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Sell Out?!!!

 
  

Page: 123(4)5678

 
 
ONLY NICE THINGS
11:23 / 16.09.05
Is anybody on this board seriously open to anybody’s else opinion other than their own? I don’t think so.

In that case, why on Earth would you want to waste time talking to other people? Are you just very lonely?

I think that accepting the possibility that you may have your opinions changed by the opinions of others, and vice versa, is pretty much the entry level for adding value to a discussion. If you are sincere in your belief that what we are doing here is simply taking turns to state beliefs that are ignored by others, then I'm afraid you may find that what you get out of Barbelith will be as limited as what you put in.

So, if I understand correctly, you have a set of criteria you have identified as the qualia of a sell-out. Where these depend on interpretation - for example, whether a cover version is motivated by love or greed - you make a decision. That's fine, but it means that your rules for identifying sell-outs are entirely idiosyncratic - they cannot be communicated on anything other than a case-by-case level, and then by appealing to your judgement. As you can see, that causes some immediate problems with the worth of this method.
 
 
ZF!
11:31 / 16.09.05
Copey's 2nd...

Do you even read my posts?

No more soup for you!
 
 
haus of fraser
11:44 / 16.09.05
Yes little froglet i did and i don't think you've answered the questions, or can't you?

Don't you think you are taking pretty contradictory and insulting moral ground? Do you think you've bought a schtick about sticking it to the man that's just as much a part of teh system as the people your telling us have 'sold out'

I do think we can take moral ground over successful artists taking McDonalds millions ala Timberlake- but isn't this 'greed' rather than sell-out. He doesn't need the money and the McDonalds corporation is deemed pretty dodgey politically and environmentally. How does this apply to the member of a string quartet on £80 quid a day to earn a crust working for a couple of days on the new coldplay album.
 
 
Jack Fear
11:44 / 16.09.05
Somewhat more seriously: doesn't "selling out" require that somebody be buying?

I'm thinking of the example of Bob Dylan. Now, he's regarded as one of the greatest songwriters of his generation. A few years ago, he recorded two albums of traditional folk songs, Appalachian murder ballads and the like—songs he didn't write, shock horror. Can this be categorized in any way as a commercial move? Christ, no—and IIRC, the records in question were among the worst-selling of Dylan's recent work.

So why would he do such a thing? Why would he turn his back on his own songwriting genius and defer instead to the work of a bunch of dead, lice-ridden mountain-men? Because he has a huge passion for traditional American music, and was willing to take a financial hit in order to pursue that passion.

Then there's Richard Thompson—again, a highly-regarded singer-songwriter, and also a scholar of multitudinous forms of music—a quintessential anti-mainstream artist who oozes integrity from every pore. A few years ago, around the turn of the millennium, he more or less on a whim organized a series of shows entitled "A Thousand Years of Popular Music," where he played selections that he did not write, ranging from the medieval madrigal "Summer Is Icumen In" to songs by Gilbert & Sullivan, Stephen Foster, and Hoagy Carmichael, right up through "Oops! I Did It Again" and Prince's "Kiss."

Now, Richard Thompson is—or, at the ime, was—had a major label deal to release his own singer-songwriter stuff. But he had to release "1000 Years" on his own label, pay the rights and clearances out of his own pocket, and distribute the record himself, which amounted to flogging the thing at live shows and selling it over the Internet. Why? Because it's a record of limited, specialized interest, and it's not a commercial proposition. Can an artist sell out if no one is buying?

Steve Winwood took a break from recording and performing in early eighties, going into semi-retirement in the English countryside and playing the organ—for free—at his local parish church, playing traditional arrangements of classic Anglican hymns, rather than pursuing his own music. Sell-out?

On a far more crass and risible level: big-haired crooner Michael Bolton, at the peak of his massive commercial success, made a record called "My Secret Passion," where he applied his pipes to a number of operatic arias. (It's true: you could look it up.) It was a blatantly anti-commercial move, and it went nowhere in the charts. Sell-out?

Exhibit the last: John Coltrane playing "My Favorite Things." Tell me that's a sell-out and you're asking for a fucking kicking.
 
 
Jack Fear
11:48 / 16.09.05


The basic problem, Zenfroglet, is that you're proceeding from a set of massive unexamined assumptions:

(a) You're essentially dismissing the act of interpretation as a valid form of artistic expression.

