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Hip-pop 2: Misogyny, politics, the 'underground' and the bling bling

 
  

Page: 123(4)56789

 
 
HCE
18:10 / 22.06.05
You don't mean to imply that his general subject, God, is minimal?
 
 
Bruno
12:43 / 27.07.05
Bruno is alive. He is much better.

Apologies for His earlier insulting behaviour. Perceiving Himself to be in the shadow of death, Bruno wanted to generate tension. (How to generate tension - challenge anglo-american notions of race and gender.)

"White" and "black" are social constructs of United Statian origin. The genetic reality is a continuum (which covers much more than 2 dimensions anyway). Bruno's post about whiteness and blackness was about perceived notions about whiteness and blackness. Whether this is steretype or archetype depends on the definition the words 'stereotype' and 'archetype' are given. Bruno does not believe in blood.

to Haus:
Yes it was understandable you would take this very personally since you were the target of tension. That is how things were at the time. (Bruno says your posts, on this thread at least, are not getting much better.)

Bruno's position is not one of uninvolved objectivity but it is an interesting one. It is involved.

In essence, the contention appears to be that good hip-hop can only be good in one way, that being based around flow, skills, beats and "martial arts roughness".

That was 4 ways, each one was very broad too. You forgot Voice, heaviness, voodoo, and anticapitalist science. So that makes a total of 8 (eight) ways by which to judge the goodness of Hip-Hop. Eight is one of the magic numbers.
 
 
Regrettable Juvenilia
12:49 / 27.07.05


???
 
 
Bruno
12:34 / 30.07.05
Nina-
I'm sorry, could you tell me, preferably list, the aspects of music that women specifically are not encouraged to appreciate.

When kids first become aware that they are "consumers" of music, they pick certain artists and genres. One of the central divides is probably that of gender. For example more boys like Slayer than girls; more girls like Alanis than boys. Surely this is not a very controversial opinion? Isn't it stating the obvious?

But moving away from 'consumption' to a deeper connection with music itself, where there is more to the relation with music than simply receiving it passively as a spectator. Is it possible to discuss appreciation of music without referring to the creation of music?... At some point kids learn to play instruments or use their voices, they create their own music. In terms of what is expected of them by both peers and elders, boys are more likely to be encouraged (with the exceptions of singing and also maybe piano and classical music).

In punk or some kinds of rock, for example, there are many groups which are just girls. And this is very progressive and important! But as Bruno mentioned above, in 'black' music (blues, jazz [from swing to be-bop to free], ska, reggae, dub, soul, funk, hip-hop, etc), the role of the woman as a performer is, as a rule, that of the singer. Hence women lack the role model that say Coltrane or Hendrix or Terminator X is to aspiring male performers. Again isn't this kind of stating the obvious.

Within Hip-hop, at shows women are not taken seriously when they are on stage MCing, comments are made about their sexiness or ugliness, they are hassled by the crowd much more than men, and the male MCs tend to treat them the way they would treat a young kid rather than as peers. A similar sort of attitude prevails within production and djing.
 
 
ONLY NICE THINGS
21:31 / 30.07.05
Bruno probably needs to get out a bit more.
 
 
ONLY NICE THINGS
10:58 / 31.07.05
Bruno's post about whiteness and blackness was about perceived notions about whiteness and blackness.

Bruno is backpedalling like the Reverse Flash in a pedallo.
 
 
Bruno
03:52 / 04.08.05
Bruno is always out.
What is backpedalling?
 
 
Regrettable Juvenilia
09:34 / 04.08.05
the role of the woman as a performer is, as a rule, that of the singer

A role which is then belittled by people like yourself, who label genres dominated by female vocalists things like "Sex For Profit music".

Within Hip-hop, at shows women are not taken seriously when they are on stage MCing, comments are made about their sexiness or ugliness

Such as calling them prostitutes, the way you have done.

You are part of the problem, Bruno, not the solution.
 
 
Not Here Still
11:15 / 04.08.05
OPB Bruno:

Hence women lack the role model that say Coltrane or Hendrix or Terminator X is to aspiring male performers.

Coltrane?
 
 
Not Here Still
11:31 / 04.08.05
They came out of the Bronx at the same moment hip hop was taking shape. Today, their name is largely unknown to the same heads that nod to their beats once they've been re-worked by producers and extrapolated by DJs.

