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Hip-pop 2: Misogyny, politics, the 'underground' and the bling bling

 
  

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illmatic
10:30 / 07.07.06
What they said. And:

I acknowledge that I myself am also a part of modern society and am also estranged and mentally ill in many ways.

No shit.
 
 
Bruno
10:30 / 07.07.06
and toksik dont take it personally,
I am not implying that anyone here is not capable of critical thinking or insightful dialogue ok?
Nobody is perfect.
 
 
ONLY NICE THINGS
10:35 / 07.07.06
Bruno, you're back to the third person. I think you need to keep an eye on that.
 
 
Regrettable Juvenilia
10:39 / 07.07.06
You're not implying it about anyone HERE, just all those plebs out THERE! What a credit to socialism you are!

I don't see why "do not take anything for granted" applies to my position any more than it does to yours?

Um, because I'm not saying I take anything for granted?

What you don't seem to get, Bruno, is that the reason people are not defending the world is that you don't have to believe that the vast majority of people are politically reactionary, uncritical in their thinking, unaware of their needs or desires and generally estranged from life, including music and 'art' in general, except for those special above-average people like meeeeee, in order to think recognise the problems in the world. In fact I would argue that one is an impediment to the other. But you're right, this discussion belongs in the Head Shop or the Switchboard. So take it there, and talk about hip hop and r&b - specially, songs you've taken the time to listen to - here, if you like. Like a lot of other people (OH NOES THEY ARE BULLIES - or maybe just understandably exasperated), I'm through being civil with you until you start engaging with discussions about music, and I'm not particular worried about my "points" tally in this thread.
 
 
Bruno
10:40 / 07.07.06
for Jackie:
who said " think this pretty much rules you out of contention for any reasonable discussion."

Point by point:

a I take it for granted that the vast majority of people are politically reactionary

Can you contest that one?

b uncritical in their thinking

If you accept the first one, then this one also stands.

c unaware of their needs or desires

This one needs more unpacking, but for starters
it is reasonable to assume that most consumer choices are made on an irrational basis and people are often tricked into thinking they want something that they don't. I can verify this from personal experience as well as observation.

d and generally estranged from life, including music and 'art' in general...

This is harder to explain in brief but I think a lot of fairly important thinkers have put this view forward in the past and it can't be dismissed off hand.


Really I am quite amazed at the way everyone has responded, you all act like what I said is WRONG and this should be taken for granted but I am willing to discuss, and noone has put forward a serious argument yet.
 
 
Bruno
10:41 / 07.07.06
ok i will start the headshop thread.
 
 
Bruno
11:05 / 07.07.06
I don't see why "do not take anything for granted" applies to my position any more than it does to yours?

Um, because I'm not saying I take anything for granted?


Except the fundamental and unquestionable de facto wrongness of Bruno's wicked and evil elitist arguments.

This escapist pseudo-populism doesn't convince me in the slightest.
 
 
Bruno
11:08 / 07.07.06
Headshop thread
 
 
Char Aina
16:26 / 07.07.06

This escapist pseudo-populism doesn't convince me in the slightest.


i dont think ANYTHING would.
i think that's one issue.
i think you might have to define escapist pseudo-populism for me as well.
also, i am not taking any of this personally, bruno, and i think your rewriting of my motives does you and i both no good.
it also suggests, rather strongly(and supported by other things you say), that you see this as a clash of egos rather than a disagreement.

see:
Except the fundamental and unquestionable de facto wrongness of Bruno's wicked and evil elitist arguments.

your 'arguments' qualify for wrongness, where they do, by being wrong. there is no assumption here on my part other than that explicitly stated as such, and i fear your characterising of any disagreement as personal issues only adds to the conception of your barbelith persona as someone who is fighting a battle against people rather than ideas.

i may be wrong, but you did attack me for taking it personally.
please to show where that arose, if not in your own self-described-as-sick mind.


anyway.

