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Bad Lyric Planet

 
  

Page: (1)2345

 
 
Regrettable Juvenilia
08:22 / 23.11.02
Browsing the interwebnet today I discovered this little gem, courtesy of Bright Eyes:

No, it’s just some guy she's been hanging out with
I don’t know, the past couple weeks I guess
Well, thank you and hang up the phone
Let the funeral start
Hear the casket close.


Now, admittedly I haven't heard the song this is from - and a really good song can redeem some pretty awful lyrics - but this piece of hopelessly adolescent, indulgent, melodramatic nonsense has almost single-handedly made me never want to hear it. So some girl the narrator nurses a pathetically earnest crush on (and you just know he doesn't have a hope in hell) has been *spending more than five minutes with another person with a Y chromosome* - let the funeral commence! Obnoxiously possessive infatuation is just like death, maaaaan!

Of course, it's possible that Conor whatsisface is just taking the piss - but I've read interviews with the little shit, and I doubt it. So can anyone top this doggerel in terms of laughable awfulness (with real song lyrics, not stuff nicked from the Daily Poetry thread) - not just banality, but really, really painful stuff?

Bonus points if the lyrics are by Nine Inch Nails.
 
 
The Strobe
08:42 / 23.11.02
Yes. I can trump that in one easy move:

Romeo/Cristina Milian - It's All Gravy. In which Romeo proves that he doesn't need a rhyming dictionary (a la Bernard Sumner) because he just rhymes a word with itself. I mean:

Back in my school days, they was the cool days, school was the good old days now,

what the FUCK? Similarly:

y eyes all glistening, with the innocence of a blank page,
life is like a blank page, enjoy the beef, the strife, the rage,
wait... let me turn the page and continue to verbally burn the page,


because "page" is the only word Romeo can rhyme with. I tell you, his next track will be about oranges. Finally, the fact that the chorus namechecks an era of awful pop ("from MN8 to Alize") is just PERFECT. Full lyrics here. I cannot WAIT for Romeo's next single. Also, if you don't know Romeo Dunn, you must click and read the lyrics to that too. Possibly the most appalling lyrics to anything ever; "I'll strip off your underwear 'cos I'm the undertaker"? Jesus wept.
 
 
Regrettable Juvenilia
09:35 / 23.11.02
I dunno if just rhyming a word with itself warrants inclusion here. I'll grant you that Romeo is a terrible rapper, but in the right hands the same device can be used to brilliant effect (eg, Ol Dirty on 'Got Your Money').

That 'underwear/undertaker' line is a right stinker though.
 
 
The Strobe
10:59 / 23.11.02
Yes, but the thing is, he doesn't think he's being repetetive. He's trying to use "page" in a variety of metaphors, hence "innocent like a blank page". "Verbally burn the page"? Come ON. It's not just the rhyming, it's the rhymes. Romeo Dunn is proof positive of that. Even though I linked, I'll quote again:

Take away 2 from 3, that leaves me,
I'll leave you running wet just like the sea,
If there's a door give me the key,
I'll push it in, twist it around and run free


oh come ON. The stink these are kicking up is ridiculous. That said, I haven't been on the lookout for angsty teen-ness and currently have Romeo imprinted on my head, so I'll keep a further eye out.
 
 
rizla mission
15:20 / 23.11.02
but this piece of hopelessly adolescent, indulgent, melodramatic nonsense has almost single-handedly made me never want to hear it.

That's a perfect description of what Brighteyes is, and I love him/them for being so. It's a joy to hear such completely over the top, horrifically self-indulgent teenage temper tantrum lyrics bawled in a hopelessly shrill "I'm in tears and about to kill myself and probably some other people" voice.. I wouldn't go as far as saying he's taking the piss, but Brighteyes songs clearly revel in being as baroque and whiny emotionally over the top as is humanly possible..

..and, believe me, the verse you quote above is actually about as reasonable and down to earth as Conor Oberst ever gets.. if that pisses you off, swear to god you never have to sit through 'Fevers & Mirrors'..

ahem. But anyway, bad lyrics.

I was actually pondering starting a thread specifically about awful britpop-era lyrics a while ago, and this is as gooder excuse as any to throw out some of my favourites.

