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Matrix Revolutions (Spoilers)

 
  

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I'm Rick Jones, bitch
07:40 / 05.11.03
Harry Knowles just wrote a completely retarded positive review of this, and I have to say I don't think the signs are good- I'm still going to try to get to see this today or tonight though.

Thoughts?
 
 
The resistable rise of Reidcourchie
08:13 / 05.11.03
That you might mean Revolutions?
 
 
Bear
08:16 / 05.11.03
I'll probably go see it, you've got to see how they finish it don't you?

Agent Smith will probably be the only good thing in it, wouldn't it be great if it really did end with Bill and Ted and it had all been some radical Wild Stallions dream.

Might want to change the thread title though....
 
 
I'm Rick Jones, bitch
15:07 / 05.11.03
Just moderated the title.

It's an okay film, nothing much beyond that. Seraph, The (new) Oracle and The Smiths deserve an hounorable mention. The Zion attack was pretty well done, and the Superbrawl was OK (the scene where Canoe punches Hugo Weaving in super slow mo is pretty funny).

Too much stupid shit though- if the whole point of Reloaded is keeping Trinity alive, why kill her off in the worst death scene since Hicks in Alien 3? Why the fuck wasn't the peace treaty better handled? Sloppy.

Expect a series of comics, games and anime to continue the storyline soon. Nothing was really concluded.
 
 
I'm Rick Jones, bitch
15:09 / 05.11.03
Oh, and I missed the start: is it explicitly stated that Seraph was a former "One"?
 
 
I'm Rick Jones, bitch
15:20 / 05.11.03
Wait a second, this was up first. I fucked up the title somewhat but it's still the first thread. And it has more posts in already. Delete your thread instead.
 
 
Jack The Bodiless
15:29 / 05.11.03
I agree. Plus your thread has a spoiler warning.

It looks utterly shit, to be honest. I'm probably going to get suckered into seeing it at the weekend - I'll report back and, no doubt, rant my bodiless arse off at you then.
 
 
Tamayyurt
15:35 / 05.11.03
Oh great, Trinity dies! I'm not interested enough in the movie to read spoilers (at least it'll have the element of surprise) but I'm kinda glad I read this as it would've ruined the movie for me. Now I can go in there prepared.

So what happens with Neo and the rest of the gang? Please tell me Zion gets totally destroyed.
 
 
Jack The Bodiless
15:43 / 05.11.03
Apparently there are Aliens-style powersuits with steaming great guns, shooting those squid things. Jesus. Wonder how the poverty-struck, starving Zionistas managed to get their hands on what the fuck am I talking about this film won't make sense...
 
 
cusm
15:46 / 05.11.03
I'm doing the premere party thing tonight, so will have something to say about it tomorrow.
 
 
Yotsuba & Benjamin!
16:14 / 05.11.03
It really should have been the Wyld Stallions.

This movie, well, it was inevitable. A completely, mercilessly so-so film. Not enough Matrix sexiness, not enough "ideas" (although Smitty lays out the entire philosophical context, and he delivers it so well). Actually, I'll give it up for Smitty. He was fantastic in this. You almost forget about him in Reloaded, there's so much sexiness, here, he's the best part. Of course most of it is Aliens type warfare against sentinels, all visually impressive and emotionally engrossing (which the whole film was, for me, I was totally feeling it when Trin went down), but the ultimate conclusion, well, Peace is Fucking Boring.

I will say that the brief vision of the sky was stunning in context, and, really, that moment was the sum total of the point of all three films.

But, what, they couldn't put "Freedom" over the end credits? I was waiting to hear that for, like, four years!

Overall, neither good, nor bad. Just okay. Which is the worst of all three.

Also, if you watch the documentaries on Reloaded, you'll see that the park bench is "Dedicated To Thomas Anderson".

Why that wasn't the final shot, I will never know.

This Is Not An Exit.
 
 
I'm Rick Jones, bitch
16:31 / 05.11.03
The little girl was a pretty bad call. She was totally pasted in to give a reason for Gloria Foster's death, and it shows. Last scene would have been so much better with just the Oracle and the KFC dude.

