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Weekly review

 
  

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Jamie
18:08 / 21.09.07
Oh, and since I'm here I should mention the one new comic I read this week:

Shadowpact

Issue #16 was my first issue of the series; this one, #17, will be my last.

16 had some fun bits and a ginchy cover, echoing back to the comics of my childhood. 17 promised more of the same with the header "Mindless Zombies (is there any other kind?) Attack Gotham!" Sounded like fun, and the parenthetical aside in the header was amusing enough.

The zombies were disposed of in the first few pages, the art was muddy and muddled at times, and there was too much subplot, not enough plot. It was like someone told the story I was looking for, but got the ratios mixed up.
 
 
Phex: Dorset Doom
18:46 / 21.09.07
Wonder Girl

It's good to see the Robin/Wondy romance being played out outside of Teen Titans, it's bad to see more Amazons Attack stuff (though there's always space in my heart for Hydras) and it's ugly to see Cassandra doing the same 'I'm a WARRIOR, you wouldn't UNDERSTAND' (/snaps the neck of a cuddly baby Hydra) schtick that Wonder Woman specializes in at her worst.

Black Canary and Green Arrow Wedding Special

I loves me some Amanda Connor art. She can draw pretty ladies without even the tiniest whiff of cheesecake and burly men without a hint of adolescent male power fantasy (having never been an adolescent male probably helps). The bad and ugly occurs simultaneously with one of the issue's better moments: Wonder Woman and Superman get their invitations and WW, being a WARRIOR, worries that Black Canary will lose her WARRIOR SPIRIT if she marries, which means that that whole hygiene-flouting lingerie session in the Wedding Planner issue was completely insincere if she didn't approve of her friend and leader's nuptials- almost as if DC's editor's would cast aside characterization for cheesecake shots of popular female characters in lingerie! Kal-el is... well, you remember that bit in Astonishing X-men where Wolverine is brainwashed into a 19th century pantywaist? Well, the Man of Steel acts like that, and I may have to go over the issue again but I vaguely recall him using the word 'delightful'.
As usual, it's up to Batman to be a beacon of sanity. He does this by refusing to turn up to his friend and boss's wedding, instead waiting for the inevitable brawl to make his appearance. Looks like those guys with eyes for fingers back in 52 really did their jobs. And if I had a nickel for every time I've said that...
If you're reading anything DCU related at the moment then you'll have to get this comic. The final few pages contain something important, perhaps huge, for the two main characters. I know DC has been making a lot of unreasonable demands lately, but trust me on this one. It's a helluva cliffhanger.
 
 
FinderWolf
19:22 / 21.09.07
>> I loves me some Amanda Connor art. She can draw pretty ladies without even the tiniest whiff of cheesecake and burly men without a hint of adolescent male power fantasy (having never been an adolescent male probably helps).

I agree completely. Very underrated comic artist, that Amanda. It was refreshing to see the same sentiments expressed in the first sentence of a Newsarama review of this same issue.

Very entertaining issue, overall. And the cliffhanger, I guess, means someone's been seriously messing with our boy... it certainly was a truly UNEXPECTED cliffhanger...

And I love Cliff Chiang (the artist who will be drawing the new ongoing monthly Black Canary/Green Arrow book) -- another very underrated, fantastic artist.
 
 
Hallo, Paper Spaceboy
21:56 / 21.09.07
Wait, wait, wait! Black Canary and Green Arrow are having a marital team-up adventure book and they both get title-billing? So this isn't going to be Black Panther and Storm all over again? (!)
 
 
Jamie
01:09 / 22.09.07
DC's been soliciting a Green Arrow/Black Canary ongoing, although from the solicits it sounds like it's going to be a little light on the Ollie for the first few issues.
 
 
Shiny: Well Over Thirty
23:55 / 22.09.07
See right now I reckon I'd kill for that book is Black Canary's writer (Gail Simone) were writing it, not Green Arrow's writer (Judd Winick). As is I kinda wish Dinah was still the main character in BOP instead.
 
 
Hallo, Paper Spaceboy
14:43 / 24.09.07
Just finished Volume 1 of Oni's Sidekicks: the Transfer Student, by J. Torres and Takeshi Miyazawa. It's crisp and fun, with Miyazawa's high level of artistic skill (though, being a baby of the Runaways, I wished for some colour to differentiate things a bit in certain cases). The "high school for supers" is an old concept, certainly, but the manga sensibilities and the restrictions placed on the kids--no code names, no powers outside of gym class--are exceptionally fun. The on-going mystery of who Biff, Bam, and Pow are make me want to see a volume 2. Has anyone else read this? Enjoyed it? Maybe hated it instead?
 
