|
|
spoilers
I love Spaced and Shaun, but since I was a big fan of cop films as a little kid (Lethal Weapons, Die Hards, Bad Boy1, Speed, Robocop, Bervely Hills Cop, etc) I was expecting to have a tiny stroke while watching this, and got out a tiny bit disappointed.
Maybe something went over my head, culturally speaking. Maybe I should watch it again.
Top Moments:
- "power of Greyskull!"
- Lovefool
- Pegg's determined walk in the beginning (nice 'cause I love his walking intro in Shaun as well)
- pretty much everything from Frost
But the little things just kill me, like the arrested kid with the cone looking like Harry Potter, Bill Nighy's entrace, Blanchett, Aaron A. Aaronson, the awesome killing of (the) Messenger, the conspiracy's dumb simplicity from old people's fear contrasted with Angel's theory, the kids, the guns, the editing, the telegraphed "oh no, he killed his buddy", the homoerotic undertones jokes on the buddy love, the final watered fights (the defeated villain's comeback), the, the, the theelight! And the fact that's all done from guys who love these movies and do the tongue-in-cheek totally straight-faced so you can still enjoy the action is just too damn great (no matter how hilariously absurd a kick in granny's face is, it still kicked nazi-robot-dinosaur's ass!).
Why the fuck was I complaining in the beginning of the post? |
|
|