(b) You're equating "artistic integrity" with "writing your own songs," when they are blatantly and obviously two different things.

Given that interpretation has been the cornerstone of virtually every world musical tradition since the year dot—and that "writing your own songs" has only been considered important since about 1963 (and then only within certain segments of the rock and pop fields—which, frankly, encompass a laughably tiny set of subgenres of the huge entity that we call "music")—can you see where your generalization is perhaps unnecessarily sweeping?

Let's take a look at the genres you're dismissing out of hand:

-virtually all pop music pre-1963
-all folk and traditional music, Western and non-Western
-most country music
-great swathes of jazz
-great swathes of modern pop and dance music
-all classic standards singers—Sinatra, Billie Holiday, etc
-all orchestral, string quartet, and chamber music
-all opera and show music
-all religious music, Western and non-Western

Artistic integrity is about following your muse, about taking the musical journey that feels right to you as an artist. Sometimes an artist feels compelled to create something brand-new: sometimes s/he is compelled to explore and riff on the work of others. This is an artistic compulsion, not a purely financial one.

I suspect that the basic problem is that you're a neophile—that you're only interested in what's new and what's next, and that you have no respect for, no interest in, and appallingly little knowledge of the musical achievements of the past. This, I'm afraid, gives you, shall we say, a rather limited perspective—which, in turn, makes it difficult to take you seriously.

Are the members of this board open to opinions other than our own? Only if those opinions are supported by evidence, are at least moderately well-informed, and make a lick of sense.

Now: guess what?
 
 
ZF!
12:00 / 16.09.05
In that case, why on Earth would you want to waste time talking to other people? Are you just very lonely?

Just a bit bored really.

I think that accepting the possibility that you may have your opinions changed by the opinions of others, and vice versa, is pretty much the entry level for adding value to a discussion. If you are sincere in your belief that what we are doing here is simply taking turns to state beliefs that are ignored by others, then I'm afraid you may find that what you get out of Barbelith will be as limited as what you put in.

From what I’ve experienced on this thread so far, it does seem that way. I don’t want to force my view on anyone, my intention is not to influence people. If my views happen to be picked up by someone and that changes their view in some way, fair enough. I am not trying to *win* an argument/debate or have my view become popular. I am merely putting forward what is in my mind. I like to see people’s reactions to what I say (even if it is negative).

I am of course open to learning about something that I knew nothing about beforehand. In this case, I have already made my mind up about what I consider is a sell-out.

So, if I understand correctly, you have a set of criteria you have identified as the qualia of a sell-out. Where these depend on interpretation - for example, whether a cover version is motivated by love or greed - you make a decision. That's fine, but it means that your rules for identifying sell-outs are entirely idiosyncratic - they cannot be communicated on anything other than a case-by-case level, and then by appealing to your judgement. As you can see, that causes some immediate problems with the worth of this method.

Yes, I never said they were anything other than my way of qualifying what a sell-out is. People seemed to take an interest in what I consider a sell-out, asking me for what my criteria are. Their mistake is thinking that my criteria can somehow (independently of myself) be applied to whomever or whatever by anyone. See my post on "sell-out" as a construct.

Z
 
 
Jack Fear
12:11 / 16.09.05
Their mistake is thinking that my criteria can somehow (independently of myself) be applied to whomever or whatever by anyone.

Ah, I see.

I have a cat, but I like to say it's a fish. I mean, it's obviously a cat, but in my mind it's a fish. If you ask me what sort of pet I have, I'll tell you I have a fish; if you then try to say, "That looks like a cat to me," I'll reply that I'm perfectly within my rights to say it's a fish, because it meets my criteria for a fish: I'm not asking you to accept it as a fish, but I'm still going to call it a fish—and, in fact, believe that it's a fish, even though I am the only one to do so, even though the whole world (besides me) calls it a cat. Because I trust my own prejudices and opinions far more than I do the received wisdom of others.

Mm-hm.

You know, there's rugged individualism, and then there's being a fucking moron.
 
 
Jack Fear
12:13 / 16.09.05
Actually, let me ask you a question that you asked us: Are you at all interested in opinions aside from your own?
 
 
Scrambled Password Bogus Email
12:19 / 16.09.05
You know, there's rugged individualism, and then there's being a fucking moron.

Ah, Jack, see I was *trying* to avoid that word 2 pages back, but I suspected even then that it was the bon mot.