Point by point:

a I take it for granted that the vast majority of people are politically reactionary

Can you contest that one?


yes, of course.
you don't seem able to prove it anything like others can contest it, and the burden of proof is, quite clearly, with you anyway.
if it is so, show us.
if you do, we can discuss your position.


b uncritical in their thinking

If you accept the first one, then this one also stands.


i dont, and i dont feel that the two are necessarily linked as you say they are.
you would need to demonstrate, clearly and without appeals to 'common sense' or similar, how they are linked.
again, the burden of proof is, i think, quite heavily yours.

show us. dont tell us.



c unaware of their needs or desires

This one needs more unpacking, but for starters
it is reasonable to assume that most consumer choices are made on an irrational basis and people are often tricked into thinking they want something that they don't. I can verify this from personal experience as well as observation.


this doesnt just need unpacking, it needs gone over by a team of forensic specialists to make sure it wont just blow up in your face when you try to.
it is not, at any point, reasonable to assume anything that paints your fellow human beings as 'unaware'. it is, in fact, completely unreasonable to expect us to assume anything of the kind.
to expect me or anyone else to engage with your wild assumptions without them having ANY basis in reality outside your own reported experience is, in my humble opinion, equally unreasonable.

to say your assumptions have been verified also suggest some confusion as to the nature of the concepts of verification and assumption, but that may be for another arena.



d and generally estranged from life, including music and 'art' in general...

This is harder to explain in brief but I think a lot of fairly important thinkers have put this view forward in the past and it can't be dismissed off hand.


i think this is harder to explain because, well, it makes no sense.
if life is what folks live, how on earth can they be said to be estranged from it? is a businessman less alive? who are you to say so? is a suicide bomber less alive? who are you to say so? is a rapper more or less alive depending on his lyrics? who are you to say so? am i alive enough to count? who the heck are you to say so?
it reminds me of the nonsensical position that 'most people are of below average intelligence'.

if other important thinkers have said it before, perhaps you could tell us your favourite five?
if you could tell me where to read up on it i would be grateful. i read a lot of books(i take a lot of buses) and, as i enjoy challenging my own perspective, would love to read something that backs up what you say. currently it seems to me like a nonsensical position, designed only to make the person espousing it feel clever and interesting.



Really I am quite amazed at the way everyone has responded, you all act like what I said is WRONG and this should be taken for granted but I am willing to discuss, and noone has put forward a serious argument yet.


i havent suggested that you are wrong by default.
i havent suggested that your wrongness should be taken for granted.
you say you are willing to discuss, but you seem to spend an awful lot of your time being shocked that discussion of your posts is necessary.
how should i have responded, assuming you accept that i may disagree with you?



please bear one thing in mind above all else.
you are not being misunderstood as much as you are being disagreed with, and it would help you immensely to be aware of that.

help me to talk to you, because right now i find it very difficult.
 
 
ONLY NICE THINGS
22:41 / 07.07.06
Toksik - there's a thread in the Head Shop covering this, now - although to be honest to add anything to Lamentations of Jeremiah's post would be to put a cherry on a diamond.
 
 
Bruno
12:01 / 08.07.06
Jackie despite your last post (which is fucking uncritical to say the least) I found the previous one very moving to be honest. I really get what you are saying about being unable to articulate things, and the different ways this manifests, how the listener interacts with that.

I see that R&B is confined within a rigid framework and something good can be done within it (an obvious parallel would be superhero comics. Or indeed any art.). I just think that the expression of music is stifled by the record industry.

As for Maybe I am just a reactionary fuck, but I prefer my artists good-looking.
Well I don't know if you're a reactionary fuck, but you seem to confuse 2 things. If I want to see someone good looking I will go somewhere where there are attractive people, they are all over the place. Since most interaction with music is strictly aural, I think it makes a lot of sense that the appearance of artists isn't important.
Think how much the level of jazz would have dropped if record companies screened musicians on the basis of their muscle tone or skin texture or whatever. I would argue that the level of a lot of music (including hip-hop for sure) has dropped because of this kind of screening.