I mean, seriously, 'doggeral' is far too gooder word for some of these;

From the Seahorses:

There's a cat by the sink / it's not what you think / oh, take me home

From Ian Brown:

She smokes crack / it's off the beaten track

and from Suede, the famous;

she live in a house / she stupid as a mouse

and then there's the Oasis method of lyric writing, which basically involves putting together a bunch of completely random words just because they happen to rhyme .. usually this results in such incredibly non-descript lyrics that no one ever bothers to actually listen to them, let alone remember them or ponder their meaning.. but occasionally we get some really funny bits like;

stand up beside the fireplace / take that look from off your face

she's got a sister / god only knows I've missed her / and on the palm of her hand is a blister


And I'm not even gonna start on Placebo, except to state briefly that Brian Molko is such a fucking awful writer of lyrics that it's not even funny any more, it's just obscene that he gets away with recording and releasing them without anyone saying "hang on, these words somehow manage to be complete and utter random sub-GCSE poetry class bollocks, whilst still revealing cringingly embarrassing details about the writer's life and worldview .. please don't sing them Brian! The whole world will consider you a pathetic semi-retarded laughing stock!"
They are of course made all the more awful by the fact that he appears to take his songs completely seriously.

One example should suffice;

legs eleven / makes me stay up late / two fat ladies on my back and now it's eighty eight
I'm a fool / whose tool is small / it's so miniscule it's no tool at all
 
 
Matthew Fluxington
16:11 / 23.11.02
Beyond a shadow of a doubt, there is no irony or humor in Conor Oberst or his music.

It's really hard to say what's worse - when he's writing songs about his pain; when he's writing songs about girls who just can't understand HOW MUCH HE LOVES THEM or how they are perfect angelic creatures being sullied by the world; or when he writes "political" songs which amount to little more than him passing cruel and unfair judgement upon ordinary people for living ordinary lives. I think that the "political" stuff is what bothers me the most, probably because it's always so overly simplistic, elitist, and utterly lacking in compassion. He's an insufferable little asshole who found a copy of "No Logo" and has been harping on it ever since. I can't think about Oberst without wanting to punch him in the fucking mouth.

Here's Conor being "political":

A mother takes loans out, sends her kids off to colleges.
Her family is reduced to names on a shopping list.


So I don't have them to blame/ I should stop pointing fingers;
reserve my judgment of all those public action figures, the cowboy president/ so loud behind the bullhorn so proud they can't admit when they have made a mistake / while poison ink spews from a speechwriter's pen / he knows that he doesn't have to say it / so it don't bother him / "Honesty" "Accuracy" are really just "Popular Opinion." / And the approval rating is high / so someone is going to die / ABC, NBC, CBS: Bullshit.


But then, there's always just cringe-inducing crap like this:

Laura, are you still living there on your estate of sorrow?

Does he kiss your eyelids in the morning when you start to raise your head? And does he sing to
you incessantly from the place between your bed and wall? Does he walk around all day at
school with his feet inside your shoes? Looking down every few steps to pretend he walks with
you. Does he know that place below your neck that is your favorite to be touched and does he cry
through broken sentences like I love you far too much? Does he lay awake listening to your
breath? Worried that you smoke too many cigarettes. Is he coughing now on a bathroom floor?
 
 
The Strobe
18:04 / 23.11.02
Now I have to dig out more examples, but in summary - if we're talking 90s pop, then Electronic rate quite highly on dodgy lyrics. And to be honest, Bernard Sumner in general. He definitely got a rhyming dictionary for Christmas.

And, my favourite bad lyric of all time:

"In this ever changing world in which we live in"

Sir Paul McCartney, in "Live and Let Die".
 
 
Our Lady of The Two Towers
19:08 / 23.11.02
"Well, as for the end of this song,
I haven't really thought of one."

Then why did you start writing it Nicky Wire you gangly streak of piss?

