BARBELITH underground
 

Subcultural engagement for the 21st Century...
Barbelith is a new kind of community (find out more)...
You can login or register.


Sell Out?!!!

 
  

Page: 12(3)45678

 
 
haus of fraser
08:24 / 15.09.05
Where do The Neptunes/ NERD… are they sell outs or just working the system and making a very healthy living.
They ARE sellouts when they appear in every music video under the sun. As NERD they’re not.


So when Pharrel etc have written the song or co-written the song and play in the video eg Justin Timberlakes 'Senorita' or Snoops 'Drop it Like Its hot'- its a sellout- despite the fact that they are musicians that wrote and performed the song .... weird non?

What about Chris Noveselic was he a sellout for being in Nirvana but not writing the songs for Nirvana- what about Ringo, Charlie Watts, the other guys in coldplay etc etc etc. they don't write the songs, they rely on another member of the band to do this- are they sellouts? How are they different to session musicians except they have the luck of a regular gig.

What about Craig Davids drummer or guitarist- or Kylie's or Madonnas- are you seriously suggesting that by filling a space in a band and doing something that the singer can't do they are a sell-out. What about Morriseys band where do they fit in- or is your notion of a sell-out more strongly conected to the music that you like rather than a weird set of rules you've concocted about what 'teh man' is.... Do you work for a living? do you pay rent? cos you're sounding a million miles from the 'real' world
 
 
Regrettable Juvenilia
08:31 / 15.09.05
Yes he is a LONE IDEALIST in a world of CYNICS!
 
 
Scrambled Password Bogus Email
08:33 / 15.09.05
Fight the good fight CitiZenFroglet!

Non-sellouts of the world unite! You have nothing to lose but your brains!
 
 
Ganesh
09:10 / 15.09.05
Hmm. Polygraphs are not 100% accurate. Having no foolproof way of establishing whether Girls Aloud genuinely love Jump or are greedily supping from TEH MAN's lucre tit, I feel unable to rule on its authenticity. Have they sold out? I am cast adrift in a sea of inconclusive nonsureifilikeitness.
 
 
Scrambled Password Bogus Email
09:16 / 15.09.05
Sodium Pentathol, a car battery, crocodile clips, a metal bedframe, heavy wire wool, restraints, a rubber bit, some rubber gloves and H20 could be the only way.

The sound proof room is, of course, optional. I recommend we have The Neptunes in the room next door and skip the soundproofing. That way they may break before we have to repeat the whole sorry sordid charade all over again.

 
 
Char Aina
09:59 / 15.09.05
oh, could you?
i have some... ah, searching questions for them.

i dont feel that you have covered music from another era, dude.
you did menti0on that you felt the era of motown was less commercial, but you havent really convinced me.
they didnt have street teams, sure.
but they did make music to make money, so i am once again lost.


see, here's the thing.
you are defining selling out in a way that makes no useful sense.
if it means letting go of your ideals, i can see a point to it. if all it means is that you use a proffesional singer to do a few seconds of singing for you, the term becomes meaningless.

i think you should take this opportunity to examine your opinion. you might ask yourself why no one seems to think your opinion makes any sense and then start from there.
 
 
Jack Vincennes
10:01 / 15.09.05
Ganesh, Money $hot, that's all a bit elaborate isn't it? Since Beethoven was only revealed as a sell-out when he went deaf and stopped playing his own instruments, clearly to only way to find out if an artist really loves music is to break their ears and see if they keep performing after that.

I'm going to have to stop there because a deaf Girls Aloud trying to sing their songs is about the saddest thing I can think of right now.
 
 
Scrambled Password Bogus Email
10:07 / 15.09.05
 
 
Jack Fear
14:53 / 15.09.05
You know who else are sell-outs? Church musicians. Fucking church organist sits there and plays "Amazing Grace," and this big choir sings it, and it's pretty and all, but COME ON! They're just making money off the back of John NEwton!

Well, all right, they're not actually making money because they're all volunteers, and they give up their weekends and stuff, but still. They're total fucking corporate whores. In my mind.

