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The Barbelith Anime Primer

 
  

Page: 12(3)4

 
 
Essential Dazzler
21:36 / 14.04.07
I would love to see it, almost bought it recently, but the huge pile of unwatched, already paid for anime screamed "NO!".
 
 
This Sunday
23:25 / 14.04.07
Both the Anno-directed live action and the Gainax-handled (and, depending on who at Gainax is asked, also maybe secretly Anno-directed) three ep anime are very worth the time to watch. They're what I call kind-fanservice, in the same sense as 'Barbarella' (and they go well together as a double-feature to a packed room), because there isn't any kind of annoying background message that somehow someone should be punished for being sexy... does that make any sense? (a) I'll do the splits in my apartment in my underwear has the roughly the same narrative value as (b) Let's all get drunk for social change and reevaluate our lives or (c) billion gold bullets deflected by shiny sword in a way that most productions would build up maliciously as (a) slut, (b) drunk easy slut, and hence never let us have (c).

I know, it's live action, but um... it's tied in real good. Sort of.
 
 
Mysterious Transfer Student
06:38 / 15.04.07
D.D. is on the money. Anyone who wants a taster maybe should check out the video for the theme tune, performed by Kumi Koda (the "Japanese Beyoncé" - in her own mind if no one else's, and that's what counts) who is somewhat fan-service-oriented in her own right.
 
 
Haloquin
11:51 / 08.05.07
Not sure this is the right place to ask this but...

First... am I right in thinking that the term 'anime' refers to the animations, not an art style? What is the art style actually called?

Second... I found this group on facebook who are arguing that artists who only draw 'anime' and are slavishly copying this style should draw in other styles as well, and learn why things are done in a certain way. I agree. Just mimicking a style isn't necessarily good. But, while they claim to hate 'anime' art they do have a(n empty) discussion group for sharing good 'anime' art, I know there is plenty but need some help finding it. Pretty please?

This is the group;
http://lamp.facebook.com/group.php?gid=2264191108

Third... Should I copy this over to a new thread the art forum? I figured this would catch the attention of anime watching people and may be a place to point out your fave anime artwork. I think they actually want manga, but anime stills can be gorgeous.
 
 
Haloquin
11:24 / 10.05.07
I've been told that my previous post is entirely unclear... I'm sorry. It boils down to;
I love a lot of anime artwork... where can I find links to pages of good anime artwork?

This is so I can post it to the above mentioned group and illustrate that as a style anime-art isn't nearly as limited as they make it out to be.

The bit about the group I agreed with was; if artists just mimic (any art style) they are limiting themselves and therefore doing themselves a disservice as an artist.

Hope this is clearer!
 
 
Seth
20:35 / 10.05.07
I love a lot of anime artwork... where can I find links to pages of good anime artwork?

I don't tend to look for sites that just carry anime art. If I want an image from a specific show for a thread or blog entry then I'll do a Google image search based on a few key words. Or I'll do a search for the production staff on a show that I think is particularly well designed and then Google the designer to see other work they've done.

I can see their argument though. There are an awful lot of conventions to anime design and animation, a great deal of visual short-hand. And a lot of it is deliberately designed with simplicity in mind so that it's easier to animate. Where it comes to life is on the screen, where you'll rarely see animation as well observed, kinetic and full of character anywhere else. Also remember that many of these images are already charged with meaning for us in a way that they won't be to someone who hasn't seen the show, and so the front cover of the final issue of Ray=Put that adorns my laptop wallpaper will be a mindblowing image in a way that it won't be for someone who doesn't know what that image means.

If they've made up their minds then it might be a hard sell unless you can talk to them about the images in context, why those conventions exist, the history of the industry, what that art style is saying. Then you might be able to make a better case.
 
 
Haloquin
20:46 / 10.05.07
Thanks for the pointers. I will have a think and poke things at them. Probably best if I look for art from series I haven't seen then I'm not as influenced by emotional connections to the program.
 
 
Seth
17:57 / 12.05.07
Tokyo Godfathers. Perfect Blue and Millenium Actress both showed huge amounts of promise in their techniques, ideas, fractured narrative and ingenious construction but suffered through clunky execution, repetition and an infuriating need to spell everything out for the viewer. However the mini series Paranoia Agent showed that writer/director Satoshi Kon was now capitalising on his strengths and jettisoning his weaknesses, and this is more of the same. Part farce, part fable, this is a cracked and charming retelling of the nativity through the eyes of three homeless people in Tokyo who find an abandoned baby at Christmas and decide to go on a quest to find its mother. It's a bit like the Fisher King only without the fantasy sequences. Buy/rent it here, and roll on his new movie, Paprika.

