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Geoff Johns, Judd Winick, And the State of DC ***Mild Spoliers***

 
  

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Harlen M Quint
18:01 / 23.04.05
While JSA under Johns has been dreamlike in almost every way, I have begun to loose faith in him. Rebirth just smacks of unoriginality. Without using spoliers, Johns ressurects Jordan in what seems to be the least creative way possible, short of saying "here he is, ta da."

Winick. Once again, Outsiders is a saving grace, but Green Lantern became a convoluted catastrophe, and Green Arrow seems to be, after the well executed ressurection, headed in the same direction.

These points in mind, why are these two writers taking over the DCU? Little things such as character personalities and continuity do count!

In Countdown, the blue beetle claims to have recieved a laptop when he was thirteen...I'm willing to let it slide, but come on.

(Mild Spolier)
When he calls all of the heroes to the warehouse of missing kryptonite, Superman and GL treat him like a small child. These are not the Superman and GL that I ever thought to have existed. They aren't dicks, so why make them out to be dicks, and BB a floundering child? Is the answer, "So that I(the writer) can tell this story" acceptable?

While I greatly antcipate the new events and directions the DCU will take in the near future, I cannot help but ask if these twists, and more importantly, the executions of these twists, might be better executed if the writers took time to understand character history, and not simply plow ahead with jaw dropping stories, loosely based in current continuity?

Are there fans of the present work who might be able to help me with what I may have missed somewhere along the line? I enjoy the characters, having grown up with them, but I simply don't feel the writers are using the same characters, just the same visual and roughly situational contexts.

Thank you in advance for your thoughts.

Harlen M Quint
 
 
sleazenation
19:14 / 23.04.05
You always have the option of stopping buying those titles you are not enjoying...
 
 
Mario
00:32 / 24.04.05
I just want Judd to forget about superheroes for a while and write more Barry Ween. I think we'd all be happier.
 
 
FinderWolf
01:42 / 24.04.05
I dig Johns most of the time, esp. his Teen Titans and most of his Flash work, ditto with JSA. "Rebirth" is a bit better than I thought it would be, but the last issue was kinda weak. And I'm not happy with Countdown, so I'm worried that the quality I usually expect from Johns is going down the drain somehow, fast...
 
 
Mark Parsons
05:24 / 24.04.05
Yes, I like Rebirth very much. It's as mainstream, meat &potatoes as you can get, but it's much more fun that i had anticipated. The key is energy rather than originality. reshuffling the deck and getting Hal back into the game is by definition unoriginal, but johns has done a very admirable job at resetting the status quo, staus quo being (more or less) what these franchise characters are all about.

The thing about Blue Beetle having a laptop at age thirteen migth be an oversight. When did laptops come into play, anyway? Like the MU, the DCU has to keep moving it's modern starting poitn through time. The MU is said to be eight years old (the FF's origin being ground zero). that means in a fe years, Peter Parker will have been a teen in the 1990s. if you look too close at this sort of thing, anachronisms are bound to happen.

I didn't mind Batman treating BB like a male bimbo. It did not seem out of character to me: he's been portrayed as a bit of a cold bastard for some time. I though the whole "loser proves his mettle" angle worked nicely, although Booster Gold's subplot was a tad awkward. Still, i liked this much better than ID Crisis, which i stopped reading with the first issue. I did not need to see Dr. light raping Sue Dibny. i also thought that making her pregant was a cheap trick to engender sympathy for Ralph. his wife gets murdered: isn't that enough of a horror?

And shouldn't the new Eclipso be called "Eclipsa?"
 
 
Spaniel
12:09 / 24.04.05
Harlan, I direct you here.

Thankyew
 
 
Mister Six, whom all the girls
01:33 / 25.04.05
Thanks for naming some of the comics I've been shelling dough out for the last two years or more. I dunno what the christ got into me but I've been collecting most all the DC catalog. One thing that I noticed was that almost all the comics are connected through their characters: Green Arrow to Teen Titans to Outsiders to Batman to JSA (and once Johns takes on JLA that'll be in the mix as well). The connections are due to characters being in these titles (Nightwing appears is in Batman, Titans, Outsiders and Green Arrow this month and he is by and large the same character), something I've not seen in comics since those moldy Marvel I blew money on in my spree three years ago.

The other connecting threads are the writers. Johns and Winnick know each other and talk to each other quite a bit. So Nightwing will mention what's going on in Outsiders or something in his Batman appearance. It might seem like a little thing, but I appreciate it. The DCU is a cohesive universe for perhaps the first time(aside from the current Detective and Superman stories which take place a year ahead or behind current continuity because the writer cannot be bothered). Countdown is a payoff to that cohesion (at least so far, I could end up with my subscriptions on my face in no time).