The shot of the sky was pretty stunning, yeah.
 
 
Imaginary Mongoose Solutions
16:47 / 05.11.03
I can't decide it this was brillant or shit. Most likely brillant shit, to be honest. For every "oh my god" moment (The Attack on Zion, the decent to Hell, the hints at Seraph's Origins, every fucking scene Hugo Waeving is in, the Superbrawl, Neo's second sight) there were giant fucking flaws as well (the Kid's part in the attack on Zion, the countless unanswered questions about Seraph, the Merovingian, Persephone and others, the establishment of a new status quo, the last scene with the Architect and the Oracle).

Offhand I'm going to weigh in on the positive but that may change with my 2nd viewing (tonight or tomorrow). I may simply be dazzled by the fetishwear, the greatest superhero fight of all time and a nice anihalation of oppisites ending.
 
 
I'm Rick Jones, bitch
16:49 / 05.11.03
So Seraph's origins are never really explicitly stated? Because I had the feeling I'd missed something important.
 
 
Imaginary Mongoose Solutions
16:52 / 05.11.03
The little girl makes sense as a way of showing how the Matrix is a haven for Machines as much as it is a prison for humans. That ending totally sucks though.
 
 
Imaginary Mongoose Solutions
16:54 / 05.11.03
Nope. The guards in Hell refer to him as "wingless", the Merovingian calls him "judas" but his origins are left as a mystery.

As are the Merovingian's.
 
 
Yotsuba & Benjamin!
16:57 / 05.11.03
Wait, what? How? What does she have to do with the Oracular Switch-Up? She was completely a symbol of New Hope, the Purposeless finding Purpose. And isn't it sort of implied that she helped make The Matrix 2.0? I mean, bending a spoon is one thing, but engineering an entire sunset? That's power.

I loved the cat, too.

Man, didn't I not like this movie? I guess it was pretty good after all...

But I wanted more trucks...banging together...and stuff.

But this one had hardcore nipple twists...which are nice.

But I wanted more fights with swords...

But this one had that great, Smith-sonian rant in the crater...

But I wanted Neo to bitch slap The Architect...

But this one had Smitty breaking cookies...

How many licks does it take to get to the center of a Tootsie Pop? Zion may never know...
 
 
Yotsuba & Benjamin!
17:11 / 05.11.03
I think I get it now. This feeling of disappointment is coming from the overall disappointment that comes from knowing how badly Neo was played by the machines. It's disappointing to know that all that he went through was simply so the machines didn't have to clean up their own garbage. That look on his face in the crater is just "All right. Fine. Fighting is completely pointless, I think I actually get it now. I know why I am here. I am a vacuum cleaner bag."

It's kind of nauseating when you think about everything he struggled for, everything that everyone believed in about him. While it's unclear whether or not this was supposed to happen from the very beginning, and if the same thing happened six times previous (very possible, when you look at Smitty's dawning realization in El Cratoro), even if this is the first time, it's just an Exercise in Efficiency. It was about the survival of the machines all along, the humans are incidental. Awfully depressing the more you think about it. "Way to kill those sentinels, Tony Rockyhorror! Now you're dead and all your friends are still trapped in the center of the Earth!" But, there was a palpable sense of claustrophobia in that entire prolonged sequence. It was nightmarish, that feeling of being completely trapped, and surrounded, and that you were going to die miles below the surface of the Earth. THERE WAS NO ESCAPE. Until there was, of course. But no one will ever see that sky. No one will ever usurp the machines. Everyone is just temporarily turning away from the other and going about their business. Humans are still batteries.

I actually liked Harry's take on it, makes a lot of sense and all that. Thinking about it, it really is in no way a bad movie.
 
 
penitentvandal
18:06 / 05.11.03
So what, there isn't a revolution? The machines don't get stopped? It all just stays shit and horrible? The hero doesn't save the day? Guns and kung-fu don't, in the end, stop terrifying threats to the very nature of ontological and epistemological reality?

Man. If that's the way the film ends, it's a fucking work of genius...
 