-bruno
 
 
Regrettable Juvenilia
14:12 / 08.07.06
Do you have an example of when/where "this kind of screening" has occurred?
 
 
Bruno
16:41 / 08.07.06
No and I can't be bothered to look for it.
Are you seriously trying to imply that any commercial record company would sign an act without taking into consideration the visual aspects of their marketting? How "photogenic" they are, how they dress, how they move, and all the rest of it?
That is the screening process.
 
 
Regrettable Juvenilia
19:33 / 08.07.06
So, just to recap: you "take it for granted" that the "majority of people" are "uncritical in their thinking". However, you in your own words cannot be "bothered" to provide an example to support something you say, instead prefering to appeal to a sort of common-sense accepted wisdom ("are you seriously suggesting...?"). Is this an example of your "above average faculties"? And is there any way I can persuade you to stop posting in this thread unless you have something to say about the aural characteristics of some actual hip hop or r&b songs?
 
 
Bruno
19:58 / 08.07.06
So if I understand you, you ARE seriously suggesting that hip-hop & R&B artists can be signed to major record companies without the record company taking into account the way they look.
 
 
STOATIE LIEKS CHOCOLATE MILK
20:03 / 08.07.06
"tak[ing] it for granted".

Meet

"uncritical in their thinking".

Oh, you guys already know each other? Marvellous.
 
 
The Falcon
20:40 / 08.07.06
Bruno, have you seen - say - Lumidee?
 
 
The Falcon
20:44 / 08.07.06
For example. I'm sure there are numerous other people who were not physically vetted by OMG major lables!! prior to their being signed. Lumidee has a lovely voice, but is not, to me at any rate (and I'm certainly not suggesting there is a standard) particularly attractive to look at. I can't think of any male equivalents, at present, but I'm not particularly au fait with male-fronted r'n'b these days.

Oh! Oh. Chris Brown.
 
 
Jackie Susann
01:59 / 09.07.06
You are crazy Lumidee is gorgeous!
 
 
Alex's Grandma
07:36 / 09.07.06
So if I understand you, you ARE seriously suggesting that hip-hop & R&B artists can be signed to major record companies without the record company taking into account the way they look.

ODB and The Notorious B.I.G., were arguably, respectively, the P*** Doherty and Kurt Cobain of hip-hop. P*** Doherty's antics, as much I find them morbidly entertaining, seem minor and solipsistic compared to ODB's - this was a man who was tracked down, finally, by the FBI while signing autographs in a McDonalds car park over bottles of champagne, having successfully avoided them for at least (I think) a couple of months.

Similarly 'Suicidal Thoughts' off 'Ready To Die' by B.I.G. is about as bleak as you can get
 
 
Alex's Grandma
08:03 / 09.07.06
('Pologies, pressed 'reply' too early.)

The lyric of 'Suicidal Thoughts', anyway, goes;

[RING, RING]

(Hello? Aw shit, nigga. What the fuck time is it, man?
Oh god damn. Nigga do you know what time it is?
Aw shit, what the fuck's goin' on? You alright?
Aw, nigga what the fuck is wrong wit you?)