Most of the lyrics on Nirvana's 'Bleach' was fairly rubbish too.
 
 
suds
19:53 / 23.11.02
flowers, yeah they were! most of the songs only had one line. like the "i'm a negative creep and i'm stoned" and "daddy's little girl ain't a girl no more".
repetitiveness pisses me off.
but i do like nirvana.
i'm trying to think of really bad song lyrics but i can't. which is weird because i listen to radio one all the time. oh! i know!
here it is:
"Come on, you can have your own way
Come on, you can have your own say
So long, I'll miss him when he's gone
You don't know what it is, you don't know what it is yeah"
i hated that song too. starbucks by a.
 
 
Cop Killer
21:42 / 24.11.02
As far as bad lyrics go "street punk" or Oi! pretty much take the cake for being cring inducing. For example, I have this 7" by this band Bomb Squadron from the east coast that I haven't been able to get rid of for a few years now, and for the two years before that I, for some ungodly reason, actually liked it. Sample lyric:

I walk into the White House/Right up to the president's desk/underneath my Dead Boys shirt/gotta bomb strapped to my chest/all your pitiful plees/they don't mean a thing to me/I push the button down and destroy society

And the chorus of that song is about unity between punks and skins or something like that. And then there's their drinking song:

Now I'm happy cuz I got my beer/just sitting at home listening to Fear/I wanna get drunk every night and everyday/and I'll never join your fuckin' AA

And even worse than that is this band Boot Party from Fresno California who pretty much just sing about how cool it is to be a skinhead

When we walk into the pubs/they drop their beers and they run/then we sit and have our beers/and when we rock we sing along and cheer/we have strength in an Oi Oi band/we have strength in an Oi Oi band/we have strenght in an Oi Oi Oi band
 
 
Kit-Cat Club
22:12 / 24.11.02
I can take you all, courtesy of Thurman, terminally hopeless Britpop chancers (a mere two years after their LP came out I was not the slightest little bit surprised to realise that the chap serving me in Georgina's was in fact the lead singer).

English Tea

Hey there, we could read the papers
Politicians' sexual encounters
And if you don't feel very loyal
You can always read about a royal...

Oh, what a lovely day
To drink some English tea
Talk about the weather
Isn't it lovely?
Oh, what a splendid day
To spend together
We can take the time
And drink some English tea

Famous
Fame, fame is just a curse
Always so much worse
When it's unrehearsed

And love, love is just a game
Only famous names
Will she entertain

She's so high, so high among the stars
With magical guitars
But how long can it last?

Talk to Myself

Well just to get by I talk to myself
Well, just to get by
I can't tell a lie
I say to myself, 'Hello'

Well I crumbled inside
Since you said goodbye
I feel like I've died
Well I crumbled inside
Now I'm starting to cry
Oh no


... I can't find any lyrics online but I am willing to vouch for the accuracy of these...
 
 
The Return Of Rothkoid
22:37 / 24.11.02
I am, I said
To no one there
An' no one heard at all
Not even the chair


Thanks, Neil Diamond. Try asking the credenza next time.

Although he can redeem himself with that "good lord!" from the start of "Crunchy Granola Suite". For some of his sins.
 
 
Shortfatdyke
07:57 / 25.11.02
I've spent the last few days plucking up the courage to post a line from the first song I ever wrote. In my defence, I was around 14 or 15, but I was going to send it to the UK Subs and I was convinced that they would thank me for it. The song is anti-solvent abuse and contained the line:

whatever you do
don't sniff glue
.

Voice of a generation! Ahem.
 
 
No star here laces
08:29 / 25.11.02
But all of her friends
Stuck up their nose
They had a problem with his baggy clothes

Ummmm. Much as I love her...
 
 
Our Lady of The Two Towers
09:04 / 25.11.02
'Kazoo, Kazoo, you are mine,
Kazoo, Kazoo, everytime

Turn it up, turn it off, turn it in,
(X2)

Anyway you choose, anyway you choose at all,
Sometimes you do too much, sometimes it all gets too much.
(Chorus until bored)'

Ladeez and gentlemen, 'Turn it Up' by Blur.
 
 
rizla mission
10:54 / 25.11.02
Beyond a shadow of a doubt, there is no irony or humor in Conor Oberst or his music.

well... maybe irony and humour aren't exactly the right words, but y'know, there's a heavy sense of deliberate exaggeration and gothic romanticism and showmanship to Brighteyes lyrics .. in the same way that you wouldn't call Nick Cave's songs 'ironic' or 'humourous', but he doesn't actually go around strangling farmer's daughters and dumping their bodies in mineshafts and stuff.. Y'know, character building, bloody storytelling .. I love the way Conor takes the angst-ridden suicidal teenager persona to it's absolute extreme..

