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J K Rowling voted best living British writer by The Book magazine.

 
  

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ONLY NICE THINGS
13:03 / 25.06.06
So, hang on - you haven't read JK Rowling, but you're prepared to say confidently that your picks are better writers? Ignorance is never convincing, James.
 
 
Jack Vincennes
13:31 / 25.06.06
Aside : I forgot to say, Thank you for your explanation Quantum, that makes sense. I was away from my computer for a couple of days and this thread was downpage when I returned.
 
 
babazuf
09:14 / 26.06.06
Gauche though I may be, I like Rowling for having made reading accessible to the large number of people who wouldn't normally be caught dead reading anything but tabloids and the backs of soup cans.

I appreciate many of the criticisms of her writing that you (plural) have aired; I wouldn't dare to call her a great writer by any means, but I do think it rather unfair to suggest that she isn't - at the very least - a servicable (if unambitious) writer with friendly characters and a blandly pleasant demeanour.
 
 
stml
11:14 / 26.06.06
Haus - I've read enough Rowling to know she isn't for me. But I'm not sure what you find unconvincing in my statement: I don't think I said anything about Rowling that anyone is going to argue with, I certainly don't consider myself ignorant on the matter and suggest you don't either, and of course I'm more interested in discussing writers I have read and enjoyed. Just adding my tuppence to the debate...
 
 
ONLY NICE THINGS
11:24 / 26.06.06
Ah, right - so when you said that you can back it (the belief that Home and Sinclair are the best living British writers) up, you meant that you could explain why you personally liked Stewart Home and Iain Sinclair a lot, rather than why they were in objective fact the best living British writers? And also, when you said you had not read Rowling's (one) book, you meant that you had not read any of the iterations of Rowling's one book to the end, rather than that you had not read it at all, but that you had read enough of it to conclude that it was not for you - that is, that you did not personally like it as much you like Home or Sinclair's books?

Well, that makes a lot more sense - we're back to personal taste, and in those terms Rowling's victory makes sense, because she is to the taste of a lot of people, and clearly a lot of people who read and who vote in this particular publication.
 
 
Cat Chant
11:21 / 24.07.06
Well, but then why do we need a poll? If it's just about who's shifting the most units, what distinguishes a 'best living writer' poll from the bestseller charts? We already know that Rowling is the most popular writer in the UK, Europe, the World, the Solar System, the Universe, the Mind of God: surely the only reason to ask about the best living writer is to make some sort of distinction between 'most popular' and 'best'?
 
 
ONLY NICE THINGS
12:10 / 24.07.06
Well, no. The reason to ask about best living writer in this case was to get people to write into The Book magazine, to produce an article that would encourage people to buy The Book magazine, and also to provide a story that PRs can place in newspapers looking for copy.

That's a pretty reductive answer as well, I realise, but I think it's important to keep in mind that a pure and disinterested curiosity about the people's opinion of who the best living British writer is was at best a minor motivation for this survey.

Hmmm. The more I think about this, personally, the odder the "living" prohibition becomes. I mean, why let people vote for Harold Pinter but not for Sarah Kane, Tom Gunn but not Ted Hughes, Richard Adams but not John Fowles... "alive" seems a really arbitrary genre distinction.
 
 
ONLY NICE THINGS
12:37 / 24.07.06
Ahem. It's been pointed out that Thom Gunn is a) Thom Gunn and b) also dead. Please to substitute living 60s poet of choice.
 
 
Quantum
13:03 / 24.07.06
We should have a Barbelith poll that's based on 'good writing' as opposed to 'my fave', and that doesn't exclude the dead, but does exclude authors who have more money than the Queen.
The problem is it will probably start looking like an English Lit course, full of classics. How about just the last century up to today?
 
 
Princess
14:54 / 25.07.06
Three words:

Jeanette Fucking Winterson.
 
 
This Sunday
18:47 / 25.07.06
Literary and a crowd-pleaser/easy-read: Wodehouse.

Yeah, you can all throw things at me now, but, still.

