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sdv:
I arrive at my relationship to the war on the basis that imperialism and colonialism (and not diversions into the illegality and legality of war) is what makes the war wrong consequently the images are irrelevant... The fact in the case of the Iraq misadventure is the colonial activity, not the inevitable and obvious act of Western Troops torturing suspects.
I'm sorry, but I find it hard to see how, as it would appear, you seem to judge any moral issue by a single factor, and then ignore any other matters. It has to be said, going about things like that would seem to be a good way to arrive at some pretty ****ed-up and black-and-white thinking about things. Yes, the war is about imperialism. However, other deciding factors in its morality are, for example, the fact that as a result tens of thousands of Iraqi civilians have died (y'know, I consider that one a pretty big issue), the fact that Iraqi detainees are being tortured and, though I consider it to be a grossly overstated factor which is far outweighed by others, the removal of Saddam Hussein's regime and "liberation" of the Iraqi people. You may, as I'd assume most of the people on this board do, still come to the conclusion that the war is wrong, but not to even think factors than the single one you've decided is important into consideration seems, to me, pretty insanely ridiculous thinking.
In relation to specific events what I'm suggesting is that an image (say a newspaper photograph), or a series of images (a film or video) can never be understood as being "messy things like facts" - because they are not facts.
Well, no. It's possible for images, just like text, to contain aspects which serve no informative value, but to say that all images are entirely spectacle without any factual information seems... well, just completely wrong. Pictures of people tied up and being electrocuted, ****ed on, whatever, tell us that... (and I feel a certain deja vu here) there are people being tied up and electrocuted, ****ed on, whatever. They could be faked photographs. One could write a fake report. The debate around "spectacle" isn't, as far as I'm concerned, anything to do with the advantages of images and video compared to other mediums, but to do with uselessly uninformative presentation.
That is:
And it is here that we disagree. Or at least, I disagree with the point I think you are making. I don't see moral judgements as a finely balanced scale in which everything tips the balance to the extent that rhetoric becomes immoral. (You almost seem to be saying that an argument or persuasion is wrong if it contradicts your moral stance. Which seems...odd.)
Can I discount arguments which I think are inappropriate, even if they induce some reaction in me? To a large extent, yes. (Lurid)
Well, yes, I do believe that everything tips the scale to some extent, even if only in a very minor way, and so yes, pure rhetoric has no justifiable place in deciding morals, and so is, if not immoral, at least amoral. Yes, you may be able to discount/overcome any influence rhetoric/spectacle has on you, but I'd consider your consideration of the rhetoric separate to the influence (however small or large it might be) it will inevitably have on you. Perhaps, because you resent the way in which the information or persuasion's presented and therefore consider it a bit suspect, you might actually be swayed the opposite direction to that intended, but I'd still say that that isn't a part of the automatic emotional impact of the rhetoric, but a separate thought process. And no, I'm not at all arguing against anything which contradicts one's moral stance; I'm arguing against aspects of presentation which serve no purpose in informing the viewer, but have only an emotional impact despite their irrelevance.
For example: consider a TV program. Consider it presents certain information to its viewers. Now, consider it presents that exact same information, but in a deep, sinister voice. I doubt it's particularly contentious to reckon that the vast majority of viewers' opionions on the matter being discussed in the program would be affected by the fact that its being talked about in that voice. The voice, in that example, is what I'd consider pure spectacle/rhetoric; would you say that it has any justifiable place in affecting people's moral decisions.
Images and emotive arguments are ok. And one can be misled by any technique of argumentation.
I know! I know, I know, I know! I've spent half of my most recent entries explaining that I'm perfectly aware that misleading information (or lack thereof) can be presented in any format! And that I'm not at all arguing againt the role of emotion in reaching moral decisions, only the inevitable emotional response to purely rhetorical/spectacular aspects of presentation! Have I not said both those things clearly enough at least twice already? |
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