 
FinderWolf
03:35 / 26.09.07
Sidekicks was indeed great - both the original small publisher mini and then the follow-up Oni series. There hasn't been anything since, as the artist went on to illustrate Marvel stuff like guest issues of RUNAWAYS and SPIDER-MAN LOVES MARY JANE.
 
 
Hallo, Paper Spaceboy
05:56 / 26.09.07
Makes me sad.

On the other hand, I've ordered J. Torres's Scandalous, which looks pretty fun.
 
 
Jamie
15:47 / 26.09.07
I picked up the trade paperback Doctor Thirteen: Architecture & Mortality last week, and just got around to reading it.

It's great fun. It's got Doctor Thirteen, an inveterate skeptic in a world full of aliens and magic, along with I, Vampire, Infectious Lass, Captain Fear, and a talking vampire Nazi gorilla who changes sides. Oh, and they battle an anthropomorphic Mount Rushmore that turns out to be Greg Rucka, Geoff Johns, Grant Morrison, and Mark Waid in disguise, plotting to remake the universe ("for the fourth time") and get rid of the bits they can't use. Bits like Our Heroes.

Plus, it has one of my favourite final panels of all time, as well as some of the absolute worst accents ever committed to a comic book page.

If you (like me) didn't read this when it came out in Tales of the something or other, I highly recommend it to you.
 
 
Feverfew
15:55 / 26.09.07
JLA / Hitman was good fun, if a little strange to see the Hitman characters again, and the Natt / Elephant Girl joke was completely leftfield (to me, at least.)

There's also some good time positioning, placing the story at somewhere around the beginning of Morrison's JLA, I believe, with Flash having active disdain for Green Lantern. There's also a nice moment with Superman and Tommy catching up before someone points out to Superman that Tommy is, in point of fact, an assassin.

Fun stuff.
 
 
Alex's Grandma
20:48 / 26.09.07
Knowing nothing of Hitman's powers, I still found myself waiting around for the gag about Wonder Woman's costume, which sure enough did show up with all the delayed subtlety of an express train hitting the Grand Central platform during rush hour.

I suppose that, the stupid obviousness, the inevitability, was what raised a smile.

He's a rascal, Garth, isn't he?

Generally though, are the Hitman trades worth a shot? Or have they dated a bit, in terms of being overly sentimental, and up to a point anyway, fairly badly-drawn?
 
 
This Sunday
20:54 / 26.09.07
Or have they dated a bit, in terms of being overly sentimental, and up to a point anyway, fairly badly-drawn?

For me the sentimentality was the drawing point. That and my then-fascination with bar scenes in supertights comics.

Now, without any smooth segue, does anyone know if Simone's last issue of Bird of Prey made it out, yet?
 
 
Hallo, Paper Spaceboy
21:58 / 26.09.07
New comics are in! Well, more or less. I'm definitely starting to evolve in the direction of giving up on most singles now in favour of trades, with the exception of a couple series that really burn my molecules, but...

Junior, ah, I mean Ultimate Fantastic Four #46 - the final chapter of the "Silver Surfer" arc proves to be pretty as ever with the Pascual Ferry art but ultimately (heh) the story concludes with some tidy cliches and Enid Richards once again fails to catch my interest as a character and manages to make a pleasantly understated climax into something cloyingly sweet and traditionalist. Why exactly does the Psycho-Man buffer Ben's brain for a while rather than just modifying him like the rest? Can anything be done with the other three cosmic heralds to make them interesting? Probably. I've enjoyed the storyline so far but this episode really dropped the rhythm of the thing.

Wonder Woman Annual #1 - First off, I'm slightly unsettled by the return of annuals. That said: does anybody remember the Allen Heinburg-penned "Who is Wonder Woman" storyline that opened the series? Barely? Because it concludes here finally, and I nearly didn't buy it because I'd forgotten that the annual was going to conclude the thing. It's. The Dodsons do some wonderful work, but it feels like a by-the-numbers DC story. Double page spread of DCU heroes showing up at random to save the day together? Check. I think they have one once an issue in every bloody comic they put out now. Double-page spread of main character surrounded by friends at a press conference? Check. Do super-heroes really spend so much time politicking and holding press conferences now? Completely random change to the status quo? Check. I'm not exactly sure why the change was made on a meta-level, or what the motivations behind it actually were on any real level. I did like that Wonder Woman's Rogues Gallery claim to be revolutionaries driven to extremes to change the world, because it amplifies their position as reflections of Diana and her sisters. After all that there's a horrible back-up feature called "Backstory" (ugh) that features Gary Frank's atrocious artwork and demonstrates that Nemesis is a complete moron who can't work out who Diana is despite the painfully obvious quick changing and all the other clues. I thought he was supposed to have figured it out already! And for some reason someone let the United States government have access to Boom Tube technology.
 
