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The High Society or, On Music and Race

 
  

Page: 123(4)56

 
 
ONLY NICE THINGS
12:27 / 09.07.06
Good points both - although class isn't quite it, either - Eminem's White America talks about the fear of the children of the white middle classes starting to behave like and sympathise with the dispossessed, both black and white. And, as you say, the idea that black artists cannot speak about something with narrative or irony, or indeed speak about something that commentators feel that they (the artists) ought to be in favour of (ice, bling, misogyny) without being in favour of it.
 
 
matthew.
18:26 / 09.07.06
I will return with some more developed thoughts, but first I'd like to retract my assumption of Chamillionaire. In light of what Haus has said and linked to, I find it ironic that I chose to single out Chamillionaire as a hustla or a gangsta stereotype with few redeeming features. Reading the lyrics to "Ridin'" from the second single from his album, The Sound of Revenge, one encounters a rather socially conscious rapper. From the third verse:

So they [the police] get behind me tryin to check my tags, look at my rearview and they smilin
Thinkin they'll catch me on the wrong well keep tryin
Cause they denyin is racial profiling
Houston, TX you can check my tags
Pull me over try to check my slab
Glove compartment gotta get my cash
Cause the crooked cops try to come up fast


Even if Chamillionaire was obeying all the laws, as soon as he drives a truck dubbed out with loud rap music playing, the cops are on his tail. He admits all he's looking for is "a chick I wanna bone".

Doing the same thing critics do for Floyd, I can see more happening beneath Chamillionaire's lyrics than some people would allow him.

What's more interesting, if Barbelith will allow me to continue, is that with In The Flesh, Money, and Waiting For The Worms, all of the lyrics are referencing fame and money and power, all attributes Waters felt he received after becoming a rock star. Rather... superficial, wouldn't one say?

On the same end, we have Lloyd Banks of G-Unit with
I'm so fly...
I got money so thas a good enough reason to buy the things I buy
I'm so high...
I'm on point and I can tell that ya jealous just by the look in ya eye
When I ride by...
I don't care, G-Unit's goin' straight to the top this year
Nigga I'm so fly...
I got money so thas a good enough reason to buy the things I buy


Seems very similar to Money, don't it? The difference is that Waters said he was being ironic. I think Lloyd Banks is just being honest, and isn't that admirable?

My overall point to this post is to simply continue what Haus said earlier.
 
 
Dead Megatron
13:12 / 10.07.06
You seem to be so invested in this particular opinion you hold that you can't listen to people without getting angry. You can't defend your opinion without getting angry.

Well, if I gave that impression, it was unintentionally. I'm not angry over this. Mostly, I'm midly annoyed to the fact that my opinion on the issue seem to be only considered if I read the article. If you remember well, I only made a question regarding the fragment Flyboy copied and pasted in hir post. Reading the whole article would not have changed the question. Answered it, maybe.

Haus is not the only one who sees the racism in your argument here,

Then Haus is not the only one who is misinterpreting me. My problem is not with nay race but with 1) the rationale that the environment - including moral values imposed from above and outside - is an excuse to one bad behaviour, when I find that it's not: althought it's an explanation to one's behaviour, not an excuse. One is suposed to acknowledge such influences and refuse them, I believe; and 2) gangsta rap glorification of consumerism. I'm not saying nothing new here. The article itself defends the same point (alhtough it refers to "white burgoise patriachy", and I prefet to go more of an abstract route and call it "the market" or "economics" or, to be a bit of a conspiracionist, "the System"), but that's not what I'm disputing. I totally agree with that view, which seems to be the main point of the article. I'm disputing the "excusability" And, since my "disaproval", as it is, of gangsta rap,and specifically gangsta rap (which, as the article itself implies, can be sung by whit burgoise apropriators as well), I see no reason as to why my criticism would be considered racism. The race of the gansgta rapper is not the point, it's the philosophy of the music ze sings, which can have a "bad influence" in the audience, be it of any ginven race, gender, etc.

I know in my heart my point was not a racist one, although I cannot objectively proove it to you. There's a mean side to my opinion, I admit, but it's more related to a sense of mysanthropy in general than to racism. To excuse onself from responsibility from one's actions is a common character flaw in humankind which kinda irritates me. And friday was being a particularly stressful day and I was feeling very little patiente towards people of whichever race, gender,sex orientation, nationality, and political view. It happens. Every one feels like that sometimes.

it's the racism that Barbelith has a history of intolerance toward, not disagreements with Haus. (If everyone who had ever disagreed with Haus were banned, Barbelith would be empty, and Haus would probably have to ban himself last.)

You say that as a joke, I imagine.

The fact that you are getting so angry and reactionary about this matter to me makes your argument suspect, since no one attacked you directly— although admittedly, since you nailed yourself down to your opinion, people have been getting increasingly frustrated with you.

