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Quantum: My girlfriend bought Sigur Ros several years ago, because of the angel foetus on the cover, and really liked it. I liked it, then a few months ago met someone who'd heard of them, and now suddenly everybody likes them.
Obviously I don't wish to be a pedant (snirk) and you know I truly adore your girlfriend but I remain a little dubious of her ability to buy the album 'several years ago'. The album with the angel foetus on the cover was Agaetis Byrjun, and it came out in 2000. But I agree, bloody good album which leads me to...
Jack Fear: ...And then when the drums come in, a moment that's clearly meant to be climactic, the effect is unfortunately laughable because the sound is so cruddy and the programming is so crude...
The sound is deliberately cruddy. It's deliberately crude. It's supposed to sound muddy and subterranean; it's music that sounds like it's coming from a great distance; as if it's distorted by time. I love the way that it sounds. You say that the atmosphere is threadbare - I'd say it pulsates. I've spent hours listening to this record and that moment still sends chills through me.
But back to the original question: I've listened to () quite a few times and I think it's a really good collection of music, I like it a lot, but it just doesn't move me in the same way Agaetis Byrjun did. Perhaps this is due to different associations or a different emotional state (Agaetis Byrjun was released at a particularly painful time for me) or just personal taste but it doesn't seem to have the same range of texture that Agaetis Byrjun had. I'll still be following further releases with avid interest however. |
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