And for what it's worth, I think his political lyrics on the Desparicidos record are really fucking good .. pretty crude in places granted, but so's the stuff & emotions he's singing about .. I think it's great to have an overtly politcal group who are simply reeling randomly against the madness of the modern world, with (un)healthy amounts of self-hatred, confusion and direct observation rather than some preachy, musically & politcally thoughtout band trying to squeeze their rhetoric into MOR song structures..

which brings me nicely round to;

I walk into the White House/Right up to the president's desk/underneath my Dead Boys shirt/gotta bomb strapped to my chest/all your pitiful plees/they don't mean a thing to me/I push the button down and destroy society

I think those are great lyrics! Doggeral rocks. As do knuckleheaded revenge fantasies and completely gratuitous pop culuture references.
 
 
Sax
11:07 / 25.11.02
It's a bit unfair to kick the twitching corpse of a bunch of swords-and-sorcery obsessed Canadian losers when they're lying piss-stinking in the shadowy gutter of the once-mighty thoroughfare called Prog Rock, now demoted to a dark and shadowy dead-end alley thanks to the regeneration and shifting focus to more brightly-lit areas of Musicville, but you've got to hand at least some kind of Crap Lyrics Lifetime Achievement prize to Rush.

To wit:

There is unrest in the forest,
There is trouble with the trees,
For the maples want more sunlight and the oaks ignore their pleas


All these are dredged from a corner of my memory that has been padlocked and forgotten for many a long year, so forgive me if they're not 100 per cent accurate.

The trouble with the maples,
And they're quite convinced they're right
They say the oaks are just too greedy
And they grab up all the light

But the oaks can't help their feelings
If they like the way they're made
And they wonder why the maples can't be happy in their shade...


And on it goes. The maples form a union, and demand equal rights. And there's a big fight between these trees. And it's so bad all the little woodland creatures run away.

And then it ends with the forest all being quiet:

Because they passed a noble law
And the trees all get equal
With hatchet... axe... and saaaaaaw!


Absolutely turgid. Loved it when I was 13, mind.
 
 
The Natural Way
12:12 / 25.11.02
Now, I really love 'Canonball' by the Breeders, but

"I'll be your whatever you want:
The BONG in the reggae song"

is not okay. Ever.
 
 
The Natural Way
12:20 / 25.11.02
But, actually, the award has to go to Oasis. I'm not even going to bother giving examples. I mean, what's the fucking point?

And BTW, if anyone here gets close to even slightly liking 'Stop Crying Your Heart Out'....well, fuck, there's no hope for you Sonny Jim....
 
 
Ethan Hawke
12:30 / 25.11.02
My favorite lyric, ever:

I've seen a million faces/
And I've rocked them all

(guitar squeal)

This may top it for worst lyric of all time, though

I may be dumb, but I'm not a dweeb
I'm just a sucker with no self-esteem


The offspring. huh?
 
 
Sax
13:57 / 25.11.02
Runce, you've got to be joking.

I'll treat you like a Queen
I'll give you strawberries and cream
And then your friends will all go green
For my lasaaaaaaagne


Fookin' magic, that.
 
 
Saveloy
15:23 / 25.11.02
Now, Des'ree - 'Life'. Was it a piss-take?


I'm afraid of the dark
'specially when I'm in a park
And there's no-one else around
Ooh, I get the shivers

I don't want to see a ghost
It's a sight that I fear most
I'd rather have a piece of toast
And watch the evening news

Life , oh life , oooh liiife , oh life
Doo doot doot dooo
Life , oh life , oooh liiife , oh life
Doo doot dooo

I'm a superstitious girl
I'm the worst in the world
Never walk under ladders
I keep a rabbit's tail

I'll take you up on a dare , anytime , anywhere
Name the place , I'll be there
Bungee jumping I don't care!

