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Underground > Film, TV & Theatre >

The Sopranos - Season Six (US and Canada only) (Spoilers!)

  
  

Page: 12(3)456

 
 
matthew.
22:03 / 26.04.06
I like that the producers and writers often keep the audience in the dark about Tony's thought processes, and Tony's overall intelligence. I don't think he's stupid, yet he's done all sorts of stupid things and said some ridiculously stupid things. You don't get into Tony's head unless... we find out something while Tony remains clueless. It's the "false interpolation" from Joycean studies. The character would know something if only he would look in the right direction.
 
 
Benny the Ball
00:02 / 27.04.06
It's a strange mixture of being the smartest player on the block, whose emotions sometimes get the better of him (punching Ralphie, giving his mum the airline tickets, etc etc) and being so lost in the real world - the continued attempts to talk about current affairs based on whatever news story he has seen that night, and the talk with Christopher about the credit card fraudsters being terrorists was so fantastically dumb.

Remember though, while in the coma everyone was forbiden to be negative near Tony, so maybe that has shifted his outlook (in fact Paulie talking almost sent him over).

I can't remember, but what does dreaming about losing teeth mean again?
 
 
PatrickMM
21:37 / 01.05.06
Episode 8

Looks like things are going well for Vito. Will he be the only character in the show's entire run to actually end up happy? I'm still figuring that we're going to build to a crisis point where someone from the crew finds Vito and Tony has to choose whether to authorize a killing, but Chase almost always refuses to give you the plot you're expecting. I'd love to see a couple of mobsters go up there to kill Vito and wind up getting busted by the firemen. They keep dwelling on the fact that everyone except Tony wants Vito dead, so clearly it's going somewhere.

As for Tony, the fact that he wouldn't have sex with Juliana was a huge moment. However, it's unclear whether it's because of his post coma change or just guilt over the fact that Carmela took care of him for so long. Again, he found himself infantilized by her when he needs her to do the buttons on his shirt. The end of the episode seemed to express Tony's frustration at actually having a conscious. He really wants to sleep with Juliana, but he couldn't, and that's why he's yelling about the smoked turkey at the end. He needs to take it out on someone.

AJ dropping the knife and getting pounced on by the nurses was classic Chase, he sets up a potentially really interesting plot point, AJ killing Junior, and then subverts it when AJ, true to form, is just too inept to pull it off. It was really sad seeing Junior so alone, wishing he could get some mail.

AJ finds himself struggling to live up to the image that his name creates. As Tony says, he's not that kind of guy, and the fact that everyone seems to be using him to get to his father grates on him.

One thing I'm wondering is what other people think Tony's reasons were for choosing to sell the store. On one level, you could read it as him choosing his own sexual desires over loyalty to his associates. But the fact that he waves to that old woman right before he chooses to sell seems to connect it to his larger issues with the mob world. He's previously been about defending traditional values, old school neighborhood character, but this woman is absurdly racist, and his crew are all clinging to outmoded ideas about what a man has to be. So, in some ways it's Tony rejecting the value system he's clung to his entire life.

This is reinforced in the scene with AJ when he says The Godfather, this idealized image of the mafia world that they all cling to, is just a movie.
 
 
ibis the being
09:43 / 02.05.06
Again, he found himself infantilized by her when he needs her to do the buttons on his shirt.

You think? I didn't see it that way, but that would change the meaning of those two scenes a lot for me. I thought he was accepting her help with the shirt and letting her pamper him, not that he actually needed her to do it. My reading may be too optimistic, in that I saw him displaying real affection & loyalty rather than dependence.

I think you're right about Tony rejecting the world he comes from... I thought the episode as a whole was about the mob becoming outdated and losing its place in the modern world. Vito's anger & violence is misplaced, antiquated, foolish in his new setting (as a New Englander, though, I have to say NH is not a bastion of liberalism and he should be in VT). The Starbucks-clone being structurally unable to buckle to mob muscle. AJ being pressed to use his family connections in a casual way by fellow clubbers, like he's Paris Hilton rather than the son of a violent & dangerous mob boss. I think Tony realizes the mob and its structure have no place in the world anymore, and we're going to see them unravel as the show winds down to an end.
 