 
--
18:12 / 05.11.03
I saw it at 9:00 AM. Had to get up at 7. To be blunt, I'm very diappointed. In fact, I feel like I've been mugged, raped, pissed on, shitted on, blah blah blah.

Simply put, this makes "Reloaded" look like a masterpiece (and at least "Reloaded" had some good scenes, like the Architect). This film had almost none, the final battle between Smith and Neo perhaps being one of the sole exceptions (I kinda liked the Club Hell scenes too, short as they were. There's a club Hell not far from where I live).

Main problems:

The Merovingian was a great character in the second film, but here he's wasted: A little 5 minute scene, and then he just vanishes for the rest of the film, after the first half-hour. No mention of what happens to him. Even worse, his wife, Peropheresene (sic) does even less: She literally has one line of dialogue! What a waste.

Morpheus really sucked in this film too. Barely did anything at all. That fucking Mifune guy (or whatever his name is) did more. A shame as Morpheus was such a good character in the first film too. Here he just looks bloated and irrevelant, a bystander.

I was hoping for a great conversation between Neo and Deus Ex Machina, something mind-bending that explained what the point of all this was. sadly, the Machine leader, while looking very cool, spoke about 5 lines, most of which consisted of "Speak", "It is Done", "And what if you fail", etc. There was also no explanation for why the sky was blue

The battle at Zion went on for way too long and some parts looked very cheesy, imo. Even worse, the council of elders and that damn annoying Kid returned.

Contrary to most people who complained about "Reloaded" I actually liked the philosopical conversations. This film almost has none, and when it does they're unbelieveably trite. Stuff like "If I'm not me, then who am I?" and stuff like that. The philosophy and religigious allegories/symbolism were much more subtle in the first film. Here they're blatant and excessive. Even worse, the wachowskis' have moved away from the gnostic philosophy of the first one into hackneyed typical Judeo-Christian mythology.

The new character, The Trainman, is crap. And the new oracle just can't compete with the old one. On a plus side, Seraph did more in this one, and he's kinda cool looking.


Trinity dies in a ship crash. How lame is that? Almost nothing heroic about it all. I mean, Neo saved her life at the end of "Reloaded", 24 hours before, only to have her get killed off again in this one. Lame!


And the brief ending was really, really lame. So much so that people in the theater laughed at the end of it.

In retrospect, I shouldn't have watched the first two Matrix films prior to this one. watch for yourself, but you'll probably be disappointed. In its own way the film was shallowingly entertaining (I'll admit I got a little choked up when Morpheus said goodbye to Neo, and the scene where Trinity sees the blue sky is beautiful), but this could have been so much more. Sadly, the critics were right. Too bad, cause the trailer for this film looked great. The dialogue was awful, the acting wooden: Its hard to believe this was the conclusion to that beloved film I saw close to five years ago. Do you know how long the fans waited for this moment? What a let-down.

To add insult to injury, the theater charged $3.50 for a Dasani bottled water.

(as for their being sequels, I doubt it, what with all the bad reviews this one's been getting, to say nothing of the potential fan backlash I'm sure will manifest).
 
 
sleazenation
18:48 / 05.11.03
So. Do we think the studio insisted on a simultainious worldwide release to limit the word of mouth that it was crap?
 
 
I'm Rick Jones, bitch
19:11 / 05.11.03
Only Wild Stallions can save the earth now, after all, "Air Guitar Reduces Polution" according to the end credits of Bogus Journey. (threadrot: Bill and Ted 3 was planned for sometime after the Matrix sequels, although god knows if Keanu will be up for it if rumours about the current state of his mental health are to be believed)

Seriously, anyone else feel like this is setting up an "Expanded Universe" sort of thing? Most of the best characters are still alive (I think Neo's still hanging around somewhere too) and so many plot threads have been left hanging I think it's only a matter of time before The Matrix Beaten With a Stick.
 
 
Matthew Fluxington
19:43 / 05.11.03
Jesus. This sounds like it's going to be one the worst films ever! Going on what you guys are saying it sounds as though it must be unsatisfying on every level!
 