I'm not sure what your problem with Green Arrow is as I've been reading almost the whole run and found Smith's run passable in parts but ultimatelty woeful but Winnick's run has been consistent and strong. I do agree that Green Lantern does not read as his best work. In fact, it's nothing like him. Hardly any character (I like GL as a concept, but whenever I read a Jordan story it's very very dull, can he pull a hat trick with this character following up his stellar work with Flash and Hawkman? I dunno) a shakey story and lots of fisticuffs. I really do like his explanation of what Parallax is, though. We probably differ there.

But I'm in the dark on your problem with Winnick and Johns. They've injected lots of character (Wally West is very interesting and emotionally compelling from the fallourt of Identity Crisis, Hawkman's past lives story is terribly intense if you've not read it, please do, and Green Arrow's entourage laid out by Smith gets used to the fullest in recent issues), told compelling stories (Crossfire and Ignition in Flash, the past lives Headhunter story in Hawkman and JSA's Black Reign is one of the funnest super hero tales I've ever read, while Winnick's City walls is great fun and lots of action and his current Red Hood is chugging along nicely) and they use continuity and refer to other titles as taking place in the same universe.

I think you, like many others, really object to the Infinite Crisis and I can understand that if you've not been reading all those DC Comics, but as you have, I'm confused. I guess you really should look to other comics.

Fans of the 80's comics seem to enjoy Invincible and Astonishing X-Men, maybe try those?

Cuz whether you like it or not Winnick and Johns have busted their asses working on their titles and they really are here to stay.
 
 
Harlen M Quint
23:48 / 25.04.05
To start, I appreciate all who have responded to this thread. It has helped me to realize that stories move generationally. We can become fond and sentimental for different eras in comics, and thus keep comparing them to the present market. I need to stop doing that, and try to become excited again. That said, in response to Mr. Six…

Thanks for naming some of the comics I've been shelling dough out for the last two years or more. I dunno what the christ got into me but I've been collecting most all the DC catalog.

Me too, that’s why I stated to think about what was really happening!


The other connecting threads are the writers. Johns and Winnick know each other and talk to each other quite a bit. So Nightwing will mention what's going on in Outsiders or something in his Batman appearance. It might seem like a little thing, but I appreciate it. The DCU is a cohesive universe for perhaps the first time(aside from the current Detective and Superman stories which take place a year ahead or behind current continuity because the writer cannot be bothered). Countdown is a payoff to that cohesion (at least so far, I could end up with my subscriptions on my face in no time).

I'm not sure what your problem with Green Arrow is as I've been reading almost the whole run and found Smith's run passable in parts but ultimatelty woeful but Winnick's run has been consistent and strong.


Really, I found that it had become a bit camp. I like drama in my comics, I won’t deny that, but the relationships that have been formed, as well as the whole “Super Friends” feel. I have no problem with the presence or amount of characters, simply how they intereact. Remember the old “Batman Family” comics. Eek. Well, maybe he’s just making it accessible.

But I'm in the dark on your problem with Winnick and Johns. They've injected lots of character (Wally West is very interesting and emotionally compelling from the fallourt of Identity Crisis, Hawkman's past lives story is terribly intense if you've not read it, please do, and Green Arrow's entourage laid out by Smith gets used to the fullest in recent issues), told compelling stories (Crossfire and Ignition in Flash, the past lives Headhunter story in Hawkman and JSA's Black Reign is one of the funnest super hero tales I've ever read, while Winnick's City walls is great fun and lots of action and his current Red Hood is chugging along nicely) and they use continuity and refer to other titles as taking place in the same universe.

With Winnick, I simply don’t know if he can write superheroes. He writes people very well, and does drama in a way that hasn’t been touched in a long time. Maybe I just need to realize that I don’t like his style and leave it at that. At the same time, I will always want to read the stories, so that I don’t miss a beat in continuity. GL has been one of my favorites for as long as I can remember. There have been twists and turns, some appreciated, some not, but I have always held on. Winick brought me closer to dropping the book than I though possible. AS far as Batman is concerned, I am of the school of thought that there are certain characters who were supposed to die. Jason Todd was one of them. The presence of his costume in the cave had meaning. Look back to the introduction of Tim Drake as Robin: I can still remember the panel where the young Tim is looking at the glass case with wonder and sadness. Even before that, I can remember Nightwing sitting in the bar with Batman, the two of them fighting over the latter’s numb, embittered state of mind. These events create who characters will always be. Undoing them cheapens the stories ongoing strength. (This is where I wrote the “sentimental” note above)

Hawkman was marvelous, I agree. His work on JSA made me want to pick up everything he has written. My main contention is rooted more in how he is handeling the current events. Identity Crisis was good, well executed. While I appreciate pushing things to the edge, and maybe over, I think that the characterizations of core DC heroes in IC were tilted toward what needed to happen in order for things to take place. If you are bending that much, then maybe you need to choose another character, one who fits your needs more appropriately.

