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Le Tigre, Part II : Yr Critique of Feminist Sweepstakes

 
  

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Ronald Thomas Clontle
17:19 / 21.11.01
hey, what happened to the old Le Tigre thread? It's gone...

anyway, So yeah, I finally got the Feminist Sweepstakes LP, and it's very interesting... some really good catchy bits ("LT Tour Theme", "Well Well Well", "Fake French", "Tres Bien", "Cry For Everything Bad That's Ever Happened"), but lots of crappy cheesy bits ("TGIF", "My Art", especially "Dyke March 2001"), and the cheesy bits of all of the songs are the things that linger in my mind after I turn the record off... Politically, I don't really have as much of a problem with this record as I did with the Mr. Lady EP, but I do still think they are hamfisted in their messages...

The thing I just don't get is how they can go from doing something that is rather subtle and elegant like "Cry For Everything..." or as pure pop and clever as "LT Tour Theme" or "Fake French" to something as clumsy, shoddy and poorly conceived as "Dyke March" or as painfully moronic as "My Art"... is there a concept of quality control in the Le Tigre camp?

[ 21-11-2001: Message edited by: Flux = Hip Priest ]

[ 26-03-2002: Message edited by: Flux = Stuttering Bureaucrat ]
 
 
Regrettable Juvenilia
18:54 / 21.11.01
Old thread here, Flux m'boy...

Um... if you want me to respond to this in either thread, you're going to have to explain what you don't like about those songs a little more clearly. 'My Art' is one of my favourites: the "My art is better than your art" refrain is pretty obviously both deliberately childish in tone and yet utterly true about so many bands. Equally, I don't find 'Dyke March 2001' cheesy or shoddy or poorly conceived, I think it's great, much better than if Le Tigre had gone away and written a song about going to a march and how brilliant they thought it was... You're going to have to break it down for me... and I wonder about this word 'cheesy': when applied to 'TGIF' and 'Dyke March 2001', is this connected with the heart-on-sleeve nature of these tracks at all?

I'd chalk it up to different tastes, because 'Cry For Everything Bad...', whilst I can see what they're trying to do, is about the only song on the album I think doesn't come off (and funnily my next least fave track on there is 'Much Finer', but maybe that's just cos I'm trying not to fall into that stay-in-bed depressed mood)...

Except that the ones you don't like, you seem to *really* not like, with some level of vitriol. I'm curious.
 
 
Ronald Thomas Clontle
19:41 / 21.11.01
My Art' is one of my favourites: the "My art is better than your art" refrain is pretty obviously both deliberately childish in tone and yet utterly true about so many bands.

ironic or not, deliberate or not, the song just strikes me as childish and obnoxious, and just grates on me in the worst way... I can't imagine anyone not finding that song as being anything other than just flat-out annoying... and it is very hard to imagine that Kathleen doesn't actually feel that way about most of her contemporaries. actually, even the best Le Tigre songs have that really grating school-girl chant aspect to them, and I think that's a big part of my ambivalence towards them...
I also hate that 'fake-bored-vacuous' voice Kathleen Hanna puts on (good example of what I mean: the very beginning of "Cassavetes"). It's just a matter of pushing the 'things Flux aesthetically dislikes' buttons, I guess...

To me, "Dyke March" is just poor, lame programming, cheesy in how it uses its effects and samples. It makes me think of cable-access news or something... god, I hate when they stutter the samples, it sounds so amateurish...I can imagine really cheap graphics accompanying it or something... The music is weak and sounds like a bad video game, if someone wants to interpret any reason as to why the music and how the song is put together in any way is a 'political statement', please do... I mean, obviously, the sampled phrases and chants have content (in that 'catchphrase t-shirt' sorta way), but why are they presented in this way? What relationship does poor sophmoric sampling and cheesy video game music have to do what these women are saying? To be fair, Flyboy is right, it is cool that they are letting the women who were in the march do the talking, it's more like reporting on what happened than editorializing... that is a nice change of pace. But why the juxtoposition? Why?

[ 21-11-2001: Message edited by: Flux = Hip Priest ]
 
 
Regrettable Juvenilia
20:48 / 21.11.01
quote:Originally posted by Flux = Hip Priest:
and it is very hard to imagine that Kathleen doesn't actually feel that way about most of her contemporaries.


