BARBELITH underground
 

Subcultural engagement for the 21st Century...
Barbelith is a new kind of community (find out more)...
You can login or register.


Weekly review

 
  

Page: 1 ... 34567(8)91011

 
 
Grady Hendrix
15:03 / 03.08.07
Ah, I see where we differ here. The original post talked about "GROSSLY MISOGYNISTIC characterizations" which to me means that they were above and beyond the norm. Put in the context of it being comparable to "low level to be invisible misandry" then yes, I get what you're saying.

I wish there were some standard word use rules in society, you know? To me gross misogyny is Sharia law or rape used as a weapon of war or bukake. But that's what these civil back-and-forths are for - I have to spend some time figuring out what exactly people mean before I know if I agree or not. Thanks!
 
 
Imaginary Mongoose Solutions
00:30 / 04.08.07
Yes, it was misogynistic and a little creepy... but I didn't really think anyone was acting out of character.

I actually thought it was rather interesting to hear Reed finally complain about Sue, given how many writers have her going off about Reed all the time.
 
 
The Falcon
21:17 / 04.08.07
It's a pretty shitey comic, anyway; I think certainly, with the exception of Namor, the characters are portrayed as fairly inveterate sexists - it doesn't seem uncharacteristic, true, given the sweaty testosterone world of the Marvel superhero but really... did we need Mr. Fantastic and Doctor Strange just about telling us the Clea was a, well, I imagine 'bitch' would've been the end of that sentence? It casts a fairly unsightly pallor on the latter particularly, which is a shame because he's a wonderful character normally. Older men (Strange looks, like, 55) and many younger men do speak like that, I suppose, but really the exercise... these guys are supposed to be brightly coloured superheroes, you know? Not fucking crabby old men who resent women.

God knows how that aspect is supposed to relate to the hamfistedly-handled Marvel Boy plot, too. Please just leave him alone, really. Carla Hewitt covers this all pretty thoroughly, for anyone interested, but really it's just another one of things mainstream comics do that makes you feel scooped-out, like an empty ice-cream tub. It's particularly disappointing given Bendis evident ability, certainly at one point, to write good female characters that none actually appear but he's on a bit of a roll with the WiR'ing of Lindy Reynolds last week.
 
 
Jamie
01:51 / 16.08.07
Two middling titles this week:

Booster Gold

I don't know if I've read any Geoff Johns before, but he shows a Polonius-like grasp of verbal economy here. I think there was supposed to be witty repartee here, but there wasn't. I also found the conceit -- "Everyone has to think you're a loser to save the world" -- to be, well, insulting, for lack of a better word. I bought this comic because I'm a Booster Gold fan -- I don't need to have it drilled into my head every other page that everybody things he's an embarassment. One or two well-placed comments could have been amusing.

Visually, there were too many hard to follow two-page spreads where you couldn't really tell in what order you were supposed to read the panels.

But that being said, I may pick up the second issue, becaues I do like Booster, and if the series does well it may last long enough to put someone else on as writer.

Terror, Inc

I'm not a big fan of the particular type of comic book violence you get in this issue, but I like Schreck, and it's always interesting to see what they're doing with the only character to cross from the oft-overlooked Shadowline universe to the mainstream Marvel world. I thought there were some pacing issues -- too much time spent on the backstory in the early pages, leaving the climax feeling rushed -- but, again, I may pick up a second issue.

--

There was supposed to be a trade collecting the first 9 issues of Mark Gruenwald's DP7, but I didn't see it on the shelves when I went by the shoppe on my lunch. I'm not sure if I would have picked it up or not -- it's probably cheaper to get it in back issues.
 
 
FinderWolf
13:22 / 16.08.07
the DP 7 paperback was indeed in my NYC comic store this week, FYI -- although the timing of its release puzzles me. Maybe they're doing this to tie in with Ellis' often-delayed newuniversal series...?
 
 
Jamie
16:21 / 16.08.07
the DP 7 paperback was indeed in my NYC comic store this week, FYI -- although the timing of its release puzzles me. Maybe they're doing this to tie in with Ellis' often-delayed newuniversal series...?

That's about the only reason I can think of.

My shop may very well have some in stock today, they were just finishing stocking the shelves when I came in (deliveries seem to be late these days.) Did you see if it was in colour or not?
 
 
FinderWolf
16:41 / 16.08.07
I believe it was indeed in color. Probably not printed on the most amazing paper stock, IRRC.
 
 
Essential Dazzler
16:59 / 16.08.07
Booster Gold #1 was really good. BG was my (Everone's?) favourite part of 52, and this is pretty much a direct continuation of that, right down to the week X, day X timings.