I think you, like many others, really object to the Infinite Crisis and I can understand that if you've not been reading all those DC Comics, but as you have, I'm confused. I guess you really should look to other comics.

I am, really, stoked for the Infinite Crisis. Its times like these when I can, as hoped for above, become excited for stories again.

Fans of the 80's comics seem to enjoy Invincible and Astonishing X-Men, maybe try those?

Love them both, you read me well.

Cuz whether you like it or not Winnick and Johns have busted their asses working on their titles and they really are here to stay.

And I certainly appreciate the effort they are putting in. Perhaps they are just being overworked. And putting so many titles and so much creative control in the hands of just a few people is a very scary thing. Diversification is a key element to success.
 
 
FinderWolf
14:27 / 28.04.05
I feel that Winnick mostly tells slightly better-than-average superhero stories with occasional really sharp character moments. Not too psyched about anything he's doing at the moment - every once in a while there's a cool character scene in OUTSIDERS, usually involving Roy Harper, Dick Grayson and/or Batman, that's about it. I don't care at all about the android girl Indigo he's introduced/created in that book.

In Teen Titans news, Gail Simone is guest-writing a 2 issue arc (fun news!) but ROB LIEFELD is drawing it (bad news).
 
 
Solitaire Rose as Tom Servo
11:00 / 30.04.05
My feeling on Winick is that he does good character work, but when it comes to the super-hero stuff, he's a bit lacking. I gave up on his run on Green Lantern when he started the "GL In Spaaaaaaaaace" arcf, because it was SO painfully obvious where he was going with it, and the actual super-hero stuff (fight scenes, overdone drama) just wasn't coming across very well.

Green Arrow has been a bit better with this, but I think that is because GA doesn't have Big Cosmic Powers, and DC has tried to keep him as a "ground level" hero. Still, the character interaction is the best part of his books, even if it does get a bit too melodramatic to be read without wincing at times.
 
 
FinderWolf
18:13 / 12.05.05
The new DC logo kinda does look like it's for fabric softener or detergent...

In Johns and other logo news, the new JSA logo looks kinda bizarre. If you just came in off the street and didn't know comics all that well, it might even be hard to read...the "S" in JSA is so stylized it looks strange. Then again, I guess only die-hard comic fans even read JSA anyway so maye it doesn't matter.
 
 
FinderWolf
18:15 / 12.05.05
Also, over in Green Arrow, the Riddler is presented as a hardcore maniac with an evil grin/Joker smile. Kinda lame. Someone on another comic board commented "When did the Riddler become the Joker?"
 
 
John Octave
18:30 / 12.05.05
Nuts to that. Unfortunately the Riddler gets played as a mad pseudo-Joker a lot, though, so it oughtn't be a surprise. I thought the cartoon had a better take on him when they played him as an intellectual whose sole motivation in life was to prove that he's so much smarter than you. "I'm so clever, I can leave clues as to where I'm going to strike next and even then you won't be able to figure it out."
 
 
Spaniel
14:16 / 10.11.05
Okay then, I want to know, all you Johns lovers, what does his writing do for you? Why is it good? I really don't understand.

As I've said elsewhere, I think he's unimaginitive, uninspiring, and dull. The king of MOR comics. A man that can't even make a fight between the Flash and his entire Rogue's gallery interesting* (imagine what Grunt would do with the same material). A writer whose name shouldn't be spoken in same sentence as Moore and Morrison.

To be clear, I'm not looking for a fight, I'm not looking to change anyone's mind - God knows I'm not going to change mine - I'm just trying to understand his appeal.
 
 
Mario
14:18 / 10.11.05
My biggest problem with Johns is the way he writes for the splash page. Everything leads to that one image, usually at the end of an issue. You could actually summarize his books simply by collecting those panels.
 
 
Mister Six, whom all the girls
14:18 / 10.11.05
Gosh... I really want to contribute to this conversation.

What's your point?
 
 
Mario
14:20 / 10.11.05
What are MOR Comics?
 
 
Spaniel
14:25 / 10.11.05
MOR is an acronym that stands for "middle of the road".

What's my point? I think I've made it well enough. I want someone to explain John's appeal.
 
 
Regrettable Juvenilia
14:27 / 10.11.05
Mister Six, whom I have absolutely no doubt that all the girls fancy and the boys envy, has already explained the appeal of G'Eff Jonnzzz, Boboss.

Continuity, continuity, continuity.
 
