BARBELITH underground
 

Subcultural engagement for the 21st Century...
Barbelith is a new kind of community (find out more)...
You can login or register.


Where's todays version of Film as a Subversive Art?

 
  

Page: 1(2)3

 
 
Essential Dazzler
00:13 / 08.07.07
From that Youtube page "Dirty", Skanky", "Waste of pussy", "Protitutes"

I limited mself to taking words over phrases. Rad Girls is subverting FUCK-ALL.
 
 
Essential Dazzler
00:14 / 08.07.07
FUCK ALL
 
 
Essential Dazzler
00:23 / 08.07.07
Except I clearly didn't limit myself to words, because I quoted a phrase. Carry on.
 
 
TeN
02:16 / 08.07.07
Troy, just to clear things up, I never called you ignorant
what I said was that from the little information I gathered from your post, you seemed to be ignorant of (ie unaware of) the vast range of films being made today
in retrospect, that was kind of a dumb thing to say
so I apologize for that


now, to weigh in on some of the points/films that have been discussed...

firstly, about defining "subversion," one thing that hasn't been brought up, which in my view of the form is absolutely necessary, is the aspect of the definition that goes back to its Latin roots, meaning "to turn from under." for me, being subversive doesn't just mean giving the middle finger to the man, and it DEFINITELY doesn't mean subscribing to any fixed set of beliefs or even methods. it has to wholly readjust your expectations. it has to derive from within what it's attempting to destroy. it has to signal radical new ways of looking at its subject. this is why Michael Moore is a political filmmaker, but not a subversive one. when we see a Michael Moore movie, we know what to expect. and when we come out of a Michael Moore movie, our views have rarely been questioned as much as they've been reinforced. a truly subversive film should totally upturn your beliefs, no matter what they are. Vogel would agree that whether a film qualifies as subversive isn't dependent on its political stance. an entire chapter of his book is devoted to Nazi cinema, for instance. so, just for random example, you can't say a film isn't subversive because it's homophobic. if it presents homosexuality in a way that has the power to make people question their previously held views on the subject, then it just might be both subversive AND homophobic. I don't know any film that does this, nor can I think how any would, but it's a hypothetical.



I Heart Huckabees as subversive... hmmmm... well... hmmm... I'm not sure I agree with your statement that the film "deflates the sort of self-important existential questing that is an occasional vestige of the American New Wave by using the mechanism of a major Hollywood star vehicle." actually, almost the opposite. Huckabees uses its humor, star power, and lack of self-importance to make a philosophical film that non-'self important existential film watching' people will actually want to watch. in a way, it parodies all those types of films while still managing to ask the same questions, if not more important questions as well. so is that subversive? I guess it kind of is, right?



as for Tarnation, I was incredibly disapointed by that film. partly because it's narcissistic to the point of being boring, and partly because it's poorly made. you can tell Caouette really doesn't have a good sense of what he's doing, but is so personally attached to his material that he wrongly assumes the audience will be affected by it, regardless of how shitty the presentation is. (of course, seeing as how it's been so praised, perhaps I, the one not affected, am in the minority). back on topic, though, I don't really understand what would make it subversive. documentary has incorporated fiction from the start (Nanook of the North, for example)


a few thoughts about Harmony Korine: I think he's brilliant. sometimes childish, sometimes pretentious, sometimes exploitative, and sometimes weird just for the sake of being weird (I reeeaaally hate that), but he's an amazing and innovative filmmaker. I don't know if I really truly liked Gummo though. Julien Donkey Boy is one of my favorite films of all time, but Gummo just feels like a bit of a wank to me (again, weird for weirdness's sake). also, I'm surprised no one's mentioned how Harmony exploits retards and "freaks" - whether they be inbred hicks or black albino rappers or amputees who drum with their feet. or that he's got that whole "documentary/fictional crossbreed" thing that Borat and Tarnation have in spades, but is using it in far more interesting ways than either of those films. and yeah, his films aren't "political" or "progressive" in the least, by any definition. but why should any of this disqualify him from getting the "subversive" badge? like I said before, whether or not a film is subversive or not has fuck all to do with political stance.


"...one of the most frustrating things about Americans is that they never..."
could we just stop it with this already? generalizing to a ridiculous degree like this is almost as insulting as it is boring and pointless.

but yeah, Crestmere, I'd agree that using De Selby's definition isn't really going to get us anywhere.