 
PatrickMM
19:46 / 02.05.06
I got the sense that he was having a lot of trouble with the shirt and did need her to help him. However, on the whole, I think your reading of the scene is equally valid. In choosing not to sleep with Julianna, it's a mix of motives for Tony. He's clearly very grateful to Carmela for helping him, and the shooting made him aware of just how important she is to him. In fact, even before that, in the season premiere, they had a much more loving dynamic than we'd seen before. It took the separation to make Tony realize how important she was to him.

And it's this affection that contributes to him being unable to go through with the affair. So, the newly awakened conscious, his guilt about the fact that she had to take care of him, and genuine love for him all make him unable to do something that had been so easy in the past. As the smoked turkey scene shows, he's clearly got some rage about the fact that he's so dependent on her, but it's his choice not to go through with the cheating that ultimately speaks loudest.
 
 
Benny the Ball
20:44 / 02.05.06
He's behavour towards AJ was also indicative of more compassion and more of a need to listen to his conscious - the fact that he actually took time to try and see it from him point of view (the switch in manner, the 'deep down I'm sure you think you were doing the right thing, but it's not you, you're a good guy' speach).

It was a typically unsettlingly non-eventful mid-season episode, lots of suggestions of things building, but nothing happening really.

Loved the Brokeback Capo moment.
 
 
matthew.
02:02 / 18.05.06
So Vito has left Johnny Cakes and his sort of idyllic life. I watched this with my dad, and he expressed disatisfaction with Vito's storyline. His problem came from its tedium, its monotony, its plainess. I disagreed. I thought it was a bit of a Chekhov-gun. They show Vito's boring life and you know he's going to do something drastic, like shoot that annoying guy for calling the cops.

With every season after the first, there's always been "that guy," that extra guy who you know is going to get whacked in the season finale. Jackie Aprile, Richie Aprile, Joey Pants, Tony B. you get it. I guess Vito is this season's "that guy". I suspect he'll get killed. How is a different story.

Thoughts?
 
 
Benny the Ball
04:54 / 18.05.06
It fits the model of having someone that Tony refuses to give up and then he has to do the deed himself.

I loved the episode, this and 8 and 9 have had the almost dull, almost pedestrian feel to them, that adds to the underlined sense of menace.

Johnny Sacs is becoming the best character this season though, his conversation with his brother in law about the cake was classic. Tony seems to be sinking into something darker and nastier than he seemed before, little moments of unneccesary spitefulness directed at those around him.
 
 
matthew.
03:15 / 22.05.06
Vito's been beaten to death. AJ has been introduced into the system that will eventually lead him to follow in his footsteps, or end up like Jackie Jr. Meadow's gone to California with Finn. Everybody's having Catholic guilt.

In an episode dealing mostly with Vito's homosexuality (or, perhaps better, his bisexuality), the most mentioned element is the sin and the Church. While Carmela is having guilt moments over her son, she is surrounded by Catholic imagery of the Mother and the Son.

The Sopranos, I think, are becoming more stand-alone with each season. Which is a good thing, IMHO.
 
 
PatrickMM
02:06 / 23.05.06
My review's up here. I wasn't a big fan of the way the end of the Vito arc was handled. I felt like there was a lot more that could be done with it, and this episode in particular felt like an anticlimax after all the buildup. If you compare the level of tension back in Live Free or Die to the resolution we got, it's nowhere near the emotional engagement. Knowing Chase, that was probably intentional, but I still feel like more could have been done with it.

The last few episodes have been on this really down vibe, I think it worked great in the one where Christopher got married, but episode 8 was the last one that fully worked for me. I guess my biggest letdown is that after all this really great development with the new Tony, he ends up just reverting to his old ways here, with no particular reason why, just the wear of everyday life. That may be realistic, but from a story point of view, it's a bit weak.

I'm interested to see what happens in the season finale, is it going to be another low key affair, or is there going to be a more significant emotional blowup?
 
 
Jack Denfeld
03:59 / 23.05.06
Nice review Patrick.
 
 
Benny the Ball
18:18 / 24.05.06
Yeah, the last few episodes have been bleak, with Tony just being nasty for no reason. Johnny Sacs has become more interesting. The vito ending was a slight of hand, something nasty hinted at, but not really shown, and then Sil and the other guy (forgoten name) stabbing the Phil's crew guy was the punch of this episode. I really thought that Tony might hit AJ at one point though.
 