Which group has been sampled by Public Enemy, Big Daddy Kane, 3rd Bass, LL Cool J, Marley Marl and Doug E. Fresh?

Would that be ESG?

They can't be funky though, they're... g-g-girls!
 
 
Our Lady Has Left the Building
17:56 / 04.08.05
It all becomes clear. Bruno refers to hirself in the third person, just like Denny Crane, the character from 'Boston Legal', therefore Bruno has an irreversible mental illness just like Denny Crane, therefore it's the illness that's spoken in this entire thread.

Disprove my logic if you can!
 
 
Not Here Still
10:03 / 05.08.05
I noticed the third person thing too, but I think that's a little unfair, m'Lady...

However, for someone who quotes Stetasonic's "if we did not, people would have forgot" upthread and who seems to have a keen interest in the history and nature of hip-hop, especially its relationship to sampling, I'd have thought an awareness of ESG, "one of the most sampled groups in hip-hop" as they are described, might be expected....

Bruno can cheer up though, Paris is back, and he's recording with Public Enemy!
 
 
40%
08:29 / 06.08.05
Bruno - My point was: that women are not encouraged to appreciate certain aspects of music. Subsequently, fewer of them like [what I consider] good music, and this is very evident in certain genres, especially 'black' genres, where their role is 99% of the time only the singer, and not a musician or behind the mixing boards.

Nina - I'm sorry, could you tell me, preferably list, the aspects of music that women specifically are not encouraged to appreciate.


Isn’t the more troubling aspect of Bruno’s statement the assumption that women should have to be encouraged/led into finding good music, whereas he, as a hardcore male adventurer, has enough initiative to go and find it for himself. Women don’t like “good” music because they’re not encouraged to, so presumably they like “bad” music because they’re encouraged to like “bad” music. And who can blame them, they’re only doing what society tells them because that’s all they’re capable of! They don’t possess the pioneering spirit of “hip-hop”.

Hence women lack the role model that say Coltrane or Hendrix or Terminator X is to aspiring male performers. Again isn't this kind of stating the obvious.

This statement is not only not obvious, it’s absolutely idiotic! You are deliberately blinding yourself to the massive impact that women have on popular culture, and the fact that you are appealing to Hendrix shows that this is nothing to do with hip-hop, this is to do with you holding a perception that only men are capable of doing anything truly creative or radical.

As for your racial ‘archetypes’, they seem to have been lifted straight out of the Fresh Prince of Bel Air, where Carlton is mocked for wearing slacks and a sweater and told he’s not ‘black’ simply because he’s posh. A true black person lives in the ghetto, and has no money, career prospects, or communication skills. As soon as a black man touches the white man’s money, he’s sold out. Hmm, how convenient. Your ‘archetypes’ support the oppression of black people because they suggest that black people are somehow better suited to a position of lesser power and influence. Their job is to fuck and make music (although nothing too ‘inventive’), while white is ‘knowledgeable’ and ‘conquering’, hence why white people have all the money and power.

And the fact that you view hip-hop, largely a creation of black people in a context of black community, as your god, and yet have such a patronising and racist view of black people (although white people don’t exactly get off lightly in your analysis either), suggests that you are confused even about what hip-hop music represents, let alone any wider issues. And maybe sheds some light on why you find Jay-Z to be “lacking in the spirit which defines the essence of hip-hop, the undefinable essence of hip-hop”. I mean, the guy just doesn’t seem to know his place does he? Why is he concerned with 'white' matters like power and money, and finding a voice in society? He should stick to being 'sexual' and 'primal'. Doesn’t he realise that ‘conquering’ is for the white folks?
 
 
Bruno
14:32 / 08.08.05
(Bruno says:

Flyboy: Once again you are ascribing beliefs to me which are not mine.
A role which is then belittled by people like yourself, who label genres dominated by female vocalists things like "Sex For Profit music".

Sex For Profit. (Seems like only nightclub dwight got the reference, respect. It is from a Public Enemy song). The point of using this name was to clarify that Destiny's Child is not the same kind of music as Nina Simone, in the same way that Kenny G is not the same kind of music as John Coltrane. "R&B" is the commodification and dehumanization of a form of musical expression which is holy. I have immense respect for many female singers. I made this clear in the 2nd paragraph of ths post. Flyboy continues to ignore what I have said and project his issues onto this fictionsuit. I like many non-English female folk singers, also things I have been listening to with women singers - Aretha, Nina Simone, Siouxsie, Althea & Donna, Lauryn Hill, Lyn Collins, Abbey Lincoln.