There's other stuff I want to respond to that you've said, but for now I'd be interested to know: how do you feel about, for example, the way Jay-Z seems to be obsessed with his contemporaries/critics/rivals, particularly on his latest album? I think the defiant, "fuck you lot, I will survive, you don't deserve me" is one that's common to both artists, and that's one of the things I like about both of them - you don't *need* to agree with the specifics if the songs are good - although funnily in both these cases I think the people in question have good reason to be pissed off with *some* people...

Oh yeah, you gonna respond to all that stuff I posted in the last thread, or wot?
 
 
Ronald Thomas Clontle
09:09 / 22.11.01
I really love that sorta bravado, that 'fuck you I'm a genius' thing... It's something I've always loved in a lot of artists, mostly hip hop...

Comparing the way Kathleen Hanna expresses this to Jay-Z, I feel Hanna comes off as whiny, defensive, and insecure when she does it, whereas Jay-Z seems more like a rampant self-centered egomaniac.

I personally relate more to the latter than the former.
 
 
Regrettable Juvenilia
09:29 / 22.11.01
Hmmm... yeah, I sort of suspected you might say something like that. It troubles me a bit, because words like "whiny" and "insecure" aren't exactly free from gendered connotations (and "school-girl" above blatantly so), but it's too far past my bed-time for me to get into this now, and anyway, someone'll be along to slap me upside the head for being a humourless oversensitive PC-crazy feminazi apologist in a minute.
 
 
Ronald Thomas Clontle
09:37 / 22.11.01
Well, I'm sure the specifics of why Kathleen Hanna is/comes off that way is rooted in her gender---she's the one who's made her gender such a defining part of her existence, not every woman is like that, not by a longshot --I would say the same thing about the way Billy Corgan, Eddie Vedder, or Kurt Cobain exhibit the same characteristics I've pinned on Hanna.

Remember, my main point of contention with Kathleen Hanna is that everything is not broken along gender lines, or variations in sexuality. It's more about PERSONALITY types -- subs vs. doms.

[ 22-11-2001: Message edited by: Flux = Hip Priest ]
 
 
Ronald Thomas Clontle
09:40 / 22.11.01
quote:Originally posted by Flyboy:
aren't exactly free from gendered connotations (and "school-girl" above blatantly so


Um, I don't see why the application of the term 'school girl' wasn't appropriate... I was being specific, a lot of those songs sound like the type of things little girls chant while skipping rope and playing hopscotch and things like that, or cheerleading chants--- and it seems like that is what they are going for, it's their intention to sound that way...
 
 
Regrettable Juvenilia
09:46 / 22.11.01
Sure, I agree, and the fake-bored-vacuous thing is a take on the classic girl groups of the, um, whenever 'Leader Of The Pack' came out - apologies if you just meant that personally you find that grating, aesthetically, I was kind of running it along into the other stuff.

We'll have to save the crunchier politics/gender stuff until tomorrow... You've completely lost me with the subs vs doms stuff though. (These threads are bleeding into one...) Are you saying Kathleen Hanna is a sub??!?

(Er - disclaimer: not that speculating on a member of a band's sexual preferences is in any way helpful. Fun though, eh? Notorious B.I.G. = masochist.)

[ 22-11-2001: Message edited by: Flyboy ]
 
 
Ronald Thomas Clontle
09:57 / 22.11.01
[QUOTE]Originally posted by Flyboy:
[QB]We'll have to save the crunchier politics/gender stuff until tomorrow... You've completely lost me with the subs vs doms stuff though. (These threads are bleeding into one...) Are you saying Kathleen Hanna is a sub??!?[/b]

Actually, I was implying that she is a dom, going back to my initial debate-sparker, that Kathleen is just as macho as Fred Durst.

The subs vs. doms thing: I think that in this world, dynamics between people have a lot less to do with gender and sexuality than it does with issues of people having dominant or submissive personalities, that's the difference.

Biggie as masochist: I would LOVE to hear you elaborate on that, man, though I have a decent idea of what you mean.
 
 
Cherry Bomb
09:57 / 22.11.01
Hmm. Interesting. I want to expand on this, but I always feel that both of you are far better at analyzing music than I am. This will not stop me from trying, however.

Interesting comparison with Jay-Z, and I think there's a definite similarity in terms of the "FUCK YOU, FUCKAH!" bravado, which I too love. Jay-Z clearly has better flow, but he's hip-hop, and Le Tigre are some kind of punk feminist new wave art rock sort of thing.