 
Cherielabombe
19:11 / 24.05.06
I enjoyed this past episode. A couple of thoughts:

1: Tony is not a nice guy - he's a mob boss. That's one thing that makes him so interesting to watch - the writers are so good at making the viewers really uncomfortable with Tony's actions. They draw us in and make us sympathetic to him, and then they show us something nasty and awful that he's done. What's interesting is that it's obvious part of Tony wants another life (see Kevin Finnerty, etc.), but that other life is at odds with his life as a mob boss. Those lofty "every life is a gift" ideals can't coexist in a world with morals like the Sopranos world.

2: I really liked the way Vito's character was handled. We really didn't know much about him before this season, other than Finn seeing him get a blow job in the parking lot. I think it's great the way the writers took a character who most of us didn't give a shit about (I personally hated him), gave him some characterization, allowed us to feel some sympathy for him and then BOOM! took him away. And that's how it should be. Lives are cheap in the Sopranos world - Tony had come to the conclusion that Vito had to go and would have done it if Phil hadn't gotten there first.

3. Which is really interesting (Phil whacking Tony's capo.) I think that's where we're going. Tony just doesn't seem as powerful as he once did. We've seen how his own crew will turn on him if he's seen as vulnerable. Phil is a different animal from Johnny Sack - he seems a lot less able to work with Tony. I really don't know how this show can end without Tony finally getting whacked.

4. I don't know if Anthony will end up in his father's footsteps. He's had a different upbringing. Tony and those guys are dinosaurs. I think he's been given that job because Tony's tired of seeing him sit on his ass with his shirt off, playing on the internet all day (was he on Barbelith??)

Is it really over after the next episode?? Please tell me there are 13!!
 
 
matthew.
20:03 / 24.05.06
Question. Didn't Tony tell Phil where Vito was? And then later in the episode when Tony made a big stink about getting back at Phil for whacking Vito, wasn't that just covering for his leaking the info? Or am I wrong?
 
 
Benny the Ball
20:29 / 24.05.06
Matt, I didn't pick that up - may well have happened. the impression that he's giving is that Tony doesn't like Phil at all, on any level, and wants a reason to get everyone to join him in wanting him whacked - the whole stuff about how everyone going to the matress means no ones earning is a broken record from him, considering how self destructive he is. It's almost as if he wants out of the real world, his visable hatred or anger towards anyone but those most hurtful to his position - eg his wanting to help Janice.

The last few episodes have seen some strange moments though, little touches that are out of the ordinary, most obviously the audible inner thoughts of Vito last week - but more than that, little touches that have made the last few episodes darker and darker.

Two more in this chunk, and then 8 more to tie it all together. Considering how quick things can happen in the sopranos, even if nothing happens next week, the is the tone and feeling and mood to suggest that something bad is going to happen to someone soon.
 
 
Cherielabombe
21:42 / 24.05.06
matt, I got the impression that Phil's crew whacking Vito made Tony look really bad - ie for Vito's "sins," the only family who should have been responsible for "taking care of the problem" was Tony's. It's hard to say whether Phil made a move on Vito (pun intended har dee har!) because he was so upset with what he did (as we're led to believe from his conversation with his wife), or because he wants to see how far he can push Tony (as we saw with the whole vitamins discussion.)

And wasn't that scene with the kids reading about Vito in the paper so sad? Loved when the girl said, "So he's not spy?"
 
 
PatrickMM
22:40 / 24.05.06
I got the sense that Phil's wife was pressuring him to kill Vito. So, Phil's resolve might not have been as strong as we'd been led to believe.

And Cherie, regarding your previous points. I would definitely agree that Tony is a bad guy, but the problem I've got with the past couple of episodes is that we got no real resolution on the "Everyday is a gift" business, everything just reverted to the status quo. From a real life point of view, I suppose that's accurate, but from a dramatic point of view, I felt like we needed a bit more acknowledgement of what happened, the Melfi scene was the only place that it was really addressed. And I found it odd that Carmela basically told him to cheat on her. In some respects, I'm finding the turn of events tough because of exactly the reasons you said, that they make us so sympathetic to him then hit us with his nastiness. But at the same time, I thought the new territory was more interesting, of having Tony separated from this world.

I think there's certainly something in the timing of having Vito return to Jersey at the same time that Tony gives up on trying to change. They both recognized the problems with their world, tried to leave, but found that it wasn't doable without a lot of work, and for these guys, that's the one thing they're not prepared to do.