I'm not angry of this matter, I'm midly annoyed by it, at most. And it

What exactly has been attacked here? The cultural system of white supremacism, which feeds/feeds on stereotypes of Black people. If you feel attacked, it's worth considering whether maybe it's because you have a lot invested in this system.

James Bond movies. FULL of violence and misogyny. (And racism, but we'll leave that aside for a moment.) Are James Bond movies to blame for the rampant spread of violence and misogyny in white culture? How about the proliferation of white-on-white crime? White men often identify themselves with James Bond, and he kills people, which to me is unacceptable behavior. If you see a white guy dressed in a James Bond tux, do you worry that he might consider himself to have a "license to kill"?

What's the unacceptable behavior you refer to, anyway? Is it anything which can be realistically traced to rap music in terms of actual evidence and logical reasoning?
 
 
ONLY NICE THINGS
13:34 / 10.07.06
Mostly, I'm midly annoyed to the fact that my opinion on the issue seem to be only considered if I read the article.

Oh, DM, you poor, poor, dung-spattered village idiot. Your opinion on the issue will now probably never be considered, because you have shown yourself so utterly resistant to learning anything about it. However, what was being pointed out was that your opinion on the article was only going to be considered if you read the article. Without having read the article, you are still telling us what it says, as in your most recent post:

The article itself defends the same point

You have not read it. You are ignorant, not only in general, but specifically of the content of the article in question. Even if you are an incredibly slow reader - which I think we can assume without fear of factual error - you would still have been able to read the thing in the time you have spend pontificating about what it says without having read it. Once again, you have demonstrated that you are far more interested in opening your mouth, presumably in a desperate attempt to let the air out of your head before the pressure gets dangerous, than in actually learning enough for what you are saying to be relevant or worthwhile.
 
 
ONLY NICE THINGS
13:43 / 10.07.06
Also:

. The article itself defends the same point (alhtough it refers to "white burgoise patriachy"

Really? Does it? Oh no, it doesn't. You made that up in your head, having not bothered to read the article, because, after all, what would some old black woman possibly have to tell you, Dead Megatron? But please. Show me where the phrase "white bourgeois patriarchy" occurs in the article, which you have not read but from which you claim to be quoting. Please. Double helping of slops if you can.
 
 
Dead Megatron
14:17 / 10.07.06
You seem to be so invested in this particular opinion you hold that you can't listen to people without getting angry. You can't defend your opinion without getting angry.

Well, if I gave that impression, it was unintentionally. I'm not angry over this. Mostly, I'm midly annoyed to the fact that my opinion on the issue seem to be only considered if I read the article. If you remember well, I only made a question regarding the fragment Flyboy copied and pasted in hir post. Reading the whole article would not have changed the question. Answered it, maybe.

Haus is not the only one who sees the racism in your argument here

Then Haus is not the only one who is misinterpreting me. My problem is not with nay race but with 1) the rationale that the environment - including moral values imposed from above and outside - is an excuse to one bad behaviour, when I find that it's not: althought it's an explanation to one's behaviour, not an excuse. One is suposed to acknowledge such influences and refuse them, I believe; and 2) gangsta rap glorification of consumerism. I'm not saying nothing new here. The article itself defends the same point (alhtough it refers to "white burgoise patriachy", and I prefet to go more of an abstract route and call it "the market" or "economics" or, to be a bit of a conspiracionist, "the System"), but that's not what I'm disputing. I totally agree with that view, which seems to be the main point of the article. I'm disputing the "excusability" And, since my "disaproval", as it is, of gangsta rap,and specifically gangsta rap (which, as the article itself implies, can be sung by whit burgoise apropriators as well), I see no reason as to why my criticism would be considered racism. The race of the gansgta rapper is not the point, it's the philosophy of the music ze sings, which can have a "bad influence" in the audience, be it of any ginven race, gender, etc.

I know in my heart my point was not a racist one, although I cannot objectively proove it to you. There's a mean side to my opinion, I admit, but it's more related to a sense of mysanthropy in general than to racism. To excuse onself from responsibility from one's actions is a common character flaw in humankind which kinda irritates me. And friday was being a particularly stressful day and I was feeling very little patiente towards people of whichever race, gender,sex orientation, nationality, and political view. It happens. Every one feels like that sometimes.

it's the racism that Barbelith has a history of intolerance toward, not disagreements with Haus.

Yeah, but Haus does like to provoke people until they say something stupid, then bully them until they shut up or things escalate. It's an unpolite, antagonistic attitude that prevents good, constructive dialogue and makes everybody defensive.

(If everyone who had ever disagreed with Haus were banned, Barbelith would be empty, and Haus would probably have to ban himself last.)

You say that as a joke, I imagine.

