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My anti-Harry Potter rant

 
  

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Jack The Bodiless
21:25 / 07.07.03
Ok. the 'precious cultural bandwidth' argument, if you can be generous enough to call it that (I certainly can't) is riddled with so many (to use the phrase of the moment) under-examined assumptions that it's not really worth the actual bandwidth it took to write or read.

The Harry Potter craze is just that - a craze. The books may or may not be worth pursuing, as individual or plural literary artifacts. As a phenomenon, it's got almost everything to do with the same hysterical societial mentality that spawned Pokemon, Power Rangers, the Ninja Turtle action figures and the moblust surrounding Diana Spencer's death. However, it's lasted longer than any of those other violent expressions of insecurity and cultural discontent, and there are only two reasons I can think of for that - either they've managed to string it out past the rubberband point through radical C21 marketing organisms and strategies, or the source material is giving the nutbars a feedbag with a shelflife independent of the nasty mediamental circus that surrounds the Damned Thing. While the cynic and venal bitch in me would love to plump for the former, the realist and self-loathing alcoholic in me thinks the latter a better bet.

The reality, as ever, is probably somewhere inbetween, with a healthy dose of who actually gives a flying pigmunching crap anymore anyway...

But Rowling still needs a kick in the third eye for being so bloody smug.
 
 
Kit-Cat Club
21:25 / 07.07.03
Well, that rather poses the question, what does one read for? I think reading for pleasure is just as good a reason to read as any other, and if one gets pleasure from Harry Potter/chicklit/Murakami/Houellebecq, one should go ahead and get pleasure from it without feeling guilty. It is possible to enjoy something without thinking that it's of great literary merit, cultural value, or a host of other nebulous qualities. I don't want my brain to be challenged or my thoughts to be provoked all the time - it would be bloody exhausting (must say here that I think HP can be thought provoking in many ways, though those thoughts won't necessarily be of the DETHLESS THORT variety - probably a good thing on the whole). As I said somewhere else, people read in different ways at different times, and what you bring to a book like Harry Potter will determine, to some extent, what you get out of it.

Of course, you may not like it anyway, for any number of reasons, but that's a personal thing, I think.

Don't buy your point that Harry Potter versus Murakami is different from Charlie's Angels versus Donnie Darko, by the way. After all, in a lot of UK cinemas the cost of a cinema ticket is frequently about the same as that of a paperback novel. Buying Harry Potter certainly hasn't stopped me buying other books over the years, just as going to see X2 wouldn't necessarily stop me going to see Identity.
 
 
Kit-Cat Club
21:27 / 07.07.03
That was addressed to ., btw.
 
 
We're The Great Old Ones Now
08:29 / 08.07.03
'Underexamined'...

Or, of course, you could say that some people dislike HP because they have a tendency to 'overexamine'. It depends on where you stand.

1) It's hugely unoriginal (even for a children's book). It might be fun, whatever, but fun doesn't have to be mutually exclusive with original, thought provoking or challenging.

Since I'm constantly being told that 'original' is a chaemera, complicit with the notion of authorship... There was a thread in the Conversation about the similarities between HP and Star Wars, but the same arguments apply to a large number of books and stories. The question is not whether a story is original, but whether its version of unoriginality finds something in the audience. There's a curious synthesis which takes place between different negative points of view (it happens in politics and elsewhere, not just in this thread) which conflict with one another, but are roughly aligned. The upshot is that they ignore one another's flaws in favour of jointly closing off counter-arguments for the quarry; no single position alone can do it all...

However, it's lasted longer than any of those other violent expressions of insecurity and cultural discontent, and there are only two reasons I can think of for that

One other possibility is that you're wrong. I'll ask again: where does this rage come from? You're so angry about this that you think the author deserves to be punished. There are any number of lousy authors out there who have more success than they deserve, and certainly many who do much more damage than Rowling. What is it that gets under your skin about her? Her smugness? Also common. And she has a right to be smug. She made a bad marriage, came home, lived in a grotty bedsit with her kid, and then made herself a megastar. Why isn't everyone singing her praises? Especially if her talent is limited and she's not a member of the Gifted Creative Elite.
 
 
.
09:06 / 08.07.03
Only there's less money in the book world that the film one, so while Charlies Angels and Donnie Darko exist together, I can't help feeling that for every copy of HP bought by an adult there's one less Murakami/ Zadie Smith/ Houellebecq/ whatever bought .