Bartender. A curious little thirteen episode meditation on the Zen Bartender, the supposed master observer of human nature who can solve all your problems while they serve you your drink. Although far from perfect in execution (the central conceit and its delivery encourages the writer to show their hand far too much) the series deserves mention for its singular style (constant breaking of the fourth wall, even less animation than your typical anime show, frequently just still images with direct to camera narration) and pornographic levels of information on drinks, their histories, creators and ingredients. Not for everyone certainly, but if you tend to romanticise pubs and fancy something a little different then worth seeking out if you do a spot of Googling.

Noein. Five children are making the best of their final summer together before life separates them when a troop of battle scarred and physiologically altered super soldiers from an alternate future turn up and make their lives even more complicated. Lots of daft pseudo-science quantum physics, great characterisation, and even though it all collapses a bit at the end the journey to get there (as well as the design, animation and set piece battles and character moments) more than makes up for it. A twenty-four episode self contained story that is discussed on Barbelith here and can be purchased and rented here.
 
 
Seth
13:48 / 22.06.07
Does anyone know of any interesting links that discuss the relationships between people who fansub and people who translate official subs? Do the people behind the official releases refer to alternate versions, are the same people sometimes involved in both (one as a hobby, one as a job), that kind of thing?
 
 
Seth
22:45 / 21.08.07
A quick link to an extremely good resource for obtaining anime theme music: Gendou. I just found it today while searching for MP3s to make a compilation, specifically the current Tengen Toppa Gurren-Lagann closing theme. It's got a whole ton of stuff on there, virtually everything I wanted bar a few Bleach themes (which I already have from elsewhere). Lovely to hear the Sakura Kiss arrangements for piano and strings again, they bought the sweetest saddest moments of Ouran High School Host Club flooding back and reminded me of what a great show it is. Get registering.
 
 
Ness
10:55 / 03.09.07
I've been watching Elfen Lied and Evangelion on the Sunday Anime Network UK slot on Propeller TV. It seems they have rebooted their season in order to go to a daily slot and have some new shows coming up on the weekends - its put a kink in the progression of Evangelion for me but at least they are going to get back on track within a weekend or two.

The other two shows on the current cycle are Guyver and Coyote Ragtime Show, neither of which I really got into and abandoned after two episodes. Not sure if that was because they were poor, because I didn't 'get' them or I didn't give them a chance.

Any recommendations on what to be sure to watch out of the upcoming shows? They are:

Azumanga Daioh
Paniponi Dash
This Ugly Yet Beautiful World
Kurau Phantom Memory

They start at 8pm Saturday 8th September, Propeller TV (Sky channel 195).
 
 
Mysterious Transfer Student
18:38 / 03.09.07
Sorry to be brief, but here's what I know:

AzD: See page one, post one of this thread for a fine summary. Once touted on this forum as the cure for depression, which may have been an understatement. Not to be missed.
PPD: I haven't seen this, but apparently something of a sub-Excel Saga headache-inducing comedy. Probably more bearable in Japanese.
TUYBW: Interesting, faintly disturbing Gainax production, their take on the 'miracle girlfriend' genre. Likely to be worth watching.
Kurau: High-quality sci-fi saga, the story of a human/alien hybrid woman and her drive to protect herself and her younger counterpart from the authorities. Quite restrained and short on fanservice. The main character is a tonic for anyone in want of credible, mature female characters in anime.

Thanks for the heads up - I shall be watching all of these.
 
 
Tuna Ghost: Pratt knot hero
03:41 / 04.09.07
...they bought the sweetest saddest moments of Ouran High School Host Club flooding back and reminded me of what a great show it is.

That was a great show. I may have to start watching it again. Refreshing female cast, certainly.

By the way all, I recently arrived in Japan, so if there is anything you`d like me to keep an eye out for just let me know. My program is full of the more annoying sort of otaku, but they should at the least be a good resevoir of knowledge if you lot have questions.
 
 
Mysterious Transfer Student
21:39 / 07.10.07
This week, the autumn season began on Japanese TV, meaning that a whole lot of brand new anime shows have started and the opportunity to get in on the ground floor of one or more of them presents itself. With that in mind, here's a guide to some shows I'm currently watching - the first two recently wrapped up after beginning airing this spring, the others have started this week and may or may not prove worth sticking with. All can be found fansubbed via the magical torrent gathering site that is Tokyo Toshokan, or variously by those old reliables, TV Links/Anime and Crunchyroll. So....
 