 
FinderWolf
20:03 / 05.11.03
>> It's an okay film, nothing much beyond that. Seraph, The (new) Oracle and The Smiths deserve an hounorable mention. The Zion attack was pretty well done, and the Superbrawl was OK (the scene where Canoe punches Hugo Weaving in super slow mo is pretty funny).

This is a very, very accurate review, at least given my feelings about the movie after I saw a preview screening last night.

If the first Matrix is a 10, Matrix Reloaded was, I thought, a 5 or 6, this is pretty much a solid 6 or 7. Some decent stuff, but not all that great, and it doesn't really feel like a dramatic ending. What a waste.

So many of the characters and dialogue in this movie are just one cliche after another. And we haven't even started to make fun of the horribly-written baby-faced "kid warrior" who shows up (whatever happened to the fawning young fan of Neo from Reloaded, I wonder??). Some REALLY awful writing - and acting - with this kid, whoo boy.

The invasion of Zion is pretty cool, though, as is the Superbrawl.

Although I thought the new Oracle wasn't half the actress/presence the first Oracle was. They couldn't cast someone a little more mysterious, compelling?

Every single one of the Mergovinian's lines in this movie is a horrible cliche. Then again, most of his lines in Reloaded sucked also. And yes, Persephone / Monica Bellucci has one line, and a horribly acted one at that (her line reading elicited laughs from the audience in a place where we clearly weren't supposed to find her funny). In fact, the audience I saw it with in NYC laughed a lot - not with this movie, but AT it. I felt like we can chalk Matrix 2 and 3 up to Star Wars:Episode I & II type crap that didn't live up to the high expectations its predecessor set up for us. Ah well.

Looks like RETURN OF THE KING will be the only good part 3 movie coming our way - God knows I don't have remotely high hopes for Star Wars: EPISODE III.
 
 
Tryphena Absent
22:08 / 05.11.03
Words of my brother: this movie isn't worth writing about. It is an insult to the memory of the first movie. I shed a tear during the death scene of trinity but not an upset tear. The film looked like it was cut by a GCSE student, a very very bad GCSE student. Forget GCSE, I'm talking Key Stage 2.

Apparently none of you are doing justice to the badness of this film.

Do we think the studio insisted on a simultainious worldwide release to limit the word of mouth that it was crap?

No, that wouldn't stop people going to see it! It was just a silly publicity stunt.
 
 
My Mom Thinks I'm Cool
22:37 / 05.11.03
Neo: "But what about those annoyingly long philisophical conversations I had with the Architect and the Meriwhatsis?"

The Oracle: "Just pretend the last movie didn't happen."

This fucking movie didn't answer ONE of my goddamn questions from the last movie. Not one. Why can Neo use his powers outside the matrix? Why can Smith exist outside the matrix? What the hell was Smith's motivation? What was the point of the seemingly important time-wasting scenes like the Oracle handing out candy or Persephone begging for a kiss?

And yet I walked away with a smile. Apparently the writers decided the only way to cover up the fact that they didn't know how to answer my questions was to have lots of cool-looking shit and a good soundtrack. And it worked. I feel like I just talked to the most beautiful woman in the world and found out she was also the world's biggest bimbo and I'm ashamed of myself for still having a crush on her. Sigh.
 
 
Enamon
22:48 / 05.11.03
The Oracle gave out candy because the actress that played her, Gloria Foster, died of diabetes soon after. Candy. Diabetes. Candy. Diabetes. Kinda shines a new light on it, huh?
 
 
Yotsuba & Benjamin!
00:02 / 06.11.03
Why can Neo use his powers outside the matrix?
Well, you see, Neo isn't just any vacuum cleaner bag, he's a vacuum cleaner bag with, well, lets call it a microchip, inside him. That microchip has the source code for the Matrix inside it. Now that chip, in order for it to work, has a distinct tie to the Source, which controls all of those machines. Thus, Neo was able to tap into that power, and manipulate (and even see) that Source!