Le mot juste, even.
 
 
Jack Fear
12:36 / 16.09.05
Oh, let me be clear: I'm not saying that Zenfroglet actually is a fucking moron in any exact or objective sense of the term—simply that in my opinion and with my prejudices, *I* believe that s/he approaches the criteria for such a state. In my mind.

So that's all right, then.
 
 
ZF!
12:36 / 16.09.05
Ah, I see

From your response you obviously do not.
Z
 
 
ZF!
12:41 / 16.09.05
Because I trust my own prejudices and opinions far more than I do the received wisdom of others.

Just what is the "received wisdom of others" here?

Do you all somehow subscribe to the exact same belief?

Like a hivemind of a sort?

Or is it just a case of, "Whatever mine is it sure as hell isn't yours!!"

Interested Z
 
 
Scrambled Password Bogus Email
12:45 / 16.09.05
Interested

Doubtful.
 
 
haus of fraser
13:25 / 16.09.05
again zenfroglet I asked you...

Don't you think you are taking pretty contradictory and insulting moral ground? Do you think you've bought a schtick about sticking it to the man that's just as much a part of teh system as the people your telling us have 'sold out'

I do think we can take moral ground over successful artists taking McDonalds millions ala Timberlake- but isn't this 'greed' rather than sell-out. He doesn't need the money and the McDonalds corporation is deemed pretty dodgey politically and environmentally. How does this apply to the member of a string quartet on £80 quid a day to earn a crust working for a couple of days on the new coldplay album.

and

Maybe you should think about rephrasing the term 'sell-out'?

Cos it sounds like a dirty way of telling someone they have worked hard and mastered a skill and are now making a living from it. If i had spent 10- 15 years mastering an instrument and did my first paid job as a session musician and someone told me i was a sellout i think i'd (rightly) want to knock their block off! Its called earning a living.


i was giving you a get out clause- maybe what your talking about isn't selling out- and by backing into a corner some of your moral standing has got confused with talking bollocks ? We can hate globalisation and boycott certain products- but please be clear about who and or why- you haven't convinced me of any arguement that working as a paid musician is selling out.

'Sell Out' is a pretty derogatory term to use on people that are 'earning a living' having mastered a skill- even if you like xxx or xxx's music call them a sell out and its rude, juvenilee, patronising and prejudiced. You may not make many paying musician friends that way.

I was serious when i asked whether you worked or paid rent. They make a big difference to the way you view the world.

oh yeah and...

Just what is the "received wisdom of others" here?

Do you all somehow subscribe to the exact same belief?

Like a hivemind of a sort?


clearly you haven't been reading other threads its very rare that the people you have been talking to in this thread all think or agree on the same things...

We do read rational arguements with firm evidence for prejudice- I would be far more sympathetic to the notion that Timberlake is a 'Sell Out' because of McDonalds to the notion that any musician that doen't write music is a sell out- because there is no 'reason' behind it.
 
 
Scrambled Password Bogus Email
14:00 / 16.09.05
Surprise Surprise!

Arf!
 
 
Char Aina
14:08 / 16.09.05
Is anybody on this board seriously open to anybody’s else opinion other than their own?

yes.
i am.

I don’t think so.
no, you dont.
you dont think we can be, and i think that is because you are not open.
as hard as it is for you to believe, i have had my opinion changed by others, and they by me.


So, yes it is my view. I never claimed it was anything else. Everyone as far as I am concerned has just been poking around in my mind asking my opinion on whatever new scenario they think up.


nah, not at all.
you've missed the point of the questions.
i dont care about the inner landscape of your mind.
i havent been mapping yor opinions on selling out, just trying to make you ask yourself questions about it.
it seems to me you dont feel the need to examine yor own opinions, and i feel that that is a failing.
i asked you if beethoven sold out by becoming deaf for two reasons. it was funny, sure. it was also intended to make you think about how ridiculous it is to characterise some musicians as sell outs.

your yard stick is a foot long and its got a curve in it.






Just what is the "received wisdom of others" here?

the opinions that you have recieved that belong to others.

Do you all somehow subscribe to the exact same belief?

no. why would you assume we did?