 
Mysterious Transfer Student
21:44 / 07.10.07
Lucky Star. So popular has this show proven that the real-life locale in which it's set has been besieged by tourists. A 24-episode slice-of-life high school anime crammed full of inconsequential and self-referential ramblings on food, online gaming, why dentistry is like a Gainax production*, the art of copying your friends' homework, more food, otaku culture, manly heroic DVD store clerks, how to deal with your father's lolicon tendencies, the relationships of twins and yet more food. Like Azumanga Daioh, adapted from a four-panel newspaper strip, but considerably more sly and adult in tone; the show also derives great mileage from the casting of breakout star Aya Hirano, best known as Haruhi Suzumiya. The best and funniest feature is 'Lucky Channel', the host section at the end of each episode, wherein embittered idol star Akira Kogami terrorizes her male co-presenter, bit-part actor Minoru Shiraishi (played by bit-part actor Minoru Shiraishi) with her wild mood swings and relentless, fruitless campaigning to appear on the actual show.

Darker Than Black. A transdimensional rift wipes out the heart of Tokyo, causing the stars to disappear from the sky and the advent of the Contractors - affectless mutants who 'pay' for their superhuman abilities with bizarre OCD-like acts, and who are used as weapons by the various criminal, corporate and government concerns investigating the mysteries of the gate. A 25-episode supernatural thriller with high production values typical of Studio BONES (Cowboy Bebop, Eureka Seven, Fullmetal Alchemist), DtB suffers from a tendency to adolescent badassery and over-knowing use of anime stereotypes - a sarcastic talking cat, a Rei Ayanami-esque psychic girl, boneheaded comedy characters. The main character, though, is intriguing in the contrast between his kindly, gauche cover identity and the sociopathic mercenary beneath, and the policewoman with whom he crosses paths throughout the series is interestingly portrayed. The anime series that comes closest to matching the blend of horror, character development and action achieved by American TV shows such as Angel.

Dragonaut: the Resonance. This new show from workmanlike but sometimes surprising Studio Gonzo (Gantz, Speed Grapher, Burst Angel, uh, quite a lot of shows involving visceral violence and overly endowed women) looks like it's going to be in their usual vein, with an abundance of sci-fi and fantasy plot threads involving flying mutants, spaceborn dragons and a great many people with extravagant clothes, hair and names (I give you Howling Star, Garnet McLane and Liner Cromwell). So far the big draw is the cast which is even more top-heavy than the female characters, including as it does almost the entire Haruhi Suzumiya roster (including yep-her-again Aya Hirano) as well as Gurren-Lagann's Tomokazu Sugita and Yukari Fukui (Simon and Nia). May prove awful, but I'm going to give it a shot.

Kaiji (aka Ultimate Survivor Kaiji). An unemployed loser is persuaded to take on an acquaintance's debts and finds himself drawn into a loan shark's bizarre scheme to make money by confining gamblers aboard a ship at sea and making them play fabricated card games for absurdly high financial stakes (first up: Restricted Rock Paper Scissors). By way of contrast, this is a show with no special powers, moments of triumph or strangely underdressed girls: instead it has a distinctive art style inherited from its predecessor, mahjongg-based anime thriller Akagi, and a dislikeable underdog central character who may never free himself of his crippling financial burden. A hard sell to be sure, but it's strangely compelling; and any show that features the guttural tones of Fumihiko Tachiki automatically earns some sort of seal of approval.

If any of these shows catch your interest, please start threads about them and cross-post my introductions from here - or write your own according to taste - rather than posting further in this thread. Lucky Star is probably the pick of the bunch simply because many people here can probably identify rather well with main character Konata, who'd rather play World of Warcraft than do homework but is handicapped by the fact that her teacher is in her raiding party. And the hot-blooded anime store clerk scenes are some of the funniest things I've seen this year.

*Because it involves drills and pretty girls in uniforms, of course.
 
 
Seth
09:02 / 25.10.07
I'm adding my vote for Lucky Star, which is already a superb telly show and I've barely started it.

A quick question:

Where can I get an avi English version of Welcome to the NHK? I'm fed up of downloading only to find that I'm stuck in non-English or mkv blind alleys.
 
 
Mysterious Transfer Student
18:47 / 26.10.07
I don't know and wish I did, since the non-portability of .mkv has stymied my viewing of this fine show, which is not only well made and funny but remarkably clear-eyed about the particular noxious mix of solipsism, infantilism and misogyny often found sloshing around inside the average otaku male.

