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The ironic thing is I remember an interview a year or two ago with the writer that turned Hal bad and it was done out of desperation because the series was going to be cancelled again, because there was absolutely no interest in Green Lantern. It was kill or cure and certainly Kyle saved the GL title.
Ron Marz isn't exactly known for giving the full story when he gives interviews on Green Lantern...and I really don't blame him, seeing as how he and the editor involved got death threats for a while after the "Hal Turns Evil" story. However, it's a bit more complicated than he says.
Green Lantern had been a book that had started with a HUGE push, but after 4 years, was in the sales doldrums. It had a rotating cast its first two years, which killed a lot of the sales momentum, and suffered through some pretty bland art while the Image style was taking off.
Gerard Jones was dealing with things outside of his control as well, such as that Hal was "aged" by previous stories to where he was one of the older of the Silver Age heroes, having to tie in with "Darkstars" and "Flash" when their sales were low, and probably his own stress (he was writing a lot of comic back then, making GL as pretty bland comic. After the "Death of Superman" and "Knightfall" (as well as the endless Big Events in the X-Men and the Spider-Clone), Jones was asked to come up with a Big Story that would shake up the book. He submitted a storyline that was accepted, put into production, advertised and by some accounts was drawn and inked before Editor Kevin Dooley said he didn't go far enough.
Mike Carlin, Paul Levitz, Archie Goodwin, and Dennis O'Neil (the three lead editors of DC and the EIC) put together the plot of "Emerald Twilight" literally at the last minute, which was eventually scripted by Ron Marz. This explains why the art for the three issue sequence is so poor.
Sales went up, as they always do when you do a Big Deal, and they settled in about 25% higher than they had been with Hal. I still think they would have gone up that amount with a change in creative teams, but who can say at this point. |
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