Don't buy your point that Harry Potter versus Murakami is different from Charlie's Angels versus Donnie Darko, by the way. After all, in a lot of UK cinemas the cost of a cinema ticket is frequently about the same as that of a paperback novel. Kit-Cat Club

Actually, and my apologies here for not being particularly clear about this, my intended point here was not that there is a greater proportion of disposable income to be spent on films than books (although I think that probably is the case) but that there is rather more capital for funding the creation of films than books. Hence if the publishers pour however many millions into the work of JK R, that's less money that can go towards the creation or publicity of the adult authors I mention.

Combine the fact that the HP phenomenon takes a disproportionate level of industry funds, consumer funds and time to fuel and hence my premise that HP takes up more than it's fair share of "precious cultural bandwidth" (to coin a phrase).
 
 
We're The Great Old Ones Now
10:32 / 08.07.03
Cultural Bandwidth which could more suitably be spent on books people are less willing to read?
 
 
Regrettable Juvenilia
11:35 / 08.07.03
I can't help feeling that for every copy of HP bought by an adult there's one less Murakami/ Zadie Smith/ Houellebecq/ whatever bought.

The main problem I have with this line of argument (although I think I'd agree with Jack that there are a few) is that all three examples you cite here *could* be dismissed as just the latest trendy, middlebrow, Guardian-approved, flavour-of-the-year authors, by people who haven't read books by any of them. Now, I think it's rather foolish at best to do so, but I have seen and heard this kind of opinion put forward - Zadie Smith writes cosy lightweight wet-liberal nonsense for the chattering classes; Houellebecq has charmed the Sensation set with his shock tactics and exploitationism - both of them are taking up "precious cultural bandwidth" at the expense of less media-friendly, less well-marketed but more rewarding authors. I don't necessarily agree with these arguments, but they're there, and I don't think they're essentially any different from your problem with Potter.
 
 
We're The Great Old Ones Now
14:03 / 08.07.03
This is the argument which surfaces when the big lit prizes are announced. There's always a dispute about whether a novel about life in a Glasgow hostel should beat a more cheery tale about life in 1920s Paris - or whether a translation of Beowulf should beat the first (or was it the second?) HP novel.

In the latter case, Beowulf won - over the strong objections of several judges - and the next year, Pullman's Amber Spyglass romped away with the prize. Now, I've read Heaney's Beowulf, and it's the most tedious thing I've subjected myself to in some time. Its sole redeeming feature seems to be that it's less boring than other full translations. If it came down to those two, the Potter should have stormed it, whatever its shortcomings - but a kids' book had never even come close, and the jury basically couldn't bear to be the first. (Does that mean Pullman's book couldn't have won without Rowling's failure? I wonder. Especially since I find 'Amber Spyglass' the least satisfying - 'Northern Lights' is a work of genius, but the rest of the series becomes ever murkier.)

The flip side of this is that when the less weighty book beats out the other, there's a cry of cultural debasement. Some trite piece of nonsense has eclipsed a really remarkable (if possibly unreadable) work. It depends, I suppose, on what lit prizes are for - and just who decides what is and is not a waste of 'cultural bandwidth'.
 
 
Tryphena Absent
15:46 / 08.07.03
Zadie Smith writes cosy lightweight wet-liberal nonsense for the chattering classes

Well she does. She's just as formulaic as Rowling and worst of all is that her books drag and they're probably shorter than OotP.
 
 
Jack The Bodiless
17:35 / 08.07.03
Nick, my post didn't come from any kind of anger - no, I don't like Potter or Rowling, I think I've made that clear, but I was referring to the kind of demented craze that her work has possibly inspired, not the work itself, and being typically flippant about it. As I also made clear, and as you would have realised had you taken a break from being so bloody reactionary. Jesus, has it come to this, when I need to ask one of the most intelligent and articulate people on the board to simply read and consider a post before forming a response?

And the "you think the author deserves to be punished" - again, no, I don't like her, or her work. But to exaggerate my position to the point where you make an assumption of my intent that borders on an accusation of, what, misogyny? I was clearly taking the piss. I think I deserve at least the benefit of the doubt even if you weren't sure about that. And if you aren't prepared to allow me even that, then I don't see any reason why I should continue to form any kind of dialogue with you, because you're probably not worth it.

So let's try again. 'Harry Potter' is a media phenomenon. I believe that only the most over the top fan would consider that the books and movies actually live up to the constant hype and screams of 'genius'. This is similar to previous fantasy-kids-stuff that we've seen reach similar heights of hysteria. I cited some examples - Pokemon, Power Rangers, Teenage Mutant Ninja Turtles - all of them were concepts aimed at children which spawned multi-million franchises. Whether they're book, toy, film or game-related, they all have the same faddish element in common, and invited the law of diminishing returns in for milk and cookies before too long.