Lucky Star's crack-like qualities are well documented - here's a clip that I and probably all the Gurren-Lagann fans here treasure...

Limited Edition! Regular Edition! All Ready!
 
 
Seth
01:26 / 27.10.07
Full.

Of.

Win.

And.

Awesome.
 
 
petunia
11:27 / 28.10.07
Just a heads-up for those who are suffering from MKV-related problems (i think the format's lovely, but that doesn't help if noone supports it. Ho hum).

I found a program called alltoavi, which is designed to convert mkv files to avis with the subs hard-ripped. Makes things better for anyone who's computer jitters on mkv, or anyone who wants to write stuff to dvd.

I've got seth to guinea pig with this prog (i don't use windows much, so could only run one test) and he's reported back with goodness.

The one file i did test took about half an hour to convert, but it was in high-quality h.264 format, so it might be quicker for other stuff. The handy thing is, the program will let you set a batch running, then go off and do other stuff.

It also does .ogm files if you're having trouble with them.
 
 
Mysterious Transfer Student
18:38 / 28.10.07


IT WORKS!

Thank you many times over, petunia. This makes a big dent in my pile of unwatched anime.
 
 
Mysterious Transfer Student
21:45 / 28.10.07
The autumn anime season is getting underway and things are starting to shake out some... since my last update I've dropped Dragonaut for being nonsensical pants, while Kaiji has become unexpectedly gripping - who knew made-up card games with ridiculous rules could be so compelling? Here are some of the other shows I've begun to follow, which seem like they have a fair chance of going the distance.

Night Wizard. On the face of it a painfully schematic JRPG-based D&D anime of the kind where the character classes stand out a mile, NW has far better execution and writing than it probably deserves. Particularly endearing is the sword-wielding protagonist who continually, despairingly gets put back grades in school to allow him to take part in his world-saving mystical adventures; also amusing for the characterisation of the destiny-dispensing goddess as a tea-sipping Gothic Lolita with a fine line in passive-aggressive arm-twisting.

Bamboo Blade. Lackadaisical high-school kendo instructor Toraji Ishida accepts a bet to form a five-member match-winning girls' team, unfazed by the fact that his school's current club roster is a total of one. Sports and pseudo-harem anime might be an unwieldy genre pile-up, but the characters in this show - a tiny, impassive prodigy filled with vengeful Power Ranger fantasies, a glamorous bipolar case obsessively protective of her dumpy boyfriend - are already making me laugh aloud. Best of all, the doltish Ishida himself is voiced by hero to millions Katsuyuki (Kamina-sama!) Konishi - I'll admit to having picked up the show just for his presence, and so far neither he nor it has disappointed. Plus kendo, about which this well-fansubbed show is surprisingly educational, is cool.

Majin Tantei Nōgami Neuro (Private Evil-Eye Nōgami Neuro). Okay, this is a weird one. Demon lord Neuro, who derives sustenance from mysteries, has consumed all the mysteries of his realm, and so ascends to the human world where he forces a flakey, food-obsessed high school girl to become a private detective so that he can feed on new mysteries while posing as her assistant. Neuro does all the detective work, employing his demonic abilities - the "777 Tools of Hell" - to the full, and getting involved in some grotesque and disturbing cases (chef on steroids anyone?). Not a world-changing anime, but odd enough to be diverting, and Neuro's cheerfully abusive relationship with his human vassals is pretty funny.

Tip for filthy downloaders: if you see one of these series 'subbed by a group called Shinsen, look for another version. They seem to have a nasty habit of dropping shows part-way through.
 
 
Essential Dazzler
22:07 / 28.10.07
But, they are arguably the best sub group out there. Arm yourself with information, kids.

Thanks for this. Moyashimon and Kaji are looking like definite watches to me.
 
 
Seth
22:59 / 22.12.07
Dammit. Previously I'd only seen the first episode of Lucky Star and now I'm three in and completely addicted. It's impossible to describe without going into superlative overload. Maybe we should start a thread for both that show and Azumanga Daioh, as they both represent the kind of non-storytelling that you don't often often find... don't know how you'd frame it though.
 