I don't think Kathleen Hannah comes off as insecure AT ALL. In fact, I think the approach to the songs - and let's take a song like "My Art" she is really just letting it all hang out and do it her way. "Just my thoughts, just what I was feeling at the time" - not too far off.

I love the whiny schoolgirl bit, and I find it very interesting that you bring that up as a reason you have a hard time taking her seriously at that point. She's doing something women are told isn't very ladylike - screaming and getting angry. I may be giving her too many props for that one but I find it excellent. Personally I love love LOVE the screaming!

Also, why is the opinion of a whiny schoolgirl to be taken any less seriously than the opinion of a thug from the ghetto?

"Dyke March": Why the juxtaposition? Why not, I say? I think it's positively brilliant to combine serious ideas with fun music - why is this not quality? Especially considering the rep feminists have for being humourless and no fun at all. I think it works.

And I like the new-wave feel of the song. This could be a personal taste issue, however.

"Well Well Well" is still my favorite, however. I am thrilled by the bored voice sighing as she asks, "Well, what do you like, and what do you need? How should I act and who should I be?" Also dig the sexualizing of supersizing.

Can you be a feminist rockstar and be funny and be taken seriously?
 
 
Ronald Thomas Clontle
12:54 / 22.11.01
Hmm. Interesting. I want to expand on this, but I always feel that both of you are far better at analyzing music than I am. This will not stop me from trying, however.

oh please do! I really like reading what you write about music, I don't think you should feel at all unqualified, you know yr stuff and yr very articulate...

RE: my feeling that Kathleen Hanna is somehow 'insecure' -- The way I armchair analyze how she's behaved over the years, I get the sense that she's always out to impress people and prove herself to others, which I think is a very insecure motivation. Of course, I'm just speculating.

She's doing something women are told isn't very ladylike - screaming and getting angry. I may be giving her too many props for that one but I find it excellent. Personally I love love LOVE the screaming!

Me too. I think Hanna is vocally at her best when she's screaming/shouting/emoting. When she gets into this over-the-top ironic area, that's when she bugs me. This put-on little girl voice, the 'bored-vacuous' voice - it's okay in some cases, but aggravating in others, I think.

Also, why is the opinion of a whiny schoolgirl to be taken any less seriously than the opinion of a thug from the ghetto?

I wonder how different people would answer that question. I'd say the class/race/gender/economics/education issues which give the 'whiny schoolgirl' advantage over the 'thug from the ghetto' in the real world lend the 'thug' a great deal more credibility. I don't care what anyone tries to tell you, any given white girl has a great advantage over any given poor black man.

Also dig the sexualizing of supersizing.

ah! I thought that was cool and clever too!

Can you be a feminist rockstar and be funny and be taken seriously?

Yeah, lots and lots of girls pull it off. I just don't think Le Tigre are particularly funny girls.

[ 22-11-2001: Message edited by: Flux = Hip Priest ]
 
 
Regrettable Juvenilia
11:07 / 23.11.01
I'm not sure they're trying to be funny, especially, are they?

Hey Flux, have you heard the Julie Ruin album? If so, whaddya think?
 
 
Ronald Thomas Clontle
12:24 / 23.11.01
I'm not sure they're trying to be funny, especially, are they?

Christ, I sure hope not.

Hey Flux, have you heard the Julie Ruin album? If so, whaddya think?

I like the Julie Ruin record a lot. It doesn't have the 'hits' like "Hot Topic" "LT Tour Theme" "Deceptacon" "Get Off The Internet", but I think it is a much more solid record than any of the three Le Tigre LPs. Actually, one of the things that I think is annoying about Le Tigre is how they are really just rewriting that Julie Ruin record over and over...
 
 
Cherry Bomb
09:34 / 24.11.01
The beginning of "What's Yer Take On Cassavetes?" "We've talked about it in letters... " it's kind of a funny switch.

Also in "Well Well Well" I think the way they say that whole "Look Who's Here/Well Well Well/Guess it's time/For show and tell..." sounds very saracastic and funny.

So I say yes there is some funny.
 
 
autopilot disengaged
20:16 / 25.11.01
bought it today. i like.

maybe i'll write like a grown-up about it.

later.

...much later.
 