The fact that you are getting so angry and reactionary about this matter to me makes your argument suspect, since no one attacked you directly— although admittedly, since you nailed yourself down to your opinion, people have been getting increasingly frustrated with you.

I'm not angry of this matter, I'm midly annoyed by it, at most. And it's not even the matter itself, since, aperantly, I agree with everybody in almost everything about it, except that one little detail: the excusing such behaviour due to social pressure and influence, which can be summarized in the line "hate the game, not the player", usually said after someone did something they know it's wrong and yet feel no regret. If you ask me, if people refused to play, there would be no game, but maybe I'm being naive.

What exactly has been attacked here? The cultural system of white supremacism, which feeds/feeds on stereotypes of Black people. If you feel attacked, it's worth considering whether maybe it's because you have a lot invested in this system.

There's where I seem to be misunderstood: I'm not defending that system at all. That system is wrong, and I know it (duh). It's the attitude of excusing an individual's behaviour due to the collective society ze is inserted, a minor detail that nor the author of the article nor anyone here seem to consider right, right? I agree with everybody here, I'm just disagreeing with a secundary argmentation used in the attack of such system.

James Bond movies. FULL of violence and misogyny. (And racism, but we'll leave that aside for a moment.) Are James Bond movies to blame for the rampant spread of violence and misogyny in white culture? How about the proliferation of white-on-white crime? White men often identify themselves with James Bond, and he kills people, which to me is unacceptable behavior.

I totally agree with you, James Bond is a very bad role model. I wouldn't say it's to blame for the rampant spread of violence and misogyny in white culture, but it certainly is a reflection of it (as gangsta rap is also not the cause, but a consequence of to blame for the rampant spread of violence and misogyny in, say, "black" culture). Every damn James Bond movie I keep hoping for him to have his ass kicked by the bad guy of some foreign nationality. It only happens once, usualy, in the middle or begining of the movie, but it's always my favourite moment.

If you see a white guy dressed in a James Bond tux, do you worry that he might consider himself to have a "license to kill"?

Well, no, of course, but nor do I fear black men using golden chains, in pimp-up rides will do a drive-by shooting at any moment. My issue is not with the people who sing gansgta rap, it's with the consumeristic message in gangsta rap.

What's the unacceptable behavior you refer to, anyway? Is it anything which can be realistically traced to rap music in terms of actual evidence and logical reasoning?

It's only the message the music is passing. I don't like whem music defend nazism, anti-semitism and other forms of violence against other groups (as some metal bands do), nor misogyny and consumerism and banalization of "in-group" violence (as gangsta rap sometimes do). But what prompted my first post was, specifically,the excuse for such behaviour as in "they [the musicians, mind you, not black people] are a product of their environment". Of course they are. Everybody is. But that's no excuse for me, it's all I'm saying.



Oh? So, you read the article?

Ah, hang on. No, you didn't. You decided that you didn't need to. After all, you must know what it said better than any black woman - even the black woman who wrote it.


Actually, now I did. And I have to confess, I didn't find it all that interesting, nor did it add anything new to my understanding of the issue. But my point was never the article, alhtough, back-reading, it does sound like it is (and for that misstep, I do apologise). My point is just that: gangsta rap message is not a good one; and that gansgta rappers are still responsible for what they advocate, regardless of the fact they may believe in it due to social and economics conditions they are exposed to and can't control. Is that so wrong?

And Gorilazz is one of the few new things I can listen that were made in the last 12 years (since Kobain got "deaded")

Now, Kurt Cobain is a bad example for kids anyway, since he makes irresponsible firearms behaviour sound "cool",


And I agree with you, Kobain was bad example for kids (what example can be worse than comitting suicide?). I indeed wasa fan at sometime, but hey, I was a teenager then, I was still learning about the world and all. But, one thing Kobain did right is, he never truly accepted the consumeristic cult of celebrities (as bad as gansgta rap, since it advocates one must be "above others" to be "loved": celebrities by fame, gangsta rappers by sheer money and violence). I stopped listening to new music after his death because "the industry" took over completely the rock'n'roll scene since then (IMHO). Ang Gorillaz is cool because it is a discrete criticism to this consumeristic celebrity cult of nowadays. And the music is cool, with lots of hip-hop, rock'n'roll, and eletronic music influence.

btw, kudoz for digging the Barbelith so deep to find something I said in a different context to use as an argument point. That shows commitment.

And the things Pink Floid says in its musics are sai in character, as an ironic form of protest and warning. And you know it. You're just using it because you misintrepet me as saying context does not matter. I thing context do matter, and a lot, otherwise this debate would be mute. I just think context is not everything. Intention does count. And I don't personally like gansgta rap intention (i.e. to say it's all right to do whatever it takes to be rich, including killing people from your own community, so you can spend the money on "hos"). it's just that.