As I said, while having many elements in common, the HP craze has lasted longer than that. As I said, either this is due to damned impressive cutting-edge marketing, or maybe, just maybe, the original books are good enough, worthy enough, to keep the ball rolling. As I said, despite myself, I tend to go for the latter rather than the former.

There you go, Nick. Stripped out the silly baiting and the flippancy and pretty fucking dodgy metaphorical parlour tricks for you. Does that make my really simple point any more easy to understand, or would you rather I bring over the milk and cookies and read you the pop-up-book version?
 
 
We're The Great Old Ones Now
20:00 / 08.07.03
Jack - you wrote:

I don't like Potter or Rowling, I think I've made that clear, but I was referring to the kind of demented craze that her work has possibly inspired, not the work itself, and being typically flippant about it.

So here's what I was responding to:

the source material is giving the nutbars a feedbag with a shelflife independent of the nasty mediamental circus that surrounds the Damned Thing

That's about the books, isn't it? Not the circus, but the 'source material'. Anyone who eats from the 'feedbag' is a 'nutbar'. The craze is 'demented'. I misinterpreted your irony as being an expression of scorn and contempt.

Then:

But to exaggerate my position to the point where you make an assumption of my intent that borders on an accusation of, what, misogyny? I was clearly taking the piss. I think I deserve at least the benefit of the doubt even if you weren't sure about that.

I was talking about this:

But Rowling still needs a kick in the third eye for being so bloody smug.

I changed the original draft of reply which read 'physically assaulted' - but I think 'punished' is fair enough, given what was on the page. Obviously, I realise you didn't intend anyone to go round and duff her up. On the other hand, the clear implication - overstated or not - is that her success has put her in need of 'taking down a peg'.

I didn't intend to rile you as much as I obviously have, and looking back, my post seems pretty innocuous. If it wasn't, I'm sorry. I just responded to what I saw on the screen. As an aside, you've been a Barbelith poster for long enough to know the pitfalls of 'clearly taking the piss'.

I believe that only the most over the top fan would consider that the books and movies actually live up to the constant hype and screams of 'genius'.

I think that depends entirely in your definition of genius - a vexed issue, as we know from discussions elsewhere on the board. Rowling has created something which has become a phenomenon. She has entranced a generation. She certainly isn't a great prose stylist, but maybe she's as much a genius as, say, HP Lovecraft, whose creation of a universe where horror lurked just down the street shares some basic characteristics with Rowling's Wizard World. Lovecraft, too, was capable of writing scenes to make you cringe, but people study his work with a similar obsession, and he defines an area of the US for many.

The irony of my position in this debate is that I wouldn't think of myself as a huge fan. I have a lot of time for Rowling, but I don't worship the ground she treads. I'm just intrigued by the negative reaction to her, which seems out of all proportion with what she is. She gets the kind of flack I'd expect to see directed at Monsanto.

As I said, either this is due to damned impressive cutting-edge marketing, or maybe, just maybe, the original books are good enough, worthy enough, to keep the ball rolling. As I said, despite myself, I tend to go for the latter rather than the former.

That's extremely different from the previous iteration, Jack. If that's actually what you meant, I can only repeat my apology for misinterpreting you, whilst at the same time repeating that you got nailed by the dangers of irony in print. If it can happen to Swift, it can happen to you.

Does that make my really simple point any more easy to understand, or would you rather I bring over the milk and cookies and read you the pop-up-book version?

And you called me reactionary, as well. Nice. One glass of grown up juice, please.
 
 
Jack The Bodiless
20:13 / 09.07.03
Well, you were being reactionary. And occasionally you're also a patronising prick. Not to worry, so'm I, so's everyone at one time or another. I was angry last night, now I'm not. However, for the record, here's iteration the first:

...there are only two reasons I can think of for that - either they've managed to string it out past the rubberband point through radical C21 marketing organisms and strategies, or the source material is giving the nutbars a feedbag with a shelflife independent of the nasty mediamental circus that surrounds the Damned Thing. While the cynic and venal bitch in me would love to plump for the former, the realist and self-loathing alcoholic in me thinks the latter a better bet...

...and here's iteration the second

...the HP craze has lasted longer than that. As I said, either this is due to damned impressive cutting-edge marketing, or maybe, just maybe, the original books are good enough, worthy enough, to keep the ball rolling. As I said, despite myself, I tend to go for the latter rather than the former...

Strip away the rubbish, as I would have assumed you could do with your eyes closed, and they are actually the exact same statement.