 
Regrettable Juvenilia
15:24 / 29.01.02
Pouring fuel on the fire (please note that my first statement below has my tongue mostly in my cheek):

quote:Flyboy says:
I am slightly nervous about, like, what if I accidentally spill a drink on a *girl* - will the band leap off stage and beat me up?

flux says:
that's exactly why I didn't go to either of the recent Le Tigre shows. I'm very uncomfortable seeing a group who have banned men from their audiences in the past.

Flyboy says:
have they? I only object to that really if it isn't billed as such in advance

flux says:
I would like to see them, but I just don't feel like getting an evil eye because I'm male. I'm probably thinking only of the worst case scenario, but still. Not being a lady or a fag, they don't make roller skate jams for ME

Flyboy says:
that's an interesting point, that has occurred to me... but I compare it to hip-hop

flux says:
that lyric really bugs me, and the fact that it's a catchy hook that I sing to sing along to...

Flyboy says:
but how is it different from a rap tune that says, eg, "this one's for my niggas"

flux says:
I guess they can make a case for a history of music that is one way or another exclusive to women and homosexuals, but I don't see the point in doing the same thing... I believe in equality. I think everyone should be working to be all-inclusive, not exclusive.
flux says:
niggaz is such a different word, it's meaning is broad and sometimes quite nebulous

Flyboy says:
Yeah, but you know, one, that doesn't get round the fact that people want something that makes them feel proud to be what they are. And two, why does that work for 'niggas' but not 'ladies and fags'?


Thoughts?
 
 
Disco is My Class War
22:22 / 31.01.02
This thread makes me wanna put on, like, my worst bad impression of a Valley Girl accent and say, like, Flux, why does everything always have to be for you? Why can't you enjoy the fact that someone wrote a song for the ladies and the fags, 'cause how many other bands out there can you name who do that, huh? Not many.

Le Tigre are deliberately amateur. They're making a point. I think it's like the best crazy theories about punk and DIY, transposed to an electronic medium. Also, it's good 'cause it's kitsch.
 
 
Matthew Fluxington
00:56 / 01.02.02
Rosa, I know exactly what you mean, and I agree with you.

Except on the 'why does everything have to be for 'me'' thing. I really don't feel anything is being made for 'me' or people like 'me'. Maybe I'm just jealous.

I do kinda resent someone making a very good song and then having the hook be a line that deliberately excludes a vast number of people, and though I can understand their intentions for why they would do that, I don't see why that would make them better than what they are critiquing. I think it makes them the same. It strikes me as very hypocritical.
 
 
Polly Trotsky
02:31 / 01.02.02
So you've said in other threads: whether an attack against the band or Kathleen - hypocritical, macho, "as bad as Fred Durst." And yet, you offer little more evidence than the song content; largely ignoring what ze/they about hir/their music or how they live or what else they do. I'm afraid you may need to accept the blistering reality that people want music that speaks just to them and maybe even thank Le tigre for providing it. Just a thought.
 
 
Matthew Fluxington
12:00 / 01.02.02
Yes, obviously people like and appreciate that sort of thing. Like I said, maybe I'm just jealous, maybe I just envy somebody singing for *them* when I really don't feel as though me or people like me are being represented at all. I'm not even sure who 'me/we' are. "We are underused, we are underused..." Malkmus is the best I can pick out, I guess...and he's awash in a sea of apathy...

I think that Huggybear's "Boy Girl Revolution!" is a lot smarter than writing roller skate jams 'exclusively' for the "ladies and the fags".

What's so wrong with including everyone?
 
 
rizla mission
12:14 / 01.02.02
To rewind this thing right back to step one, I've now listened to Feminist Sweepstakes a few times, and I dig the lyrics, dig the songs, but..

..I really think it would be better for all concerned if the leading pioneers of political lo-fi electro pop had made a record that DIDN'T sound like it was recorded in John Disco's garden shed on a dictaphone in 1996.

I mean, following a lo-fi asthetic is one thing, but deliberately making a record that sounds completely shit is maybe taking things a bit too far .. especially when the songs themselves are totally cool.
 
 
Matthew Fluxington
12:26 / 01.02.02
Really? I can see what you mean about some songs, but "Fake French" "Well Well Well" and "Tres Bien" sound really good and have a nice glossy sound to them....

However you make a good point: Bis were Le Tigre first, AND had better lyrics, better songs, and managed to be egalitarian.