And don't even get me started on marching bands, or those guys who play the bagpipes at funerals. And barbershop quartets—prostituted to The Man, every one of them.

You know who else is a total sell-out? You. When you sing. In the shower. Songs that you didn't write yourself. How unoriginal. The miserable bleatings of the sheep that you are.

How does it feel to be a WHORE, you BIG FAT DIRTY WHORING WHORE?!?
 
 
Scrambled Password Bogus Email
14:56 / 15.09.05
YEAH!
 
 
ZF!
16:45 / 15.09.05
Damn right! Thank God I've finally got someone on my side!

Z
 
 
Tryphena Absent
18:22 / 15.09.05
If all the guy is, is a session musician, then he is a sellout. Look I'm not gonna berate anobody for earning his bread, but I calls 'em like I sees 'em.

I thought selling out suggested that you'd sold out your art but what if you were only ever a musician (maybe you wrote a composition for you music GCSE)? I think you're even more confused than I am by the hierachy you're creating and that says something. Is a woman who sings in a bar at night but works as a secretary by day a sell out because she's trying to make money? Perhaps you live on a planet where everything social is shaped like a GCSE biology pyramid?
 
 
ZF!
20:38 / 15.09.05
i dont feel that you have covered music from another era, dude.
you did menti0on that you felt the era of motown was less commercial, but you havent really convinced me.
they didnt have street teams, sure. but they did make music to make money, so i am once again lost.


Why should I have to convince you? I don't *want* you to come to my side of the force.
I said I felt it was not fair for me to judge another era by my current standards.
*I* don't *feel* it's fair to judge a less sophisticated society by the standards I hold today. I never lived in the 50's or 60's and funnily enough I never lived in the 16th or 17th C.
I feel this way from what I have picked up about these era's in books and other people's opinions The only evidence I have is secondary source. So hell yeah, if you lived in those eras’s feel free to enlighten me about the social situation whether there actually was a question about artistic integrity back then. Heck if I know.
If I *were* to judge artists from those era's by my standards (as everyone seems so keen for me to do), on what constitutes a sellout, then yes, The Supremes were sellouts, consequently Diana Ross was a sellout (and a rather nasty one by all accounts) and yes Mozart not playing his own symphonies makes him a sellout. That is if I apply my standards to those people. Which in truth, I don’t.

see, here's the thing.
you are defining selling out in a way that makes no useful sense.
if it means letting go of your ideals, i can see a point to it. if all it means is that you use a proffesional singer to do a few seconds of singing for you, the term becomes meaningless. i think you should take this opportunity to examine your opinion. you might ask yourself why no one seems to think your opinion makes any sense and then start from there.


One more time with *feeling*
To me:
Sellout
- Selling/giving up your creative art completely - Artist sells music to somebody/something. No more creative control, allows it to be watered down/improved, whatever, it deviates from the original material.

- Giving up your right to creative input - an example could be someone who is just there to make sounds as part of the marketing plan. This includes singers, session musicians, anybody who doesn’t have a creative part in this endeavour. They just do what their told. If you’re not *creating* you’re selling out.

Being seduced by muh-ney and compromising your art. - Changing your art to appeal to the masses perhaps?

Let me stress again that Sometimes you HAVE to sell out to feed your children, mice or yourself? I'm not going to hate a person because they sold out. But selling out is selling out regardless of the motives.

I acknowledge that other people don’t think like me. Maybe they think, yeah if this is a way I can live large and have me some hoochies everywhere then I’m going to do it. Life is short so what the hell! Bring it on!! The concept of selling out maybe doesn’t even crop up in their minds. That’s fine, bully for them, but I can still call them sellouts and I will, if I think they are.

Well enough about me really, now a question for you o’ wise and all knowing ones.

Somebody started making allusions to a debate. So far it doesn’t seem much like a debate to me. I’ve stated something and all you people have done is comment on that with sometimes offensive remarks, offering little else. Do you not have your own proposition/ anti-thesis to what I've been saying apart from "No you're wrong, what planet are you on? "Teh mans? Yuk, yuk!"?