I feel sort of hypocritical saying that the show's too dark, spends too much time wallowing in this depression, because I love the similarly themed season six of Buffy or season three of Six Feet Under. Watching Buffy, I wanted the characters to be bad, precisely because they were always so good. Here, because they always do bad things, you want them to do better, and are disappointed when they inevitably fail to. Witness Adrianna's death last year, where I was really hoping that she would leave with Christopher, but knew that it wasn't possible.

That's what makes the show so tough to watch, it's frustrating to watch these people continually fail, and it seems like those brief moments of light, the chance for escape, only make it worse when they fail.
 
 
PatrickMM
03:22 / 07.06.06
No thoughts on the finale? My review's up here. I'm not really sure how to feel about this one, it had some good stuff, but also had some really odd pacing issues and generally felt sloppier than previous seasons.

I'm conflicted becuase I want to support Chase's experimentation, but at this point, he's ignoring a lot of the basic rules of storytelling. And I'm really not sure where the last eight are going to go, this episode felt very final, and there's nothing really pressing to cover in the next batch. I would have assumed there'd be some kind of narrative blowup before the end, but knowing Chase, I wouldn't be shocked if things just drifted to an end in the same way this season did.
 
 
Kirk Ultra
07:26 / 07.06.06
This wasn't the end of the season. There are eight more episodes in this season, starting in January I believe. This was episode twelve of twenty. It isn't meant to be a finally.
 
 
matthew.
13:55 / 07.06.06
I would argue that it is a season finale. First of all, it was dedicated to John Patterson, who has done every season finale. He passed away in 2005 so he couldn't do the sixth season finale, which is why the producers directed our attention to his death. Secondly, if that Christmas ending doesn't make you think of a Sopranos season finale, I don't know what does. Since the Sopranos are generally self-contained episodes and seasons, I would argue that, thirdly, the resolution between Phil and Tony is indicative of a finale.

In other thoughts, I was immensely bored with Christopher's storyline involving the real estate agent. I thought it was tedious and telegraphed from a mile away.

The best part of the episode seemed to me Tony's advice to Phil. Further upthread I commented on not ever knowing what happens in Tony's head, and I think this scene encapsulates it perfectly. Tony said that he never wants to go back to that place, but I think that's a lie. Part of Tony still wants to be Kevin Finnerty.
 
 
Benny the Ball
09:24 / 15.06.06
I think it was a sinister episode. Very sinister. There were a few hints towards what might come, the little guy outside phils hospital room, and the arabic guys in the bar once more. It seemed to all be about failed recovery, only AJ seemed to be able to get away from it all (the lines "I've got a guy..." "yeah, and I've got a job" was a nice touch). Everyone else is collapsing into their old roles.
 
 
Dexter Graves
03:02 / 19.06.06
Here's the problem I have with Melfi's rape (and it'd be great if this were addressed in the final 8 episodes). Melfi's rapist got away with it. He was clearly a serial attacker. Her refusal to seek vengance was regarded by some as a powerful affirmation of her good values over Tony's evil world. Fine. After what happened to Vito and Adrianna, I feel that these people are asking to get capped and take a liberal amount of glee from their demise.

But what if Melfi found out that her rapist attacked someone else? What if she turned to Tony? Why not address the moral ramifications of not taking a violent recourse? Making a choice not to do anything is still a choice. And all choices have the potential to attract unwanted consequences. It seemed a little too neat to wrap it up like that, even though that wasn't the intention. I've always felt Season 3 was the weakest season in the arc. It was still great television, but it was missing something. All the others kept to the high standards set forth by the brilliant Seasons 1 and 2.

I think the absences of choice was what made Adrianna and Vito's deaths the first to really ring for me since Big Pussy. They never really had a choice. Adrianna was, technically, a civilian. She's been raised in that world and was in love with Christopher. Vito couldn't help being gay. Even Big Pussy had tough choices. Sure, he'd chosen that life. But he was also dealing H. to pay for his kids college. And he hated himself for what he was doing. The scene where he cries in the bathroom at A.J.'s confirmation still rings in my head, even though its been seven years since I watched season two.

On the other hand, we always knew Ralphy was gonna get whacked. I still have fond memories of John Heard's corrupt cop in the first season. I couldn't wait to see Ritchie and Jackie Jr. go. This is the first time the series has reached a point where it wasn't pretty obvious who's gonna croak next: Paulie, Christopher, A.J., and Phil all seem likely candidates. For my money, I can't wait to see Phil die. I hate that fuck. But, now that we've come this far, it seems strange that Tony's family has remained untouched. Maybe Meadow shout get it (shades of Godfather III).

