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Epsiode Two. The things that I thought were wrong with Episode One, made worse.
Pacing. Christ, I wish Moffat would pause for a fucking breath. Seriously, that was all over the place. Twenty minutes in and I was still trying to digest what the hell was supposed to be going on with the "three weeks later" nonsense.
It worries me, because I can't see an awful lot of the show's supposedly intended audience being able to get a grip on what was happening. It's all very clever and very showy, but I honestly don't think it's particularly well aimed - with these two episodes, he's writing for an adult SF audience, not children. Bar the haunted house bits, which, again, I thought descended into a muddle.
Then there's the reuse of old ideas. Keep one alien in view at all times. Oh, you mean like with the Weeping Angels. Here's a device that lets you hear somebody's panicked, upsetting confusion so that Murray Gold can whip out his 'sad music' score. A lot like the electronic death echoes fom Silence in the Library, then.
And, once again, a bit of foreshadowing that exists in isolation, meaning that the audience is even more baffled. The little window opening in the door? Who the fuck knows? It'll be something to do with Amy's labour, no doubt, and it seems rather blatant that the little girl is her daughter, but these are ideas that go nowhere, because we've not been provided with any other hints. Contrast this to the much-discussed jacket/no-jacket discrepancy from last series, which planted a tiny little seed in the heads of the teeny number of people who noticed it. There's a big difference between something with that kind of remarkable subtlety and a scene like the one in this episode, which effectively hits you over the head with a puzzle-shaped cosh.
What we've got is a crossword puzzle with no clues, just the empty board. That's no fun.
Even so, I think I enjoyed it. It's just a bit difficult to tell. This series needs to slow the fuck down, to give its undoubtedly clever and effective ideas time to sink in and mature. Opening episodes tend to set the tone, though, so I'm starting to worry. |
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