 
Phex: Dorset Doom
09:57 / 23.12.07
Two anime that couldn't be more different:

Black Lagoon is about GUNS, the artists' weapons fetish apparent in every scene. It's also about imagining improbable mercenaries (the ex-child-snuff-porn star Gothic Lolita twins who switch genders at whim, the 'cleaner' with a chainsaw and one of those voice-box things, the jolly fat man with a flame-thrower). Specifically, it's about a young Japanese salaryman who is kidnapped by the Lagoon Company, a group of pirates and smugglers who crew the torpedo boat Black Lagoon. The captain's a tough Vietnam vet, the tech guy is a nerdy Jewish dude in a Hawaiian shirt, the muscle is a manic-depressive nihilist with a body count higher than Malaria. You get to do a shot for every time the camera lingers on her Diasy-Dukes clad butt. The salaryman develops a severe case of Stockholm Syndrome and joins the crew as their translator and getaway driver, his desire to help others, particularly the aforementioned gunwoman Revy, becoming an increasing liability.
It's probably also about Existentialism.

Mushishi, on the other hand, is a little different. The main character, Ginko, is a 'Mushishi'- a mystic, healer, paranormal investigator and wanderer traveling through Edo era Japan to document 'Mushi', a form of life nearly invisible to most humans. They are occasionally harmful, spooky or plain wonderful, their interactions with humans often leading to tragedy and Ginko's intercession. But that's not what it's about. It's about Nature and Family and the way the two come together in a pre-Industrial world where the former was still a significant force in people's lives. With massively powerful and completely ambivalent supernatural creatures floating through the world the characters often need reminding that they have nothing to rely on but each other- though Ginko's various exorcisms throughout the series are often more direct they ultimately serve to do this.
 
 
Mysterious Transfer Student
22:00 / 24.12.07
Merry Christmas from Barbelith's anime lovers!

 
 
Mysterious Transfer Student
22:50 / 29.12.07
Did I really think it was a good idea to post that picture? How fucking cheesy. Four days later and I'm regretting it already. Anyhow, this is the format we seem to be going for in this thread - introduce two entirely disparate shows and sum them up in one paragraph. Here are a couple I'm enjoying that are airing at the moment:

Minami-ke. A 13-episode slice-of-life anime based on a manga series, concerning the hijinks of the parentless, school-age Minami sisters. Curiously it's been adapted by two separate studios, with the second run, Minami-ke ~Okawari~, due to air in 2008. From the first adaptation, and as with earlier shows in this vein such as Azumanga Daioh and Lucky Star, expect a female-dominated cast, character comedy and whimsy rather than drama, and plenty of self-reflexive humour (to pick just one example, bossy middle sister Kana and her timid would-be boyfriend Fujioka share the same voice actors as Gurren-Lagann's Yoko and Simon). Minami-ke really comes good with its tangential running gags, such as the ridiculously overwrought show-within-a-show Sensei & Ninomiya-kun, the distinctive art style used for close-ups, and the best comedy character of the year, Hosaka, a handsome, athletic yet indefinably perverted narcissist whose daydreams of romancing the lovely Haruka Minami are positively Lynchian.
(Having mentioned AD and LS, both this and Bamboo Blade, which is shaping up as a slow-paced, but fun and well-made sitcom, could be cited in Seth's mooted spinoff thread for discussing non-dramatic, character-based storytelling of the kind that's more and more common in anime these days.)

Ghost Hound. In a remote and rural area of Kyushu, in a town haunted by a spate of kidnappings, murders and suicides twelve years earlier, three adolescent boys begin to have paranormal experiences somehow connected to their traumatic personal histories, to a shadowy corporate enterprise, and to the native spirits that pervade the region. This is the highly prestigious twentieth-anniversary project for Production IG (Ghost in the Shell), developed from a property by Masamune Shirow and scripted by the famously elliptical Chiaki J. Konaka (Serial Experiments: Lain). Still in the early part of its projected 22-episode run, Ghost Hound so far favours atmosphere, spectacle and teasing character development over plot, with beaucoup crossover potential for Temple/Laboratory heads, including as it does copious material on OoBEs, recovered memory, hypnosis, mental fugue states arising from brain damage, phobias and the animistic religion and landscape of traditional Japan. GH also boasts excellent direction and stunning, almost avant-garde sound design - it's shitted me up good and proper more than once when watching via headphones - and while none of the characters are as iconic or loveable as Lain Iwakura, it's certainly worth investigating if you have an appetite for self-styled 'intellectual' anime. Watch the first part of episode 1 here as a taster.
 
 
Mysterious Transfer Student
00:41 / 20.03.08
'What to watch when you're not watching Bleach??' comes the cry as the filler storyline edges closer and everybody who wasn't already caught up with the canon episodes finally does so. If you're me, you watch several other shows which are not as great individually but together add up to everything we love about Tite Kubo's epic. So....