"Do you feel that Girls Gone Wild or really, any pornography made in the last 15 years, does the same, Troy?"
well I don't want to answer a question directed specifically at someone else, but the answer is no. it's not as exploitative or anti-women as Girls Gone Wild, and I'm not sure I'd call it pornography. it's basically in the same vein as Jackass, but with dumb women instead of dumb men. that clip wasn't very representative of the show as a whole, and I'd recommend you read some more about it on its wikipedia page. some of the things in the synopses that caught my eye: "Munchie and Ramona go boxing in wedding dresses" and "Munchie asks guys to show her their package." now high art this is not. it's not even very entertaining trash. but to dismiss it like you are is pretty narrow minded. basically, part of what the show is doing is saying fuck you to the idea of males being rowdy and violent and overly sexual and females being prissy and reserved and tasteful (as Troy said, "thumbs it's nose at conventional concepts of females"). of course, it's not presenting a very positive image of females either. and it could be argued that its no less exploitative than something like Girls Gone Wild (well okay, it's definitely less so, but maybe not by much? maybe?). but i think you should at least take a closer look at it before easily dismissing it as "pornography."

"My reason for semi-defending things like Borat and Rad Girls is because I think things don't have to be pretentious or presented a certain way or about certain topics in order to be subversive. It just has to go against the grain --- no matter how mundane or poignant."
bingo.
 
 
TroyJ15
02:28 / 08.07.07
Do you feel that Girls Gone Wild or really, any pornography made in the last 15 years, does the same, Troy?"

You Again. Leave Mary Jane alone. Her services are needed elsewhere. (just kidding). Girls Gone Wild or Porn is, well, porn. It just continues female stereotypes. Do you want me to go back to the MJ bored and finish our conversation? This is distracting.

for me, being subversive doesn't just mean giving the middle finger to the man, and it DEFINITELY doesn't mean subscribing to any fixed set of beliefs or even methods. it has to wholly readjust your expectations. it has to derive from within what it's attempting to destroy. it has to signal radical new ways of looking at its subject. this is why Michael Moore is a political filmmaker, but not a subversive one. when we see a Michael Moore movie, we know what to expect. and when we come out of a Michael Moore movie, our views have rarely been questioned as much as they've been reinforced. a truly subversive film should totally upturn your beliefs, no matter what they are.
What about the people it does effect? They would find it subversive. Maybe there are people who saw something in his work that completely changed his mind. I remember seeing "Bowling for Columbine" and doing a complete turnaround on my stance on the kid's that shot up the school. I went from a cut and dry attitude to examining more about what cause this.

I just saw "Sicko" and I was already rethinking alot of my views on communism before the film. After the film, I decided a more even-handed approach is necessary.
 
 
This Sunday
03:28 / 08.07.07
I think a bit too much might be made of 'subversion,' really. Depends on who it works to, who it skates by, and how serious of an issue/element it is, I guess. I mean Patrick Stewart and John de Lancie playing out a scene in ST: The Next Generation as though they'd just had sex is subversive. Certain actors (Brando, Bogart, and McQueen off the top of my head) using star-power to get Native American actors into Native roles, often side by side with white guys in makeup and bad wigs who're noticeable by their horrible pidgin english not utilised by the actual Indians is/was subversive. People keep telling me Punch Drunk Love was subversive. Films like Bad Boyz, with their blatant exchange (at Gov. request, which is lovely, in exchange for support) of cocaine for ecstasy, without really rewriting hardly a thing... that's subversivee. Some idiot will believe it. May in terms of presentations of sexuality, race, and society is weirdly subversive, for crying aloud, or Sin City of all things, which came under fire for its perceived 'latin weight' (hopefully quoting corectly from memory of a review from a SoCal paper at the time).

I just re-watched Cutthroat Island recently, and the part near the end when Geena Davis starts blubbering as Frank Langella stomps towards her with his powerful eyes and powerful hair? It's so like the way you see most women in action films go (see Collateral) or, to a lesser degree, Die Hard) even knowing it was a set-up, I forgot and got annoyed.
 
 
TroyJ15
03:32 / 08.07.07
Wait. Wait. You watched Cuttthroat Island. (I'm sorry that's all I got from that.)
 