I get the feeling that Johns really can't stand writing characters who aren't amazing specimens of serious manly heroics, but he does a nice job making the descrepancy between comedy ass-hole booster and serious manly saviour of the universe Booster the heart of the book.

Looks like we're in for a long run of silly Time Travel stupidity, and more Rip Hunter and his wonderful chalk board ("Don't Worry about Countdown, Focus elsewhere!").

The "coming soon" page was one of the best I've seen.
 
 
FinderWolf
02:15 / 17.08.07
Just reading (finally) lots of piles of comics that are a few months old -- and man, Gail Simone wrapped up her run on BIRDS OF PREY so beautifully. I'm really looking forward to her WONDER WOMAN.
 
 
Alex's Grandma
02:26 / 17.08.07
Looks like we're in for a long run of silly Time Travel stupidity, and more Rip Hunter and his wonderful chalk board ("Don't Worry about Countdown, Focus elsewhere!").

From the sound of it, Booster Gold and Geoff Johns will be lucky to still be kickin' ass and takin' names, at least in a published format, by next Easter, at the latest.

Still, they move through time, and 'a long run' must seem relative, to men such as them.
 
 
Alex's Grandma
03:13 / 17.08.07
I am enjoying 'The Programme' by Pete Milligan, though. The art's terrible, this sort of blurred mess that, IMVHO, looks like a set of photos somebody trapped in a lunatic asylum might have been sick on, before handing them in to MI6.

Still, the writing seems engaged, in the way that Pete's work can be. Arguably, he should been looked after a bit better by whoever it was that edited this - In Pete's position, I'd rather have had my comic drawn by the man who does 'Fred Basset' but ... Oh well.
 
 
Regrettable Juvenilia
08:01 / 17.08.07
BG was my (Everone's?) favourite part of 52

Come on, how can you not love unpowered John Henry getting skewered through the sternum and not slowing down? Or the bit where that Horseman shot his diseased muck all over Isis? Make mine Johns! Yay silly stupidity!
 
 
The Falcon
22:00 / 17.08.07
The art's terrible, this sort of blurred mess that, IMVHO, looks like a set of photos somebody trapped in a lunatic asylum might have been sick on, before handing them in to MI6.

I agree entirely otherwise, but the notion that a man who draws like the best bits of John Paul Leon and Jae Lee (his hair is the exact same. Exact same.) is somehow rubbish... it just can't be accomodated in my worldview, really.

It's a bit heavy on the silhouettes, I suppose, a bit inscrutably dark on occasion.

Anyway, yeah, good stuff - love the casual cruelty of Milligan: the guy dumps the girl, tells her to be happy, she is not - oh well, she's a total anti-semite, good. He's a brute with that, Milligan, he really is.
 
 
FinderWolf
16:02 / 19.08.07
Just wanted to say that Stuart Immonen is proving himself once again to be one of the best artists in the business currently -- this time around, on ULTIMATE SPIDER-MAN. Wow. And the book is still really fun & well-written too, by Monsieur Bendis. Check it out.
 
 
Triplets
18:36 / 19.08.07
Batman #666: It's Grant Morrison's Dark Knight Returns in 22 pages. Good, kinetic fun with Damian Wayne as the Cheater's Batman because he thought he'd never be as good as dad or Nightwing. As it's a dark future story it let's Grant go a bit mad with the one-off character ideas, which are evocative if nothing else. Trashy throwaway pulp fun, as ush.

Batman #667: Batman's "And Then There Were None". Fairly generic sado-villain fare wrapped up in a murder mystery. Lovely splash pages by JHWIII. Can't really see much of the "drawing characters in different styles" stuff he was on about, but that might just be me.

Metal Men #1: I think I picked up the alternate cover, which is a bit shit. Friendly and fun banter/action from the Metals with some funny use of their shapeshifting powers. Special cliffhanger appearence by grim n gritty Evil Buff Doctor Magnus. A good start, setting up all the situational and emotional dominoes.

In summary, all three are good in their own ways. Batman 667 is a great jumping on point for people who want to start following Grant's Bat-run. However, this week has really made me wonder if I should just keep waiting for the trades, they are really really disposable comics.
 
 
Alex's Grandma
23:10 / 19.08.07
I agree entirely otherwise, but the notion that a man who draws like the best bits of John Paul Leon and Jae Lee (his hair is the exact same. Exact same.) is somehow rubbish... it just can't be accomodated in my worldview, really.

Yeah, I possibly went a bit overboard there. The psychedelic scene is good, on reflection - it's just that the rest of seems a bit muddy. It's not bad art, more perhaps a style I'm not that keen on. I'm not a fan of Alex Maleev's work either, and all kinds of stylish, intelligent people feel differently.