Dead Megatron really is one of the most wilfully ignorant people ever to post on this board, isn't he?

You exagerate out of irritation, Flyboy. Although I indeed don't believe that the importance and correctness of one's opinion on any given subject is directly proportional to the ammount of reading one has on the subject (it helps, of course), I do read most of what is linked here. I just dind't want to do this once because the article seemed boring, redundant, outdated (1994?), after a first glance, and I didn't had the time nor the energy to read it then. And, after I did, i still think the article didn't say anything I didn't agree with already, except, of course, that one point I already mention ad nauseum. A point, I might add, you highlighted and removed fro context yourself, when you posted it separatedly from the article.

and also suggests that the man in question has got all his opinions on crime and society from reading The Dark Knight Returns...)

What part of "I work with the police as a reporter and got exposed to 'crime and society' everyday" did you not get? Well, nevermind. Anyway, here's a piece of advice from me to you: never underestimate the ammount of shit in anyone's life. Ever. As a rule.

Statistically, I would consider this amazing.

Personal attacks? Ok then. But, think about this: when you are the one deciding what's right and whats wrong, it's not amazing that, statistically, people who do not think like you exactly tend to be more wrong than right. I'm not saying you decide what's right and what's wrong. But think about it.

I followed the discussion here, mostly skimming DM's posts (no offense, buddy!).

Can't really blame you there. I should've know better than to express any disenting voice in this thread.

That's about right, yes. Essentially, if we look at what Dead Megatron did above - which is a pretty common tactic for members of the censorious right wing - we see that he has quoted some lyrics by Snoop Dogg, on the grounds that these lyrics, wihout context, are proof positive that rap (which he is using here in opposition to "hip hop" - Flyboy talks about this also) is violent, misogynistic etc.

However, we do indeed find that if you apply the same rules - total denial of any possible interpretation of the lyrics except that they are precisely mirroring the thought processes and life choices of the singer - to the music of bands of whom Dead Megatron expresses admiration, we find that by those rules they are espousng violence, hate, misogyny, gun crime, et alia. However, DM would never have thought of doing this, because he is exceptionally credulous, and has only ever been told that one should do that with rap rather than with prog rock or grunge.


You underestimate me as well, Haus. I mentioned gansgta rap because the subject of this thread was gangsta rap, but hey, there's a lot of criticism to be made (and praises as well) to every kind of music. Rock'n'roll also show lots of misogyny as well, just as an example.

But you see, I'm not sure gangsta rappers are being ironic when they thing about violence, gatting money and "hos", and all that, unlike prog rock examples you gave, are they? Of course, the music lyrics may hav plenty of hidden meanings, but is this the case of gangsta rap (and not rap or hip-hop or "black music" in general, just the gangsta)? because, if it's not, that's not good, IMHO.

That's the first thread. The second thread is a rather nasty set of assumptions about how the people who listen to rap (broadly, black people) are so very easily swayed that they will uncritically go out and repeat whatever they have heard, whereas people who listen to Nirvana (broadly, white people) will not then abduct women or kill people, people who listen to Pink Floyd will not go out beating up black people and people who listen to the Rolling Stones will not attempt to subjugate women, because they are all clever.

I never said that, you assume I was saying that because the subject of this thread is gangsta rap. But any kind of person, and any kinda of music can be bad to some people. It's not the affect the message it has on the audience of gangsta rap i criticise, it's the message itself. Of course people are ot turn "evil" from hearing gangsta rap, that's absurd. And I never said or implied that. It's the consumeristic message I don't like, sorry. And making excuses for bad behaviour (of any kind, in any form, by and to any people) is not nice too. That's all, and that's it.

And speaking of PC, was it only six months ago that we were enjoining Dead Megatron to read the barest and most basic source materials before shooting his mouth off about a term that he is still using from a position of ignorance? Why, so it is. Lazy feline, this might help you to understand why, after going through this pretty much every single time he opens his yap, we're all a bit tired of it.

Six months is a long time in Barbelith years, dude. And also, you really get obsessed over this stuff, don't you? I must say, you really commit yourself to prove your point no matter what. But what I particularly like is the way you speak for "we all". I gotta tell, Haus, there's a lot people tired of your yapping too. Every time we get into one of this arguments, I get at least one PM of someone commenting on how out of line you are. It's not me against every body. It's a bunch of small cliques against every other clique...

But, hey,if people keep asking me things, i'll keep answering them. But, honestly, I don't think I have much more to contribute to this thread. I hade one comment to make about one specific, and not central to the issue, line of reasoning. In every other way, the truth is I agree with you. Sorry, but I do.
 
 
alas
14:19 / 10.07.06
At times in the past, I have felt that Haus has gone right over the top in his rhetoric and has failed to allow those whom he attacks any room for a potentially reasoned response, which I usually manage to have faith may potentially still lie latent beneath the faulty prose and flawed logic of his interlocuters. He and I have talked about this, in particularly in relation to the ShadowSax case.