Since I’m SO wrong in your eyes what is your view on this subject? Money$hot, Copey's second head, The Flying Figroll, Nina Skryty , Ganesh I’m looking at y’all.

also...

How am I so out of touch with reality?
What is this rent you speak of? Oh! Is this that money thing that people give to my Poppa to live in his apartment buildings?

I await your responses/comments with bated breath.

Z
 
 
Ganesh
21:11 / 15.09.05
So far it doesn’t seem much like a debate to me. I’ve stated something and all you people have done is comment on that with sometimes offensive remarks, offering little else.

Clearly the admittedly facetious polygraph/Girls Aloud thing passed you by. Let me spell it out.

Other than, I'm assuming, financially "selling/giving up your creative art completely" (as opposed to partially selling your creative art, presumably), your definitions of selling out cannot be measured objectively. How does one go about establishing the extent to which an artist has 'compromised', or been 'seduced' into going along with the 'marketing plan'? Ask Girls Aloud about Jump, for example, and they'll say they genuinely love the song. That could be part of the marketing plan, though, couldn't it? How does one get to the truth?

My point is, you don't have any kind of objective parameters for determining selling-outness; everything would appear to hinge on your own subjective perceptions of the motives of the artists concerned - which, assuming you're not telepathic, are a matter of personal speculation. As such, 'X have sold out' becomes just another way of expressing that you happen not to like X. It's essentially meaningless.
 
 
Ganesh
21:25 / 15.09.05
How am I so out of touch with reality?

Do you mean 'how', 'why' or 'in what way'?

It seems to me that you're conflating your inner reality (what you perceive people's motives to be) with objective reality (what people's motives actually are) - and you're failing to acknowledge that basing your definition of 'selling out' on this is problematic to the point of being meaningless in any wider context. I might equally say I hate Daniel Bedingfield because he's motivated not by the urge to create art but by the sadistic desire to hurt people. There's no evidence for that, but it's fact. Yup.
 
 
Regrettable Juvenilia
22:07 / 15.09.05
This includes singers, session musicians, anybody who doesn’t have a creative part in this endeavour. They just do what their told. If you’re not *creating* you’re selling out.

So, just to be crystal clear here: let's say a group of people form a band, say when they're at high school. They sign to a small label, and produce music that doesn't have a particularly wide-ranging appeal. They produce all their own records, and just the four of them play the instruments. But the guitarist is the principle songwriter, which includes the lyrics to their songs.

By your above definition, the lead singer is not part of the creative process. He or she is just doing what he or she is told. And therefore selling out, right?

That's, ah, an interesting position.
 
 
Tryphena Absent
23:00 / 15.09.05
I think people who write and perform songs are musicians. Rather than judging them on the amount of talent you think individuals have generally, the motivations you perceive them as having or the particular type of music they play, I suggest you reduce it down to what you're actually hearing and whether it sounds good to you. If you don't like Jump by Girls Aloud because you don't think it sounds good then fair enough, if you're judging it on the basis of the history of the band then you're showing a bias against a group of singers for something other than their work. That's not taking music on an equal footing but more importantly you're drastically reducing your pleasure in life because of some fangled idea of respect that isn't particularly realistic. So basically my view on the idea of selling out is that it isn't actually possible.
 
 
ZF!
06:39 / 16.09.05
Ganesh
Of course my opinion of what is selling out is a subjective thing. How else would you have it? Considering somebody is a sellout is a part emotional response to a musicians actions.

Everyone is ultimately subjective because what you perceive as reality is just that, a *perception*, your perception.

Like I said earlier, *I* calls them like *I* sees them. That's not going to stop me from airing my opinion.

Z
 
 
ZF!
06:40 / 16.09.05
That's, ah, an interesting position.

Yeah.
 
 
Scrambled Password Bogus Email
07:05 / 16.09.05
As the inimitable Shaftoe so eloquently noted a page ago:

Oh. Dear.