And I'm trying to avoid any expatriate. There's a number of those.

Or was he run off after the Berlin broadcasts?

Anyway, stands 'til disqualified, as a nominee.
 
 
Jack Vincennes
20:29 / 25.07.06
Sadly not living, Decrescent... (would have been an exceptionally fine innings if he was, though)
 
 
The resistable rise of Reidcourchie
12:27 / 26.07.06
"We should have a Barbelith poll that's based on 'good writing' as opposed to 'my fave', and that doesn't exclude the dead, but does exclude authors who have more money than the Queen."

Because only we know the secret of good writing, stupid, stupid British people.

Okay I'll go along with this, I nominate JK Rowling! Why? Well because I may have got this wrong but I read for entertainment, I find the HP books entertaining, very so in fact. I "know" that Stephen Fry and Iain Banks (with or without the M) are "better" writers but if it comes down to choice between the new Banks or the new Rowling I'd probably buy the new Rowling.

Now how do I "know" that Banks and Fry are "better" writers than Rowling, well I'm almost embarressed to admit it but it's subjective personal opinion because I had to hand it my objective authority on everything and arbiter of British taste badge after the incident with the dead rabbit and Will Self.

The other thing about Rowling is I believe that her works will prove considerably more influential than the likes of Banks or Rushdie etc. Again this is opinion but I think in years to come she'll probably be lauded as a literary genius like that cunt Tolkein. I also question if anyone would have ever heard of Pullman if not for Rowling.

Already touched upon in this thread there are a lot of teachers who won't hear a bad thing said against Potter because it's got their kids reading. One particular teacher comes to mind who teaches at a pretty racially diverse school in London. Where...shock...gasp...even children who aren't white or boys read the books. Stupid, stupid brown children and stupid girls! Don't they know that only Barbelith knows the truth about Rowling!

Now lets have no more nonsense or I'll nominate (the other) Dunacan Falconer as the best living British writer.
 
 
ONLY NICE THINGS
13:53 / 26.07.06
Tolkein isn't considered a literary genius by anyone without an engineering degree, dude.
 
 
The resistable rise of Reidcourchie
13:56 / 26.07.06
It's the fucking seat at Oxford that galls me the most!
 
 
The resistable rise of Reidcourchie
14:01 / 26.07.06
Actually strictly speaking what I've just said about Rowling could probably be applied to Tolkein (though it would baffle me completely) but I don't like him so I say bad things about him despite the fact that he's got to be one of, if not the most influential fantasy writer ever (the evil fucker even influenced Rowling and Pratchett).

Except for the live bit of course.
 
 
Dead Megatron
19:15 / 26.07.06
Tolkein isn't considered a literary genius by anyone without an engineering degree, dude.

I agree, he was not a literary genius. He was a linguistic master craftmanship, and he manage to create a mithologic account of the History of the World (probably the only in several hundred, if not thousands of years), although admitedly strongly influenced byu the already existing norse mithology. But he didn't create any innovations or defied the institutions of modern literature (in fact, he actively avoided any resemblance with "modern lierature"), so to say he was a genius is imprecise.

But, man!, he was good.
 
 
The resistable rise of Reidcourchie
07:16 / 27.07.06
But I believe we're talking about the craft of writing not the peculiar ability to confuse the Welsh language for Elvish. I mean for God's sake DM we're talking about the bastard father of Terry Brooks! I suppose if he didn't create then he perhaps mastered the literary sedative.

Anyway I don't think I'm doing my argument much good.
 
 
Mistoffelees
09:15 / 27.07.06
I see no hope for Rowling to be recognised decades down the road. Harry Potter will be quickly forgotten, once people have read the last installment
(although: no more novels when she´s just turned 40? No way, not that she needs more money, but imagine knowing you will be asked "please, write just one more" for the rest of your life).

If many novels are more or less the same (Whew, away from the Dursleys, Snape is mean, Harry you have to learn!, no time new broom, Big fight, Dumbledore says something meaningful, Hogwarts Express), it´s well done entertainment, but not literature.