Like a hivemind of a sort?

like..something, inhuman! unrelenting and closed to reason!
no.


i am disagreeing with you because i find your ideas to be ill thought out and defended only by the continuous restatement that you are allowed to hold any opinion that you want, however unexamined.
while you do have this right, your constant use of it does rather mark your opinion as one of those conceptual weaklings that are unable to fend for themselves in the real world.


Or is it just a case of, "Whatever mine is it sure as hell isn't yours!!"

no.
its a case of "show me yours and we'll see how that makes sense in the context of mine" and then a bit of "oh. it doesnt."
 
 
Scrambled Password Bogus Email
14:16 / 16.09.05
I'm being a cunt, eh?










How's that for self-examination?
 
 
haus of fraser
14:24 / 16.09.05
slightly uncalled for and a surefire way to loose a balanced arguement Mr $hot.
 
 
illmatic
15:02 / 16.09.05
Personally, I don't feel that ZF has done anything in the thread thus far that necessitates the insults he's been getting (despite having holes in his (presumably) arguments that one could drive a truck through).
 
 
Scrambled Password Bogus Email
15:07 / 16.09.05
OK. sorry, I was feeling a *tad* snarky, the jibes were uncalled for.

I share the frustration of all, however. And it's Friday.
 
 
ZF!
09:47 / 17.09.05
(a) You're essentially dismissing the act of interpretation as a valid form of artistic expression.

I’m not, please read earlier postings about songs being “covered” whole thing about “Jump” being covered by Girls Aloud.

(b) You're equating "artistic integrity" with "writing your own songs," when they are blatantly and obviously two different things.

Are they? How about you explain to my why instead of saying ”obviously” and “blatantly”.

To me the artistic integrity has more to with whether the creation is fuelled by a love of the art or by a love of the money. Ultimately impossible to prove, but I’ve posted at length about this as well.

Given that interpretation has been the cornerstone of virtually every world musical tradition since the year dot—and that "writing your own songs" has only been considered important since about 1963 (and then only within certain segments of the rock and pop fields—which, frankly, encompass a laughably tiny set of subgenres of the huge entity that we call "music")—can you see where your generalization is perhaps unnecessarily sweeping?

Why should my definition only be limited to pop or rock? Also please see my post on what I think about music that I wasn’t around for subsequently don’t know the social context of.

Artistic integrity is about following your muse, about taking the musical journey that feels right to you as an artist. Sometimes an artist feels compelled to create something brand-new: sometimes s/he is compelled to explore and riff on the work of others. This is an artistic compulsion, not a purely financial one.

Yeah I agree with that, please see above and aforementioned posts

Z
 
 
ZF!
10:44 / 17.09.05
I don’t think so.
no, you dont.
you dont think we can be, and i think that is because you are not open.
as hard as it is for you to believe, i have had my opinion changed by others, and they by me.


Ok I was having a go at you guys there. I can and do have my opinions changed, in this case I truly believe what I am writing here. I believe with every ounce of myself on the importance of being as true as you can be to your music/art. What seems to be suggested by everyone else is that I am not allowed to hold this opinion on what constitutes a sellout because it doesn’t make sense to them. I’ve tried to explain this, but It appears I have failed miserably.

I’ve already explained this previously but I think the problem is that this whole thread is about something that is an inherently subjective term. I don’t think you can be objective about it in any way.

i am disagreeing with you because i find your ideas to be ill thought out and defended only by the continuous restatement that you are allowed to hold any opinion that you want, however unexamined.
while you do have this right, your constant use of it does rather mark your opinion as one of those conceptual weaklings that are unable to fend for themselves in the real world.


I’ve given you my reasons for thinking in this way if you find those arguments weak that’s fair enough, I invoke idealist philosophy because I subscribe to much of what I know of it. If you see that as a failing on my part, that is fine it’s your… (joke)

no.its a case of "show me yours and we'll see how that makes sense in the context of mine" and then a bit of "oh. it doesnt."

It would help with a bit of “oh it doesn’t because…”

It’s also quite difficult to take anyone seriously on this board when the norm seems to be offensive expletives, kneejerk reactions and a seemingly encouraged level of childishness. If I wanted that I’d have gone to usenet.
There are of course exceptions, and I thank those people for it but I did expect a more mature and yes human environment.

Z
 
 
Jack Fear
10:55 / 17.09.05
Why should my definition only be limited to pop or rock?

The answer is in the paragraph that you quoted.

Because using a single criterion to judge all forms of a diverse phenomenon, without taking into account the massive differences in context across the range of that phenomenon, is bound to give you distorted results.