Claymore. Grisly, mirthless and ponderous yet powerful and sometimes moving saga of a sisterhood of outcast hybrid she-demons battling against predatory shapeshifting monsters in a flatly generic mediaeval fantasy world. In its way, more deserving of the 'Buffy goes Bankai' label than is Bleach, with its emotionally isolated protagonists barely able to control their monstrously visceral abilities - the Claymores' power-ups and special attacks are always grotesquely physical/warpspasm-y in nature - and flagrantly mistrusted both by the plain folk they defend and the shadowy patriarchal organization that oversees them. Stick with it, though, and you'll find some of the most memorable characters and extended conflicts I've seen in a seinen show - Teresa of the Faint Smile is already legendary in my mind.

Busō Renkin. Unabashedly derivative shonen pastiche that starts off wearing its influences on its sleeve and builds and builds, the way these shows have a habit of doing, into planet-shagging awesomeness. The characters and situations are so plainly season-one Bleach and Fullmetal Alchemist rips you'll wonder how the creators sleep at night, until you get drawn in by the USPs: the entirely off-the-wall weapon designs and concepts (Valkyrie Skirt, Motor Gear and Near Death Happiness to name just three), epic soundtracks courtesy of Kouhei (Gunbuster) Tanaka, and the stark, staring kinky campness of villain-hero Papillon Mask, a character so eccentric the whole show distorts around him. Oh, and the opening theme is the best thing Freddie Mercury never sang. MAKKA NA CHIKAI!!!

Gintama. Lackadaisical ex-samurai Gintoki Sakata - voiced with heroic levels of cynicism by Tomokazu Sugita, best known as Kyon from The Melancholy of Haruhi Suzumiya - and his friends blunder through their lives in extraterrestrial-occupied Edo, taking odd jobs to make ends meet and sparring with the Shogun's gung-ho militia, the Shinsengumi. That's the bare bones of a wonderfully rude (the title itself is a near-homonym for the Japanese for "testicles") and raucous show that satirises both the turbulent Japan of the 1860s and the superficial present day, busts the fourth wall at every opportunity, shamelessly milks its on-after-Bleach timeslot, is quite merciless in its pisstakes of movies and other anime - hide under your seats for Alien vs. Yakuza, My Neighbour Pedoro and DragonBlePiece - and still succeeds, when it hits its stride, in being as thrilling, suspenseful and heartfelt as you want your favourite shows to be forever. Gintoki is already my hero - can you fail to love a samurai who rides a scooter, has glycosuria from eating too many sweets, never misses an issue of Weekly Shonen Jump, fights with a wooden sword he bought off TV home shopping and blames his lack of success in life entirely on his naturally permed hair?
 
 
Mysterious Transfer Student
22:42 / 08.05.08
This thread is my playground, come join me on the monkey bars.

New season, new shows; to you, who have lives and shit, I present the standouts so far. Apart from Kaiba, which you should all be watching already, and Code Geass R2, which leaves Lost and BSG in the dust for outrageous audience pandering and brick-shitting plot twists and is all the better for it, there are a few new series worth checking out. Tokyo Toshokan as usual is your friend when it comes to locating this shit in semi-understandable form for non-Japanese speakers.

Macross Frontier. Prestige show of the year, the latest iteration of the legendary robots-and-romance-and-saving-the-galaxy-with-the-power-of-song franchise. If you're like me and never saw a Macross show before now you'll be fine as no prior knowledge is required, and the reward is a gorgeously high-budget, swooning space opera played straight as a die and stuffed with delicious bonus material - mecha, stage costumes, squishy cellphones and envisioning of the ark of humanity as a winsome Fukuoka/San Francisco hybrid in space. The hero is bishonen eye candy of the highest calibre, the songs are great and there's Katsuyuki Konishi (Kamina!) as a hot-blooded mecha pilot. Recommended.

Soul Eater. Ultrageneric shonen anime plot (teenage supernatural warrior and his handler/love interest must collect ninety-nine evil human souls and one witch's soul in order for him to become an über-powerful anti-demon weapon) elevated by some really excellent design, music and direction - Umbrella Academy, Naruto and Gurren-Lagann are all in the mix somewhere. It's a projected fifty-episode series from Studio BONES, and while I think we'll be lucky to see a repeat of the godlike heights achieved by their Eureka Seven , it's definitely worth a look if you want to get in on the ground floor of the next breakout shonen show. The standout character is Death The Kid (played by Mamoru [Light Yagami] Miyano), outwardly the Ishida/Sasuke 'cool' character, in fact a barely functional anal retentive nutbar to rival Sayonara Zetsubou Sensei 's terrifying Chiri Kitsu. Watch the opening sequence for a taste.