Why can Smith exist outside the matrix?
Well, you see, he doesn't actually "exist" outside the Matrix, but the bioelectricity that makes him a fully functioning (if a bit kooky, at times) program, can! Just like Neo can do amazing things in the real world, so too can our lovable Mr. Smith tap into the bioelectricity that allows humans to interact with the Matrix!

What the hell was Smith's motivation?
Well, you see, the Wachowski Brothers dodged the pesky bullet of motivation by instilling all their characters with a "purpose" and intimating that certain characters knew what was going to happen the whole time! Smith didn't need motivation because in this nutty fictional reality most characters stict to the following cop-out dictum: "We do, what we are meant to do..." If you put a dramatic pause after that first "do", it works every time!

What was the point of the seemingly important time-wasting scenes like the Oracle handing out candy or Persephone begging for a kiss?
Hey, yeah! What the hell was up with that?
 
 
PatrickMM
03:00 / 06.11.03
I was horribly disappointed, and this is coming from someone who loved Reloaded, and prefers to it to the original. This movie picked up all the bad aspects of Reloaded, and essentially stretched them out to a feature length tale of a bunch of people we don't know fighting against a completely impersonal enemy.

The machines aren't a good enemy, because they have no personality, you don't care if they get killed becuase there's so many of them, there's no consequence if they get killed, and since the Zion characters haven't been developed at all in the previous films, we don't care if they die either. Mifune appeared for maybe a minute in Reloaded, and he's got more screentime than Morpheus here. It was never quite clear what they were fighting for in that battle, to me, they just seemed to be staving off the inevitable.

And the parts that weren't set in Zion all seemed to revolve around the crew members, who have no reason to care about other than the fact that they're on screen. Plus, the entire setup of the film seems to revolve around the ending of the videogame, which even though I played, I couldn't really remember enough to connect it to the events in the film.

What did I like? The club hell sequence was pretty fun, particularly when they fought the three King Mobs. It was nice to get some real gun fights. The Merovingian was still good, and Persephone looked quite smashing, even though she didn't really have any reason to be in the film.

When the ship moved into the light was an incredible scene. In that moment, there was just incredible majesty, I absoultely loved that image.

And then, the Neo/Smith fight was brilliant. Smith reminded me a lot of Kid Miracleman, and their battle was simply incredible. That fight scene made the movie worth it, I can't say enough how well done that fight sequence was.

But, it was not enough to salvage the film. Trinity's death had very little feeling, because it had no real connetion to the narrative. If she was going to go like that, leave her dead in Reloaded, and have Neo deal with the fact that not only has he doomed the species, he's also done it to save someone who's already dead.

The ending was completely anti-climactic. Neo defeats Smith, everyone is saved. Yea! There is no real closure, just the return to the status quo. The vast majority of people are still living limited lives, and a few no longer have a war against the machines, but their entire city is destroyed. I don't empathize with Zion at all, so this seemed like a pretty weak ending. I was hoping that the ending of Matrix I would be revealed to actually be chronologically after Revolutions, so the film would end with Neo still in The Matrix, but planning to turn it into a world full of people with "superpowers." Instead, absoultely nothing has changed. I don't think the title Revolutions was intended to be ironic, but it sure seems that way after this film.

I really missed the philosophical complications of Reloaded. This film seemed to ignore every issue raised in that, and just went back to simple us vs. them logic.

Maybe I went into wrong. I was hoping for Volume III of The Invisibles style complications, like the gang wondering whether killing all those people in The Matrix is wrong, because their feelings are just as real as those in Zion, or some kind of supercontext entrance at the end.

But what can you do? It's just a film, and perhaps the saddest thing is that there'll be no more chance for speculation. It's been laid out in concrete and it's much simpler than we could have imagined.
 
 
--
03:20 / 06.11.03
Yeah, that your review pretty much sums up how I felt PatrickMMM.

Fucking Mifune. It really annoyed me how this nobody took center stage here. The only good part about him was watching him get sliced up by the sentinels. And those horrible, horrible scenes with him and the kid. That old military movie cliche, the grizzled old warrior and the fresh-faced, too young, wet-behind-the-ears youth who wants to prove himself in battle. BLAH!