 
TeN
04:11 / 08.07.07
just curious - how many of you have read the book this thread is about?
seeing as how it's filled with mostly examples of what Vogel considers "subversive," what do you think his definition was?
and is it still relevent?
 
 
TroyJ15
13:35 / 08.07.07
I actually haven't read the book and was not familiar with the author until this thread(sorry). I was going to visit Amazon and take a look at buying it.
 
 
TeN
22:35 / 08.07.07
hey no need to apologize
you should definitely read it if you're in any way interested in this topic though... it's incredible
 
 
This Sunday
23:05 / 08.07.07
I've read parts of it, but not nearly as familiar with it as I'd like to be. When did it come back in print?

Vogel's acceptance of subversion that works on a whole audience but does not have to be consciously recognized by them is a nice, healthy, reverse to Pauline Kael's usual riff about the element or subversion no longer belonging to a minority or 'knowing' group.

And, yes, Troy, I watched Cutthroat Island. I kinda like it, and find it a rare example of an action flick with a female protagonist who isn't spending the whole time crying while she kills, engaging in a motherhood fueled rage or become the icy queen of emotionless sexdeath. But it's not terribly significant, hence my use of it as an example of film subversiveness. Ed Wood was a thousand times more subversive than Michael Moore, but Michael Moore appears to be making a point more often, which is mistaken for 'subversive' for some unknown reason.

And then there was Crash, a film that my relatives, friends who're neither identify (as just) white or black, and I, myself, could not stand for all its preachiness and desire to simplify race relations and identity politics down to something where, unfortunately, white and black are the denominations and virtually anything else is fodder along the road or interchangeable. Tokenistic and bluntly moralizing in the most insulting fashion, and it seemed to sweep across the States like it was a saviour in celluloid or something. It wasn't, and isn't, all Euro- and African-descended people who fell for it, no, and there is subversion there, it's just that the subversion is the downplaying or displacing of non-white, non-black peoples, coupled with a divisive defense, apparently, how we should play into our expecteds via identity politics.

I mean, what was the excuse with the cop, there at the end? That he's a big tough white man so the instant he did something heroic all's forgiven from the past? Again, the subversion is there to re-validate some old(er) beliefs/hopes and was by far not something new. I suspect, from what I know of Vogel's writing, he would agree with me.
 
 
TeN
23:30 / 08.07.07
it came back in print a few years ago, I believe
2004? 2005? 2006? i'm not entirely sure... very recently


I haven't seen Crash, but I've kind of assumed that it's what you've described, and that's actually the main reason I haven't seen it
I feel like I should watch it, but every time I look at my DVDs, I think "do I want to watch something new and exciting and that might challenge me? or do I want to watch something that won an academy award and is probably going to preach to me for two hours?"

now Cronenberg's Crash (or rather, Ballard's Crash)... there's a "subversive" film for ya
 
 
Regrettable Juvenilia
09:42 / 09.07.07
Where to start? Let's start here:

but i think you should at least take a closer look at it before easily dismissing it as "pornography."

Close reading is your friend, TeN. Have a look at what I actually wrote again, and you'll see I did no such thing.

to dismiss it like you are is pretty narrow minded. basically, part of what the show is doing is saying fuck you to the idea of males being rowdy and violent and overly sexual and females being prissy and reserved and tasteful (as Troy said, "thumbs it's nose at conventional concepts of females").

Narrow minded? You wound me, TeN. All I'm doing is applying the same robust standards you recommend when it comes to deciding whether or not something is subversive:

being subversive doesn't just mean giving the middle finger to the man, and it DEFINITELY doesn't mean subscribing to any fixed set of beliefs or even methods. it has to wholly readjust your expectations. it has to derive from within what it's attempting to destroy. it has to signal radical new ways of looking at its subject.

I agree with this entirely - which is why something like Rad Girls (one word or two?) is in no way subversive. Its intended audience neither expects nor desires to see females being prissy and reserved and tasteful. I mentioned Girls Gone Wild for this reason - not to say that Rad Girls is pornography per se (although I'd argue that titillation is one of its goals) - but to point out that the concept of rowdy, overtly sexual women doing crazy shit, maaaaaan, is nothing new, even if the Rad Girls appear to have a tiny bit more agency than those in GGW (as far as I can tell from very limited viewing). It's a well-documented phenonmenon, even if some of the most well-known writing about it is problematic in itself (i.e. Female Chauvinist Pigs).