Such as calling them prostitutes, the way you have done.
Have I? Where? Maybe that is how you have interpreted "Sex For Profit".
Anyway I have no problem with prostitutes. I have problems with a music industry which saturates the aural environment with alienating rhythms and warped sexuality. The SFP singers themselves are neither here nor there, they are expressing their alienated reality, they are hustling for money, ok fine - but as vocalists, most of them are crap.
At hip-hop shows I judge the MC by the skills and the lyrics and I never disrespected a woman who was on stage even if she wasn't very good. When someone next to me shouts insults at a woman MC on stage (which happens often because women MCs tend to be less physically threatening, from my experince) then I tell them to shut the fuck up. The same when I used to go to Hyde Park and lots of men heckle the women speaking more than they heckle the men.

Not Me Again:
I thought of Alice Coltrane too after I posted that, but unfortunately, very sadly, she is an exception rather than the rule. Maybe the harp is another example of an instrument which is considered more feminine.

And on ESG. Why do you assume I don't know them? UFO is a very powerful song. That opening sound is a focal point for the crate digging time traveller. ESG are an exception aren't they? Anyway nice to know that someone here knows a bit about the music being discussed, most posts on this thread seem to be lacking in knowledge.

Spankological protocol: how long is your attention span?
the fact that you are appealing to Hendrix shows that this is nothing to do with hip-hop

Try reading next time, that part of the post was referring to "black" genres of music.

Your ‘archetypes’ support the oppression of black people because they suggest that black people are somehow better suited to a position of lesser power and influence.

By archetype I do not refer to an essentialist idea; I refer to a social construct which has become embedded in a society's collective unconscious.

I never suggested that black people are somehow better suited to a position of lesser power and influence. From where did you deduce that I have a patronising and racist view of black people?

The oppression of black people within the US operates on many levels. Economic oppression (ghettoization, poor education, discrimination in job selection, dicrimination in courts etc) is coupled with the oppression of black identity. By now a black man can be welcomed into the most elite of elites - but only by rejecting his african identity except in superficial ways - e.g. Colin Powell. It is the slave/master dialectic. The slave mimics the master and the master pats him on his head and says good boy, you are not a slave any more, you are a citizen now, you are one of us. (and let us not forget that practically all of us are the descendents of slaves, wherever we are from). Malcolm X talks a lot about this sort of psychology in his Autobiography (without implying I agree with everything he says, he is very sexist and puritan, but he was a very perceptive man). In military situations inferiors pathologically imitate the mannerisms of their superiors - Wilhelm Reich wrote about this. Fanon describes similar things too.

While I do not particularly sympathize with the Farrakhanist "the white man is the devil" point of view which many MCs express, I sympathize strongly with the black rejection of American identity.

I am curious does anyone in Barbelith agree on any level? Because most of the posts are against me. Also I am curious who here is not anglo-saxon?)
 
 
ONLY NICE THINGS
14:44 / 08.08.05
For a fella who is claiming that he didn't mean to make sweeping racial generalisations, honest, but was rather merely referring to the iniquitous racial stereotyping of white America, you're sort of eager to put people in the Anglo-Saxon box there, Bruno. I think this may be false consciousness...
 
 
Bruno
14:48 / 08.08.05
(Bruno also says

Flyboy:
I said The use of woman's sexuality is a marketting technique; female hip-hop artists are simply among the most extreme marketters. It is a form of prostitution; sensuality invoked in service to the dollar. So you are right i did call SFP singers prostitutes in a way. I do not think prostitution is necessarily bad, but the relation of the pimp to the prostitute is a troubling one, it is usually exploitation by the pimp of the prostitute. My problem really is with the pimp.

I also think it is negative for anyone (boy or girl) to grow up with role models who encourage the ab-use of sexuality to manipulate or exploit others, or the ab-use of sexuality as a weapon.)
 
 
Regrettable Juvenilia
14:58 / 08.08.05
Of course, "interpreting" the term 'Sex For Profit' to have some kind of implication that there is, well, sex for profit going on, is hardly a stretch either.

The point of using this name was to clarify that Destiny's Child is not the same kind of music as Nina Simone...