I could go on and on... But I'll wait for some responses before I continue. I think I'll have another glass of Pinot Grigio.
 
 
matthew.
03:30 / 19.06.06
As Flyboy put it on another page, the reason why the rapist got away with it was to reflect real life, in which a lot of rapists get away with it. And furthermore, if Melfi had gotten Tony to whack this rapist, wouldn't it have been a) obvious, b)predictable and c) completely out of character for Melfi? She's always made a big deal about Tony's morals conflicting with her own. Where would Melfi's character go after that moment? Sure it was a mis-step, but you can't be perfect all the time.

Ah, here we go:
Um, not to get away from the new season, but apart from anything else, the point of Melfi's assault was ultimately to show that there are some characters who manage to resist the temptation to become part of Tony's world in that "favour for a favour" way. Melfi could have asked Tony to do what the justice system could not, to go beyond that and visit a whole heap of righteous retribution on the guy, and we the audience would have cheered her all the way. But she didn't, and it's important that she didn't. Her relationship with Tony as a therapist, knowing what he does and taking his money, was always a little grey - but there had to be somewhere she drew the line. That it was an incredibly hard decision was the point, too. Hence that steely-faced, resolute "No" that ends the episode.
(There's more; click it)
 
 
Dexter Graves
04:19 / 19.06.06
I thought Melfi's decision was powerful at the time. But I now I don't feel she faced the full consequences of her actions. I think they should have brought that thread back, like the way the Russian Chris and Paulie shot suddenly came up during Chris' intervention in Season Four. That's what keeps the show from being predictable. I'd like to know what happened to her attacker.

On that point, I'd like to see what Furio is up to before the show signs out. Wouldn't it also be interesting if Tony ends up having to whack Carmela because she won't shut up about Adrianna? (Sorry to reveal my political biases, but I guess there's a part of me that's wanted that to happen after finding out she's a Bush supporter.) That's what his words to Sylvio implied when he told him to take care of the thing with the house.

As I said before, I think season 3 was a misstep in general. Great television but compared to the first two seasons, it just didn't have that certain je ne sais quois...

Anyway's, thanks for starting the thread. I haven't used my Barbelith account in about a year and a half. Now that they're not taking new members, it seems like such a treat to be here :-D.
 
 
Dexter Graves
04:29 / 19.06.06
Sorry, since I'm new to this thread and have been watching Sopranos since it debuted, I have a lot to reply too.

"The show needs to end.

May I ask why you think that? I thought that the fifth season was an excellent return to form considering the (non)events of season four. This sixth-season premiere was better than any episode in the fourth season (other than Chris' "intervention" (if that was in the 4th)).

Unless the show bombs in the next few episodes, I'm more than happy to have a "bonus" season AS LONG AS it doesn't take six years to film."

I loved the fourth season. One of the things I loved about it (and forgive me if my memory is lapsing) is that there were no 'whacks' until Tony killed Ralphie. After that the blood started spilling again. I love the Native American/Columbus Day episode. It was classically satirical the way you had Ralphie, Paulie, Tony and Sylvio all working together on a 'cause' (albeit a racist and historically ignorant one).

David Chase talked about having Sopranos go seven seasons. Since, S5 was only about ten episodes, having another 8 seems almost like a complete season itself. For the record, I hope they don't end it with Tony dying. Like your point about Melfi's revenge, its such a cliche when the criminal protagonist of a crime story has to die. As Oliver Stone said about the ending of Natural Born Killers, "Sometimes the bad guys get away with it." Given our socio-political climate, I think it would be appropriate for Tony to survive. It would be powerful if he ended up having to whack one of his own family (like Carmela the Bush shill ;-)!
 
 
PatrickMM
21:41 / 19.06.06
Presumably, the police kept a close watch on this guy after he was let go on the technicality. In the context of the series, it's pretty clear that violence only begets violence, so killing this guy would probably have done more harm than it would have saved. Certainly, it would have ruined Melfi's therapy relationship with Tony, and would likely have caused deep feelings of self loathing and guilt for her.

For me, the final no is all about cutting through the justifications for violence and recognizing that law exists for a reason and trying to function outside of it only causes chaos and pain.
 