This kind of thing is certainly not new to an intended audience that consists of the kind of leering alterna-fratboys skewered by Le Tigre on 'Dude, Yr So Crazy': "Thinks it's funny / Film Festival / Retro Porn / Shabby Chic... Transgressive / Gone fishin' / Shock Value... Devil's Advocate... Hawaiian Shirt / Buddy buddy / Just Chillin' / Crystal Meth / Dirty Hair / Anti PC / Dive Bar... Topless Now / Obscure Reference / Likes Parties..."

If you think I'm characterising the majority of fans of such a show harshly, consider that the Rad Girls were first invoked by self-identified "Devil's Advocate" TroyJ15. He has had some things to say about sexism and entertainment before, none of them edifying:

I feel that was the point of it. To be mysognistic eye candy. As a man, I like it. I know you have a problem with it and I understand why but I like it. Again, Devil's Advocate. ...it is cool because of the underlying sexual nature of it.

I'm not sure why TroyJ15 seems to think we need to go back and finish that conversation. I think that's already been done, although perhaps what was finished was not so much the conversation as the chance of him being seen as a credible commentator on the subject of anything involving sex, women or entertainment, let alone all three.

So, to go back to your definition of subversion. A subversive piece of entertainment might be one that drew in viewers who expected titillating gross-out-happy mad-for-it party girls, and then somehow challenged said viewers for their brain-dead voyeuristic misogynistic worthlessness. If anyone knows of such a piece of work, let me know.
 
 
Regrettable Juvenilia
10:01 / 09.07.07
Moving on, with a sense of Sisyphean despair, to TroyJ15's own post:

Girls Gone Wild or Porn is, well, porn. It just continues female stereotypes.

A good effort, but no. To start with, not all porn "continues female stereotypes" - in fact, not all porn even involves female-identifying people at all - although I can well believe that both of these facts are outside the bounds of your experience with the genre to date.

The point of my question was to try to extract from you which ideas of female behaviour you believe are being subverted by Rad Girls, which have not already been subverted by several years worth of gonzo and other forms of pornography. I'm still unclear on this - see my previous post replying to TeN's comments for details. Is perhaps the answer that you are uncomfortable watching actual porn, prefering to get titillation from entertainment that has an "underlying sexual nature", as you said of the Mary-Jane maquette (hence its relevance), but also have some kind of socially acceptable plausible deniability?
 
 
Alex's Grandma
10:59 / 09.07.07
The point of my question was to try to extract from you which ideas of female behaviour you believe are being subverted by Rad Girls, which have not already been subverted by several years worth of gonzo and other forms of pornography. I'm still unclear on this - see my previous post replying to TeN's comments for details. Is perhaps the answer that you are uncomfortable watching actual porn, prefering to get entertainment from entertainment that has an "underlying sexual nature", as you said of the Mary-Jane maquette (hence its relevance), but also have some kind of socially acceptable plausible deniability?

Why must you always speak in parables, man?

All these semantic riddles ... You never seem to say what you honestly feel.

Always hiding your real thoughts away behind ... words.

Behind bloody words.
 
 
This Sunday
11:00 / 09.07.07
I knew a woman who co-wrote and directed a film that consisted of set-pieces that began as stereotypical porn/GGW scenes, hardcore sex, static fleshy shots and bouyant energetic personalities glad to be objectified and possibly abused for cash and kicks, which then degraded into someone in each scene basically breaking down while everyone else goes on, business as usual. Some of the bits were eye-roll-inducing but a few were just incredibly painful to watch: post-bukkake and unable to hold a cup of coffee for her hands shaking, while the crew plan the next shot in the background; someone suddenly deciding his penis-implant was lying to the audience and trying to get other performers to help him remove it right there and then with something sitting around the set. She said she pulled and buried it, despite being offered national distribution, because the few times she screened it, people were leaving turned on. 'Erotically charged' I believe she called it.

This is why I don't much care for the Pauline Kael style assertion that once something is captured or relayed through film, it belongs to everyone, not just a minority or 'knowing' group. I'd watched something that made me cry, made me a bit bored or frustrated, and at at least one point made me immensely sick to my stomach... and I was told shortly thereafter there were people leaving the dinky theatre it showed with swellings in their pants. And I wouldn't doubt there are people it would have hit harder than it hit me. The subversion is simply not the same for everyone, and it's probably sadly easy to miss the point.