When I die, fuck it I wanna go to hell
Cause I'm a piece of shit, it ain't hard to fuckin' tell
It don't make sense, goin' to heaven wit the goodie-goodies
Dressed in white, I like black Tims and black hoodies
God will probably have me on some real strict shit
No sleepin' all day, no gettin my dick licked
Hangin' with the goodie-goodies loungin' in paradise
Fuck that shit, I wanna tote guns and shoot dice
All my life I been considered as the worst
Lyin' to my mother, even stealin' out her purse
Crime after crime, from drugs to extortion
I know my mother wished she got a fuckin' abortion
She don't even love me like she did when I was younger
Suckin' on her chest just to stop my fuckin' hunger
I wonder if I died, would tears come to her eyes?
Forgive me for my disrespect, forgive me for my lies
My babies' mothers 8 months, her little sister's 2
Who's to blame for both of them (naw nigga, not you)
I swear to God I just want to slit my wrists and end this
bullshit
Throw the Magnum to my head, threaten to pull shit
And squeeze, until the bed's, completely red
I'm glad I'm dead, a worthless fuckin' buddah head
The stress is buildin' up, I can't,
I can't believe suicide's on my fuckin' mind
I want to leave, I swear to God I feel like death is fuckin'
callin' me
Naw you wouldn't understand (nigga, talk to me please)
You see its kinda like the crack did to Pookie, in New Jack
Except when I cross over, there ain't no comin' back
Should I die on the train track, like Remo in Beatstreet
People at the funeral frontin' like they miss me
My baby momma kissed me but she glad I'm gone
She knew me and her sista had somethin' goin' on
I reach my peak, I can't speak,
call my nigga Chic, tell him that my will is weak.
I'm sick of niggas lyin', I'm sick of bitches hawkin',
matter of fact, I'm sick of talkin'.
[BANG]
(hey yo big...hey yo big)

Hip-hop lyrics don't usually work too well written down on the page, it's all in the delivery, but I'm hoping, Bruno, that you'll trust me when I say the decision to rhyme, say, 'extortion' with 'abortion' is a good one - he's always on the beat.

'Ready To Die' is a concept album, in a way. It begins with the B.I.G leaving prison, having explained to the guards that he's never going back there, because he's 'got big plans, motherfucker ... big plans ...'

As a listener, you assume he's talking about his career as a musician, and he sort of is, but what the album's actually about is a terrible orgy of drugs, cheap sex, murder and insanity at the end of which our hero kills himself, thus proving his original point - he's never gouing back to jail, after all.

All of which is by way of saying that neither ODB
 
 
Alex's Grandma
08:14 / 09.07.06
Nor the B.I.G. were oil paintings exactly, but that there's hardly a major record company these days who wouldn't sign either of them. This wouldn't be true of Cobain or Doherty if, in a parallel universe, those fellas were overweight.
 
 
Bruno
12:22 / 09.07.06
If Lumidee is this Lumidee I will agree with Jackie Susan.

Alex: I know that BIG album very well, that is a killer track, one of my favorites.
If we want to talk about MCs who are overweight or ugly-by-conventional-standards, there are quite a few... that is part of their appeal, especially when they come with the homicidal maniac from the street type lyrics.
Plus Biggie and the ODBza were both insanely talented and innovating MCs. But they were both signed back in the early 90s, when the grimy hardcore stuff was selling a lot. Things done changed.
 
 
Regrettable Juvenilia
14:05 / 09.07.06
...But some things have stayed the same, as I've already said, and that includes the arguments of those who think hip hop right now is as good as it was 10-15 years ago, which were exactly the same in the early 90s, and castigated Biggie for being a commercial, Puff-Daddy-affiliated "gangsta" rapper with r&b singers on the hook and materialistic lyrics. None of which can be said to be inaccurate descriptions of the man and his music.

Once again, Bruno, I'm confused. Is it your contention that record companies screen hip hop artists "on the basis of their muscle tone or skin texture or whatever", leading to a drop-off of the quality of hip hop music, or that "there are quite a few" "MCs who are overweight or ugly-by-conventional-standards"? The two positions seem contradictory, unless you're only talking about unsigned rappers in the latter quotation.

And if you are maintaining the first position, and claiming that a rapper who looked like B.I.G. could have commerical success then but not now, due to the screening process, then can I draw your attention to Fat Joe, who has enjoyed a great deal of commercial success in the past couple of years with songs such as 'Get It Poppin' and 'Lean Back'. Given that the photo below doesn't really do his girth justice, how did he get past the screening process?