In this case, I have to say: I agree not only with his analysis of the situation but also with his tone.

So, DM, let me concur: shut the fuck up until you have something worthwhile to add to this conversation, ok? You really, really don't know what you are talking about. You are really, really making that even more painfully obvious with each subsequent post.

If you keep it up, honestly, I think you should be rightly banned, because this is a repeated pattern with you, and frankly I'm sick of it.
 
 
Dead Megatron
14:25 / 10.07.06
Really? Does it? Oh no, it doesn't

I'm somewhat paraphrasing here. I read the article yesterday, so the exact terms may differ.


Oh, DM, you poor, poor, dung-spattered village idiot. Your opinion on the issue will now probably never be considered, because you have shown yourself so utterly resistant to learning anything about it.

owo, personal attacks? I thought entity said no onw did this against me? oh, well, how cai I argue with such a intelligent to make your point?

However, what was being pointed out was that your opinion on the article was only going to be considered if you read the article.

As explained, it was not an opinion the article, it was an opinion on the fragment of the article highlighted in Flyboy's post.
 
 
Dead Megatron
14:29 / 10.07.06
So, DM, let me concur: shut the fuck up until you have something worthwhile to add to this conversation, ok? You really, really don't know what you are talking about. You are really, really making that even more painfully obvious with each subsequent post.

If you keep it up, honestly, I think you should be rightly banned, because this is a repeated pattern with you, and frankly I'm sick of it.


I'm really trying to explain my point here, which is very restrict even. But, hey, ok then.
 
 
MattShepherd: I WEDDED KALI!
14:41 / 10.07.06
A bunch of stuff I've been tossing over for the last few days. I gave myself sunstroke scraping old paint off the veranda on Saturday, which meant I spent a lot of time on Sunday lying around pondering. And I kept coming back to Venn diagrams as a helpful tool to visualize things.

I'm trying to be snark-free. Most of this is a mental work in progress.

1.

I can definitely identify one of the things that puts a broad general layer of static over the whole issue for me: this kind of map that a lot of people seem to have created in their heads where Everything Bad about rap overlaps with White Bourgeoisie Capitalist Society, and Everything Good about rap is off in its own defiant space.

Hooks is saying that all the misogyny and materialism in "gangsta" rap is sourced from white bourgeouisie capitalist culture. Fair enough, but white bourgeouisie capitalist culture is also producing Mr. Rogers and astronauts and Superman and Chicken Soup for the Soul and Julia Childs. Somewhere along the line, individuals are making decisions to pattern themselves after Goodfellas and not after Martha Stewart. MF Doom is a pretty clever satire of the pattern -- he takes it to the next logical extreme, which is patterning himself after a comic-book supervillain, overtly subverting the tendency and mocking it. In the rap genre, there are lots of other alternate mappers: space alien mappers (Kool Keith), stoner mappers (Cypress Hill), horror-film mappers (Gravediggaz) and so on. They're making alternate mapping choices than gangsters.

I'm finding it very hard to articulate this line of thought, but there's some sort of disconnect in my brain between being able to trace a violent tendency to overcultural influence, and tracing only the violent tendency to overcultural influence. It's a very selective overlap, and I can't shake the feeling that while it's emotionally satisfying, it's false, or individuals are choosing to overlap at that point (as opposed to the supervillain-mappers and alien-mappers and stoner-mappers), and that needs to be accounted for too.

2.

Back to Venn diagrams: a good part of where the Pink Floyd/James Bond analogies being used fall apart for me is because these are things that draw on an existing, broader traditions. I don't associate tuxedos with misogyny and violence because tuxedos existed prior to James Bond, and exist simultaneous to James Bond in a very broad context of wealth and privilege and "dressing up." The "James Bond" overlap on the "tuxedo" circle is small.

Diagramming Pink Floyd's "In the Flesh" -- it maps as Nazi lyrics, but a very small portion of Floyd's overall output, a sub-circle in a very large circle that overlaps with a lot of socially progressive, leftist, intellectual-exploration circles. So when you run into "In the Flesh," you can see its position on the diagram and assume there's something else going on there. Lloyd Banks of G-Unit, though, doesn't have that breadth of overlapping other concepts, though. I'm forced to take Lloyd Banks of G-Unit at more or less face value.

Diagramming "gangsta rap:" it developed simultaneous to "black urban fashion," and like it or not, "gangsterism, misogyny and materialism" were/are a dominant factor in a lot of the most popular rappers' lyrical makeup.

