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Also, why, when talking about counter-cultures, do people always seem to talk about the same canon of (by now, if not then) classic rock worthies? The sequence that runs 'The Beatles - Sex Pistols - Morrisey - Kurt Cobain' doesn't include dub, hip-hop, soul, all of which had arguably more political importance; if one is bemoaning the current 'lack of a counterculture', then what about bhangra, grime or dubstep today?
It's also interesting how, while for Hebdige punk was political as opposed to the 60s precursors, now we seem to see an affinity there, a comfortable grouping of 'the 60s stuff' in with 'Punk', an affinity that is probably fictional. |
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