Toshokan Sensō (Library War). Following a clampdown on 'culturally harmful' literature by the government-sponsored Media Cleansing Committee (eek), Japan's librarians tool up to form anti-censorship paramilitaries and protect the nation's books from culling by right-wing nuts. Interesting scenario, so far soft-pedalled in favour of the naïve, tomboyish heroine's romantic entanglements with her stern-yet-sensitive male instructor and various others. Bears a lot of resemblance to the fantastic binmen-in-space series Planetes, which started off fluffy and knockabout and wound up epic; so I'm keeping an eye on this one to see what develops. Marina Inoue (Yoko!) plays the lead, and since she's a lucky charm for other favourite shows in my book it's probably going to work out well.

Kyouran Kazoku Nikki (Diary of a Frenzied Family). Not really sure where, or if to start with this one.... A government department, concerned with the approaching deadline for the prophesied resurrection of a thousand-years-dead demon god, decides to try to solve the problem by gathering the horror's living descendants together and making them live as a happy family so that whichever of them turns out to be the reincarnation of evil will learn the value of human love and spare the world from destruction. The strait-laced G-man acts as the family's father, a telepathic catgirl is the mother, and the 'kids' are a little girl, a gay man, a cyborg, a lion and a jellyfish. The little girl is a self-loathing domestic abuse casualty, the gay dude is crashingly camp, the cyborg is unfeasibly cute, the lion is voiced by the same actor as Chad from Bleach and the catgirl is a Haruhi Suzumiya-level ego monster. Don't ask about the damn jellyfish. The latest entry in the Excel Saga tradition of LOL RANDOM/ tasteless yet strangely heartwarming anime comedy, it shouldn't work, and it might still not in the long run, but it has its moments. Useful for scaring people out of your room if nothing else.

The Tower of Druaga -The Aegis of Uruk. Droll D&D fantasy pastiche based on an old videogame series - nothing special, but I mention it because the makers have taken the innovative fansubbers-beating step of making official, timely English subtitled releases of each episode available on YouTube; see the first ep here. The studio's other new show Blassreiter has had the same treatment but TToD has the edge principally for inane humour, a wicked ska-punk theme song, and the presence of Bleach 's beloved Fumiko Orikasa as the heroine. Best when it goes into 16-bit sprite mode.
 
 
Mysterious Transfer Student
21:39 / 11.06.08
Cliff tiems again. I'm giving up linkpimping for ANN in this thread, by the way. If a show hasn't been licenced already, the information they have about it tends to be little more than cast and episode lists, which are unlikely to convince you to watch in themselves. Anyhow....

Baccano! One of the oddest and most addictive shows of the last year, a 13-episode (plus three bonus DVD episodes) dash through the kind of all-American screwball pulp pastiche you wouldn't imagine Japanese creators could pull off, but will be glad they did. Mobsters, heiresses, spies, delinquents, killers, alchemists and urban legends jostle for pole position in this noisy, confusing but ever so endearing show, which switches focus with dizzying speed, its multiple narratives united only by the central story of a bloody robbery-cum-hostage crisis aboard a Chicago to New York express train in 1931. Featuring great character turns and dialogue as well as some truly twisted Pynchonian nomenclature - take a bow, Ladd Russo, Firo Prochainezo and Jacuzzi Splot - it's always on the point of falling to pieces under its own sheer energy, and frequently leaves the viewer at sea, but happily so. If you don't find yourself crazy in love with idiotic Zen robbers Isaac and Miria, Baccano! and I will have failed you - if you do, you'll wonder how you ever lived without them.

Kure-nai couldn't be more different. On the face of it a typically genre-blurring drama revolving around a teenaged underworld operative charged with the care of a young girl spirited away from her impossibly sinister plutocratic family, it forgoes plot and action - although there's sufficient of both - for character development, concentrating on the many ways in which the two main characters slowly transform one another and those around them. There are a few fantastical elements that nudge the series off-axis - Shinkurou Kurenai's fighting style being key - but the writing's the important thing, and it's first rate. To create a slice-of-life series with plot, suspense and action elements that don't overpower the carefully built atmosphere or the way we understand the characters, but add to them instead, is a rare achievement; but I think (with two episodes yet to air) that Kurenai's pulled it off.
 
