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I still have reservations about Joss Whedon, he’s part of an alarming trend that’s making me seasick, that being non-comic writers writing comics. Brian Singer (not a writer, I know), Tarantino, that guy from that Babylon thing etc. I’m not convinced if his writing will ever work outside of TV.
I can sort of see the justice of this comment, in one very specific way. Writing across genres is often difficult. What I find interesting is that Jeff Whedon, Brian Singer, Tarantino and Straczynski are all successful in more lucrative and popular media, but are writing comics because they are big comics *fans* - in essence because they want to hang out with Chris Claremont. All right, apart from Straczynski. He's just fucked. Point being, they have all learned their trades in highly competitive environments and have, as Flux says, developed a grasp of pacing, dialogue, plot... I imagine they have consultants who help them with the mechanics of the panel grid, although perhaps I ma being uncharitable.
If you look at the reverse, you find comics creators struggling for the greater kudos and indeed the greater financial rewards of other genres. So, Neil Gaiman, who writes generally decent comics, turns himself to mediocre books and execrable film scripts. Chris Claremont's novels are unreadable. Leave it to Hollywood and get X2, involve Marvel creatively and get Mutant X... |
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