Anecdotal: the first three rap acts I was familiar with were DJ Jazzy Jeff & Fresh Prince, Public Enemy, and 2 Live Crew. So right off the bat: 1/3 goofy guy that raps about what he had for lunch, 1/3 Very Angry guy with mind-blowing observations for the white kid in an Ontario suburb, and 1/3 As Nasty As They Wanna Be.

But as rap grew more popular, the "gangsta" (2LC) element grew in dominance, and the "fun" and "political" thirds sort of dropped off the public radar. And things got to the point where -- in my head, at least -- the overlap between "gangsta rap" and "urban fashion" and "materialism and misogyny" in my head are huge. Unfairly huge, maybe, but there's still a massive overlap there, while the overlaps for the Rolling Stones and James Bond and Pink Floyd are quite small, considering all the other associations I've had 30-odd years to form about these groups.

Now: maybe I've been shoehorned by the overculture into focusing on the negative elements of "gangsta" rap overmuch, while overlooking all the good in there. I can accept that. I have no trouble believing
that there's been a huge overcultural focus on the "scaaaary" part of gangsta rap, which is a good chunk of its appeal.

But: my (and I think most North Americans and Western Europeans) mental map, as it stands, overlaps gangsta rap, urban fashion, and a certain set of values (bitches and bling) to be almost synonymous. Two of the three are recent and intertwined enough that there's no other context for them to exist in, unlike tuxedos/James Bond and Nazis/Pink Floyd/"In the Flesh". It's naturally harder for people to move gangsta rap off the urban fashion/bitches and bling overlap because it's never had much of a chance to exist in other contexts.

3.

I don't think gangsta rap is the only musical style to be "picked on" like this. Death Metal, for instance, had a huge overcultural association with White Power and Satanism early in its development, and if you were to map the popular associations with heavy/death metal and Racist Satanism, there'd be a massive overlap. I'm sure that most metal bands aren't racist Satanists, but there's a huge cultural overlap there. I'm sure there are metal bands out there right now writing music about love and flowers and puppy dogs that would make me weep with the sheer beauty of it all, were I only to listen and really try to understand, but the map exists. Metal/Long hair/Devil Hand Sign/RaHoWa ... huge overlap. Fair? Nahh. Exists? Yep.

So: Death Metal = Racist Satanism. How does this work as an analogy for Gangsta Rap = Materialist Misogyny? Both are unfair generalizations. Both are popular overlaps in the public consciousness. There's some weird flip in there where a lot of the bad assumptions of the latter come from it being "black," where one of the bad assumptions of the former is that it's all about "white power." I can't puzzle out if that's significant or not.

But the presence of these types of prejudicial maps with other forms of music, like Death Metal, and to an extent Bluegrass = Cletus/Deliverance, lead me to question why everyone is so eager to say that the negative "gangsta rap" map is necessarily a racial thing. It is, obviously, possible to map other forms of music onto horribly prejudicial stereotypes without race entering into it at all (again, this gets kind of weird with the White Power Metal stereotype, 'cuz that wouldn't be very sustainable with people that WEREN'T white).

So isn't it possible that "gangsta rap" is mapped as "misogynist/materialist" because that's where it got boxed from the get-go, and even if it had been white people or Hispanic people or whatnot, it would have been mapped exactly the same way?

And: will people mount the same sort of defense for overtly racist/Satanist metal bands as they will for overtly materialistic/misogynistic gangsta rap groups? Can we say that RaHoWa and Hate Forest are merely taking their cues from a larger societal morass of general nastiness and are, themselves, just reflections as 2 Live Crew and G-Unit and Snoop Dogg are reflections?

3.5

As a mental exercise, I ran the Hooks essay through a "Death Metal Racist Filter" and wound up with this:

To see death metal as a reflection of dominant values in our culture rather than as an aberrant "pathological" standpoint does not mean that a rigorous anti-racist critique of the Satanism and racism expressed in this music is not needed. Without a doubt white males, young and old, must be held politically accountable for their racism. Yet this critique must always be contextualized or we risk making it appear that the behaviors this thinking supports and condones,-- racial supremacy, white violence against blacks, etc.-- is a white male thing. And this is what is happening. Young white males are forced to take the "heat" for encouraging, via their music, the hatred of and violence against other races that is a central core of patriarchy.

I won't reproduce the whole essay, but essentially, Hooks' logic holds equally true on the Death Metal/Racism matrix as it does for the Gangsta Rap/Misogyny matrix.

Which means ... er, okay, I have no idea what it means. But does the idea of saying "well, they're racists, but they're really very complex and ironic and they're just a product of white society and not so much to blame, individually, really" sit as well for Thunderhammer as it does for 50 Cent?

---

Soooooo, that's where I'm at today. Since I started working on typing all this up, there have been a flurry of new posts on the thread, which I now have to catch up with.
 
