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The Filth #1

 
  

Page: 12(3)

 
 
Wyrd
22:54 / 15.06.02
I only read the comic today. I really enjoyed the first issue, though it took reading it several times for it to come into focus. I can't remember the last time I read a comic that many times, and poured over every frame. Oh yeah, that was probably when I was reading The Invisibles.

Though, I would be cautious about comparing it too much to The Invisibles. There are some interesting parallels, but perhaps I have more faith in GM and think that it's unlikely that he will do some kind of shallow replica of The Invisibles. I even think, the main title, "Us vs Them" seems too in your face, and probably ironic. After all, the only difference (graphically) between "us" and "them" is there are more of them. They are actually identical. I found in amusing that someone on this thread even wondered who were the good guys and who were the bad guys.

I saw a lot of the things people have pointed out, the overt sexual references, the ugliness, and it seems to go back to the title of the comic itself. I like the crazy outfits that the Hand Officers wear (a bit of a throwback to Sebastian O I personally think). I find it interesting that the "hand" logo on Nil's outfit looks like it's giving the finger (also on her toothy garbage truck), while Slade's logo is of an hand with palm up, almost a peace symbol. I also think the fact that the cat does recognise Slade's departure indicates that not all of Feely is gone from Slade, and this will perhaps have ramifications on his further adventures.

The line "Cleansing" on the garbage truck, and the back of the jackets is funny. That's what garbage cleaners do, they clean. Get rid of all the filth. However, choosing that tense of the word is intriguing: it suggests an ongoing process, something constantly in action.

There are certain questions that go round in my head when I read this. Why would someone choose to hide in a "character" like Greg Feely - totally ordinary, and in fact a rather sad and lost individual. Perhaps Slade's previous existance was so bizarre and twisted that only this kind of character could bring him back to earth? I'm interested in the parapersonality concept (vintage GM stuff), and the fact that it is induced via some kind of drug/substance. Plus, that sexual contact (with a person, not one's hand) seem to "purge" this out of the system - probably why Greg had no sex life. That's a serious downside to "retirement".

The Hand officers seem very sexual, bright and guady, the anthesis of the "ordinary" life shown. I also wonder in which "world" do the Hand operate - the microworld created by Dr. Soon (I feel there is some significane to that name) or the outer world in which Simon (Says) works. I also wonder is that the only layer we will witness, and perhaps there are more micro and macro worlds in operation. GM, and most writers, would try and subvert expectations so I'll certainly be buying all 13 issues to see where he takes us.

Finally, time does seem very significant in this comic. Starting with the multiple appearences of Mr. Purplejacket, which are out of synch with the actions. Then there are constant references to time, clocks, watches, etc. in Greg Feely's life. I guess we'll have to wait and see how it all progresses.

It's nice to see GM operating within his own created universe (ha!) again, and not labouring at the salt mines of other established landscapes.
 
 
STOATIE LIEKS CHOCOLATE MILK
01:25 / 16.06.02
And I quote:

also, anyone want to hazard a theory on the significance of november 23, 2001, the date of the story's beginning?

Ummm... it was my 30th birthday? Nah. Probably not that then.
 
 
The Sinister Haiku Bureau
06:42 / 16.06.02
This is probably just pure pedantry on my part, but why does he get on a bus of number 17a, (p5), at a bus stop labelled 17a and only 17a, and get off at a bus stop labelled 19a (p7)( thereby implying that only 19a buses stop there?)... Actually, maybe that's the relevance of the bus star: that he accidently got on the wrong bus, percieving it, along with us, that it's a 17a, and ends up on the wrong side of town... the bus star is a wildcard character, representing the ever changing bus numbers... or alternatively, getting on the wrong bus was just another shitty thing to happen in another shitty day... and if this (wildly implausable) theory is correct, does that mean that our view of the world of the filth is filtered through greg feely's often slightly faulty perceptions?
 
 
Jack Fear
21:37 / 16.06.02
Wyrd saith: After all, the only difference (graphically) between "us" and "them" is there are more of them.

Or that "they" are considerably smaller, playing again into the microcosm/macrocosm aspect...
 
 
Wyrd
23:42 / 16.06.02
Jack Fear: "Or that "they" are considerably smaller, playing again into the microcosm/macrocosm aspect... "

Yeah, I thought of that too. The image works on a couple of levels. I do think it's a very strong front page, and quite different from the internal artwork. There's one couple (us) versus six couples (them). 1 to 6. I wonder do the odds mean anything? Though, that's probably taking navel gazing too far!

The bonsai Earth has only 2 billion people on it, and that's a lot less then "our" world has (over 6 billion and climbing).
 
 
The Natural Way
08:30 / 18.06.02
Well, I think I'll just lay the Segura-not-doing-the-covers palaver to rest.

No. 4:

 
 
Jack Fear
12:15 / 18.06.02
Yeah, the vibe I'm getting is that the covers were originally part of Chris Weston's purview and he drew a whole bunch--and then Carlos Segura was brought in to give the series a unique look (again, the interest in branding), leaving Weston and Hollingsworth with a slew of unused covers--which were then rebranded as "promotional art."

A lot of work went into those unused covers: hope Weston got paid for 'em, at least. He could use the cash: he's a new dad, too.
 
 
Murray Hamhandler
16:25 / 18.06.02
I'm no good at discussing design elements from a critical standpoint, so I'll just say:

I really, really, really like the Filth cover design. A whole, whole lot. Really.
 
 
sleazenation
17:19 / 18.06.02
It does the job of making the filth look unique on the comic stands. Now if only some of the superhero titles would start taking design cues from elsewhere then we might start seeing some very attractive covers indeed...
 