 
Solitaire Rose as Tom Servo
05:41 / 20.06.06
I hope that they go for a non-traditional ending myself. The thing that has really been interesting for me this season is that the old tactics aren't working for them as much: Chain stores won't pay protection, old shops are bought up by real-estate developers, and so on.

I think there is a wealth of story opportunities for the "passing away of the old mob" for the final episodes.
 
 
Our Lady Has Left the Building
13:41 / 16.07.06
Finally watched the last episode of the season today. Despite any number of nice character moments (I liked the fall of Johnny Sacks and the rise of Phil) I've felt that season six has been about trying to delay an inevitable New York/New Jersey war as long as possible. Spending two episodes on Mr Sopranos adventures in happy snoozy land was too long, especially as there was the big thing at the end of s.5 about how letting cousin Tony down the first time was what started Tony down the path of his mental problems. But then there was no consequences to him of killing Pussy, or the death of Jackie Junior, or Ralph Cifaretto, so I suppose there is symmetry there.

Maybe it's deliberate. Maybe because Chase got given the extra episodes he's had to improvise wildly to fill out the space and that's why it's going so slow but now we have to wait until next March?
 
 
matthew.
17:52 / 16.07.06
March? May as well be when I'm Alex's grandma's age.
 
 
matthew.
02:55 / 09.04.07
Ta-dah! This thread is back and you know what that means! The return of The Sopranos. I'm going to come back with some thoughts, but this first (13th?) episode was good. Not great. It was funny and had some great character moments, and we've gotten the ball rolling on the ending. Do we think that the French Canadian that Bobby murdered will have a return (not the person, I mean: the event)? I'm so jazzed about this. I can't imagine how it will end. Well... I can. I think it's going to end with Tony in jail. Or dead. Or maybe nothing happens. Maybe Meadow graduates from med school, AJ goes to college, and it ends with Tony as a family man. The ending where nothing really happens but the change from petty angry temper Tony to reflective and older Tony. This is after all, a seven season character study of Tony. We would hope to see a little change. This first episode shows us that Tony has a changed a little, but not enough.
 
 
PatrickMM
19:02 / 09.04.07
I thoroughly enjoyed the episode, particularly the ending, with Bobby looking out on the lake and 'This Magic Moment' playing. While it's still something of a nothing happens episode, it's such a strong character study that I don't have the issues with it that I did with the end of last year's episodes.

As for the end of the series, I'm inclined to think nothing major will happen. The only thing that has me thinking that might not be the case is that Chase is now so notorious for refusing to give viewers a major climax, the ultimate twist would be to do that. However, I'm guessing we'll wind up with Uncle Junior dead and Tony left as the elder of the family, watching his kids go off and live their own lives. That generational transition has been a theme since the first episode.
 
 
Benny the Ball
07:49 / 10.04.07
Right, got it ready to go for this evening, once I get home from work. As a pattern of something happening quite shocking in a first episode and then quiet character development as been seen in the past, does it feel like this is about to get spun on it's head? I watched the first couple of scenes to make sure I had it okay - loved the handcuffing.
 
 
Benny the Ball
12:36 / 11.04.07
Been thinking. Does this episode set up the idea that we are going to see several seemingly left strands come back and bite people in the ass?
 
 
Spaniel
15:11 / 11.04.07
A eight episode bonus season? Okay, I love the Soprano's but enough is enough. The show needs to end.

I see I never got back to this thread and upon reflection I can see how that statement, left unqualified, could be a little opaque.

First of all, and I think most importantly, it seems to me that the Sopranos has always been about the end of an era. Today's Mob is a dying institution and the Sopranos for all it's gloss reflects this. We have gangsters unsatisfied with who and what they are that constantly mythologise their history and their identities, competition in the form of the Russian Mafia, the pressures of today's me-first culture, the brute force of the FBI brought to bear and, and these points are key, we have a lead character riddled with self-doubt and a show that constantly deconstructs and subverts genre certainties and dramatic expectations, that in effect mocks the solidity of its premise.

All this adds up to a show pregnant with it's own demise, if you ask me. Add that to the fact in terms of the plot things have been coming to a head for some time now, and that it seems more than possible that the series was originally to end with Season 6, and I'm left feeling that the end could've come a fair bit sooner.

Hope that makes some kind of sense.

All that said, looking forward to Season 7 a great deal. A very great deal.

Must run for train.....
 
 
Spaniel
16:42 / 11.04.07
In short the Sopranos has always been a house of cards, and it started trembling some time ago.
 
  

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