All of which should put no one off checking out what's conceivably shaping up to be an excellent series. Really, if Milligan's happy enough with the illustration to put in what seems like his best work in ages, who am I to complain? I'd be a worm. I'd be lower than a worm.
 
 
Essential Dazzler
22:00 / 21.08.07
Flyboy, has anyone on Barbelith, or otherwise, ever expressed anything but distaste for those storylines? Didn't the 52 team even express dissapointment?

I must admit, I'm feeling slightly defensive about this, with regards to the Pro-Johns camp you mentioned elsewhere. I'd like to stress that this is only the second Johns comic I have enjoyed. I am mostly anti-Johns.
 
 
_pin
16:02 / 22.08.07
Isn't it, re The Programme not so much a problem with the art, which is, you know, nice enough, but with the colouring, which is, I'm fairly sure, randomly generated.
 
 
Mysterious Transfer Student
15:46 / 24.08.07
Fraction and Kitson's The Order #2 is showing the makings of an interesting 'straight' take on a celebrity officially-endorsed superteam (as against the exceedingly unstraight previous case, X-Statix. The scenario this month, with one key member bottling out of a necessary euthanising of some defenceless enemies and another taking the shot in his place, feels like it will have its repercussions enduring for a while to come - these characters are very unformed and I'd be grateful if the reset button wasn't anywhere in sight. The characterisation of the teen queen/bulimic shapeshifter is an attempt at relevance that has yet to really work in my opinion, although I don't follow many mainstream titles - have any other books worked in a 'sex tape' storyline yet, and if so, how did it go?

I'll stick with it because I like the creators and the book is different from anything I'm currently reading, but perhaps someone could ease my woes by phoning Matt Fraction and telling him that quoting Julie Burchill is not ever a means of making your story about the horrors of fatal fame seem more profound.
 
 
The Falcon
17:49 / 24.08.07
I did blanche rather at the sight of that, never fully recovering.
 
 
Cowboy Scientist
04:17 / 25.08.07
Nice, but I think all you need to know about the Order #2 is this: IT HAS A COMMUNIST BEAR IN A JETPACK IN IT.
 
 
TimCallahan
19:04 / 27.08.07
Batman #668: Fantastic. Iron Fist #8: Wonderful. The Order #2: Splendid. Yes. But the real treat of the week, because who would have suspected it (except for those of us who have been basking in the glory of the monthly Scalped title) is Wolverine #56.

Wolverine #56: Even hairy, excessively exploited mutants can be good
 
 
Triplets
11:40 / 28.08.07
a necessary euthanising of some defenceless enemies

Que?
 
 
Alex's Grandma
12:23 / 28.08.07
Perhaps someone could ease my woes by phoning Matt Fraction and telling him that quoting Julie Burchill is not ever a means of making your story about the horrors of fatal fame seem more profound.

He didn't really do that, did he? It seems to horrible to contemplate, somehow.

But if he did, what a post-modern scamp!

Perhaps Matt Fraction's trying to carve out a niche for himself as the Adam Thirlwell, Bedisha or Hari Kunzru of comics - those of us superannuated hipsters who are used to not feeling lonely, sick and depressed after they've finished reading the material in question had better watch out!

Fraction's work on 'The Punisher: War Journal', and, in particular, 'The Ordure' seems like something a spider dipped in ink might be ashamed of the next day, but then again, I'm probably exactly the kind of person he wants to 'wind up' with his antics. Seeing as I don't like 'Skins' very much either.
 
 
Jamie
14:17 / 07.09.07
My thoughts on Metal Men #2 has been dealt with under their thread, so I'll focus on the other three titles I picked up yesterday:

Detective Comics

The second part of a storyline giving new life to the Scarecrow character. The pacing seemed off on this for some reason -- maybe it's because I've mostly been reading single-issue and 8-pg stories lately, or maybe it's because the story would work better if both parts were read in one sitting. The first issue set up the Scarecrow as someone to be afraid of; the second issue seems less focused, but it does work in some nice detective work from the dark knight (much as in the current Batman arc.)

Infinity Inc.

I picked this up strictly because of the name on it. I'm not a huge Milligan fan, but it did intrigue me to see how he would handle the idea -- the fallout (pardon the pun) of the "Rain of the Supermen" and collapse of Infinity Inc.

It reads more or less how I had expected it to -- but do we really need another emo/goth tormented super? I'm coming into this storyline cold (my only exposure to 52 being through the Wiki) so I only recognized a couple of characters (is that the same Nuklon from the old II?) but that didn't feel like a detriment. In all honesty, I kind of like coming into a series and having to put some things together myself; it reminds me of my youth, when I would buy a comic from the newsstand because it had a cool cover, not because I was following the series.