[ 01-02-2002: Message edited by: Flux = Sleeps w/ Electric Guitars ]
 
 
Regrettable Juvenilia
13:31 / 01.02.02
Oh dear. I shall step away from the keyboard before I -

Too late! Yeah, Le Tigre are the crap, man-hating Bis... IN BIZARRO WORLD!
 
 
Matthew Fluxington
13:39 / 01.02.02
Send me a little note when Le Tigre finally get around to making a record as good as New Transistor Heroes, okay?

Or at very least, a single as good as "Tell It To The Kids"...


[ 01-02-2002: Message edited by: Flux = Sleeps w/ Electric Guitars ]
 
 
Polly Trotsky
16:40 / 01.02.02
Nothing's "so wrong with including everyone." John Denver, Jefferson Airplane, even some present day folks have the bases covered. What Le Tigre's doing was/is what's missing. You know, broadening diversity and all that.
 
 
rizla mission
12:23 / 04.02.02
The album's growing on me. I like it lots more than the last time I posted on this thread - FYR, TGIF, Much Finer, Shred A etc. all rock hard.

..but I'm still annoyed by the fact that the vocals are so badly done that half the time they're completely unintelligible, turning songs that should be stomping, shout-along, political anthems into rather imprecise bursts of noise destined only to preach to people who are reading along on the lyrics sheet..
 
 
Polly Trotsky
15:25 / 04.02.02
Maybe it's yr electronics?
 
 
Murray Hamhandler
17:37 / 04.02.02
quote:Remember, my main point of contention with Kathleen Hanna is that everything is not broken along gender lines, or variations in sexuality. It's more about PERSONALITY types -- subs vs. doms.

DIT-TO!!!! Words out of my mouth. I said this almost word-for-word to someone the other night. Right on the money, Flux.
Arthur Sudnam
 
 
Murray Hamhandler
17:45 / 04.02.02
quote:I do kinda resent someone making a very good song and then having the hook be a line that deliberately excludes a vast number of people, and though I can understand their intentions for why they would do that, I don't see why that would make them better than what they are critiquing. I think it makes them the same. It strikes me as very hypocritical.

Fucking hell, Flux. You're just not going to let me get a word in edgewise, are you? So, like, then, anyway. My reply, again: "What he said."
Arthur Sudnam
 
 
Jackie Susann
04:39 / 05.02.02
quote: ...and though I can understand their intentions for why they would do that, I don't see why that would make them better than what they are critiquing.

Am I the only one who thinks the second half of this quote contradicts the first half? OR: I want to live on Flux's planet, where the ladies and the fags enjoy so much social privilege that there's no difference between songs aimed at them, and songs aimed at straight boys.

Anyway, I have been listening to this album all day and I've decided it's much better than I originally thought - it is funny, from Fake French (I've got... post-binary gender chores - although probably this song is only funny to arts degree casualties) to the "marching naked ladies" refrain on Dyke March 2001. It's emotionally complex. It's got the rock, like Phil Spector if he was producing today with tech he found in op shops.

Standout track which I hadn't even noticed on earlier listens: 'Keep on Livin', the last track, with true-true lyrics, pathos, optimism, unembarrassed personal-political sincerity, 60s garage band momentum, shouty chorus, quiet spoken bits, and everything else that makes Le Tigre songs good, if you like them.
 
 
Murray Hamhandler
20:49 / 05.02.02
quote:
I want to live on Flux's planet, where the ladies and the fags enjoy so much social privilege that there's no difference between songs aimed at them, and songs aimed at straight boys.

I personally think that there are songs that anyone can relate to because they are about =people= and songs that only certain people can relate to because the songs knowingly and blatantly exclude certain people. I personally don't care much for the latter. I love and relate very strongly to The Crying Game (and yes, I know it's a movie, but I think the point is the same), although I've never been in a situation anything like that. Maybe it's because it's a human story that doesn't point its finger at me and try to make me feel like a piece of shit for being white and male and straight.

But maybe that's just me.
Arthur Sudnam
 
 
Regrettable Juvenilia
14:09 / 06.02.02
This is long and rambling, I'm afraid.

Wanted to start by asking arthur: have you actually listened to any Le Tigre? Just wondering...

Because before we get dragged off too far down the "is it BAD to make music just for girls, or gay people? is it as BAD as music just for men? why are they no tunes that speak just to ME?" route, maybe we should pull back a little bit and consider whether Le Tigre really are excluding anyone.