Life , oh life , oooh liiife , oh life
Doo doot doot dooo
Life , oh life , oooh liiife , oh life
Doo doot dooo

So after all is said and done
I know I'm not the only one
Life indeed can be fun
If you really want to

Sometimes living out your dreams
Ain't as easy as it seems
You wanna fly around the world
In a beautiful balloon
 
 
The Natural Way
15:30 / 25.11.02
Okay, I'll give you that one, Sax.

But, YES!!!YES!!!YES!!, Sav, fucking Desree! I ALWAYS use her as an example of bad lyrics!
 
 
lolita nation
16:21 / 25.11.02
"In this ever changing world in which we live in"

Sir Paul McCartney, in "Live and Let Die".


Please tell me it's "in this ever-changing world in which we're living." That's at least a little bit better. Isn't it?

And I can't believe no one's mentioned Debbie Harry's little breakdown in "Rapture" :

And you get in your car and drive real far
And you drive all night and then you see a light
And it comes right down and it lands on the ground
And out comes the man from Mars
And you try to run but he's got a gun
And he shoots you dead and he eats your head
And then you're in the man from Mars
You go out at night eating cars
You eat Cadillacs Lincolns too
Mercurys and Subaru
And you don't stop
 
 
The Falcon
16:35 / 25.11.02
Robbie 'fucking' Williams. The cunt's cunt, as my pal once called him. I agreed heartily.

Some of the lyrics in 'Angels' are hilariously bad. I can't remember them, though.
 
 
Ethan Hawke
16:50 / 25.11.02
Oh yeah, Sir Paul!

This is my right, given by God.
I will fight for the right
To live in freedom
Talkin' bought Freedom....Freedom!
 
 
The Apple-Picker
01:42 / 26.11.02
Title: Sk8er Boi--or, "Lamentations," or "Lessons that I Learned from Avril Lavigne"

He was a boy
She was a girl
Can i make it any more obvious
(Point out the obvious, and then tell your audience that you've pointed out the obvious.)
He was a punk
She did ballet
What more can i say
See? They were totally different. He may as well live in the boondocks, and she, she's high society.
He wanted her
She'd never tell secretly she wanted him as well
But all of her friends
Stuck up their nose
Because they only had one. And all those preps are snots and they look down on all of us. They're not down to earth like us punks and sk8ers.
They had a problem with his baggy clothes (Because clothes do, in fact, define personality. Avril knows this, the preps know it, and so should we.)

He was a skater boy
She said see you later boy
He wasn't good enough for her
(This is because preppy girls are heartless--that, and because people in high school, especially preps, have such strong self-esteem that they would never be afraid of revealing their crushes to those who hung out in different cliques. They are secure; they are confident that other people accept them for who they are.)
She had a pretty face
But her head was up in space
She needed to come back down to earth
(This prep is a representative for all preps.) She thinks she's hot snot on a silver platter, but she's really just a cold booger on a paper plate.

5 years from now
She sits at home
Feeding the baby she's all alone
(Preppy girls get married right out of school and start popping out the babies, having sold themselves out for a colonial, two cars, and a collie.)
She turns on tv
Guess who she sees
Skater boy rockin up MTV
MTV = Success!
She calls up her friends
They already know
And they've all got
Tickets to see his show
She tags along
Stands in the crowd
Looks up at the man that she turned down
(She wants to be rescued from her miserable life of nursing children. If only she and sk8er boi had Got It On when they were in high school.... *sigh* Then, at least, she might be able to file a paternity suit. The moral here is that you should always Get It On with sk8ter boys, because, you kow, sk8ter boys have such a hard time getting tail. If you'd taken the risk, if you'd only hit that shit, well, your relationship would have been the ultimate. Because he's famous! And fame, as we all know, is integral to the success and intimacy of any romantic relationship.)

He was a skater boy
She said see you later boy
He wasn't good enough for her
Now he's a super star
Slamming on his guitar
Does your pretty face see what he's worth?
Bam! In your FACE!!!! In your pretty face, girl! Take that, biotch! How do you like me now?!

Sorry girl but you missed out
Well tough luck that boy's mine now
BooYah! (You should always rub others' faces in their poor choices.)
We are more than just good friends
This is how the story ends
Too bad that you couldn't see,
See the man that boy could be
There is more that meets the eye
I see the soul that is inside
(Clothes may make the man, but the man goes deeper than just his clothes.)