The All-New Atom

This issue really feels like it's treading water. Now, it's pleasant water-treading -- which I guess might be akin to syncrhonized swimming -- but there's still no sense of much of anything happening.

The ideas are still neat, but there's a little too much mystery and a little too little resolution at this point; we're fifteen issues in, the hidden bad guy is still the hidden bad guy, the secretly-evil dean is still secretly evil, and the villain whom our hero handily dealt with is now back to be dealt with again. Sigh. I'm boggled that an issue with Head defending Ivytown and daikaiju making out could leave me feeling so unsatisfied... but it did.

Still to come...

I forgot to buy the newest Welcome to Tranquility yesterday; I'll have to check and see if my shop has any copies today. (They sold out of Lobster Johnson on the first day!)
 
 
My Mom Thinks I'm Cool
16:57 / 11.09.07
I was just going to ask if I was the only one who got Lobster Johnson.

I was very, very happy. Classic pulpy stuff, nazis, scientists, scientists' daughters, (super)heroes with a secret base in the sewer. and what does Johnson have to do with Lobsters, anyway?

very well done, loads of fun. I think I enjoyed it a lot more than BPRD, assuming that's a fair comparison. more fun than Hellboy? maybe, maybe not. less folk tales, more noir.

like Sky Captain and the World of Tomorrow with Hellboy-style writing and art.
 
 
Jamie
18:13 / 11.09.07
I had the last copy in my hands in the checkout line when a fellow asked the shop clerk if they were sold out. When he indicated that Lobster Johnson is his favourite character(!), I gave it to him.

They also sold out of this month's Jonah Hex.
 
 
Hallo, Paper Spaceboy
18:47 / 11.09.07
You're a good man, Jamie.

It's a pretty fun comic, I must say.
 
 
My Mom Thinks I'm Cool
01:06 / 12.09.07
whoa! finally got around to reading the Mice Templar, Image, Micheal Oeming and Bryan Glass.

I know the title sounds dumb but I picked it up anyway because the art looked cool and the back had quotes about how awesome it was by Mike Mignola and other famous comic people. then I let it sit at my desk for a week and a half because I forgot about it. then I read it coming home on the train.

wow, totally blown away. I haven't had this much fun reading a comic in a long time. better for me than lobster johnson or hellboy or metal men.

the premise is way overdone - small, young boy (mouse) daydreams of adventure, then his town is attacked, prophecies are invoked, you are the only one who can save us blah blah. but it worked for me better than that story has in years.

at first I was thinking of it as a good book for the kids but then my eyes adjusted a bit to the complex, weird art and I realized many pages were full of severed mice heads and limbs. shit gets seriously fucked up. the story seems desperate and complex and full of references to old time legends I only half recognize.

also - SPOILER - at first we see four soldier mice having difficulty with a big spider and I'm thinking the Templars must have had a pretty hard time fighting anything, let alone armies of rats and weasels and shit. then the blacksmith gets hold of his sword and starts in on the rats and Holy Shit. it's like fucking Marv in Sin City or something. Bad Ass.

love it, love it. go buy it.
 
 
Jamie
00:10 / 13.09.07
How does it compare to the Mouse Guard, the other mice-with-swords title to come out recently?

I was expecting this to be a pricey week, but with neither Batman nor Suburban Glamur shipping as solicited it was only slightly more than last week.

Welcome to Tranquility

The Obligatory Zombie Story(tm) continues. My one complaint about this arc is that the inclusion of the back-up features leaves each installment feeling too short. I do enjoy the back-ups (this one pencilled by Scott Shaw! himself) but I find myself wishing for more pages of the main story.

Stormwatch: PHD

It was recently announced that the next issue will be the last, and the story is shaping up where the ending could be very, very bad for our heroes in the Post-Human Division. Compared to WtT, this is downright compressed, wrapping up the story that began last issue while at the same time setting things up for the finale. I wonder if this story would have taken longer if the series wasn't ending.

Booster Gold

The first issue was so text-heavy as to be unwieldy, and spent too much time insulting the protagonist; this issue gets away from both of those problems and gives us a fun story featuring Booster Gold and Sinestro, the greatest Green Lantern.

Suicide Squad: Raise the Flag

I was really looking forward to the Showcase collection that was supposed to come out in conjunction with this, but with that being delayed until late 2008(!) this mini does a good job of satisfying the Suicide Squad jones I didn't realize I had. The "core" Squad members are all present, and we get to see them all do what they do best. Already a thousand times better than the Keith Giffen attempt. Definitely the standout of a strong week, in my opinion.
 