 
ONLY NICE THINGS
14:46 / 10.07.06
Matt - I would suggest that before going any deeper into this you look at the thread where Kay should have originally posted this cri de coeur of his, which is in the Music forum, here.
 
 
ONLY NICE THINGS
14:53 / 10.07.06
And the things Pink Floid says in its musics are sai in character, as an ironic form of protest and warning. And you know it.

Like Slim Shady? Or ODB? Or... well, gosh. You do know that Luke Skywalker's name isn't _really_ Luke Skywalker, don't you?
 
 
Regrettable Juvenilia
14:59 / 10.07.06
Lloyd Banks of G-Unit, though, doesn't have that breadth of overlapping other concepts, though. I'm forced to take Lloyd Banks of G-Unit at more or less face value.

I know very little about Lloyd Banks, but hip hop today - yes, even a lot of the "commercial" or "gangsta"* stuff - is crammed to bursting with overlapping concepts from outside of hip hop.

*Whatever "gangsta" means, but as Haus indicates, if this is a thread about music then ideally it should be in the Music forum...
 
 
Dead Megatron
14:59 / 10.07.06
If they say hat they say in character, then they fall outside my critique, of course.

But what about , for examplo, Snoop Doggy Dogg? Or 50 Cents? Do they say thing in character,or do they really mean it?
 
 
Regrettable Juvenilia
15:04 / 10.07.06
Art is so confusing!
 
 
Less searchable M0rd4nt
15:05 / 10.07.06
DM: I hate to say it but in the name of all that is holy would you please shut up. Nobody here has a duty to do your thinking for you.
 
 
ONLY NICE THINGS
15:05 / 10.07.06
Fortunately, there is at least some sort of an answer here.
 
 
Regrettable Juvenilia
15:11 / 10.07.06
Could someone help me please? When Jonathan Rotten sings "I want to destroy the passer-by", does he really mean it, or is he being ironic? It would be bad if he really meant it, because random violence towards passers-by is, I think, my own personal opinion, is that it is bad.
 
 
MattShepherd: I WEDDED KALI!
15:25 / 10.07.06
Haus: I tried, but the whole thing seems to have been sidetracked by a Bruno vs. The World argument that has run off in about a billion different directions.

But should I request a delete here and re-post that monolith there? It might provide a welcome new tack, and yeah, this really is a Music conversation, isn't it?
 
 
ONLY NICE THINGS
22:50 / 10.07.06
I wouldn't delete it - if this thread is locked, which it might usefully be given that it has been left by the person who started it, and it is covering much the same ground as another thread in a dedicated forum, it might provide a useful junction point. Maybe a coopy and paste? I feel that frustration with Bruno might be dragging the thread in Music into the earth, and a fresh set of precepts might be useful. Or one could maybe start a fresh thread, to avoid forcing people to read through that thread, although it does contain perhaps the most beautiful single put-down in the history of Barbelith, if you felt it could be presented in a way that breaks fresh conceptual ground.
 
 
Tuna Ghost: Pratt knot hero
00:28 / 11.07.06
Watching Haus and DM argue, I am once again struck by the resemblence of this spectacle to a man boxing a kangaroo. Frustration and confusion abound, and the points don't really matter because God, who never intended the two to box in the first place, frowns upon the whole endeavor.
 
 
Less searchable M0rd4nt
00:54 / 11.07.06
Tuna Ghost: that's nice, dear. Perhaps you'd like to address the flaws in either Haus' or DM's posts, the better to move things along in what you see as a healthy direction. Otherwise you're kind of implying that both chaps are merely trying to win teh intarnets and there is no real ideolgical debate going down here.

(Note to any interested readers: We've all seen that hilarious image of a person with Down's Syndrome winning the Special Olympics and still being retarded. It's exactly as funny now as it was the first time. kthxbai.)
 
 
Tuna Ghost: Pratt knot hero
01:15 / 11.07.06
Tuna Ghost: that's nice, dear. Perhaps you'd like to address the flaws in either Haus' or DM's posts, the better to move things along in what you see as a healthy direction.

Are you kidding? What, exactly, should I say to DM that hasn't already been said? What salient points should I bring up that would make a difference now? Should I go with your approach and just tell the guy to shut up already? Although I suppose that does count as a healthy direction...

At any rate, I doubt that any sort of debate (as I understand the term) will continue much longer on this subject (race, music, What the Article Said) between the two, regardless of my input.

Otherwise you're kind of implying that both chaps are merely trying to win teh intarnets and there is no real ideolgical debate going down here

I don't see the implication, at least not in my own single post, but I'll take your word for it. Was merely pointing out the eerie similarity of parts of this thread to a godless bout between man and beast that I doubt will leave either feeling very good about themselves.
 
 
Slim
02:37 / 11.07.06
Tuna Ghost: that's nice, dear. Perhaps you'd like to address the flaws in either Haus' or DM's posts, the better to move things along in what you see as a healthy direction.