Oh, again for the record, 'nutbars' was referring back to those caught up in the hysteria over, for example, the recent book launch ("if ah don't buy this book before everyone else in the wurld ah might just dah right herrrre!"), not nice, decent, ordinary readers like your good self. It wasn't just implicit in the text, it was the subject of the entire paragraph, and most of the post. I take your point about knowing the pitfalls of 'clearly taking the piss', but really, that's just poor comprehension on your part. And the 'kick in the third eye' remark was intended as a truculent aside... I think only someone rather on the defensive would have taken it otherwise...

Drink that grown-up juice slow, by the way... too much salty goodness = Wrong Fun for the brain.
 
 
tbedlam
22:38 / 09.07.03
well. . .one positive thing about the Harry Potter Corporation is the abstract mention of "real magic" and magical symbolism.

for instance, the character Sirius Black . . .what 8 year old kid knows anything about the dog star? yet the name Sirius may stick in someones head long enough to look it up sometime later in life.

there are other examples if you look for them,
 
 
Mourne Kransky
10:01 / 11.07.03
And it seems A S Byatt agrees with your anti-Potter claque, girls and boys.

Myself, I struggled with her interminably dull Possession just long enough to get so angry I threw it in the bin but her élitist critique echoes much of the content of the thread above.
 
 
We're The Great Old Ones Now
10:25 / 11.07.03
You're my hero.
 
 
Jack The Bodiless
10:54 / 11.07.03
Urrgh. If I hadn't already decided to stop being one of the haterz, Byatt's self-publicising rant would have clinched it for me...
 
 
Whisky Priestess
16:26 / 11.07.03
I wonder if she's one of those who has actually read the books? (And surely there is no such thing as "compensating seriousness"?) Just cos she's got an agenda doesn't mean she's completely wrong though.
 
 
ONLY NICE THINGS
22:14 / 11.07.03
As I said, very few people here seem actually able to discuss books, rather than other people who discuss books. One day it may be possible to explain to me why Possession not being very good makes Harry Potter novels good, or vice versa. Unfortunately, that will be the day I have been Gordon Kayed by a stray windscreen.
 
 
This Sunday
10:23 / 20.10.07
This seemed like a good thread to append this to:

Apparently, when JK Rowling, author of all them Potter books, was
asked recently by a young fan whether Dumbledore finds
"true love"?

She responded: "Dumbledore is gay."

And people applauded and gasped and blahblahblah.

Now, in what way is his being gay an answer to whether
or not he finds true love? Or made significant despite not apparently being intuitable or integral to any part of the actually-written stories?

This and Rowling's newfound technique of calling Hermione not by her own name but as "Ron's wife" is going a long way towards making me ill. Or, it would, if I had to think about it all too much. Which, I must be if I'm posting this here.

Thoughts?
 
 
Less searchable M0rd4nt
13:30 / 20.10.07
I am unimpressed. Coming along and going "Oh yeah and btw Dumbeldore has teh ghey" after you've put the series to bed? Please. Grow a spine. Oh, and minus points for nicely neutering him as well: "No, tragically he has never found twoo wuv, for Lo, these many years ago his main squeeze viciously turned on him--not like these nice loyal het couples who are rewarded with cosy little marriages and 2.4 regrettably named children apiece." She could at least have given him a boyfriend in Hogsmead that he could visit at weekends.
 
 
Jack Fear
14:36 / 20.10.07
Well, it's a little more complicated than that. Apparenetly Dumbledore was infatuated with Grindelwald, and his love blinded him to what a monster Grindelwald really was. That much is all but stated in the text, and I can't believe I didn't notice it 'til now—all Rowling did there is made explicit the nature of the attraction between the two.

As for the rest. I guess we're meant to imply that after the whole thing went so horribly, horribly wrong, Dumbledore basically shut down the sexual side of himself, spending th rest of his life nursing a broken heart and channeling his energies into mentoring his students.

Which, on the one hand, rings true to me; having worked in academia, I'm familiar with the type—the middle-aged male academic who's neutered himself, made himself asexual, for (as he sees it) the sake of his students.

Still. Pretty gutless, yeah. As with many mainstream entertainments, a single gay main character is acceptable, as long as s/he's closeted and/or non-practicing. Same old same old, I'm afraid.
 
 
Our Lady Has Left the Building
20:12 / 20.10.07
Captain Jack? And it is cowardice on Rowling's part not to make it explicit, what she worried that if she outed Dumbledore IN THE BLOODY BOOK then outraged fans would go out and buy negative copies and so reducing her vast fortune?