Anyhow, what I've seen of Rad Girls doesn't seem to be subversive, no. Pushing a point or 'thumbing its nose' at something? Sure. But as has been covered by others, that's not subversion.
 
 
at the scarwash
16:45 / 09.07.07
Isn't there also a difference a subversive film and a film with subversive content (perhaps Borat) or a film that theoretically incites one to subvert something or other (maybe that blowhard Michael Moore?)? Doesn't the phrase "subversive film" imply that the film itself has the agency to be subversive in and of itself? I think that was my reason for referring to Tarnation upthread, not because of it's radical content, but because of something in its structure. Symbiopsychotaxiplasm: Take One is perhaps a much better example of what I would consider a formally subversive film, I suppose.

I guess what I'm suggesting is that I don't know if a traditionally-structured narrative can be subversive. A three-act screenplay jumps through the hoops in such a familiar, comfortable fashion that, no matter how radical the content, it lacks the visceral impact to actually change anything in the viewer.
 
 
TeN
17:30 / 09.07.07
well I think I can definitely agree with that assessment of the show, Flyboy. I was just a bit annoyed by how you so easily dismissed it without explanation. (I also mistook Pacific State's posts as yours... oops)

"I guess what I'm suggesting is that I don't know if a traditionally-structured narrative can be subversive. A three-act screenplay jumps through the hoops in such a familiar, comfortable fashion that, no matter how radical the content, it lacks the visceral impact to actually change anything in the viewer."
two things I have a problem with:
1) I don't believe that subversion of form can any longer be in and of itself subversion. it's all been done. there's been so much experimentation with form that there's really not much left to do, and nothing is really going to shock anyone into rethinking anything. (I suppose something like Tarnation might be subversive to someone with absolutely no knowledge of experimental cinema, even experimental narrative cinema, but that goes back to the discussion about subversion being specific to the audience)
2) why are you so quick to assert that narrative is dead? as I mentioned before, and Flyboy brought up in his last post, subversive films often lure the viewer into expecting something, only to upset their expectations and attack their desires as an audience. narrative film is the perfect vehicle for this type of subversion. anyone going into a non narrative film already expects some level of weirdness, and they're far more open to the range of things they might encounter.
 
 
TroyJ15
03:56 / 11.07.07
And then there was Crash, a film that my relatives, friends who're neither identify (as just) white or black, and I, myself, could not stand for all its preachiness and desire to simplify race relations and identity politics down to something where, unfortunately, white and black are the denominations and virtually anything else is fodder along the road or interchangeable. Tokenistic and bluntly moralizing in the most insulting fashion, and it seemed to sweep across the States like it was a saviour in celluloid or something. It wasn't, and isn't, all Euro- and African-descended people who fell for it, no, and there is subversion there, it's just that the subversion is the downplaying or displacing of non-white, non-black peoples, coupled with a divisive defense, apparently, how we should play into our expecteds via identity politics.

I mean, what was the excuse with the cop, there at the end? That he's a big tough white man so the instant he did something heroic all's forgiven from the past? Again, the subversion is there to re-validate some old(er) beliefs/hopes and was by far not something new. I suspect, from what I know of Vogel's writing, he would agree with me.


I'm glad someone else felt the movie wasn't as strong as it was made out to be. I find Crash very ridiculous when I watched in theatres. It challenges nothing. And that ending with the cop was nonsense.

If you think I'm characterising the majority of fans of such a show harshly, consider that the Rad Girls were first invoked by self-identified "Devil's Advocate" TroyJ15. He has had some things to say about sexism and entertainment before, none of them edifying:

I feel that was the point of it. To be mysognistic eye candy. As a man, I like it. I know you have a problem with it and I understand why but I like it. Again, Devil's Advocate. ...it is cool because of the underlying sexual nature of it.

I'm not sure why TroyJ15 seems to think we need to go back and finish that conversation.


*Sigh* Because I had forgotten the conversation but you seem to want to bring it up at every forum I go to. It's a bit childish, man. I'm trying to talk about one thing and you turn it into this wild-eyed vendetta against me, Joe Quesada and his team of wife-beaters, or whatever you wish to call them.