Is that before or after you, Mordant? I fail to see what your post accomplished. If anything, it was repetitive of previous messages and lacked the humor in Tuna's post.
 
 
ONLY NICE THINGS
05:21 / 11.07.06
More importantly, can I be the kangaroo? I always rather wanted to be a kangaroo...

(This is defusing. This is defusing. Please return to your corners.)
 
 
illmatic
13:12 / 11.07.06
MattS: BTW this thread is the kind of twin to the Hip Hop one alredy linked, and thankfully the last 5 pages aren't arguing Hip Hop marxism: Resistence Hip Hop
 
 
Regrettable Juvenilia
13:14 / 11.07.06
Oh no, PLEASE not that thread!
 
 
Less searchable M0rd4nt
13:20 / 11.07.06
I apologise for that post. It was unfair and, as Slim points out, did nothing to improve matters. Sorry, Tuna Ghost (and everyone else.)
 
 
stabbystabby
21:48 / 12.07.06
Ok, here goes. Low snark reply here.

1) Sony were obviously, blatantly wrong.

Well, yes.

2) It's a drop in the ocean compared to the corpus of music and imagery which portrays black* people in a negative light.

Ok, there's a few points here.

Firstly - who cares? Stopping racism has to start somewhere.
Secondly - there's a huge difference between a massive, mostly non-black corporation using extremely racist imagery to sell their products, and a black artist talking about hir experience of black life.



3) Much of this music is, ironically enough, produced by black artists.

Okay. This is not irony. Most of the music about black people at all is produced by black people. Of course the majority of the music about the negative aspects of black life is produced by black people.

Interestingly, we don't say that the majority of the negative imagery of white people is produced by white people. (i'd argue it is, even taking into account militant music produced by non-white artists) I would posit that this is because white experience is viewed as the default - that the music produced by white people is never viewed as being only about white (middle class) people. This ties into that idea that Eminem is so threatening because he shows that what is viewed as a black experience is also tied to a class experience.


4) The ethos of music produced by black artists, or anyone else, is of course not homogeneous, over distance or over time.

Yes.

5) By stating that some black artists produce music which portrays black people in a negative light, I intend only to describe. I intend no condemnation, or criticism.

If you intend only to describe, why don't you note that white musicians produce music that portrays white people in a negative light?


6) Music itself has, in my perception been the single greatest cultural export of black (United States of) Americans over the last hundred years**. I realise that this is a sweeping generalisation, but I believe it to be more or less correct. Music, therefore, in my belief, is a reasonable, representative and powerful example to cite.


Why not poetry, or literature, or mathematics? How do you define 'greatest'?


And further, personally:

7) I am a music lover. To use music as an example falls naturally to me.

I love gourmet food. That doesn't mean I'm going to bring it up when talking about video games.

8) I am a natural philosopher. I hold no ambition higher, for any given subject, than finding and stating the best possible approximation to the truth.

I've yet to find anyone whose stated goal is to live in ignorance, though I've met people who claim to seek truth but run away when they're challenged personally.



9) Race, sex, and sexuality carry very little weight with me. I had assumed that this was recognised as a sine qua non here.

What?



....


Re: The bell hooks article - I've read it, I'm still thinking about it. Will post some thoughts later.
 
 
Char Aina
21:58 / 12.07.06
i think i agree with stabbystabby around about 100%.
i'll read it again, but i'm fairly sure that is what i should have posted.

go stabby.
 
 
The Falcon
22:16 / 12.07.06
I will agree about 90%, because - in fairness - I doubt highly that, otoh, Langston Hughes or Toni Morrison (I don't even know of any black mathematicians, only a couple Italians; living, that is) are as widely known - by oeuvre, by name - worldwide as, well, Fiddy in any case. Primarily. I base this on experience in the UK and Tanzania, and will go so far as to make the sweeping assumption of the rest of Europe and Africa therefore. And everywhere else, in fact.

Not to devalue the rest, though, or indeed suggest Kay is particularly correct in any other assertion.
 
 
Char Aina
22:30 / 12.07.06
i'd agree that music is the most widely known.
i liked the question asked, though, the How do you define 'greatest'? one.
 
 
The Falcon
22:48 / 12.07.06
Well, that'd be just qualitative, ergo subjective. I read the whole phrase as 'greatest [as in largest] cultural export', which is - I think - fairly undeniable, commercially or influentially, from Blues thru Jazz and Soul to Hip-Hop.
 
 
stabbystabby
00:36 / 13.07.06
yeah, point conceded on the 'music as greatest cultural export' - certainly in a commercial sense.
 
 
Regrettable Juvenilia
08:07 / 13.07.06
stabbystabby, swing by the Music forum some time. We will give you cake.
 
  

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