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Anyone Fancy A Smog?

 
  

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The Return Of Rothkoid
03:23 / 13.10.05
I haven't gotten it yet. But then, I also missed out on seeing Smog on Tuesday night. Which was, incidentally, the night I found out about the gig.

Arsehat.

Still, I'm with you on Supper. That first track... gorgeous. It's a much warmer album than his others - not that Rain On Lens isn't a stunner on its own - and I find myself listening to it a lot.
 
 
Spatula Clarke
17:24 / 05.06.06
Did get A River.., after much forgetting. It's excellent - hell if I know what the complainers were on about. It's got a lovely sound to the whole album - bare, but warm. River Guard comes to mind again - that quiet, gentle ebb and flow, with a really pretty tune buried under mountains of hush. Acoustic, with rarely anything more than a guitar and a snare backing the vocals up.

The one weak link in the piece is I Feel Like the Mother of the World - too much treble in the production, too much harsh percussion, jars you out from the experience. Other than that, pretty fucking great record. Rock Bottom Riser is the highlight - gorgeous tune, lyrics that have that Smog trick of layers within layers, eventually proving not to be about the thing you thought they were on your first few listens. As if to prove this, some reviews had it down as a straight love song - in truth, it's a fair old distance from that (well, imo, anyway - dude's singing about a love that's ripped his soul from him, laid him down low).

Callahan's voice is in prime form, too. He's got the half-spoken, half-sung, half-whispered (yeah, I know) bit down perfectly now.

Incidentally, to dredge up an old maybe-argument that I've let pass the last couple of times I've ended up bumping this thread, I don't get your objection to Callaghan, Jack. I mean, I know what you're talking about in the post you link to and the quoted section of SFD's, but I honestly don't believe it applies here. To the earlier Smpog albums, yes, but not to anything after the first four (possibly the first three - I've still not heard The Doctor Came at Dawn). Red Apple Falls and Knock Knock are chocka with gorgeous tunes, played beautifully. I just can't hear the purposeful avoidance of 'professionalism' that you suggested was present in this stuff. Unless you're only talking about the early albums, that is. And it's difficult to tell, with yr post to this thread being so enigmatic and non-specific.

Should have argued this four years ago, rather than letting it bug me once every twelve months, as the chances are that you've changed your mind in the meantime.
 
 
Spatula Clarke
16:21 / 06.06.06
Video for Rock Bottom Riser on YouTube (cheers to Supaglue for the link).
 
 
The Falcon
18:32 / 06.06.06
I don't get your objection to Callaghan, Jack. I mean, I know what you're talking about in the post you link to and the quoted section of SFD's, but I honestly don't believe it applies here. To the earlier Smpog albums, yes, but not to anything after the first four

This is pretty much exactly what I was thinking; I remember getting 'Wild Love' years ago after effusive reviews, and JF's complaint there would be totally on point ('Bathysphere' notwithstanding,) but certainly 'Knock Knock' or 'Dongs...' are more complete-feeling.
 
 
pickle doodle
01:06 / 07.06.06
i think somebody put it best when described smog as "the depressed person's depressed music"
 
 
Disco is My Class War
12:03 / 07.06.06
Oh, come on. Why is it that everyone always think slow intense music is depressed/depressing? I'm listening to "River Guard" right now. It's winter and my toes are frozen and the music is, like Randy says, wrapping me right up in quiet, warm tension. It's mixed perfectly -- especially how the piano track slides in, gradually, until you realise that although it's sporadic, that piano is the backbone of the song.

I used to be friends with Bill Callaghan's girlfriend. She might be his ex now. But she always said he was the sweetest, most gentle human being she's ever met.
 
 
Spatula Clarke
17:33 / 07.06.06
Yeah, that's really lazy thinking, the "ultra-depressing music" thing.

River Guard - it's about the illusion of freedom. If it was depressing, the emphasis would be on the illusion, but it's not - the important thing is feeling free. "We are constantly on trial" isn't the point. "It's a way to feel free" is.

Hell, if you can't take something really positive from that - or from the simplicity of a slow, haunting melody - then you're not paying any attention to the music.

All of which is also ignoring the great big dollops of humour that the guy throws into half of his output. Callahan's darkest moments also tend to be his least straight-faced - if it's not in the lyrics, it'll be in the juxtaposition of lyrical content of a certain nature with a tune of another. And it's not like he has to write dark stuff to get the humour in, nor that the humour has to be jet black or twisted - Dress Sexy at my Funeral?
 
 
pickle doodle
06:19 / 08.06.06
to each his own, man
 
 
Spatula Clarke
16:04 / 08.06.06
What an amazingly dull cop-out.
 
  

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