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I just read an excellent review of this issue, from one my favurite sites: Hero Realm
quote: New X-Men #122
Bottom of the Heap!!
'Imperial'
Cassandra Xavier, now in control of a Shi'Ar destroyer fleet, makes her inevitable return to Earth.
After finishing the surprisingly good silent issue from Grant Morrison and Frank Quitely, I had a glimmer of optimism regarding the return of Cassandra Nova Xavier. Now, it's no secret around the Hero Realm community that I'm less than impressed by this villain. Ever since the horrible "E Is For Extinction" storyline, I have learned to dread any story featuring Cassandra, because Morrison's writing always seems to be at its worst when this overrated villain is present. Partly, my strong dislike of Cassandra stems from her undefined motivations-- she is evil because the story requires it and no more. Moreover, up to this point, the execution of the Cassandra plot required everyone around her to act like incompetent buffoons so she could conveniently acquire a Shi'Ar armada and terrorize the X-Men some more. In spite of all these reservations, I crossed my fingers and gave Morrison one last opportunity to change my mind regarding the character and the story he's telling with her, in the hope that this chapter could do more for her character.
Sadly, Grant Morrison's story utterly failed to live up to the promise of the silent issue. If anything, this tale is a weak and predictable continuation of a story that had little creative merit to begin with. As expected, Cassandra manages to completely fool the Shi'Ar until she acquires a destructive space fleet. Why does she want one? Who knows? How did Cassandra manage to get past Xavier-class telepaths like Oracle and others? The same way she managed to switch bodies with Charles without either Emma Frost or Jean Grey noticing-- writer's favoritism. Grant Morrison apparently loves his pet villain so much that Cassandra cannot seem to lose no matter how much logic demands otherwise. As stated in X-Treme X-Men #9, it also turns out that Cassandra infected the entire team with mental illnesses. Nice idea, except that Jean and Emma should have been able to detect and at least attempt to intercept them before they took root. As much as Morrison beats Cassandra's supposed brilliance over the reader's head, her success is due solely to the stupidity of the X-Men and the Shi'Ar, not due to any intelligent planning on her part. If only that were the sole flaw in the writing this month.
In the first place, Emma's speech to the assembled students comes across as more than a little disturbing. Emma speaks of the school's intention of abandoning the "human" educational system for a mutant system that is supposedly more flexible. Leaving aside the fact that the human educational system worked just fine for the X-Men, the New Mutants, and Generation X, this entire line of thought strikes me as very racist coming from the X-Men. I realize that the X-Men may harbor some understandable resentment towards humans for being outcasts, but they've never previously thought of themselves as being superior to humans because they have powers. While Emma herself may believe that (and that would be acceptable), she speaks on behalf of Jean and Xavier, who most definitely do not. This is the same kind of bigoted thinking I expect from Magneto, not the guardians of Xavier's dream. To the story's credit, Cyclops actually confronts Jean about this later on, which is very much in character for him to do. However, the opposition is based more on public relations than on any ethical grounds. By portraying the X-Men in this fashion, Morrison erodes the themes of racial tolerance that have defined this book since the first issue.
While Morrison has been more judicious with continuity in the past, he drops the ball in two key places. In Scott's confrontation with Jean, he warns her that she may lose control again. Clearly, he's referring to the Dark Phoenix Saga here. The problem? The being who died at the end of the Dark Phoenix Saga was later revealed to be the Phoenix entity, not Jean herself. I'll admit up front that I am no fan of the retcon used to bring Jean back from the dead. However, this is a major piece of Jean's history and should not be swept under the rug without an explanation. If Morrison did not want to deal with the retcon, he should not have addressed the issue to begin with.
Worse, however, is the horrible explanation for Cassandra's existence. We were told at the end of "E Is For Extinction" that Cassandra was the first of a new species beyond mutantkind, and that she carried an "e-gene" that compelled her to destroy mutants. Now we are being asked to accept that she was living emotional energy without a body, which she created from Charles' own cells. The two positions are incompatible, because Charles has always been a baseline mutant with no "e-gene" of any sort. Unless some way is found to reconcile this, Morrison is openly contradicting his own continuity.
Cassandra's motivation also makes little sense as explained here. Destroying Charles I can understand. But why would Cassandra be so concerned with causing widespread destruction? Why not kill Charles while she had him at her mercy? Why take over a space fleet and invade Earth? The exposition does not cover these facts, and so Cassandra remains a purely evil villain with nebulous motivations, as she has been since the beginning of this run. Morrison's nonsensical explanation does nothing to turn me around on a character that already had little going for it.
Exactly how Frank Quitely managed to win a Wizard award by drawing a small handful of issues with deformed figures is well beyond me. That said, he does better work here than in previous issues of this title. Quitely seems to have a better visual grasp than he did previously, but they still are not pleasing to the eye. His concept of anatomy is sorely lacking, shown clearly by the fact that the Imperial Guardsman Smasher (who had been shown previously to have normal human physiology) now has a chin that stretches out far longer than Jay Leno's. Quitely still has trouble drawing the female figure, particularly Lilandra and Emma, although he's admittedly improved slightly since "E Is For Extinction". I've also noticed that Wolverine's head tends to be slightly out of proportion to his body in spots. Some of Quitely's layouts don't work for me either. He tends to draw panels that are longer than they are wide, which imply a long span of time. But some of the illustrations are meant to take place over a short period of time. The result is storytelling that looks clunky and uneven in places, and disrupts the pacing of the story. However, I do have an appreciation for the way Quitely does backgrounds and perspective. Even his storytelling isn't so bad when the layouts are not quite so wide. Overall, Quitely does average work here, though the art is by far the strongest point of this comic.
For all the critical acclaim this series gets, the creative output on New X-Men is unequal to it. Grant Morrison has long overstayed his welcome on the X-Men, if poorly conceived and plotted stories like this one are the norm. Perhaps if Morrison placed a little less emphasis on ludicrous and over-the-top villains like Cassandra and more focus on story logic, this title might be actually be something approaching enjoyable.
This review earns itself a 5.6c, losing points due to continuity errors and a stray banana. Extra jalapenos + 3. |
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