The statue isn't even orderable anymore. *yeesh*

The point of my question was to try to extract from you which ideas of female behaviour you believe are being subverted by Rad Girls, which have not already been subverted by several years worth of gonzo and other forms of pornography. I'm still unclear on this - see my previous post replying to TeN's comments for details. Is perhaps the answer that you are uncomfortable watching actual porn, prefering to get titillation from entertainment that has an "underlying sexual nature", as you said of the Mary-Jane maquette (hence its relevance), but also have some kind of socially acceptable plausible deniability?

Can we chill with the hasty psycho-analysis of my character. That's insulting. Seriously. I don't have to get to that level to have an argument with you. Don't do that to me. I've tried to be respectful. Give me the common courtesy.

The point I was trying to redirect to was that subversion, like beauty, is in the eye of the beholder. Someone enjoying a good wank to Rad Girls isn't going to take time to contemplate if it is subversive or not. I prefer the more general approach that subversion is something that "goes against the grain" whether just for the sake of it OR for "good" reason. And leave it at that. limited experience can apply here, because subversion differs from person to person.
 
 
ONLY NICE THINGS
07:53 / 11.07.07
OK. I think the issue here is that Troy's definition of "subversion" is not a definition that exists in language. As such, he is having an entirely different conversation. I think we're done on that one.
 
 
Tryphena Absent
09:39 / 11.07.07
Troy, you're just using the wrong word. You're discussing subjective response which would be a complicated thread and one that might be interesting. I don't think it's this thread, which is about subversive film. If you want to talk about individual films and genres that change the perspective of people who are not broadly exposed to art forms then you should start a new thread about that.
 
 
This Sunday
10:08 / 11.07.07
I suppose someone could make the argument that Rad Girls might be approaching a Cinema of Transgression territory, in (and if) it's trying to be confrontational and confrontationally humorous, I guess. I couldn't make the argument, but I think Troy might be, except he's using 'subversive' when he means 'transgressive.' A lot fo the transgressive-movement films weren't really subverting much, if anything, but were dwelling on elements the audience generally would prefer not to dwell on (publically, at least) to the point where they had to be recognized.
 
 
TroyJ15
03:20 / 12.07.07
Wow! Ok. My reason for even bringing up Rad Girls was to look at subversion from two sides of the same coin. I am neither agreeing nor disagreeing that it is subversive. I'm saying that if we can go by MY earlier definition of subversive, which is "anything that thinks out of an established box," then something like Rad Girls would be considered subversive. My satement was intended for leaving discussion open for a definition of subversion that is MORE specific. Instead I'm arguing about @##$%ing Spider-Man statues, You Tube videos, and if I'm ashamed to watch porn (?).
My definition was not intended to be finite --- it was intended to be open.

So here is a definition from dictionary.com...

sub·ver·sive (səb-vûr'sĭv, -zĭv) Pronunciation Key
adj. Intended or serving to subvert, especially intended to overthrow or undermine an established government: "Sex and creativity are often seen by dictators as subversive activities" (Erica Jong).


Someone posted this earlier, but the definition does state that subversion is not exclusive to overthrowing governments, just "especially" governments.

So how about this?
TeN, the original poster, posed some interesting questions in his introduction:


-where is today's subversive film?
- is it still possible to even make subversive art?
- has it ever been possible?
- is an updated version necessary or even desirable?


-I think today's subversive film comes largely from non-American countries.
-Subversive art is possible, but less and less likely as we delve deeper into the millenium. I honestly think alot of people are very satiated --- to the point that they don't wanna think about subversive concepts. They don't care to, they've got digital cable, and cars that park themselves. They've gotten to comfortable.
-Has it ever been possible to make subversive art? Yes. But I think subversive art IS only as relevent as the person watching it. If they are not interested in the subject then they will just ignore it and not consider whether it is subversive at all. Subversive can be subjective (to an extent).
-Is an updated version necessary? Yeah. Again, unfortunately, I think people are so "okay" with things that subversion has to take on a new meaning. Not to make these "okay" people comfortable (that would ruin the whole point of subversion) but to make it more specific. More jarring for them.
 
 
Alex's Grandma
03:52 / 12.07.07
Surely the point of 'subversive' art is that it portrays, or at least considers, desires, wants, ambitions, etc in a given society in a way that might make a member of same at least question their assumptions?

According to that definition, anyway, can porn ever be subversive? In the sense that the mind is not the organ that's being engaged, really, and that if the material concerned isn't giving you a bang for your buck, why would you bother to carry on watching?
 