Because music is created by many different means, and by many different ends, and to measure it all by the same yardstick strikes me, quite frankly, as not just ignorant but wilfully ignorant.

Saying, "I wasn't there, I don't know the context" is all well and good. Admitting the woeful gaps in your knowledge is an excellent first step to curing them.

But rather than taking this as an opportunity to, say, learn something about these musics and their context, you instead turn around and issue lofty opinions about artistic integrity and proceed to apply them across the board, despite having already admitted that you basically don't know what the fuck you're talking about, and continuing to cling to that opinion even when your error is pointed out to you. Again and again and again.

You don't have to be right all the time, you know.
 
 
Char Aina
14:30 / 17.09.05
oh, i t doesnt.
because...


well, to you're statement that it Sounds more greed inspired, i said not necessarily.

i explained that i felt you could be a songwriter without the performance skills or look to make it on the world stage, and feel that your art would best be done justice if you could get your work to someone with the necessary voice and style to carry your vision off.

you have yet to adequately explain how a performer and a writer not being the same person is selling out.
i showed you an example of a common pattern in musical production, that of a singer being hired to dop a line or two that they didnt write.
you dismissed thm both as sellouts, condemning massive amounts of music as such.

when i pointed out that writers and directors do this all the time for films, you told me that films were totaly different without explaining why.


you define selling out for us:


- Selling/giving up your creative art completely - Artist sells music to somebody/something. No more creative control, allows it to be watered down/improved, whatever, it deviates from the original material.

problem:
if the same band does an improvised version of a song i wrote and therefore changing my art and geting paid to do so, i have sold out and so have they.
problem:
when i sell a ticket to my concert, people will come and watch me. thy will interpret the music i play and take home a very different version in their heads to the one i have in mine.
i have sold out.


- Giving up your right to creative input - an example could be someone who is just there to make sounds as part of the marketing plan. This includes singers, session musicians, anybody who doesn’t have a creative part in this endeavour. They just do what their told. If you’re not *creating* you’re selling out.

problem:
you assume that the use of session musicians equates to the use of a marketing plan.
problem:
your model seems to be biased against anything made electronically, using samples and getting in mates/session musicians as guns for hire.

Being seduced by muh-ney and compromising your art. - Changing your art to appeal to the masses perhaps?

problem:
you cant tell with most acts if they are compromising anything. you can with some acts see that they have moved from less marketable to more marketable, but this coiuld just be them getting better, or finding thier voice.
pablo honey was shit.
the bends sold loads.
did radiohead sellout?
or did they just get better?
how can you know?

i appreciate that you can make a guess about them and tout it as your opinion(that you are of course entitled to hold), but it isnt very helpful in terms of communicating something about them to others.
i appreciate that you dont want to convince me or change my mind.
you would at least accept that there is no point in sharing opinions unless yor opinion is in a language your listeners can understand, though, yeah?


also, what mr fear said.
 
 
Ganesh
14:31 / 17.09.05
I was asked whether GA covering another bands song was a selling out, after having said that a non sellout band covering another bands song “just for fun” was not selling out. Knowing what their motivations are is the only way I could know for sure.

No I don’t know what anyone else’s *real deep down* motivations are, nobody does. But you can choose to create your own perception of what their motivations are. Bands that I think are non-sellouts may have covered some other bands songs just to get a higher profile or for money and not just because they’d like to play it. I don’t know this for sure. But based on what I know about them, music, interviews, origins etc. I create a perception of them. I don’t believe they will betray that perception they’ve created and I’ve accepted. This is an emotional response. I identify certain ideals/belief systems with certain genres/bands/whatever.


So, basically, it's a circular, self-justifying rationale. You have previously decided that Band X is "a sellout" based on your perception of their motives - based in turn, rather vaguely, on "music, interviews, origins etc." - so all their actions are subsequently interpreted in terms of greed rather than pleasure. That's well and good as long as you're fully aware that it's going on in your head, and has no discernable relevance within a wider context.

Sure I may end up being completely wrong about an artist, being played by them or by the corporate machine without knowing, but I can always change my mind about something when I do find out.

What are your specific criteria, then, for a) deciding a given band is "a sellout", and b) changing your mind about them? I ask because I suspect it boils down to personal prejudice, just another way of expressing whether you like a given band. If you do, you interpret their actions positively; if not, negatively.