It's not precisely the same kind of music, no. Can you explain how these types of music are different, in a way that neither consists of describing everything you like the sound of as "holy" and everything you don't like the sound of as "profane"? Rhetoric is fun and all, but sometimes you need to back shit up. And not just by telling us that you're scared of fancy machines with their clean alienating technology.

I wrote quite a lot about your term 'Sex For Profit' earlier in this thread, Bruno. (Yes, it's a Public Enemy reference, WELL DONE, I bloody well brought up Public Enemy way back to illustrate the fact that the group most fetishised for their politics and hard, rock-flavoured sound sometimes had some bad ideas about music and gender. Your reply was to concur with those bad ideas.) Would you like me to repeat what I wrote, seeing as you didn't respond to it first time round?

As for this ridiculous notion of 'Sex For Profit'... As opposed to what? If you accept that we live in a world where the process of music made and being distributed is sadly very much entangled with capitalism, then on some level all popular music is in part '[Something] For Profit' apart from those unlucky enough not to make any, or who intentionally choose a different process for making and distributing their music (we can more or less discount the latter group from the discussion since the likelihood of more than one person having heard a given artist or group). Even buskers trade music for money. Now, obviously money isn't the primary motivation for making music for many musicians - what I often find myself repeating is that we, the listener, cannot tell of whom this is true and of whom it is not. In spite of this, many people choose to form judgments about which musicians are motivated by money and which are not on the basis of entirely unrelated criteria - eg, genre, level of success achieved by said musician, or simply whether or not they the listener enjoy the music in question. I think this is a mistake, but one that perhaps all of us need to make a conscious effort to avoid.

So when you call a genre 'Sex For Profit' I can only assume what you're objecting to is sex as a primary concern of music. (Since I'm at a loss as to why 'Sex For Profit' is any worse than 'Politics For Profit', 'Anger For Profit', 'Emotional Distress For Profit', etc.) But sex has been one of the principle obsessions of popular music at least since Bessie Smith (who died in 1937) sang "What's the matter, hard papa, come on and save you mama's soul, 'Cause I need a little sugar, in my bowl". We're not exactly short of examples from the past 100 years. Mind you, if you thing the time of the love song is somehow at an end (I thought you didn't believe things could become outdated when it comes to music?), then I suspect we're not going to find a discussion of the history of popular music and how it informs out understanding of the present very productive.


Oh wait, hang on, maybe this'll clear things up, you also say:

...in the same way that Kenny G is not the same kind of music as John Coltrane.

In the same way? So... you think that Kenny G is presented in a hypersexualised way?
 
 
Char Aina
14:59 / 08.08.05

Try reading next time, that part of the post was referring to "black" genres of music.



so psychaedelic rock is 'black'?
or was he a bluesman?
or is he an RnB singer?
what makes him 'black' apart from the fact that he is black?

you've lost me with this and other equally ridiculous assertions.
 
 
Char Aina
15:01 / 08.08.05
...one of which flyboy seems to have spotted too.
 
 
Regrettable Juvenilia
15:07 / 08.08.05
So you are right i did call SFP singers prostitutes in a way. I do not think prostitution is necessarily bad, but the relation of the pimp to the prostitute is a troubling one, it is usually exploitation by the pimp of the prostitute. My problem really is with the pimp.

Who is the pimp in this analogy? A producer, a manager, a record executive, and if so, which one? Which particular r&b singers or hip hop artists were you thinking of here, Bruno, and what evidence do you have to suggest that they are being exploited by someone who is playing the role of 'pimp'?
 
 
Bruno
15:08 / 08.08.05
For a fella who is claiming that he didn't mean to make sweeping racial generalisations, honest, but was rather merely referring to the iniquitous racial stereotyping of white America, you're sort of eager to put people in the Anglo-Saxon box there, Bruno. I think this may be false consciousness...

Bruno is not eager to put people in any box.
Bruno desires to assist in the liberatation of all people from boxes.
Bruno desires to understand why people have reacted as they have in this thread.
If You want Bruno's respect You must demonstrate rational thinking ability and interact with the arguments themselves, not argumentum ad hominem.
Bruno's respect has nothing to do with Your skin tone or ancestral history.
 