This aspect of the debate has so far been based entirely on one line in one Le Tigre song - "for the ladies, and the fags yeah, we're the band with the rollerskate jams" - and I'd actually make the case that this really doesn't exclude anyone. For starters, because it isn't followed by the line "and not the straight guys - they're all scum!" (there's a verse dissing guys with digi cameras who "push to the front and then just stand there", but c'mon - those guys are undeniable wankers, and are also just one thing in a list of live gig hassles in the song). You know, Le Tigre aren't actually saying that they don't want men buying their records or coming to their gigs. In fact I've not encountered any anti-male sentiments in their music or interviews (in fact I could find examples of the contrary if you like). They're pro-women, for sure, and they're anti-misogynistic assholes and their culture, but what's wrong with that?

But more generally, this idea that the only music that can speak to you personally is music that specifically refers to your circumstances, your personal details and the manner in which they relate to how you define your own identify - I find it baffling, personally.

And Flux, I find it even more baffling specifically that you can't see that it's a bit odd that you have no problem getting past this process (whereby musicians specify - within their music or otherwise - that the music is being made primarily for and in order to represent a group of which you are not nominally part) - you can get past this where the whole of hip-hop is concerned, but Le Tigre are a stumbling block... And I think it's disingenuous and inaccurate to get round this by saying that 'nigga' has a wider range of meanings than just black or non-caucasian male - sure, it's starting to occasionally in hip-hop (and I don't have the knowledge to talk about outside of that context), eg Pharoah Monche's "kinda like this cat for a white nigga" - but you can't tell me that white fans of hip-hop actually identify as 'niggas'.

What you're essentially saying, is that you can make the leap to identify yourself in the category 'nigga' because when the Wu-Tang say that, either they don't mean just black men, they mean all their fans, or you can look past the specifics and see yourself as part of a wider group being addressed* - but you can't do the same with Le Tigre, because your're definitely not a lady or a fag. Which would seem to contradict your "I don't see gender as a genuine difference" comment...

*I think this is fair enough, btw. There's a tradition of making these sort of call to arms in pop music, especially music that celebrates a subculture (what we might call 'alternative' pop music, possibly). You have to be aware that there is more than one level on which a given example of this operates, though. When ODB calls on "all my niggas and my niggarettes" at the start of 'Triumph', he's pretty obviously not addressing white Wu fans such as myself primarily, but that doesn't mean that I don't feel that I am being called upon, and I'll happily defend that as valid. So why can't the same be true of Kathleen et al? Well, it is for me, but why isn't it for you? This could just be an aesthetic/personal thing, I guess, but it doesn't sound like it is - there's some level of disapproval in some the posts above.

[ 06-02-2002: Message edited by: Flyboy ]
 
 
Murray Hamhandler
17:20 / 06.02.02
quote:Originally posted by Flyboy:
Wanted to start by asking arthur: have you actually listened to any Le Tigre? Just wondering...

Yes, I have. Seen them live, even. I like their music. I even like most of what they have to say. I just have qualms w/some of Kathleen Hanna's politics, or at least what I've gathered were her politics, as I'll probably not have the chance to ask her face to face. The Bikini Kill song "White Boy" rankles me particularly, for instance. I understand where she's coming from completely until she starts on the "white boy...just die!" tangent. She's generalizing the perpetrator of a heinous act to include all in general who share his sex and ethnicity, IMHO, thereby incriminating by association those who have nothing to do w/such things and letting the individual a little off the hook. Maybe it's just me that interprets it this way.
Arthur Sudnam
 
 
Jackie Susann
19:35 / 06.02.02
Oh come on, White Boy is hilarious! Who hasn't felt like that some time? Besides, it's from the split with Huggy Bear (isn't it?) which came out almost a decade ago.

And yeah, if you really think that anyone who says 'for the ladies and the fags' is trying to make you feel shit for being a straight white male, you REALLY ARE the kind of person they want to exclude.

This is pretty tangential but on the topic of (cross) identifying with Kathleen-related songs... when Bikini Kill first toured Australia this young guy wrote in his zine that he especially enjoyed 'Jigsaw Youth', because lots of the other songs were particularly about girls whereas this one was inclusive. Apparently he was missing the point that Jigsaw Youth is about/for sex workers...
 
  

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