come across the script of the last scene) as the final cycle of episodes of this season, mainly because of Angel's resolve.

This is going to matter. We decided to let Fred die. We're going to make it the most important thing that has ever happened in the history of the world. That's why Lorne did what he did. That's why the result of the ending battle was irrelevant and why this was in no way a cliffhanger.

PROBLEM: Fred's death must matter.
RESOLUTION: Kick the SP's square in the nuts.

No cliffhanger.
 
 
FinderWolf
18:13 / 20.05.04
Other greatest hits posts from Aint It Cool that amused me...

------

I am dumbfounded by the sheer idiocy of the WB. They have to know that fanboys across the country are angry as hell at them. I can see them holding a meeting trying to figure out how to deal with that very problem. Hmmm... what to do? Lets put up a lovely farewell montage at the end showing that we care too! We'll win them over by sharing in the goodbye. Seriously, that has to be what they were thinking. Which just shows again they're fools. Folks at the WB, imagine somebody gives you a puppy. They let you raise it and get attached to it for 5 years. Then you come home one day and discover that the same guy who gave you the dog has killed it for no apparent reason than for the heck of it. Now imagine while you are still filled with shock and outrage that same guy comes up to you and says, "Man, he was a heck of a dog. What a shame. We'll miss ya Sparky!" Now... think about this real careful WB... are you A.) touched and moved by that statement OR B.) amazed that against all odds you are actually even MORE angry and disgusted to the point of revulsion. If you were hoping for B, well, mission accomplished. You should have just aired the episode and kept your corporate mouth shut. Dumbest move I have ever seen.

------

and....

------

It's what WB does. Quality programming means nothing to them - fan base means nothing to them - they have demonstrated this repeatedly. The "WB Thanks you" at the end of Angel last night was the kiss - the $5 on the nightstand for cab fare - for the fans of Angel. All that was missing from it was the "I'll call you - sometime.". There will be no movies. We've been had - and they'll do it again and again so long as we're willing to support a network that plays it's viewers. They need shows with legs. They need shows that can - when something new comes along be able to hang in there, and fight, maybe not be at the top of the food chain - but hang in there - all the way to the very end. Just my 2 cents.

----

Someone also pointed out that although the suits cancelled it because of the bottom line, money, the montage and thank-you was probably put together by other WB staffers who really liked the show and wanted to try to do something special. Who knows. But man, all this bile and hatred is fun!

Also, do you all think Angel instructed Lorne to kill Lindsey, or Lorne decided himself "I've had enough of this fuck"?

The moment with Eve realizing Lindsey was dead and choosing to just stay in the collapsing building was nice, yes.
 
 
Yotsuba & Benjamin!
18:44 / 20.05.04
I think he definitely ordered the hit. That's why he told Eve he wasn't coming back.
 
 
PatrickMM
20:43 / 20.05.04
For all the latecomers to the world of Angel such as I, anyone care to give a simple breakdown of each season? You know, highlights, major plot points etc. I want to rent the dvd's and put together an "Essential Angel" collection, capped off by the complete 5th season.

Seasons 1-3 are out on DVD, and four will be out by the end of the summer, so if you want to check out the whole series, it's available to you. However, in terms of Essential Angel:

First Season - Mostly standalone, very little overarching plot. However, there are some really solid episodes, City Of (the pilot), I Will Remember You (Only if you're a Buffy fan), Hero, and To Shanshu in La were all top notch.

Second Season - Here, the show abandoned the standalones and did a season long plot in which Angel fires his co-workers, Gunn, Wesley and Cordelia, at the same time as he fights Wolfram and Hart. Then, at the end of the season, there's a four episode arc in which they journey to Lorne's home dimension, which I really liked, but is quite divisive in fan circles. There weren't really any standout episodes, since the arcs were compeltely engrossing, as is the case for most of the middle seasons.

Third Season - This is by far the best season of the show, IMO. Darla returns, pregnant, and the entire season is about Angel's struggle to raise his son. Wesley's arc in this season is unbelievable, just full of yelling "Holy shit" at the TV moments. Some of the best episodes were "Lullaby," "Waiting in the Wings," "Sleep Tight," and "Deep Down." This season just moves, it's brilliant.

Fourth Season - This season is largely about Cordelia and Connor trying to fit in with Angel and his group. There's a lot of in group fighting, as they battle a number of foes, including the beast and Jasmime. This season has its ups and downs. The return of Angelus and Faith are the highlight, and the Willow appearance was great. However, some of it, particularly Cordelia's arc makes little sense. That said, the season finale is the second best episode of the series. "Orpheus," "Soulless" and "Spin the Bottle" are also great.

I'd say, except for the first season, the entire show's essential. Buy the DVDs, watch it all.
 
 
Eskay Doss
07:11 / 21.05.04
Cool. Thanks! Any good extra features on the dvd's? Interviews, outtakes, etc.? And how long before season 5 comes out?
 
 
PatrickMM
18:12 / 21.05.04
There's some outtakes, I know on season three, they had the screen tests for Amy Acker and Vincent Kartheiser. There were a couple of deleted scenes, and a half hour long documentary on the whole season. The others are probably similar.

And, the fifth season should be out on DVD in February.
 
 
Tamayyurt
18:49 / 21.05.04
Any good extra features on the dvd's?

Not really.

And I pretty much agree with everything PatrickMM said except I think season four was slightly better than the incredible Season 3... IMO.
 
  

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