Okay, bought it, read it, loved it, but wanted more. Somehow, the lack of verbal dialogue made it flash by faster, leaving me unsatisfied.
Some random thoughts:
Xavier Institute sign now cleaned up (wonder who had to scrub off all the 'Mutants Out' stuff?)
Jean and Emma with their hair up - nice. Wolverine going 'casual' - even nicer.
The extraordinary 'going in' sequence with its six concentric circles - anyone else appreciate the veiled reference to King Mob's 'Barbelith' experience beneath Uluru, in the form of the enormous hollow fish buried deep? Good to see it's in the deepest chambers of Xavier's mind...
I loved the dreamlike vistas thereafter, everything loaded with significance, iconic, archetypal. Everything charged: the Tower, Jean's bridge, those strikingly eerie Cassandra-faced doors.
Nice emoticons: give the feel of being in a video simulation. Initially mistook Emma's crucufix/death symbol (presumably meaning "will be both die?") for a plus sign, but I think the death meaning is the correct one.
Jean building a bridge from what lies behind her. Wow.
The green 'alphabet gob' extruded by the Cassandra-door... is this another version of the 'liquid language' stuff Morrison explored in The Invisibles? In a later panel, when Emma's face is mired in the stuff, it mischievously spells 'P E N I S' - or, alternatively 'S P I N E'...
Something incredibly creepy about the image of Xavier/Atlas bowed, foetal, beneath the weight of his own cranium, particularly when the Tower's crumbled and he's left lying on the beach.
Bet the Marvel site's beseiged right now... |