 
Mister Six, whom all the girls
14:31 / 10.11.05
Pete, don't put words in my mouth, mate.

I have answeres but I'm certainly not about to put my nuts on the chopping block for no reason other than to make detractors feel better about themselves.
 
 
Regrettable Juvenilia
14:35 / 10.11.05
One thing that I noticed was that almost all the comics are connected through their characters: Green Arrow to Teen Titans to Outsiders to Batman to JSA (and once Johns takes on JLA that'll be in the mix as well). The connections are due to characters being in these titles (Nightwing appears is in Batman, Titans, Outsiders and Green Arrow this month and he is by and large the same character), something I've not seen in comics since those moldy Marvel I blew money on in my spree three years ago.

Continuity.

Johns and Winnick know each other and talk to each other quite a bit. So Nightwing will mention what's going on in Outsiders or something in his Batman appearance. It might seem like a little thing, but I appreciate it. The DCU is a cohesive universe for perhaps the first time...

Continuity.

But I'm in the dark on your problem with Winnick and Johns. They've injected lots of character... told compelling stories... and they use continuity and refer to other titles as taking place in the same universe.

Character and compelling stories, yes, but also: continuity.

I've put no words in your mouth.
 
 
Mister Six, whom all the girls
14:37 / 10.11.05
Pete, seriously, drop it.

I've not gone after you so don't pick a fight with me, which is how this is reading to me.
 
 
Regrettable Juvenilia
14:38 / 10.11.05
In that case, I suggest your reading comprehension needs improvement. Boboss asked why people liked Geoff Johns. I summarised your earlier post. If you feel I misrepresented your earlier post, please clarify.
 
 
Mister Six, whom all the girls
14:39 / 10.11.05
I didn't ask or need you to do anything in my name.

Drop it... now.
 
 
Regrettable Juvenilia
14:52 / 10.11.05
Agreed. Let's move on.

So, Judd Winick's Outsiders, then:

 
 
Spaniel
16:10 / 10.11.05
Fucking hell...
 
 
Spaniel
16:12 / 10.11.05
No, really, I've just read it again...

...Fucking hell...
 
 
Axolotl
16:22 / 10.11.05
*slight threadrot* What happened to Winick? Barry Ween was hilarious, nicely paced and capable of evoking some real emotions. Frumpy the Clown (a little strip thing he did) was consistently funny within the limitations of 3 panels. I've not read it but I've heard good things about "Pedro & Me" which he wrote about his friend dying of AIDS, and was apparently a sensitive & moving treatment of the subject matter. Now I can't be bothered picking up anything he writes, and he comes out with lines like ".. all be having the gay sex", which imho is a candidate for the worst writing ever thread.
 
 
Matthew Fluxington
16:22 / 10.11.05
Wow, that's some amazing "character work."
 
 
Yotsuba & Benjamin!
16:23 / 10.11.05
I like how he writes Black Mask over in Batman. He's funny.
 
 
Mario
16:31 / 10.11.05
What happened? He drank the water at Marvel.
 
 
Mister Six, whom all the girls
16:53 / 10.11.05
His Batman work is definitely better than his writing on Outsiders but they're very different comics.

I really enjoyed that issue of Outsiders actually. Not enough to spell out why or anything but after reading House of M #8 I was releaved to see insane battle scenes and the Lust Demon gag made me laugh so sue me. It's very much just Winnick's sense of humor. He went WAAaaaay out on a limb with that gag and the scene caused some controversy in comic shops, garnering an 'adult audiences only' label in some places, which given his scandal-button gimmicks might have been the point.

It's not like I admitted paying to see Gallagher or something.

And it's no worse than Peter Parquar or whatever drivel Gaiman came up with recently... and wasn't even joking. Think on it. If Marvel had paid Hembeck to draw 1602 it would've been a hit. Biggest laugh opp passed up.

I still don't get why so many of you are wasting your time reading/critiquing his work or Geoff Johns for that matter. It still doesn't add up.
 
 
Matthew Fluxington
17:06 / 10.11.05
The reason why is because Winick and Johns are sophomoric, barely competant writers, and yet they are very successful. It's rather like when Rob Liefeld was one of the most popular artists in the industry - is this the level of craft people are willing to settle for? If so, that's just horribly depressing.
 
 
Mister Six, whom all the girls
17:08 / 10.11.05
But surely you didn't buy Rob Liefeld comics and meet up with your pals to bitch about it, did you?... or did you??
 
 
Matthew Fluxington
17:14 / 10.11.05
Well, if you're implying that I'm regularly buying Johns and Winick books, I'm going to have to let you down easy by telling that I definitely am not purchasing the things. There's other ways of reading the things, believe me.
 
  

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