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An alternate Spiral Dynamics-based take on NXM:
I see Morrison's overall arc as tracing the failure of Xavier's naive, green vMeme "Dream" of egalitarian inclusiveness in the face of the actual human realities of lower-meme intransigence (red "Magneto-ists" and blue "Humanists" have no interest in getting along, either with each other or with Xavier's crowd, and no amount of green evangelism will change that until the parties in question have played out their vMeme-appropriate dramas and are ready to move forward on their own). Taking Morrison's statements about self-conscious comic universes into account, each of the characters and/or ideological trends in the series could be seen as individual strands within an overall self-conscious X-narrative, predominantly green in orientation (the main characters, the "good guys") while still beset with internal conflicts (the "bad guys" and the many neutral or ambiguous characters) as any conscious being is.
From this perspective, NXM represents Morrison's attempt to goad the X-entity beyond the green vMeme era of its development, forcing a crisis by pushing the internal contradictions of the green worldview to their logical conclusion. The end of Planet X, then, is the "bifurcation point" at which the "dissipative structure" of the green worldview dissolves, leaving the conscious narrative system poised for the leap to 2nd-tier cognition. However, "something's gone wrong with the whole universe now"--the differentiation/transition failed, or was corrupted in some way, and Here Comes Tomorrow dramatizes the breakdown of the X-entity into a chaotic mass of 1st- and 2nd-tier pathologies (thus the scattered, disorienting quality of the narrative at this point) rather than a healthy, coherent 2nd-tier consciousness.
I only wish Grant was sticking around for another 40 issues to present a healthy version of the transition back in the present day once Here Comes Tomorrow is over. |
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