 
Regrettable Juvenilia
15:17 / 08.08.05
But well done for being into Lauryn Hill, who sang:

"Eve was so naive, blinded by the pride and greed
Wanting to be intellectual
Drifting from the way she got turned down one day
And now she thinks that she's bisexual"


...Which is obviously much more progressive than filthy gender-benders like Lil' Kim or Trina. A much better role model for confused young people who need guidance on sexuality, that Lauryn Hill. She teaches the young people what they need: abstinence and Jesus!

Wait a minute, though, didn't Althea & Donna sing "See me in me pants and ting"? I'm not sure you should be listening to them, Bruno, that doesn't sound very holy to me...
 
 
Regrettable Juvenilia
15:27 / 08.08.05
As for Siouxsie... Was she being exploited when that photo was taken? By a pimp? Was she using sex to sell records? If not, why not?
 
 
Char Aina
19:27 / 08.08.05
If You want Bruno's respect You must demonstrate rational thinking ability and interact with the arguments themselves, not argumentum ad hominem.

go on then.
i assume you respect yourself, so why dont you demonstrate rational thinking ability by interacting with some of the arguments above?
or do you define my asking you to answer criticism of your assertions as a form of ad hominem attack?

i would especially like you to explain how "sex for profit" stops being a description that suggests prostitution just because public enemy say it.
you can hopefully explain to me why my(assumed) lack of knowledge of public enemy lyrics means that my understanding is at fault.
be sure to include some explanation of why you made a reference that required extra knowledge without saying so directly and how that squares with your apparent bafflement at the lack of understanding of your point.
if you want us to understand, why did you wrap it in riddles?

oh, and;
(How to generate tension - challenge anglo-american notions of race and gender.)
how are you challenging anglo american notions of race and gender?
i am not anglo saxon, i am not american, and you havent challenged any mainstream notions as far as i am aware.
your assertions seem all too common and none too challenging and i would welcome your perspective on how you feel they are.
 
 
illmatic
09:20 / 09.08.05
For a fella who is claiming that he didn't mean to make sweeping racial generalisations, honest, but was rather merely referring to the iniquitous racial stereotyping of white America, you're sort of eager to put people in the Anglo-Saxon box there, Bruno. I think this may be false consciousness...

Let us not forget that, like Michael Jackson, "Bruno", is neither Black nor White. A quote from "Bruno" himself futher up the thread, which I found particularly irritating, using the anomymity of the internet to avoid any discussion of his own racial background and how this impacts on his music consumption. It's the kind of thing only a white person would say - I suspect it's deployment is a way of avoiding acknowledgement of himself as the white critic judging black music, and telling black people what they should consume.

I found this lack of self awareness particulary evident in the above exchange:

Me: How do you think your statements would play to a young black audience?

”Bruno”: Well I would try and express the whole thing in a very different way. It depends where this audience is, geographically, in terms of class and so on. If they were already kind of into 5percenter type-thinking, conscious of living in a 'white man's world'/Babylon, then it would be quite easy to convince them about a lot of my ideas, I think.

Yeah, 'cos those guys are just going to love having whitey tell them what to think. AGAIN.

If they are your average fashion-addicts then their defense mechanisms will block me out.

The pesky kids! If only they understood! They think they're having fun, but they're just playing into the hands of THE MAN!

For the record, "Bruno", I'm not white, though I look it.
 
 
Not Here Still
09:46 / 09.08.05
I'm partially Celtic. . .
 
 
illmatic
09:51 / 09.08.05
"R&B" is the commodification and dehumanization of a form of musical expression which is holy

Kkkerhhhrist. No one show him the "Ignition" thread.
 
 
illmatic
10:25 / 09.08.05
I am curious does anyone in Barbelith agree on any level? Because most of the posts are against me.

Why is that, I wonder? By any chance, is it because you claim to know the "objective truth" about music, and are therefore covertly patronising and condescending to anyone who disagree with you, which in this case happens to be the vast majority of the genre's consumers. Never mind the fact that the arguements used to butress your position are as stable as a three legged camel...

What's Hip Hop for borecore?
 
 
ONLY NICE THINGS
10:44 / 09.08.05
Conscious?
 
 
Goodness Gracious Meme
12:21 / 09.08.05
Hurrah for toksik and Illmatic, who have expressed things I've been trying to get at while reading this thread with growing fury.

Bruno, shit or get off the pot. Having questioned everyone else's motivations while conveniently bunching yours under some 'common sense'/'back to basics' smokescreen*, *and* assumed all-around whiteness in which you figure somehow as a guiding light of 'authenticity'/'holiness' it really is way overdue for you to tell us where you figure in these categories you're so keen to draw up.