She really needs to stop going to these events and using them to tell the story she couldn't be bothered to tell in the books.
 
 
Less searchable M0rd4nt
23:02 / 20.10.07
Also minus several more points for making sure that everyone knows how courageous she is, coz now the Chick-tract readers who say meen fings about her books will have one more meen fing to say. OMG she is soooo persecuted! And yet so BRAVE! Just like Harry!
 
 
Our Lady Has Left the Building
07:00 / 21.10.07
I so want 'Voldermort Was Right' graffiti right now.
 
 
All Acting Regiment
11:28 / 21.10.07
I'd like to apologise for this thread (well, the part of it that's me prattling, anyway) and point out that it was 2003.
 
 
Triplets
12:26 / 21.10.07
Hang on, so gay people can't find true lurve? Poor sods
 
 
ONLY NICE THINGS
23:55 / 21.10.07
Well, in Rowling's defence, the question "will Dumbledore find true love" is meangless, because he is dead at the end of the sixth book. So, the question becomes "did Dumbledore ever experience true love" - at which point his sexuality is a useful piece of information to explain the answer.

I don't think outing Dumbledore now does her many favours, though, for reasons discussed.
 
 
This Sunday
00:09 / 22.10.07
Even 'did he...' is answerable with a simple yes/no, though, more than 'gay,' which is inconsequential to wheter or not he found true love. At least, I think it's inconsequential. Unless, 'gay' becomes a stand-in for 'yes' or 'no.'

Or, unless she said more and nobody's quoting it. More would be nice.
 
 
ONLY NICE THINGS
05:15 / 22.10.07
Well, she said more and people are quoting it. She explained that he fell in love with Goretex Grindelfish, or something to that effect, as a young person, and was so appalled by failing to notice that he was dad-blasted evil that he turned in his badge and gun and never loved again.

This narrative has a number of problems - that at no point does heterosexual desire endanger the wizarding world, and that it means that the only gay character in the books is a closeted eunuch, whose sexuality is not discussed or revealed at any point during the books; indeed it is expressed only as an absence, in this case the excision of a reference to an old girlfriend in the shooting script for one of the films. However, if explaining to a mixed-age audience the romantic history of Albus Dumbeldore, starting out with the information that he was gay is not ncessarily in itself a sign of homophobia.
 
 
Our Lady Has Left the Building
09:47 / 22.10.07
at no point does heterosexual desire endanger the wizarding world

Except that of all Voldermort's ancestors for one another of course...
 
 
ONLY NICE THINGS
09:52 / 22.10.07
None of whom feel that they have to do penance by becoming asexual head teachers.
 
 
STOATIE LIEKS CHOCOLATE MILK
12:28 / 22.10.07
Didn't anyone else get the impression he was gay from reading the book?

I can kind of see why she held off from an image/marketing point of view, but it still strikes me as somewhat cowardly (as doing things for that reason usually are). And I mean, even in the unlikely event that part of her audience HAD decided to boycott the book, it wasn't like it was gonna bankrupt her, was it? If anything, any tabloid furore would have helped- both sales AND the perception of homosexuality among schoolchildren.
 
 
Keith, like a scientist
12:39 / 22.10.07
There were some passages in Deathly Hallows that seem to imply it more strongly than others. Obviously the already quoted stuff, but also all that stuff at the wedding where snooty old lady was blabbing about him and they were talking to his 'best friend what's his face.' He and his friend were going to travel the world together, etc. It kind of seem to imply that they weren't mere friends.

But still, kind of cowardly of Rowling to announce it after the books are done. It should have been stated somewhere in the last book if she was going to make it a big secret.
 
 
ONLY NICE THINGS
12:43 / 22.10.07
Pullman managed to have a pair of gay characters who were in a relationship (although they were, admittedly, angels). I don't think it harmed him too much, but then the whole tyrant God bit had already probably done for his born again numbers.
 
 
Glenn Close But No Cigar
13:49 / 22.10.07
at no point does heterosexual desire endanger the wizarding world

It's at least possible to argue that Snape's desire for Lily Potter plunged certain elements of the wizarding world into danger - even though Snape was really protecting Harry all along, there was a lot of collateral damage as a result of his (arguably born-out-of-romantic-rejection) involvement with the dark arts.

None of whom feel that they have to do penance by becoming asexual head teachers.

Except, interestingly, Snape. Not that he was a headmaster until the 7th book, but he's been as far as Rowling tells us celibate from at least pg. one of The Philosopher's Stone.

Snape and Dumbeldore's cases don't map exactly on to each other, but it is interesting that she has one kill the other...
 
  

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