What is the objective of “advancing” an opinion? To get other people to accept it? To take it on board? To make it their own? Is anybody on this board seriously open to anybody’s else opinion other than their own? I don’t think so. Besides that’s the last thing I’d want. All I want to do is state it, let people know this pov. Perhaps comment if they want.

Interestingly, this is generally a viewpoint I hear expressed on religious forums: nobody's mind is ever changed by a message-board so there's no point 'debating'. I can't speak for anyone other than myself, really, but I have evolved and changed my worldview on the basis of online discussion. Many, many times. It's one of the main reasons I use message-boards and, indeed, discuss things with Real Life friends and acquaintances. That's a large factor in how I form opinions: the continual act of rubbing my own worldview up against a myriad of conflicting worldviews, adjusting it in the light of convincingly argued or persuasively evidenced viewpoints.

Christ, can you imagine being a hermetically-sealed unit of pristine, solipsistic opinion, utterly resistant to the possibility of change, just here to toss off the occasional uncontaminated "pov"? I imagine it'd be like being dead. Intellectually sterile.

So, yes it is my view. I never claimed it was anything else. Everyone as far as I am concerned has just been poking around in my mind asking my opinion on whatever new scenario they think up.

I'm really really hoping this reflects relative youth on your part. Otherwise, your degree of wilfully rigid self-regard is terrifying.

Are you telling me that everything in this world can be defined objectively?

Nope. Try reading what I've said again.

Physical objects are perhaps easier. Human constructs like the word “sellout” are by nature subjective.

Yes, but, as I've pointed out, within the term "subjective", there's a degree of variability - hence the convention for backing up one's opinion with some sort of evidence. Saying "I think X has sold out because I define 'selling out' in financial terms and look, according to their bank statements, they've made £XXXXXX on that song" may not be a definition I'd agree with, but there's a certain logical consistency that's lacking from "I think X has sold out because when they recorded that song they were motivated entirely by greed". The first statement sets out a definition and provides evidence which makes sense within that definition. The second is merely speculation based on what one imagines went on at the song's recording. The second is therefore less subjective than the first.

What is truth?
What is evil?


Start a HeadShop thread, or search for the threads already there. If you've any interest in what others think on the subject, that is.

I’m telling you what it means to me in my personal context. I don’t believe there is an all encompassing definition for sell-out. Look it up. It varies. If what you wanted is a clear cut definition that you can apply to whatever situation and say “sellout” then sorry, forget about it.

What I'd like is a degree of logical coherence. Naturally you're perfectly free simply to regurgitate the contents of your head onto the screen without having to have it make any sort of sense to anyone else in the world, and without allowing the possibility that your "personal context" might be legitimately challenged. That would seem to obviate the point of a discussion forum, though. If one has no genuine interest in or allowance for the validity of others' opinions, then one might as well fingerpaint, or put jellybeans in one's navel. Or start a blog.
 
 
Ganesh
14:43 / 17.09.05
Actually, I think Jack Fear's cat/fish analogy better encapsulates the situation for me. What he said.
 
 
haus of fraser
16:18 / 17.09.05
I pretty much agree with all the above from Toksik, Ganesh & Jack Fear.

I'm sorry that money $hot behaved like an arse but it doesn't answer lots of the questions- its ok to be wrong or even re-define things so there is a degree of logic to your thinking- the cat/ fish thing shows you can think one thing but you may have a few problems when explaining them to other people.

I'm having a little bit of trouble following all of your arguements with any degree of consitency- if you want to repeat or go over a point - can you either link it or quote it- otherwise the 'i already answered that' falls a bit flat as i have no idea where and trail backwards and forwards through a long long thread. Also if i have missed a point then i look like an arse rather than you. (sorry to be anal - i really don't want to come across as attacking you especcially cos your new here-but it makes these discussions easier Zenfroglet).

I'm also still curious about the use of the term 'Sellout' and what you would say to for example to a classical musicians face who worked there butt off to earn a living. Would you really call them a sellout? I have two friends one is a violinist and the other a cellist. They bust their arses learning their instruments starting when they were very very young, and studying all the way throughy university- and now play around the world as session musicians and in various orchestras- rarely in pop music but thay have been known to. What would make them a non sellout- they're not composers but musicians doing exactly what they trained to do. Would you really tell them to their faces you think they 'sold out'.