 
 
Bruno
18:34 / 09.07.06
...But some things have stayed the same, as I've already said, and that includes the arguments of those who think hip hop right now is as good as it was 10-15 years ago, which were exactly the same in the early 90s,

Well I disagree with that. I think as far as commercial releases go the period of around 88-96 was much more creative and innovative although there are exceptions.

and castigated Biggie for being a commercial, Puff-Daddy-affiliated "gangsta" rapper with r&b singers on the hook and materialistic lyrics. None of which can be said to be inaccurate descriptions of the man and his music.

I am not too fond of the Juicy R&B type songs on that album either, I like the beats on 'gimme the loot', 'ready to die', 'things done changed', 'suicidal thoughts' and a couple more best. His MCing is tight throughout.
As for materialistic lyrics, I actually listen to very little straight-up "Positive" hip-hop a la X-Clan or Common Sense or whatever. I mean I don't really feel lyrics that are talking about money-making, but a lot of my favorite MCs rap about it often, like Rakim.
BIG was a poet with a talent for visualizing and describing things in a very living way; his lyrics kind of make your thoughts shift tangents. He also had a really powerful voice and a flow that glided in and out of the beat. And original rhyme schemes.

Once again, Bruno, I'm confused. Is it your contention that record companies screen hip hop artists "on the basis of their muscle tone or skin texture or whatever", leading to a drop-off of the quality of hip hop music, or that "there are quite a few" "MCs who are overweight or ugly-by-conventional-standards"? The two positions seem contradictory, unless you're only talking about unsigned rappers in the latter quotation.

It's obvious that hip-hop artists aren't screened in the same way as R&B artists are. (Looks like you have given up as far as R&B singers are concerned).

Companies look at the general 'image' and appeal via visual media as much if not more than actual lyrical skills.
Which modern MCs who sell a lot do you think are lyrically talented?

And if you are maintaining the first position, and claiming that a rapper who looked like B.I.G. could have commerical success then but not now, due to the screening process, then can I draw your attention to Fat Joe, who has enjoyed a great deal of commercial success in the past couple of years with songs such as 'Get It Poppin' and 'Lean Back'. Given that the photo below doesn't really do his girth justice, how did he get past the screening process?

Fat Joe, formerly Fat Joe Da Gangsta, who was never a great rapper but is now absolutely terrible, dropped his first album around the same time as Biggie, probably getting signed because of his affiliation with the rest of the DITC crew? He was marketed for his "don't fuck with me I'm a deranged killa from da streets who shouts a lot" appeal. Since then his choice of beats are just following the trend, I really can't understand why he is so succesful.
 
 
Bruno
19:09 / 09.07.06
Thinking about it historically, Fat Joe was probably signed because of the success by Onyx a year earlier (92), who had very popular singles with "Throw Ya Gunz" and "Slam" on Def Jam. I think they were the first East Coast group to kick the violent street lyrics? They opened up the door for Black Moon and later Wu-Tang.
Onyx's first album was one of my first and the lyrics are pretty juvenile, but I still love the energy in their flows, very few ever came close to that intensity. My favorite is "Shiftee".

"Flow Joe" by Fat Joe is a killer beat by the way, (Diamond D on production) I think that was the single off that album. (video)
Kool G Rap's verse on "You must be out of your fucking mind" is also really tight if you ignore the part where he describes raping your girl with a pistol.

-bruno
 
 
Bruno
19:53 / 09.07.06
Very stupid of me.
Kool G Rap was writing gangsta lyrics before Onyx, although maybe not as over the top.

allmusic.com has links to videos for a lot of artists, I am indulging myself in visual displays of lipsynching MCs.
I strongly recomend the two songs by the Gravediggaz, that Poetic guy was on another level.
Busta Rhymes "Woo Hah" is very funny too.
 
 
The Falcon
21:16 / 09.07.06
Bruno, I think the point is the music that you found formative occured from 88-96, when you were I'll guess... 13 to 21ish. It's fine, that, really; the music and comics and whatnot I imbibed between 93-01, roughly, mean more to me than do most things I consume nowadays. But, crucially, I do not consider the contemporary qualitatively worse.
 