One example I see is the weight of it all. I never have seen Harry after all those years and all those near deaths and all that experience of loss and war to wise up. If you know, the most powerful alphamale and his gang have it in for you and the government again and again turns a blind eye, do you really have the time/energy/need to pick fights with idiots like the immature slytherin pupils? Why not just learn all you can about magic while you have the best ressources and teachers available, instead of running around at night and procrastinating all day (I couldn´t understand his lazying about with the tournament at all, for example). He often survives because of sheer luck and people helping him deus ex machina style.

With Tolkien on the other hand, you see why Sam and Frodo keep on going, even when in the end, they could just lie down and die. It´s not about this big battle good/evil, or fighting for all those lovely elves and shining knights. They only want to save their home, and they know their people are fucked, if they lose. Everywhere there are these really important Kings dying left and right, and centuries old cabals are spinned, but that´s all utterly unimportant and will turn into ash, if Frodo says: Aahh, fuck it.

I don´t really see this level of urgency with Rowling´s tales. The whole world might end, and our heroes rather tackle their "relationship" issues. Except for Snape, I have not seen anyone on the "good side" really being dedicated to get prepared for that last "I have written these pages ages ago" stand. And it´s so obvious, the evil ones will fail, so what´s the point? The best example here is Snape teaching Harry, although they hate each other, and Harry betraying his trust in the worst way possible.

And my idea, who of Harry´s close ones gets killed this time: Whoohoo has had to listen to his whine many nights? Yes, his owl will get avadakebaped into fowl stew (Come on, Joanne, show some guts and do it!).
 
 
Quantum
09:37 / 27.07.06
Reidcourchie, you've really confused me here. What?
 
 
The resistable rise of Reidcourchie
09:51 / 27.07.06
"I see no hope for Rowling to be recognised decades down the road. Harry Potter will be quickly forgotten, once people have read the last installment"

Because the books pretty much being the most popular books ever is just a bizarre popular cultural aberration? They will be forgoten much in the same way that Star Wars (a badly written and poorly acted film) and Beatles were?

"it´s well done entertainment, but not literature."

How do we know the differance? In fact I say she's literature, please explain why I am wrong and you are right without being subjective. Sherlock Holmes arguably one of the most important character in British literature started off as pulp. Alexander Dumas seems pretty pulpy to me, in fact so does the Iliad (Homer can manage characterisation" 5000 years on and Tolkein can't!) and even Lovecraft's a penguin classic now.

Actually Lovecraft's a good example a relatively obscure author (to the majority of people) yet he won't go away. Your going to tell me that Lovecraft has staying power and the most popular author in the world since the Church wrote the bible isn't?

I'm not going to get into a Tolkein vs. Rowling celebrity death debate because my Tolkein comments were actually meant to be throw away and I'm not sure how relevant the discussion would be.

All the engineers I know either read hard SF or books written be people who were in the Special Forces.
 
 
matthew.
11:42 / 27.07.06
Can we actually say that the Iliad is pulp? Haus, help me out here. Is it an unfair comparison to make, considering that the Iliad was a song first and foremost.

Also, your characterization of Dumas pere is spot-on. Yes, he is pulp. He was completely aware of what he was doing. But is he considered the best French writer ever? No, he's just really popular. Nobody puts him on the same level as Homer or Shakespeare. He just wrote good stories. So a comparison to Rowling is somewhat similar. She's just writing good stories, she's popular, she's not "literary" per se. I think you're giving too much credit to Dumas pere than he deserves.
 
 
The resistable rise of Reidcourchie
12:16 / 27.07.06
I'm giving to much credit to Dumas by describing him as pulp and then having you agree with me? Weird.

Shakespeare was incredibly populist, I struggle to think of writer who was more so, he was the playwriting Dan Browne of his time. He even made up lies about a perfectly good Scottish king to lick the arse of the then royalty. He sort of had to be popular so people would go and see his plays, theatre wasn't quite so exclusive then you see, they didn't have multiplexes or Bernard Cornwell novels at the time.