Since, zenfroglet, you are clearly a no-nonsense salt-of-the-earth realist, who 'calls 'em as you sees 'em', but doesn't, on the other hand, want anyone to 'take you so seriously', while simultaneously arguing like a 15 year old GCSE student who thinks that an opinion is the most important thing in the whole wide world to possess, however ill informed, unsubstantiated and based on little else but a desire to listen to the grating screech of your own thinking mechanism, and reacts rather predictably to anyone who engages with said ignorance by countering with 'well, that's my *perception*, and that's your *perception*, and oh Jeebus Chrislington do we really have to have this fucking dry solipsism shit again', and so far has, upon every attempt to be reasonable and request some solid padding to the argument which stems from those *perceptions* but only receiving vague 'I read it in books' and 'secondary-source-i-wasn't-there-so-couldn't-possibly-comment-and-unless-you-were-actually-there-in-fact-unless-you-are-Berry-Gordy-then-why-should-I-listen-to-you-fucking-hell-are-you-just-out-of-school-or-what dull as a wet weekend posturing from you, I'm afraid I have lost the will or purpose to speak any further with you, much as i find talking to a goldfish eventually loses its charm and leaves my RAS so undernourished and so starved for stimulation that I am quite likely at any moment to snap and strafe a coffee shop with a semi-automatic weapon.

kthxbye.
 
 
ZF!
07:23 / 16.09.05
I thought selling out suggested that you'd sold out your art but what if you were only ever a musician (maybe you wrote a composition for you music GCSE)? I think you're even more confused than I am by the hierachy you're creating and that says something. Is a woman who sings in a bar at night but works as a secretary by day a sell out because she's trying to make money? Perhaps you live on a planet where everything social is shaped like a GCSE biology pyramid?

Again, I don't have a hierarchy. I've got sellouts and non-sellouts and maybe a grey area in between when it comes to artist from era's I didn't live in, people who may have sold out along the way to fame, and corporate bands who's members suddenly decide to write their own stuff.

I suppose if you must It's more of a 'venn diagram' than this ‘hierarchy’.


I think people who write and perform songs are musicians. Rather than judging them on the amount of talent you think individuals have generally, the motivations you perceive them as having or the particular type of music they play, I suggest you reduce it down to what you're actually hearing and whether it sounds good to you. If you don't like Jump by Girls Aloud because you don't think it sounds good then fair enough, if you're judging it on the basis of the history of the band then you're showing a bias against a group of singers for something other than their work. That's not taking music on an equal footing but more importantly you're drastically reducing your pleasure in life because of some fangled idea of respect that isn't particularly realistic. So basically my view on the idea of selling out is that it isn't actually possible.

What I think sounds good, and what I think is a sellout are two entirely different things. I don’t stop myself from liking a song that I think is good. It so happens that on the whole, music I feel most passionate about generally happens to be of the non-sellout (imho) variety. This may be me subconsciously trying only to like certain songs, or perhaps, it’s an ethos that those bands hold that I identify with, strengthening my loyalty to them. I mean, I don’t think all bands that are non sellouts are good either. I can’t stand Xiu Xiu, I think Shellac suck and that Steve Albini is an idiot. I like Jump by Girls Aloud, I think Britney’s put out some good tunes. But I still think those last two are sellouts.

My reasons for thinking this and trying to limit corporate product are heavily associated with my life philosophy, and political point of view. This isn’t the right place to go on about that, this is a focus on music, but It mostly has do to with fairness and rejecting superficiality. Yes those may just be constructs, but they are constructs I try to live my life by.

Please, no *Oh how noble of you* quips.

Z
 
 
ZF!
07:50 / 16.09.05
Money $hot that was quite a funny post. But are you sure you aren't a Troll?

But instead of ridiculing me for my opinions, why can't you offer me an alternative? Perhaps YOUR own opinion on the subject at hand? Even perhaps steer me to some 'objective' source that negates everything I think.