Also where do producers come into the equation? They improve on a song arrangement- to the degree that George Martin did for the Beatles etc- is a band relying on that person selling out? or is the producer selling out for helping them with their ideas?
 
 
bio k9
22:20 / 17.09.05
 
 
haus of fraser
09:14 / 19.09.05
Did we scare another one off?
 
 
Scrambled Password Bogus Email
12:23 / 19.09.05
Like an arse, eh?

I'm watching you, Copey. You're skating on thin ice.
 
 
STOATIE LIEKS CHOCOLATE MILK
12:22 / 20.09.05
WRT the Beethoven thing... let's look at it from the other perspective.

I occasionally (but don't tell anyone... it'll ruin my hard man of ROCK!!! image) like to go to the opera. And watching all those fucking selout session bastards hammering their way through Gotterdaemmerung... I'm wondering how much they get paid. Because to me, it looks like they absolutely adore what they're doing. They're passionate. They love every moment.

I'm not thinking "you little fucks, you wrote NONE OF THIS!!!" I'm feeling envious. They're really good at something. They enjoy doing that thing. And somebody will pay them to do it?

Now. Songwriters. Good ones, fot the purposes of argument. They're good at something. They enjoy doing that thing. And someone will pay them to do it? Fucking go those dudes! If it's all about the money, there's probably more money to be made in organised crime than in playing the oboe, but they've decided to take the woodwind route BECAUSE THEY LOVE PLAYING THAT STUFF.

I accept it'd be different if the guy on the French horn started doing interviews where he claimed he wrote all the best bits, but to the best of my knowledge (and it hasn't turned up in Gramophone magazine, which I'm sure it would) that hasn't happened.

Say somebody (Liz Frazer, for example) has an interesting voice. Which they create with, and make their own thing from, doing stuff they didn't write because (say) the guy from 4AD says "Hey, I'm doing this thing with a bunch of other people on the label. I pay you to sing Song To The Siren, you sing it beautifully. We got a deal?" How the fuck does THAT work?
 
 
Scrambled Password Bogus Email
15:19 / 20.09.05
It just works.

Non-musicians often - particularly in rants about authenticity / selling out - fail to understand the ARTISTRY involved in making an instrument - any instrument, vocals included - actually SING, rather than simply 'playing the notes'. Even this dichotomy is false, obviously, and largely attributable to taste, although a trained ear can hear mistakes and skills an untrained one may miss. But hey, Nina Simone didn't get famous singing in tune, did she? It was the consistency with which she was off, and the effect it had on the performance that carried it over.

Still, to suggest that a lifetime of dedication to a specialist skill in which the work of those who have come before you is celebrated and re-imagined is somehow less valid than clattering out two-chord tricks of your own imaginings in some toilet in Camden, indicates a certain level of ignorance as to what is being discussed or actually occurring.

Suggesting that session musicians working the jazz circuit are 'sellouts' is, frankly, laughable. Whether it's the case *in your mind* or not, it is, in the mind of everybody with a clue, laughable; made even more so by attempts to appeal to some pseudo-solipsistic 'there is no spoon' claptrap while back-pedalling furiously.
 
 
haus of fraser
15:36 / 20.09.05
I think he's gone....
 
 
STOATIE LIEKS CHOCOLATE MILK
16:36 / 20.09.05
Oh, but we're having such fun...

Jazz is a good example, M$... Sun Ra's Arkestra, frinstance. A lot of the time, jazz being what it is, they WEREN'T making shit up or improvising, they were providing a good background to someone else who was.

By zf's definition, that'd make 'em sellout session bastards. (Which will be the name of my new pub rock project, I think). Again I say, how the fuck does THAT work?
 
 
ZF!
20:59 / 20.09.05
What whaat? Left you? I would never do that, I’ve only just begun to know you. I was out of action all of Sunday.

Deciding to put my sellout philosophy into practice, and also being young and foolish I waited outside an orchestra rehearsal and started calling the musicians “Dirty Sellouts” as they started walking out. At first they seemed a bit intimidated, but after I called the cymbalist a “performing monkey” and imitated those wind up cymbal monkeys, they ganged up on me and well they had their instruments in their cases, and it was just me with my megaphone...

...I'm just writing up some responses and I've been a bit busy at work, of late, all in good time people.

ZF
 
  

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