 
Phex: Dorset Doom
11:43 / 15.09.07
Gen 13 #12

The final part of the 'Road Trip' arc, which saw our anatomically incorrect heroes travel to Gail 'One-Woman Wildstorm Relaunch Go!' Simone's other WS creation, the town of Tranquility. They've met up with the Liberty Snots- My Chemical Romance's marketing demographic with super-powers- and the Authoriteens- teenaged versions of the Authority straight outta the Multiverse looking to clean up the continuity with a matter-disintegrator.
The issue is all about our boy Grunge- real name Perceval- who, it turns out, willed himself into becoming the brain-dead pillar of testosterone we see in the series. Testosterone being important here because Grunge spends part of the issue with boobs. See, by absorbing the preternaturally busty Caitlain's super-strength he also absorbed her powers of big-breasts-having. This is key in defeating Daybreaker and Kid Apollo, who are a little... confused.
The Authoriteens are some of the best new characters I've seen in a while, and I hope they pop back up soon- in Teen Titans maybe?

Countdown: The Search for Ray Palmer #1

From the good side of Wildstorm to the bad. The Challengers of the Unknown (minus Ryan Choi, who was airlifted to a better book, but plus Kyle Rayner- %good to see DC respecting their fans by giving away part of the end of the dullsville 'Sinestro Corps' for the infinately more interesting Countdown%) go to the Wildstorm universe and get in fights. They fight Stormwatch Prime, they fight the WildC.A.T.S, they fight (alongside) Wetworks then fight the Authority (not the Authoriteens) until Majestic tells them not to. Then they leave. The art is bad and everybody involved in this book, including those who paid to read it, has a fat, ugly and promiscous momma.
 
 
My Mom Thinks I'm Cool
15:10 / 21.09.07
How does it compare to the Mouse Guard, the other mice-with-swords title to come out recently?

I didn't see Mouse Guard, but Mike Oeming talks about the differences between the two (a bit) here.

I keep hearing really good things about Gail Simone from a lot of people whose opinions I generally agree with, but my attempts to read either Birds of Prey or the new Gen 13 have been unrewarding, so far. Maybe I'm not giving them enough time? Does it take a few issues for the cool to kick in?
 
 
Shiny: Well Over Thirty
16:14 / 21.09.07
Well Birds of Prey I loved from the outset but Gen 13 took a while to get going I think. Althought it was okay I really wasn't feeling the love for the first arc, but the new storyline has been fantastic, especially the latest issue. I absolutely loved the sudden switch in tone from goofy comedy to sudden really dark solution to the teams current battle in the latest issue. Also as the revelation about Grunge this issue shows, Simone is taking her time about showing us why we should care about the team here.

If you really want to give Simone's work a chance though I recommend you start with either Villains United/Secret Six, which is a fantastic team book, and basically a character piece, with a fair bit of comedy thrown in, probably quite similar to the first year of so of the Giffen/DeMatteis Justice League, before that title got as goofy as it was later.

For ongoing titles still being published I'd recommend the Atom as Simone's best current book, which has been tying into countdown lately and proving that you actually can make a silk purse out of a sows ear. It also has the advantage of actually having fairly decent art, which is something that Simone's writing is not always treated to.
 
 
My Mom Thinks I'm Cool
16:40 / 21.09.07
thanks for the tips!

picked up the 3rd TPB of 52 just now. still enjoying this story, mostly.

the bit with lobo and the giant head which is actually a green lantern's spaceship...no idea what the hell is going on there. felt very confusing and rushed. as opposed to the question/renee stuff which seems to be progressing very, very slowly.
 
 
Jamie
18:05 / 21.09.07
For ongoing titles still being published I'd recommend the Atom as Simone's best current book, which has been tying into countdown lately and proving that you actually can make a silk purse out of a sows ear. It also has the advantage of actually having fairly decent art, which is something that Simone's writing is not always treated to.

Her Welcome to Tranquility is also quite good, although it's stumbling a bit with the current storyline. But that's because it's taking a bit of a stylistic chance, for a mainstream comic, which sort of balances out the problems.

You see, the arc she's telling right now has its roots several decades back, and they've been running "back-up stories" that elucidate some of this (a western story, a 50s rocker story, a Scooby-Doo mystery.) The back-ups are generally quite good, but by taking pages away from the main story it's making the main thrust of the arc seem even more drawn out and decompressed. I think this is one that might work better as a trade.

I felt like both titles were a bit of a let-down this month, but they're still on my imaginary pull list.
 
  

Page: 1 ... 34567(8)91011

 
  
Add Your Reply