Is there such a thing as a sellout?
Why must it be an objective concept?
When is a sellout not a sellout?

Or do these questions have as much meaning to you as:

How long is a piece of string?

But then if you've buggered off, I guess I'll never know.

Z
 
 
Regrettable Juvenilia
07:52 / 16.09.05
For fuck's sake, read the first page of this thread!
 
 
Ganesh
08:04 / 16.09.05
Of course my opinion of what is selling out is a subjective thing. How else would you have it? Considering somebody is a sellout is a part emotional response to a musicians actions.

No, it's not, and this is the problem. Which of Girls Aloud's "actions" have caused you to suggest they're sellouts for covering Jump? You're not basing your opinion on the band's "actions"; you're basing it on what you believe to be their motivations - a belief you cannot substantiate in any way.

Everyone is ultimately subjective because what you perceive as reality is just that, a *perception*, your perception.

Yes, but within that, some things are arguably less subjective than others. For example, your first yardstick - that someone is a sellout if they've financially sold something - can at least be determined by people other than yourself ie. I could observe a financial transaction taking place in Cheryl Tweedy's bank account and (assuming I agreed with this definition of selling out) say, "that means they've sold out".

Contrast with your other yardsticks of selling out: 'compromising' or 'going along with a marketing plan': here, nothing can be observed objectively by anyone who's not you; you have provided no means of measuring compromise or goingalongwithmarketingness. This is what makes your definition vague and rather silly, since these ways of defining a sellout essentially boil down to "ask Zenfroglet".

Opinions are well and good, and of course you're perfectly entitled to "air" any old bollocks - just as I'm entitled to claim a sellout is someone with ginger hair. It's usual, though, when attempting to advance an opinion in any sort of convincing manner, to back it up with evidence. You've failed pretty comprehensively to do that, and it's therefore unsurprising that people are finding your opinion ridiculous. Which is fine, so long as you don't expect otherwise.
 
 
Ganesh
08:08 / 16.09.05
... It mostly has do to with fairness and rejecting superficiality

No, it hasn't; that suggests some sort of ordering system. It's purely about who Zenfroglet does and doesn't like. Solipsists R Me.
 
 
uncle retrospective
09:12 / 16.09.05
What about the new Rebok ads? Jay-z, Mike Skinner and the others. There's no mention of their music, it's just the name of "cool" people hawking tat. I can see the point of selling your music for ads, it's just a new form of marketing, but are we alowed to mock very rich filling their coffers a bit more?
 
 
Ganesh
09:17 / 16.09.05
I suppose it depends what we're mocking. On a related note, does Alan Sugar's advert for whateverfinancething, where he says, "I absolutely believe in X, which is why my fee for this advert is going to blahblahcharity", put him beyond sellout criticism, on the grounds that no (obvious) financial gain is involved? To what extent does celebrity endorsement of a given product constitute selling out if that celebrity a) genuinely believes in the goodness of the product, and b) eschews profit?
 
 
Jack Fear
09:31 / 16.09.05
And does all of the above mean that we'll have to stop making fun of Bono?
 
 
Ganesh
10:09 / 16.09.05
No, because Bono's stoopid.
 
 
ZF!
10:27 / 16.09.05
No, it's not, and this is the problem. Which of Girls Aloud's "actions" have caused you to suggest they're sellouts for covering Jump? You're not basing your opinion on the band's "actions"; you're basing it on what you believe to be their motivations - a belief you cannot substantiate in any way.

I was asked whether GA covering another bands song was a selling out, after having said that a non sellout band covering another bands song “just for fun” was not selling out. Knowing what their motivations are is the only way I could know for sure.

No I don’t know what anyone else’s *real deep down* motivations are, nobody does. But you can choose to create your own perception of what their motivations are. Bands that I think are non-sellouts may have covered some other bands songs just to get a higher profile or for money and not just because they’d like to play it. I don’t know this for sure. But based on what I know about them, music, interviews, origins etc. I create a perception of them. I don’t believe they will betray that perception they’ve created and I’ve accepted. This is an emotional response. I identify certain ideals/belief systems with certain genres/bands/whatever.