 
Ellis says:
18:11 / 18.06.02
Sleaze: An upcoming issue of the Hulk resembles the front of a cereal box: it looks fantastic.

Will have to try and find an image somewhere...
 
 
Perfect Tommy
07:17 / 19.06.02
Page 1 gives us multiple "camera angles" on one moment; compare and contrast to page 2, which gives us literal multiple camera angles.

How come Chris felt the need to doctor the pretty famous tabloid name but in the background you can make out the magazine "GQ".
--adamswish


If "Fun with Branding" turns out to be a prevalent theme, might this be deliberate? Check it out: in the convenience store we've got "Coola-Cola" (complete with Coca-Cola stripe) and "The Sum" juxtaposed with unaltered "Obsession" and "GQ". The aforementioned "Peni" water, "Young Sluts" magazine, generic kitty litter, generic beer. (It's got a distinct crown logo -- is it a brand I'd recognize as an alteration if I lived in the UK?)

Maybe I'm overanalyzing and it's just a matter of adding semi-brands for sake of realism; "Obsession" is barely noticeable and so the legal dept. let it slide, but Coca-Cola was too obvious. But, there's further conspicuous branding later ("Man-Size Tissues"; juxtaposition of cutesy "Mr. Miaow's Tuna Chunks" with "Hot Sex" magazine).

And there's still more in the dialogue: "European Red Hot Blue", "Kitty Krap", maybe even "James Bond" if you're feeling saucy.

Pg 4, Pn 5: I can't decide if Feely's looking directly into the camera or not.

Pg 6: The Alzheimer's conversation; Greg Feely doesn't remember who he is. And what's this thing that's "way beyond Alzheimer's"?

Pg 9: What magazine/type of magazine is she holding?

Pg 12: Greg being woken up is bracketed by Nil showering and Tony clearning himself. And, there's something hanging off of Greg's shower that's probably something wholesome but I'd like to believe it's either a sex-toy or an enema kit.

Pg 14, Pn 2: With the addition of his uniform and loss of the combover, pathetic Greg Feely is transformed into dashing and dignified Officer Slade -- at least, he would be, if he were wearing pants. ("This is a common enough self-image in dreams...")

Pg 15-16: The violence of his motions defending Tony flops Slade/Feely's combover back into existence. He may be a secret agent trained in toothbrush warfare, but by panel 7 he's a sad old man with a combover whose own cat is ignoring him. (I don't think Greg Feely is as purged as he's supposed to be.) Also, the injection Tony's about to get recalls "This injection is for your protection" -- more exploration of the inoculation/antibody idea.

Pg 16, Pn 2: "Stop calling me 'Slade'..." But he still refers to Greg Feely in the third person. So if he isn't Slade and he isn't Greg Feely, who the hell is he?

Pg 21, Pn 1: Probably coincidental geekery, but I think Dr. Soon was the name of the creator of Data and Lore from ST:TNG. But maybe it was Soong, I forget.

Pg 21, Pn 5: The throat mic reminds me of the throat cancer familiar from I-don't-know-when in the Invisibles.

Pg. 22-23: "2 billion innocent, trusting little victims"... Some questions that come to mind are:

  1. We are talking about micro humans, right? I assume so, but you never know;
  2. 2 billion, instead of 5-6 billion -- could the Bonsai Earth be at an earlier evolutionary stage than Macro Earth?
  3. Or else, could those be the 2 billion that are left after the cataclysm of a Moon-sized, burning Dr. Soon hitting the surface? (She's landed near the spot that I read was a likely site of the theoretical meteorite that sparked the dinosaurs' extinction.)
  4. And who says that the Macro Earth that the story is taking place on has continents of the same shape as the Bonsai Planet? Maybe this is just a weird version of that Twilight Zone where an astronaut named Adam crashlands on a verdant paradise planet and meets a woman who calls herself Eve...
 
 
Sax
06:29 / 25.06.02
I can say without a doubt that this is the best comic I've read in at least a year. And possibly since the Invisibles finished. Makes me realise how much treading water I've been doing with comics just waiting for Grant Morrison to turn in something Invisibles-class. Knocks New X-Men into several cocked hats.
 
 
grant
21:16 / 22.07.02
LePen looks like Morpheus when he first puts on his duds in the first issue of Sandman.
 
 
Mystery Gypt
22:33 / 22.07.02
which is what the cyphermen -- and the early king mob costume -- in the invisibles looked like too. i always wondered who was ripping off whose gasmask concept first -- and why?
 
 
CameronStewart
04:33 / 23.07.02
LePen and the Cyphermen also look like the Devil in Mark Millar and Chris Weston's 2000AD serial "Canon Fodder."

Weston likes the gasmasks.
 
 
yawn - thing's buddy
15:16 / 04.08.02
i keep seeing little hands everywhere - look - theres a wee hand crossing it's fingers (the national lottery sign) on the shop sign feely leaves.

look there's a wee hand pointing a finger as you go to post a reply.

in retrospecto:

yon toothbrush/syringe/double cat/double feely scene is a most absurd event - top ten bizzaro scenes ever in comics medium.
 
 
arcboi
19:40 / 18.08.02
As I've read The Filth out of sequence, some things confused me.

Is that Dr Soon being 'flamed' by Hughes on page 1? If so, where does this internet 'dark site' thing come into the picture? Is Slade being set up? Well, we know he is, but is he *really* being set up? I almost had the sense that 'Ned Slade' was made up and 'Greg Feely' was the real person.

Perhaps this is how The Hand gets new recruits, by fucking with their minds and convincing them they working for the Hand all the time.

Still, as an old UFO fan I did love the wig excuse ;-)
 
  

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