 
Bruno
22:40 / 09.07.06
Bruno, I think the point is the music that you found formative occured from 88-96, whne you were I'll guess... 13 to 21ish. It's fine, that, really; the music and comics and whatnot I imbibed between 93-01, roughly, mean more to me than do most things I consume nowadays. But, crucially, I do not consider the contemporary qualitatively worse.

Yeah Falconer I see what you are saying. But I still prefer things from 88-96 that I never heard until recently much more than new hip-hop.
I'm not saying all new school hip-hop is bad, but in general there is less innovation in many respects, you know. It IS a possibility that genres pass through innovative periods and stagnant periods.
 
 
The Falcon
23:49 / 09.07.06
How strange then that that time should coincide with your puberty.

No-one is convinced, Bruno. Just give it up, man.
 
 
Bruno
23:51 / 09.07.06
or hip-hop's puberty.
 
 
Regrettable Juvenilia
12:24 / 10.07.06
Try to stick to one issue at a time and stop changing the subject to evade having to deal with the contradictions in your argument, Bruno. The issue at hand is not Fat Joe's changing sound or choice of beats. I brought him up because you said:

Think how much the level of jazz would have dropped if record companies screened musicians on the basis of their muscle tone or skin texture or whatever. I would argue that the level of a lot of music (including hip-hop for sure) has dropped because of this kind of screening.

In other words, you claimed that the level of hip hop has dropped because record companies screen musicians on the basis of their physical fitness and appearance. Now you are saying:

It's obvious that hip-hop artists aren't screened in the same way as R&B artists are.

So is it fair to say that you admit that hip hop musicians are not in fact screen on the basis of their physical fitness and appearance?

(Looks like you have given up as far as R&B singers are concerned).

Eh? Given up the what now? Leaving aside the jaw-dropping suggestion that I'm the one dodging the issue (yes, you're really PWNing me here Bruno, much in the same way as you're running rings around everybody else in that Crazy World thread in the Conversation) - we're going in circles again. Go back to the first post in this thread.

Or, alternatively, provide me with an example of an R&B singer who has been "screened" and thus not signed by a record company on the basis of their muscle tone or some other aspect of their physical appearance. You don't seem to realise that if you say "X is happening because of Y", where X is a subjective interpretation of quality but Y is a process that can be objectively observed, then it is your responsibility to provide some kind of evidence of Y if you want anybody to take your claim seriously.

So if I understand you, you ARE seriously suggesting that hip-hop & R&B artists can be signed to major record companies without the record company taking into account the way they look.

In fact, I'm not suggesting that - because once again you have moved the goalposts. There is a world of difference between "taking into account" the way someone looks and "screening" for it. I'm sure that there are people within record companies who start thinking about how best to handle the visual marketing side of things, which takes into account the appearance of the artist, as soon as they are signed. This does not constitute a screening process.

Which modern MCs who sell a lot do you think are lyrically talented?

...And we're back to this again. This appears to be something you repeatedly fall back on. See here for my last reply. I'm still really enjoying the T.I. album at the moment.
 
 
Jackie Susann
06:31 / 11.07.06
I disagree with basically everything Bruno has said in this thread as much as anyone, but come on - it's not just Bruno who thinks that's when rap was best. Lots of people think it, not just people who were going through puberty. I think it. Amd I was 90% listening to bad Aussie pub rock then.
 
 
Regrettable Juvenilia
08:20 / 11.07.06
Yeah but the key/interesting thing is that at the time the exact same things were being said about the state of rap "now" - that it had been watered down by r&b, commercialised, etc...
 
 
illmatic
11:32 / 11.07.06
Another interesting point is that though this led to the creation of a Hip Hop "canon", pop music being an ever changing beast, even this feels rather outmoded now, and it feels to me, people are beginning to refocus their attention. I think the arguments have moved on a lot since when this thread started.
 
  

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