 
This Sunday
04:09 / 12.07.07
Sure, I'd imagine porn could, in some way be subversive, even if it's not the sex that's being subverted. The notion that with sex we're letting lower-portions do the thinking is a nice excuse, but it's never really the case is it?
 
 
Alex's Grandma
05:53 / 12.07.07
No, no of course not.

Sure, I'd imagine porn could, in some way be subversive, even if it's not the sex that's being subverted.

How are you breaking this down, though?

What would be your ideal scenario?
 
 
ONLY NICE THINGS
08:05 / 12.07.07
I am neither agreeing nor disagreeing that it is subversive. I'm saying that if we can go by MY earlier definition of subversive, which is "anything that thinks out of an established box," then something like Rad Girls would be considered subversive.

Yes. We can't go by that earlier definition of yours, because that's not what "subversive" means, as we have already said. As it happens, Radgirls also does not think out of an established box, but that's not really relevant.
 
 
grant
14:40 / 12.07.07
Where's today's version of Film as a Subversive Art?

YouTube itself, almost definitely. Non-centralized, no distributors, no cinemas, on my desk at work, viewer selected.

What does one do next?
 
 
TeN
00:46 / 13.07.07
that's a good point, grant, but it only addresses location/venue, not content or form or anything related to the work itself
the vast majority of things on youtube aren't in any way subversive
and much of what is existed in some other form before finding a home on youtube

"According to that definition, anyway, can porn ever be subversive? In the sense that the mind is not the organ that's being engaged, really, and that if the material concerned isn't giving you a bang for your buck, why would you bother to carry on watching?"
don't be so quick to jump to conclusions
I in fact started a thread a while back addressing exactly this issue: Pornography vs. Erotica vs. Art
 
 
TroyJ15
04:04 / 13.07.07
Yes. We can't go by that earlier definition of yours, because that's not what "subversive" means, as we have already said. As it happens, Radgirls also does not think out of an established box, but that's not really relevant.

I just wanted get that straight. Your earlier comment was very dismissive so I felt the need to clarify.

Where's today's version of Film as a Subversive Art?

YouTube itself, almost definitely. Non-centralized, no distributors, no cinemas, on my desk at work, viewer selected.

What does one do next?


Excellent point!


that's a good point, grant, but it only addresses location/venue, not content or form

Okay so let's continuing addressing specific films, books, etc that are subversive...

I recently read the novel GraceLand which takes a critical look at Nigeria. It's government, it's culture and more. The writer was actually booted out of Nigeria for writing the book. I consider it subversive because I never knew how ruthless Nigeria is. I'd imagine that an open-minded person from Nigeria would also consider it subversive, since its a critical of the culture.

I also have been reading "From the Desk of Warren Ellis" which is, mostly (but not exclusively), Warren Ellis' ideas on the comic industry and how to improve it. As a HUGE comic book fan and a comic book retailer I find his ideas very subversive and exciting because he asks the industry to create a more attractive tone to legitimize the industry. Also it was written about 6 years ago, and little has changed.

Anybody seen the documentary on 70s filmmaking called "A Decade Under the Influence?" It's very interesting to see how rampant with subversion Hollywood had become for a period because of rebellious filmmakers (most of whom are complete shit now).
 
 
ONLY NICE THINGS
08:36 / 13.07.07
Right. This is a thread in the Film, TV and Theatre thread. So, let's stick to film, TV and theatre, shall we? Specifically, it was looking for a modern-day version of the book "Film as a Subversive Art", which then led on to a discussion of what constitutes subversive film. Subversive, here, means something like "undermining the moral principles of or seeking to overthrow an established aesthetic or ideology". TeN's description, above, I think is a useful starting point:

for me, being subversive doesn't just mean giving the middle finger to the man, and it DEFINITELY doesn't mean subscribing to any fixed set of beliefs or even methods. it has to wholly readjust your expectations. it has to derive from within what it's attempting to destroy. it has to signal radical new ways of looking at its subject. this is why Michael Moore is a political filmmaker, but not a subversive one. when we see a Michael Moore movie, we know what to expect. and when we come out of a Michael Moore movie, our views have rarely been questioned as much as they've been reinforced.

(This, incidentally, is why Warren Ellis' columns are often polemical, but very rarely subversive).