He's just a boy
And I'm just a girl
Can I make it any more obvious
We are in love
Because I'm a punk and because I used to sk8, I could see his true depth; I could see into his very soul. And that is why we are in love today--also, because we're famous.
Haven't you heard
How we rock each others world
Heh heh HEH! Look what you missin' out on. Ooh yeah, ooh yeah--it hurts.

I'm with the skater boy
I said see you later boy
I'll be back stage after the show
I'll be at the studio
Singing the song we wrote
About a girl you used to know
(You should never forgive mistakes. In fact, you should torment those who made them, and in addition to the initial torment, you should write and record the castigation so that those who made the mistakes will suffer in ignominy for the rest of their days on Earth, and indeed their very souls will twist in agony once those days on Earth are spent. And, since the mistakes are recorded for posterity, the sins of the mother will be visited upon the daughter, and her daughter, world without end, forever and ever, amen.)

(Praise be to Avril Lavigne.)
 
 
The Apple-Picker
01:47 / 26.11.02
[Sorry about that. HTML boo boo. Hopefully I've fixed it.]
 
 
The Return Of Rothkoid
01:48 / 26.11.02
in the same way that you wouldn't call Nick Cave's songs 'ironic' or 'humourous'

Hmmmmm.
 
 
The Strobe
08:02 / 26.11.02
That's the best systematic deconstruction of Avril Lavigne I've ever read . We have no further need of her, foolish record companies! Reabsorb her back into the Matrix!
 
 
Harhoo
08:08 / 26.11.02
If we're going for cringe-inducing, then may I proffer the famous opening lines of 'King Leer' from Morrissey's musical and lyrical nadir Kill Uncle:

Your boyfriend, he
went down on one knee
well, could it be
he's only got one knee?


The rest of the song is mildly amusing in an absurdist way (I tried to surprise you/I crept up behind you/with a homeless chihuahua) but the real reason why it's so embarrassing is the contortions my 17 year old self went through in justifying the lyric rather than accept the fact that it's a pile of pants from a bloke struggling with writer's block.

Of course, the song could be about pirates, in which case it's all gravy.
 
 
Saveloy
10:02 / 26.11.02
You can all pack up and go home now. I give you Spacehead, by The Primitives:

who's that boy with the vacant stare
walking round like he just don't care
looks so cool in his purple socks
saw him sitting on a pillar box

singing sha la la la la
sha la la la la
sha la la la la

when he walks on by
he looks at the sky
what is that boy on
he's a strange person

lives all alone in a beat up car
can't even drive so he don't get far
guess his head must be some place else
he's always talking to himself

singing sha la la la la
sha la la la la
sha la la la la

when he walks on by
he looks at the sky
what is that boy on
he's a strange person

who's that boy with the turquoise hair
walking round like he's still in bed
guess his head must be some place else
cause he's always talking to himself

singing sha la la la la
sha la la la la
sha la la la la
sha la la la la
 
 
Suedey! SHOT FOR MEAT!
10:49 / 26.11.02
That's excellent!
 
 
ephemerat
11:04 / 26.11.02
I may be showing my age here, but for utterly cringe-inducing, self-important, adolescent, pretentious nonsense I give my prize to Tasmin Archer for Satellite - this had me grinding my teeth for weeks:

I blame you for the moonlit sky
and the dream that died
with the eagles flight
blame you for the moonlit nights
when i wonder why
are the seas still dry?
don't blame this sleeping satellite
did we squander the chance
in the rush of the race
the reason we chase is lost in romance
and still we try
to justify the waste
for a taste of man's greatest adventure
have we got what it takes to advance?
did we peak too soon?
if the world is so great
then why does it scream under a blue moon
we wonder why
the earth's sacrificed
for the price of it's greatest adventure
and when we shoot for stars
what a giant step
have we got what it takes
to carry the weight of this concept
or pass it by like a shot in the dark
miss the mark with a sense of adventure
 
 
Suedey! SHOT FOR MEAT!
11:05 / 26.11.02
Although they've clearly ripped off one of Van Morrissons greatest.
 
  

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