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I'd differentiate between Dave, the story and character, being 'anti-gay and anti-foreign'. The story's a pisstake of tabloid sensibilities, and still works. I love Big Dave, the story.
I wish he'd been about recently.
It doesn't always have to be this way (the post-Ennis style, for want of a better description) for Millar, but it's the seam he's choosing to mine at present. And, as I say, the evidence is that it's successful. I'd like some diversity soon, and some of the creator-owned stuff looks like it may fulfil that.
Well, I'm pinning my bets on The Unfunnies, surprisingly, 'cos it seems at least partially metacritically conscious of Millar's transition from Superman Adventures/JLA: Paradise Lost writer to writer of the current grotesques (not necessarily a pejorative, but Moore did better ones.)
Forgot about that interview, ta. Will read shortly. |
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