 
Shiny: Well Over Thirty
06:19 / 27.09.07
Now, without any smooth segue, does anyone know if Simone's last issue of Bird of Prey made it out, yet?

Yeah I think the last one was 108 0r 109, but it's definitely out there. There's a been a fill in issue from Tony Bedard which I rather regretted paying for since then, and the new writer, (who I think is Sean McKeever) may have taken over by now, but since I've now dropped the book to make room for Gail Simone's Wonder Woman I'm not too sure.
 
 
FinderWolf
13:54 / 27.09.07
Simone's final issue of BOP was quite excellent.

And I found HITMAN to be very entertaining - I doubt it'd be dated to read it now. Typical Ennis fun, inventive, tough-guy from the wrong side of the tracks with a heart of gold type stuff - and I mean that in a good way. So if you like Ennis, you'll like HITMAN. If not, well, you won't.
 
 
My Mom Thinks I'm Cool
14:33 / 27.09.07
I kind of feel like I'm still waiting for JLA/Hitman to get good.

I loved the old Hitman series, but now that I'm trying to remember why, I think it was for sillier reasons. I remember how stupid Hacken was and how he did dumb things that were funny. I remember how outrageous and pathetic Section 8 was. I remember fun tension-breaking moments where we were reminded that Natt the Hat has gained weight. for some reason it was always hilarious whenever we saw the crazy demon Baytor who says his name over and over again.

I'm pretty sure there was a lot of deep thought going on around this, moralizing about being a Hitman, celebrating old hero cliches and gunslinger movies, government supersoldier programs, hopeless odds, British commando units and the IRA...yeah, basically it was kind of a simpler version of Preacher, without any underlying mystical plot. and, occasionally, interactions with the rest of the DC universe.
 
 
The Falcon
20:24 / 27.09.07
Generally though, are the Hitman trades worth a shot? Or have they dated a bit, in terms of being overly sentimental, and up to a point anyway, fairly badly-drawn?

The art style grows on you, like a fungus; only about the first third of Hitman is available in trade so really, having enjoyed them, as I imagine you would (it is hugely sentimental, but there's always something appalling or violent to deflate it: truly this is the tao of teenage boys,) you'd have set yourself for either a slog through unpleasant shops with smelly bins for the rest, or you might have to do something illegal, but pretty much unactionable. Which I did.

And really, it's unimaginable that anyone other than McCrea could have drawn it (sure, there's that brilliant Hitman/Lobo one-shot where a character fully worthy of Ennis laservision ire receives it, drawn by Doug 'Frankenstein' Mahnke, and a couple other things) but he really does, in the same way Dillon does I think, come to inhabit the characters.

To some extent, the limitations of working within the DC 'Universe' really fired the thing; there's existential terrors like the Arkannone (a demon comprised of a Nazi hit squad,) reified on one hand, and conversely the shattering 'true origin' of Tommy Monaghan which, perhaps ironically, might mark the most dead-on and humdrum realist outlet the author's misanthropy has ever had. Unless you were to count Punisher MAX as a discrete entity, I'd say Hitman is probably Ennis' best single (longform; a couple of those War Stories were superb) work by miles.

Nonetheless, in JLA/Hitman, I was still pretty surprised to read the best JLA comic, certainly in dialogue terms, since George wrote his last - reining it in, as far as Garth's concerned, seems generally beneficial and the team (not that I'm against it, but it's just... it gets a little predictable, and I'd be slightly glum after paying for such a thing) are treated in reasonably salutary fashion without any appreciable loss of humour. Not much happens, but it's particularly evocative - nostalgiac alert - of a period (c.'96-'98) when there were nearly ten DC titles, with an actual DC bullet, that were thoroughly enjoyable and actually worth reading. [N.B. this wistfulness was acquired retrospectively for the most part, but I don't think the period gets enough credit; mid/late nineties was a real halcyon era, at least for DC superhero books.]
 
 
The Falcon
20:26 / 27.09.07
Although, to be fair, I think the point at which trading stops is precisely the point at which a paying customer might well have done likewise; 'Zombie Dinosaurs at the Aquarium' or whatever it's called, is pretty genuinely fucking dreadful. But it's really the sole misstep.
 
 
Spaniel
19:42 / 28.09.07
Completely agree with your assessment of Hitman old and new, Falc.