Sure I may end up being completely wrong about an artist, being played by them or by the corporate machine without knowing, but I can always change my mind about something when I do find out.

Yes, but within that, some things are arguably less subjective than others… is fine, so long as you don't expect otherwise.

What is the objective of “advancing” an opinion? To get other people to accept it? To take it on board? To make it their own? Is anybody on this board seriously open to anybody’s else opinion other than their own? I don’t think so. Besides that’s the last thing I’d want. All I want to do is state it, let people know this pov. Perhaps comment if they want.

So, yes it is my view. I never claimed it was anything else. Everyone as far as I am concerned has just been poking around in my mind asking my opinion on whatever new scenario they think up.

What if a millionaire deaf mute accidentally records the sound of himself stepping on a guitar is it art? If he then sells it, is he selling out?

I’m not trying to advance anything apart from my knowledge about other people. I told people what I think the term meant. I have explained why my opinion is the way it is. Maybe it is based on less objective parameters than you would like. Are you telling me that everything in this world can be defined objectively? Physical objects are perhaps easier. Human constructs like the word “sellout” are by nature subjective.

What is truth?
What is evil?

We each create our own association with the word. I can say “Evil is a construct there is no such thing, it’s all depends on social/cultural context”. George Bush saying that the Taliban are “evil” and Bin Laden referring to “Evil America and her allies” only reinforce this.

I’m telling you what it means to me in my personal context. I don’t believe there is an all encompassing definition for sell-out. Look it up. It varies. If what you wanted is a clear cut definition that you can apply to whatever situation and say “sellout” then sorry, forget about it.

Z
 
 
ZF!
10:31 / 16.09.05
No, it hasn't; that suggests some sort of ordering system. It's purely about who Zenfroglet does and doesn't like. Solipsists R Me.

How do you come to this conclusion?
Z
 
 
ZF!
10:37 / 16.09.05
For fuck's sake, read the first page of this thread!

?

He said it was "bollocks".

Why? What proof does he have? Where're the real world examples. I'm not entirely sure i beleive his point of view. could you elaborate for him?

Z
 
 
haus of fraser
10:43 / 16.09.05
I googled zenfroglet and this is what i got.




sticking it teh man as ever
 
 
illmatic
10:44 / 16.09.05
A point I advanced earlier was that the whole subjectivity of opinion herein is confused even more by the muso biz using concepts like "selling out" and "credibility" as part of the marketing process. The bands you have mentioned may simply be pitched this way by THE MAN to capture a certain demographic.
 
 
haus of fraser
11:17 / 16.09.05
Zenfroglet where would say Brian from westlife fall into your Venn Diagram of righteousness- clearly a manufactured boy band member (sell-out!) he plays an instrument (the piano rather well surprisingly) and has now gone solo with his own material- ie he is 'teh creative' behind it is he a sell out or using the platform to bounce himself into bigger and better things or a 'whore buy association' to Louis walsh etc- likewise where is Robbie williams?

I don't really understand what is and isn't a sellout- are you saying that despite mastering your artform- ie being a great guitarist but dreadful at writing songs you can't / shouldn't use those skills to accompany someone else or your selling out???

Maybe you should think about rephrasing the term 'sell-out'?

Cos it sounds like a dirty way of telling someone they have worked hard and mastered a skill and are now making a living from it. If i had spent 10- 15 years mastering an instrument and did my first paid job as a session musician and someone told me i was a sellout i think i'd (rightly) want to knock their block off! Its called earning a living.

What has made you think this way is, I believe as pointed out by Illimatic 'Marketing and PR' its a spin from the likes of steve albini- this is anti corporate- but we use guitars from Fender and amps from Marshall and have drums guitar vocals and bass in an original way.... yawn... its a sales ploy dude. Bought by you... you fuggin sellout.
 
  

Page: 12(3)45678

 
  
Add Your Reply