Ironically the so-called "spoilers" created by fans that have been circulating the web for awhile now were WAY better then the actual film (one "spoiler" stated that the Matrix turned out to actually be a type of universe where one can be immortal: the body freed from the mind. I actually thought that was a cool concept. I mean, the real world seems really dull in the films, while all the cool stuff, like the martial arts and the fetish shit, occurs in the Matrix itself).

I remember one scene of all those Aliens rip-off robo suits firing at millions of the sentinels and I thought "What's happened to this series?" The first film was so good, so witty, very clever and cool, over-the-top but not too excessive, sexy. And then... this. I don't know. I've been waiting five years to see this story resolved and I feel crushed. I actually did like "Reloaded" alot. Sure the Zion stuff bit but they had that great car chase, the Twins, the Keymaker, the Architect. A lot of good stuff. Really was like Volume 2 of the Invisibles.

No, in the end what really pisses me off is what they did to Morpheus. In the first film he was a total bad-ass. Slim, cool as fuck, stylish, funny, and he had a lot of great lines. He helped give the movie humanity. Then, in the second film, he looked slightly out-of-shape, had that awful speech to Zion, and wasn't as cool. And now... Not cool at all, bad lines, pretty much nothing more then Niobe's sidekick. How low the mighty have fallen.

And to top it off (as if all that wasn't enough) you never see what his reaction would be to the deaths of Trinity and Neo. Tragic.

They didn't even have him do that cool walk he has where he folds both hands behind his back. I LOVE that walk!

Grrrr...

So, really, Neo's purpose was to pretty much let Smith kill him. Wow. I want my money back.
 
 
--
03:31 / 06.11.03
To sum up what I want to say, i wanted to like this film. I wanted to leave the theater thinking "Wow, what a head trip that was!" Like how I felt after the first Matrix film, or reading something by Philip K. Dick.

Were it not for the Matrix, I probably never would have discovered "The Invisibles" or gnosticism or shit like that. So it's kinda personal.
 
 
PatrickMM
03:45 / 06.11.03
Sypha, me too. The Matrix was where I first heard about Invis, and in a lot of ways got me into comics.

And, I agree with the idea that Reloaded is the equivalent of Volume II of The Invisibles, a lot more action, everything turned up a notch, but beneath that smooth exterior, a lot of questioning of what was happening. So, naturally I was expecting Volume III here, but what we got was actually the worst parts of Volume III (a bunch of new characters taking center stage, when all you really want to see is the core group) and none of the brilliant concepts of it.

And the fact that so many crucial things go unresolved is rather annoying, the film basically just ends, with no real resolution, and no real investigation into how peace is achieved. It may have been cheesy, but I would have liked to see some machines helping to rebuild Zion, and some closure for Morpheus, whose character arc is completely abandoned. There's really no reason for him to even be in this movie.
 
 
Thjatsi
06:58 / 06.11.03
Everyone is just temporarily turning away from the other and going about their business. Humans are still batteries.

At the end, the Architect does state that anyone who wants to stop being a battery is going to be freed. Personally, it was never quite clear to me why the machines needed humans in the first place. All they had to do was set up shop in space, where there's all the sunlight they could ever want.

Why can Smith exist outside the matrix?

This actually makes a lot of sense to me. In the first movie, they establish that the agents are just software that can hop from one human to another. The new Smith is just a variation on this, in that when he hops to a new person he leaves the old copy behind. So, if Smith can hop into someone's brain while they are in the matrix (similar to the way in which the free humans download training programs into their brains) then he should still continue to exist after the host is disconnected.

However, I do agree with Benjamin that this movie was a disappointment.
 
 
The Strobe
07:28 / 06.11.03
I am slightly perturbed by people suggesting that the Architect or the Merovingian were "good" characters in Reloaded. Under-explained, under-developed, patsies for the Wachowskis to enter their typical dialogue into (wherein they toss a coin for "makes sense" or "doesn't make sense"). It's just an untruth that you're continuing to propagate.

I really do hope that in the years to come, people just forget the sequels. One of my favourite aspects of the original was, unanswered questions and hints besides, it couldn't possibly have a sequel. It was neatly self-contained, and it rocked. How wrong I was.
 