Interesting to see a decent character writer on the JLA, especially after that fucking knob-end Brad Meltzer singularly failed to breath anything other than anti-life into the team. I'm not sure the JLA needs too much in the way of character, of course, but it's nice to see it done well.
 
 
Haus of Mystery
19:56 / 28.09.07
Had a flick through this, and was quite surprised at McRea's art change - I didn't think it was for the better. Did he have a different inker, or was he going for a 'straighter' look to compliment the slightly more respectful tone?

I like 'Hitman' enough, I guess...it traded too much in Ennis' humour which I actually like the least about his writing style. It was nice to see him deflating a few DC figures here and there, and it was genuinely very different from the majority of DCU comics on the stand at the time (alongside Robinson's brilliant 'Starman', and Morrison's 'JLA' that was something of a Golden Age for DC - especially compared to the current 'DiDio Age'...). Plus of course it managed to cram in bucketloads of gunplay and exit wounds into a 'family' comic simply by having McRea's loose cartoony style depict it.
For me though, I wouldn't bother with trades really, as it's the perfect bargain bin back issue find - trashy, brash and violent with just enough heart to make you care about the characters.
 
 
Jamie
17:50 / 03.10.07
I haven't read my comics this week (and it's an expensive week!) but I wanted to let everyone who might overlook it know that there is a new Gumby comic, penned by the inimitable Bob "Flaming Carrot" Burden.
 
 
My Mom Thinks I'm Cool
19:53 / 03.10.07
Metal Men #3!

I'm more confused than ever. Somehow this issue didn't seem as fun, either. Still glad I'm reading it.

I thought the second JLA/Hitman picked up nicely though. The moralizing turned into something I could appreciate. The heroes stuck to their convictions, which I'm glad of - I think I would have been annoyed to see them have a change of heart just because Tommy helped out.
 
 
smurph
04:01 / 05.10.07
Lobster Johnson: The Iron Prometheus #2

Fisticuffs, shadowy figures, and one heck of a slogan: "Assassins... eager to taste justice... from the lobster's claw." I'm not sure how I feel about this series overall but I think the pulp elements are working for me.

Detective Comics #837

I really liked the Harley Quinn issue of 'tec a few issues back so I picked this up. It's not so good. A countdown crossover, unexciting plot, and bits of continuity patchwork in between.
 
 
Jamie
15:57 / 05.10.07
A good week for fun comics.

Metal Men #3

I feel like the story's starting to cohere, and the art was easier to follow this issue. Add in the alchemical-chemical transformations that create the Death Metal Men and turn Lead into Gold, and you've got a fun read. I've seen a lot of people complain that there's not enough Metal Men in this here Metal Men comic, but they overlook the fact that this is a comic about the Metal Men, even if it doesn't really star the Metal Men.

All-New Atom #16

Roger Stern guest-writes an issue that is just as good as most of the issues Gail Simone has given us over the last year-plus. It's plotted like the comic books of my youth -- it tells a complete story, but still advances multiple subplots as it does so. Plus, the return of the Twists!

Infinity Inc #2

This is a perfectly acceptable ensemble book, that really only suffers by coming out the same week as so many stronger titles. It reminds me of my adolescence, for some reason; I probably would have eaten it up then.

Welcome to Tranquility #11

A return to form after a couple of shaky issues; this issue doesn't feel truncated, despite the back-up story, and fits in a lot of plot advancement and character development. And speaking of the back-up story, it seems to have instantly made its heroine a fan favourite.

Gumby #3

This is just pure happiness and fun distilled and coated on papers to be absorbed through osmosis. Bob Burden, Rick Geary, and Steve Oliff(?) are at the top of their game as writer, artist, and colourist respectively. Cliche as it sounds to say this, children and adults will both enjoy this series.

Omega the Unknown #1

It's a fine comic, but it seems like they're just retelling the original story, and I don't know if we really need that.

Suburban Glamour #1

It's still delayed. *grumble grumble*
 
 
Spaniel
17:20 / 05.10.07
I have strong suspicions that the Atom is a one of my favourite comics that I am not reading
 
 
Jamie
18:35 / 05.10.07
I have strong suspicions that the Atom is a one of my favourite comics that I am not reading

This issue involves a time-travelling criminal from the far future using technology to transform the citizens of Ivy Town into hippies to... well, I'm not quite sure I can remember what his actual goal was. To this end, he disguises his androids as the Twists, the Beatles stand-ins from a Silver Age Batman story. Ultimately, his plans are foiled by our hero playing music from alien civilization on his iPod.