So, let's look at "A Decade Under the Influence", because that looks and sounds interesting. Which film-makers and which films do you feel are identified as being "subversive", in the terms described above, in that?
 
 
grant
15:21 / 13.07.07
I think YouTube *does* have a certain form and even content unique to itself.

I think that this comes from breaking film out of the cinema (which is itself simply a formalized carnival sideshow - this is where films were first shown, as curiosities like bearded ladies and contortionists) and into these smaller chunks that one consumes at will on the computer.

The screens are smaller, the stories are (by and large) either first person, homemade things or else fragments stolen from elsewhere. It's not film-as-film anymore. Or is it? You don't pay for tickets, and you don't get narratives in the traditional sense. You get bits of memories and voyeuristic glimpses into other people's lives. Home movies. Something like the strange videotapes edited together by the main character of Amelie, you know?
 
 
TeN
22:44 / 13.07.07
Anybody seen the documentary on 70s filmmaking called "A Decade Under the Influence?" It's very interesting to see how rampant with subversion Hollywood had become for a period because of rebellious filmmakers (most of whom are complete shit now).
yes, I've seen it. excellent doc. I'm hesitant to call the new Hollywood of the 70s subversive. and the reason for this is that it's really just a product of the times. it's hard to say whether it actually runs counter to anything, or is just the sign of the counterculture becoming the widespread culture. the fact that it led directly to the blockbusters of the late 70s, which led directly to a new age of bland hollywood film, almost totally killing off any subversive elements present within the new hollywood itself and substituting it with cheap thrills is evidence against its subversiveness. i mean, look at Lucas. his first feature, THX1138, might be considered mildly subversive. but only 6 years later, the same director made Star Wars, one of the two films (along with Jaws) that single handedly killed the creativity and innovation in Hollywood that had been prevalent earlier in the decade.

I see what you're saying grant
the thing is, you can't say that this form of "film" didn't exist before youtube
some of the kinds of stuff on youtube was getting passed around on VHS among skaters in the early 80s
parodies and short films and the like have always been done
the only form I can think of that youtube may have invented is the call and response video... although I'm sure that's been done before too
this isn't to say that youtube isn't revolutionizing how we view traditional cinema - it definitely is
but I don't think it or its content could be called subversive
as long as it's being made and consumed and interacted with, the content itself becomes almost irrelevent
and youtube is just capitalizing on a new mode of thinking


**sorry if any of this made no sense, I'm in a rush and didn't get a chance to read over any of what i wrote**
 
 
TroyJ15
04:31 / 15.07.07
yes, I've seen it. excellent doc. I'm hesitant to call the new Hollywood of the 70s subversive. and the reason for this is that it's really just a product of the times. it's hard to say whether it actually runs counter to anything, or is just the sign of the counterculture becoming the widespread culture. the fact that it led directly to the blockbusters of the late 70s, which led directly to a new age of bland hollywood film, almost totally killing off any subversive elements present within the new hollywood itself and substituting it with cheap thrills is evidence against its subversiveness. i mean, look at Lucas. his first feature, THX1138, might be considered mildly subversive. but only 6 years later, the same director made Star Wars, one of the two films (along with Jaws) that single handedly killed the creativity and innovation in Hollywood that had been prevalent earlier in the decade.


Well, what isn't a product of it's time? I think even subversion is effected by the period it exist in. IT would have to be.
The 70s film era did not, entirely, lead to the Blockbuster film mentality. If anything, it was, largely, just Jaws and Star Wars that sent us on that path. What about movies like Apocalypse Now, Network, Taxi Driver, Badlands, etc. If anything I could agree with there is, at least, subversive thinking in the 70s work. Does the entire film have to look and feel completely subversive (I don't even know if that's possible without being pretentious or overwrought)
 
 
TroyJ15
04:34 / 15.07.07
The screens are smaller, the stories are (by and large) either first person, homemade things or else fragments stolen from elsewhere. It's not film-as-film anymore. Or is it? You don't pay for tickets, and you don't get narratives in the traditional sense. You get bits of memories and voyeuristic glimpses into other people's lives. Home movies. Something like the strange videotapes edited together by the main character of Amelie, you know?
Absolutely. I have to second that. It is still a form of film. Why do we need to make subvrsion so exclusive. Let's open the doors up to all forms of film (content, style, the occasional 1 good idea in a much larger film.)
 
  

Page: 1(2)3

 
  
Add Your Reply