As for the Iliad I'm sure the people of ancient Greece were having similar heated discussions about the poem in whatever equivalent they had for the internet at the time (shouting I guess). I wasn't saying that it was pulp, though I'm guessing it was populist and that it's popularity is one of the reasons why we still know of it today. To me the Iliad seems to be a series of Battle Scenes with melodrama in between, a bit like Buffy, it certainly fulfils my criteria for pulp but of course it's older than the Harry Potter books therefore it must be literature and we should revere it more.
 
 
The resistable rise of Reidcourchie
12:57 / 27.07.06
Incidently use of the word Iliad is not intended as some kind of Haus summoning invocation, we're all grown ups and capable of discussing the Iliad on our own if need be.
 
 
Quantum
18:59 / 27.07.06
Reid, do you think there is a difference between how much we like a writer (subjective, of course) and a more consensual or objective quality of skill at writing? People study some texts and not others in school, and the texts that are chosen are usually agreed to be examples of good writing. Whether you like something or not you can recognise the writer's skill, or clumsiness. I love badly written fantasy novels for example, and I like Rowling but I don't think she's a great writer.
 
 
matthew.
20:44 / 27.07.06
Perhaps we conflating the terms pulp and popularity. With popularity, I'm going to define as mainstream, iconic, global phenomenon for the sake of examples.

Dumas pere = both pulp and popular

Dumas fils = popular, not pulp

Dashiell Hammet = pulp, but not popular (as per my def'n)

Philip Pullman = popular, but not pulp
 
 
ONLY NICE THINGS
00:55 / 28.07.06
I wouldn't want to interfere with a promising line of inquiry, but one question:

To me the Iliad seems to be a series of Battle Scenes with melodrama in between

Have you actually read it, Reidcourchie?
 
 
The resistable rise of Reidcourchie
07:07 / 28.07.06
No but I've seen the film, it's the one with Brad Pitt in it isn't it?

Yes Haus I have read it, it's the E.V. Rieu translation, it was some years ago not and perhaps my description of it was a tad flippant but my memory of it was of reading a cracking good war story. I also liked the idea that one of the principal characters pretty much sulks for the majority of the story.

I'm away for the weekend I'll post more when I return.
 
 
The resistable rise of Reidcourchie
07:08 / 28.07.06
Is it a Barbelith rule that you have to respond to the use of the word Iliad in any given thread?
 
 
ONLY NICE THINGS
07:55 / 28.07.06
If you take the time to read the thread, Reid, you'll find I was already here. You replied to me a couple of times.

I'd certainly agree that the Iliad is a cracking war story. Where I think we differ is whether that makes it pulp. You think it does, I don't. As it happens, I think your comparison with Buffy has certain strengths, but you've got it the wrong way around. The idea that the only reason it is more revered than J K Rowling is that it is far older is a painful stretch. It was certainly popular. Populist is a more difficult question, for all sorts of reasons a bit too complex to go into here.

I'd suggest you reread the Iliad. It's very good. You can get some context and background in this thread.

Meanwhile, it strikes me that Homer is neither British nor alive. As such, offtopic a little.
 
 
Less searchable M0rd4nt
12:43 / 30.07.06
Tolkein isn't considered a literary genius by anyone without an engineering degree, dude.

Dude, standing right here? Standing right exactly here!

(Okay, I realise that I personally may not be in the strongest position to challenge that comment, but...)
 
 
Hydra vs Leviathan
13:02 / 30.07.06
even Lovecraft's a penguin classic now.

Utterly OT, but that phrase made me laugh out loud by giving me an image of giant albino penguins, somewhere in the Mountains of Madness, discussing literature in between crying Tekeli-li! Tekeli-li!...

Thoughts on Rowling, Tolkien and Pratchett to come, when i can get myself into a sufficiently "fantasy-ish" mood to be bothered thinking about them (which is itself possibly rather telling about their status (which i by no means regard as equal between the 3 abovementioned) as "literature" or otherwise)...
 
