|
|
I don't know if there's any one rule to be applied to kitteh. Is it possible to resignify that infantilising character of kitteh-speak in an ironic way? And did corporations come up with lolcats? I've been thinking of it as a weird kind of graffiti or detournement. Especially with philosophy, when the image of the [usually male] philosopher connotes a whole history of solemn black-and-white portraits, traces of a philosopher's entry into History as a 'serious contender'. But at the same time, there's an homage going on, as well. Maybe it depends on the image, and of course the context, how it's read.
Also, grant, that is a beautiful observation about the 'invisible' genre. It's totally about what absence, what precise object might be read into the image as absent. On the other hand, the invisible pics I've been making are about how a particular theorist's argument was false, hence invisible. Thus, the graffiti works as a critique. Ie:
(Fukuyama claimed that we were appproaching the end of history, then he recanted in a later volume.)
Also:
(Okay, so it's the best procrastination device I've come up with for months, endlessly fulfilling. Who says it has to be defended politically?) |
|
|