 
Hieronymus
07:56 / 06.11.03
Just got back from seeing this. And I'm conflicted on how or what to feel.

Many of the arguments counting disappointment in this thread are rock solid and inarguable insofar as my experience went. It's not the most amazing movie experience I've ever been to. It just falls somewhere in the middle of good and horribly done and does so ever so quietly.

It's not quite as bad as Reloaded was. There are good and sincere moments that work like hell to carry the film through all its other clutter and clumsiness. Reloaded kicked me in the groin, stole my money and laughed like Nelson from the Simpsons.

The Good:
  • Neo's second sight (I know. Slightly contrived but I'm a sucker for the through-blindness-you-shall-see-trope. ANd they carried it all the way to the bitter end).

  • The very creepy attack by the Sentinels (just the sheer numbers and hornet like swarm of them jacked with me for some reason).

  • Niobe stealing spotlight and coolness from Trinity like it was going out of style (Trin had already been rendered worthless when she was relegated to Jealous Girlfriend in Reloaded. Move over, sister).

  • The sunlight scene. Fucking beautiful that I almost broke a tear. Almost.

  • And the ending. I can't help it. The surrender to death tactic is VERY Judeo-Christian-Gnostic-Zen heavy and suited me just hunky dory fine. The light that burns twice as bright burns half as long? I'll drink to that. A bit disappointed that Superman/Buddha gave up the ghost without showing them a 'world without limits' but hey martyrdom works for me. At least it means no more sequels.


  • The Bad:
  • dialogue that literally made me physically ill. It was like watching a crippled bird try to take flight. Eventually it got its escape velocity but christ it was painful watching it try.

  • Trinity's melodramatic, over-extended, monologue heavy "Oh kiss me Neo!" death.

  • The trite, overwrought, old wizened general/young-recruit-wankery between Mifune and the Kid. I half expected to see Mifune give his speech in front of a gigantic American flag. Give. Me. A. Fucking. Break. Boys.

  • The drive-by introduction of Charon/The Trainman. I know he was seen in Reloaded leaving the restaurant but goddamn, what a speedy little trope he was.


  • The Ugly:
    The initial CGI masturbation of the Matrix as the movie begins, replete with fractals because yeah, we haven't crammed this film with enough pseudo-intellectual/psychedelia bullshit yet, so how about some more?

    I dunno. It's strange. I was having a conversation with one of my friends about this, everything from Kurzweil's Age of Spiritual Machines to Blade Runner to Speilbrick's A.I. and what we noticed was the lack of portrayal of any sort of humanity or soul coming from the machines. All through this film series, the machines have been portrayed visually as menacing and destructive entities bent to destroy mankind. The peace the 01 spokesman allowed seemed forced, unwelcomed. Reluctant.

    And sure, there were exceptions. The Oracle and Seraph and the family waiting at the train station as benevolent characters. But they were constantly described as 'programs'. To me, and to everyone I talked to after watching this movie, programs connotes a kind of sterile life to it. Something non human. Something devoid of anything except its own cold instructions. It's 'purpose'. It does what it does and it's as simple as that. No where did you ever see actual machines, nuts and bolts and stainless steel flesh with life, with spirit. No where.

    But yet the Animatrix movies 'Second Renaissance' and 'Matriculated' gave the machines more soul than either of the Matrix movies ever have and did so while portraying them as mechanical beings. And that's a real shame. Because in the end, Man/Machine Messiah or no (I swear, I expected this ending from the moment I saw the first movie. Neo died for your robotic sins!), the audience has been short-changed in this series by its complete and total lack of humanity, both in its human, SFX-enhanced animatronic-like actors (Gloria Foster was the only one to give these movies real depth of heart. I really missed her watching this) and in the machines they were supposedly fighting against. They had more in common than they wanted to admit.

    Cold. That's the only conclusion I came to after watching this movie. Reloaded and Revolutions suffer incurably from just so much cold lifeless storytelling.

    And that's a shame. Because the potential in this epic was huge.
     
      

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