Or, if they don't apply to you in such limiting ways, if your 'blackness' or 'whiteness' isn't relevant, perhaps you'd like to explain why you're applying these categories to everyone else?

Perhaps you are, in fact, Michael Jackson.

I'm not sure how relevant a roll-call of the non-white contributors to this thread is, as in one sense its answering your argument on its own debased terms. Similarly with, as I do below, mentioning my gender identifications, in responding to your points about women and music.

Part of me passionately believes, and loves this thread for demonstrating, that these questions should not be loci for 'white' v. 'black' or 'male' v. 'female' discussions, partly because those terms are meainingless in the way you've set them up, and partly because if we can only argue along identity lines, we're fucked.

However, in your posts I see absolutely no understanding of how power relations work, beyond a very crude top/bottom arrangment, and another part of me feels that it becomes, as Illmatic notes above, important to respond to such crass generalisations by insisting on the diversity and specificity of the people you're dealing with (here. in the world in general)

and I guess it might just demonstrate to you that there is no 'objective standard' of quality, and that your didactic pronouncements are pointless when you don't seem particularly interested in engaging with the reality of your interlocutors. That these things are way more complex and nuanced than you think.

As Ill says above, people very rarely enjoy being told what to think, especially in such a way as to deny other viewpoints.

So I will add to this that as someone who grew up very much female-identified, I particlarly don't enjoy being told how encounters between women and music work by someone who self-identifies as male and with little experience of women.

I've found that part of your argument incredibly difficult to engage with precisely *because* when I read statements like From my (obviously limited) experience of women, women tend to like mostly shitty music., my poor little female-bred brains folds in on itself.

Picking this one apart 'slightly', what this statement actually says

the few women I have encountered have not shared my music taste

Which is an entirely less controversial and misogynist statement. But you extrapolate from your singular, particular viewpoint and experience to a profoundly offensive conclusion.

Had is ever occurred to you that your sister might define her music taste precisely in opposition to yours? That, as in many other areas, we used music taste to send messages about allegiance and our personal qualities. Actually, reading your posts, it seems pretty evident that you're aware of this in yourself.

You seem perfectly comfortable in ascribing *none* of complexity of taste to your mum and sister that you claim as your right. You have this long litany of reasons and passions behind your musical tastes, but they are merely 'women ...[who] like shitty music'.

Is is possible for you to see why this strikes alot of people as deeply unpleasant?

Bruno, when you're wondering why there's so much disagreement from people here, has it not occurred to you once to think, 'hey, maybe I should go back an re-examine my positions on race and gender, and see what's attracting so much criticism.'


Oh, and commonly/self-id'ing, I wouldn't be considered 'white' or 'black', so where do my responses fit in your thesis. (If yr British, I'm British Asian, if yr from the US, South Asian. These terms are not monoliths, with one agreed significant meaning. Ever.)

*am I the only UK person finding this stuff weirdly
reminiscent of 90s UK Conservative party rhetoric?
 
 
ONLY NICE THINGS
12:41 / 09.08.05
Way-ull... I suspect Bruno will then tell us that he didn't mean any of that either, and that he was just forcing people to EXAMINE their BORGEOIS views about gender, which actually he doesn't believe in at all. He may then go off into another fantasy about violent women. Who knows?

We've reached the stage where the interlocutor at bay is just going to squirt ink out of his arse. Pretty standard, but it doesn't help us to understand hip-hop better...
 
 
Haus of Mystery
12:59 / 09.08.05
Does this help?

 
 
Not Here Still
13:00 / 09.08.05
OPB GGM: *am I the only UK person finding this stuff weirdly reminiscent of 90s UK Conservative party rhetoric?

[Rappin' Johnny Major] I believe in a Britain of of long shadows on county grounds, warm beer, invincible green suburbs, dog lovers and old maids bicycling to holy communion through the morning mist, heaviness, voodoo, and anticapitalist science. Word, most indupitably. [/Rapping Johnny major]
 
 
Goodness Gracious Meme
13:11 / 09.08.05
MacGuyver and NMA.

Never *ever* do that again. My eyes
 
 
Scrambled Password Bogus Email
14:42 / 09.08.05
OK, does this help?

 
  

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