I believe the word "joycore" could be applied to something like this.
 
 
Spaniel
19:25 / 05.10.07
I think you might be right
 
 
Mysterious Transfer Student
20:20 / 05.10.07
*curses self for dropping Atom from regular reads*
 
 
Alex's Grandma
01:01 / 06.10.07
Cheers, Mr F, for your convincing PR job on 'Hitman'; I'll investigate further.

That aside, I'm wondering if anyone else is enjoying the 'Black Adam' mini-series? The art's good by any reasonable standard, plus I'm quite enjoying the spectacularly grim, not so much writing really, as plotting, in which the de-powered Black Adam appears to be going about his business like an occult Frank Castle.

God help everyone, one feels, as and when the lightning returns.
 
 
Hallo, Paper Spaceboy
20:43 / 17.10.07
Much like DC's decision to bring back The Brave and the Bold, Marvel's also apparently spending some time spelunking through their old anthology & rotating cast books to reanimate the festering corpse of Marvel Comics Presents. I picked up the first two issues today, because Our Man from Nextwave, Stuart Immonen, is penciling a slick new Hellcat feature written by (his wife?) Kathyrn Immonen.

Well, there's some other stories going on as well -- something called "Vanguard" which is a painted-art super-police procedural with some dubious subtext going on, as well as a weird Interplanetary Spider-Man Corps gag story. Much of the books have been pretty substandard, I'd have to say, although there was a sweet little Alicia Masters piece in the first issue.

The Hellcat stories are fun, including a retro fashion spread from Hellcat's days as Patsy Walker, Teen Romance Comic starlet and the story veers quickly into Silver Age Romance/Superhero farce. It's fun and popcorny without needing to expand too much beyond its own borders, and neatly highlights Patsy's history (particularly romantic) in that fashion spread. Immomen's writing crackles and Immonen (other one)'s art is slick and wonderful, making me long for the days of Nextwave. This feels, with its mandate of using a Marvel also-ran, like a Silver Age Nextwave story. With less skull-skull-skull-skulling.
 
 
My Mom Thinks I'm Cool
15:20 / 15.11.07
BPRD #4: I'm going to second the clerk at the comic shop and say that the ending was a great big What The Fuck?? This whole story arc has been rather grim and desperate.

Green Arrow and Black Canary #2: The wedding special was, as advertised, great. #1 kind of spoiled the cool shocker ending of the special by revealing what was going on a little too soon. Now it's gone from a weird mystery to, uh, blah. Attempts at witty dialogue seem overdone, fight scenes not too bad but seem to be there merely to show us that the superheroes are tougher than the amazons, while most of the conversations are about how tough the amazons are. I don't know. Disappointing.

Mice Templar #2: Am I the only one reading this? Maybe I shouldn't bore you guys with it. The action in this issue was less rad than #1, but there's some training (I love training!) and more cool old weird fables. The Salmon of Knowledge may now bless your sleep...The great Death Owls waged fearsome and terrible battle against the desperate tyranny of Bats for supremacy of Wotan's never-ending sky...The issue felt a bit short to me, unlike the first one, which seemed to go on forever.
 
 
FinderWolf
03:08 / 16.11.07
GA & Black Canary - Hopefully this story will avoid the 'Athena's place is being taken by Granny Goodness' crap that was the Very Unsatisfying Big Reveal at the end of Amazons Attack. I think Winnick has said that it won't tie into all that junk.
 
 
FinderWolf
20:18 / 24.11.07
Mark Waid's new run on The Flash ain't doin' so well. The shifting art on the title hasn't exactly helped, but so far it's been a bit ho-hum, alien invasions and stuff with his kids. I want to see Waid really make this book soar again... I notice that in a recent DC convention news thingie, DC announced that Waid is on The Flash "for at least another 6 issues." Uh-oh...sounds like he might wanna bail soon, or otherwise why have such an announcement?
 
 
Shiny: Well Over Thirty
15:58 / 02.01.08
I just read the last two issues of the Flash and I have to agree about the writing - it's very bland. I think a lot of Flash fans, myself included look back at Mark Waid's first run as a bit of a golden age, but I think it's possibly not unfair to say that even then there were a lot of awfully dull issues between the occaisonally wonderful ones, it's just that those issues are a lot easier to forget.

On the other hand I have to say I am hugely impressed by Freddie E Williams II's art here, and I'm wondering when the heck did the guy get this good? From what I recall of his previous work it was okay, but nothing to write home about, and here it's amazing crisp, bright, kinda popy art that suits the title perfectly, making it just about the nicest comic to look at outside of ASS I've seen in a while.
 
  

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