 
The resistable rise of Reidcourchie
09:04 / 31.07.06
"Reid, do you think there is a difference between how much we like a writer (subjective, of course) and a more consensual or objective quality of skill at writing?"

No, or rather how do you feel that we have arrived at that consensus?

"People study some texts and not others in school, and the texts that are chosen are usually agreed to be examples of good writing."

Not really, agreed by whom? Again it comes down to a question of abrogating your taste. Last of the Mohicans is considered great literature yet it is one of the few books I've not actually made it to the end of because, in my opinion, it is so badly written. Also I studied the X-Files for my dissertation, a friends of mine use Brechtian theory to analyse wrestling. Pretty much anything can be studied and has a value in understanding culture whether it's considered popular or otherwise.

"Whether you like something or not you can recognise the writer's skill, or clumsiness. I love badly written fantasy novels for example, and I like Rowling but I don't think she's a great writer."

But again as to whether or not it's good writing is subjective, what you are saying is that you're opinion is influenced by external factors, well of course it is but that's not an excuse to abrogate your own taste or what you seem to be saying is that you feel your taste is lessened or diminished because you like fantasy novels.

Mattisse you're right I've been using populist, popular and pulp almost interchangeably here which is a little lazy. I shall attempt to be more careful.

"I'd certainly agree that the Iliad is a cracking war story. Where I think we differ is whether that makes it pulp. You think it does, I don't. As it happens, I think your comparison with Buffy has certain strengths, but you've got it the wrong way around. The idea that the only reason it is more revered than J K Rowling is that it is far older is a painful stretch. It was certainly popular. Populist is a more difficult question, for all sorts of reasons a bit too complex to go into here."

Okay populist rather than Pulp. Now you have me at a disadvantage as clearly you know more about the Iliad than I but I'm willing to bet that when Homer wrote it he did so to appeal to as many people as was humanly possible. This idea that "popular" writers should be looked down on I'm pretty sure is a new concept as I struggle to think of many writers of the past penning their masterpiece and thinking : "Hmmm, I only want literary snobs to read this..." They are considered better because they have been around for longer and there is this mysterious received wisdom that because they've been around for a while they should be judged in a separate literary category to the HP books.

Lets take a hypothetical example fifty years times the HP franchise is still going strong but you have to search long and hard for a Paul Auster novel. Those of you saying that there is some kind of objective benchmark of quality (Incidently would someone like to define that?) whom is the "better" writer (though strictly speaking comparing Auster and Rowling is a bit like comparing Bambi and Taxi Driver they are written with a very different target audience in mind)? Throughout history how many hypothetical Paul Austers do you think we've lost? Great books and authors that have gone missing yet Tolkein is still with us? Why? Because he's popular. Popularity is the reason that things stay in print because publishing is a business.

Face it the Bronte sisters where the Catherins Cooksons of their time.

Why do you think the comparison with Buffy has strengths? Strictly speaking the closest filmic equivalent to the Iliad I can think of would be Black Hawk Down but I can’t see that comparison going down very well here.
 
 
Dragon
12:51 / 01.08.06
but boys don't read books with female protagonists or at least so the received publishing wisdom goes

Is that really true? Or is it your opinion? I happily read both.

More women read fiction than men, statistically, and everybody reads more fiction than whites, statistically

As a white boy doing a lot of reading, I never knew that. Guess I'm an exception.

I've never read Rowling. I'm not into magic. But I was wondering if the readers care about the characters? I think that would be a big plus whether or not she is a good writer. Plus, I remember reading that kids couldn't wait to get the next book. Maybe it had something to do with it being popular? an "everybody is doing it" kind of thing? Also, I read that many parents wanted to see what the kids were reading and got hooked, themselves.
 
 
The resistable rise of Reidcourchie
08:36 / 02.08.06
I see that both John Irving and Stephen King have asked JK Rowling to not kill off Potter in her final book.
 
  

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