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The Replacements, Husker Du, Big Black, Pussy Galore, the Minutemen were all bands from the eighties that sounded like no one before them, and sure, people can try to ape their style, but no one's sounded like them since. [/QUOTE]
oh, i wouldn't agree with this at all. certainly not The Replacements...what are they other than an ridiculous caricature of 60s and 70s garage rock? Minutemen and Pussy Galore had their own things going on, don't get me wrong, but they were on well-tread ground by that time... I can hear a lot of the weirder Faust songs in The Minutemen, for example. Husker Du is more or less just a power pop band gone punk, which had certainly been done before they hit the scene.
Now don't get me wrong: these bands are all great examples of 80s achievements, I just would never pin the concept of 'groundbreaking originality' on any of them save for maybe Big Black.
In defense of the 80s: college jangle pop, hardcore, synthpop, goth, new wave, no wave, industrial, Detroit techno, rave, baggy, several early developmental stages of hip hop, etc etc.
Not a good time for: mainstream pop in general, jazz hits the beginning of its continuing decline, avant garde composition hits a wall, heavy metal, hair on any one in general.
The 80s are more about large splintered movements, whereas the 90s are simultaneously about those movements coming together in people going mad trying to recombine as many styles and genres as they can, while everything (some might say artificially thanks to economic forces) became more ghettoized and splintered further and further...
I would say that the 90s is easily the great era for hip hop, and not the 'old school' period in the 80s, it's a bit analogous to 50s and 60s rock and roll. We're now entering the 70s for hip hop, if you can think of it that way...
90s: great time for electronic music of all stripes. |
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