 
Spatula Clarke
00:22 / 12.08.08
Quick question: the dirt-cheap (well, relatively speaking) DVDs I'm seeing on eBay, are they legit? We're talking subbed versions of things like Lucky Star, Gurren Lagann, etc - things that haven't yet been released in complete form in the US, let alone the UK. Along with some other oddities: complete Gatchaman collection on three discs, complete Mobile Suit Gundam collection. Afaik, MSG didn't get a subbed DVD release in the US, so that's really weird.

If they're not boots, they're Chinese versions. But then, the two things aren't mutually exclusive. I'm probably just looking for confirmation that they've been knocked together by some guy in his bedroom, but I thought I'd check.
 
 
wicker woman
04:57 / 12.08.08
After reading through the last couple pages and seeing the Akira references, I'm wondering what everyone thought about the re-done English dub, if indeed you put any value in the dubs at all.

The press I'd read before picking up the newest version (shiny metal packaging n' everything), was touting the new dub, how the translation was better, the acting was better... but to be perfectly honest, I thought it was a fair sight worse. Even if the translation was better, the actors didn't seem nearly as into the characters as the old ones seemingly were.

Also, I'm assuming Eureka 7 gets better at some point? I tried watching it, but after a couple episodes, it was like "Ah. Giant mecha. On surfboards." I caught part of a later episode that just felt really similar, a little too much perhaps, to a pretty traumatic scene in Evangelion.
 
 
Seth
06:39 / 12.08.08
I thought the voice acting on the new Akira was way better than on the old, but I only saw the new redub once. Much more subtle, much less in the gurning stakes, much less on the Tetsuo! Kaneda! front, and Kaneda doesn't have Dogtanian's voice. But no, as always... the Japanese language version is superior in every respect.

Eureka 7 very deliberately references Evangelion a number of times, the wholly conscious homage of the entire second episode is probably the most striking one for me. But it's actually very different to Eva apart from the window dressing (robots). It's very much a game of four quarters, some people who have seen it only fall in love with it in the second quarter. The real fulcrum of the show is the halfway point, but I really wouldn't suggest any other way of watching it than in sequence from the start. The sequence you reference (Renton going nuts) is probably not something to talk about in this thread, as it's a mammoth spoiler, a huge turning point for the show and something that barely means anything out of context.

As for whether it gets better... we're not lying to you dude. The ending is near peerless, as is a lot of stuff along the way. My only criticism of the show is that Bleach has a much better football episode.
 
 
Seth
06:47 / 12.08.08
Quick question: the dirt-cheap (well, relatively speaking) DVDs I'm seeing on eBay, are they legit?

E-Bay is always a risk. I have been amazed by the quality of some of the stuff I've received and thoroughly pissed off by others.

Research helps. If the series doesn't have a legitimate release yet then what you'll be getting are fansubbed editions. Some of the fansubs are actually far superior to the official translations. The fansubbing on Lucky Star is particularly good (can't recall the group that did it), but there's no guarantee that this is what you're going to get.

But what I'd really recommend is sending me a PM. It's best to be sure, eh?
 
 
wicker woman
07:16 / 12.08.08
The real fulcrum of the show is the halfway point, but I really wouldn't suggest any other way of watching it than in sequence from the start. The sequence you reference (Renton going nuts) is probably not something to talk about in this thread, as it's a mammoth spoiler, a huge turning point for the show and something that barely means anything out of context.

Ergh. Sorry about that. I'll ask for a mod edit and try to make it a bit less spoiler-y.
 
 
Mysterious Transfer Student
09:47 / 12.08.08
clay bear, if you'd like to share your impressions of Eureka Seven , I'd love to hear your feelings on this beautiful, epic series in our dedicated thread. Not that I'm trying to weight the discussion or anything.

As for those eBay releases, it's a good while since I've bought any, but as El D says anything that's as yet unlicensed is going to be a fansub and so quality can't be predicted; cheap full-length releases of already licensed series are bootlegs and are better avoided if you care about quality. That said, the art of fansubbing is probably at its height just now, and groups like the sadly defunct [a.f.k.] (who brought us the first - and best - English renditions of Lucky Star , The Melancholy of Haruhi Suzumiya and Sayonara Zetsubou Sensei) have released copiously detailed translations that you'd be forgiven for thinking were official, professionally produced scripts. Most groups tend to cover themselves copyright-wise by adding warnings to their releases enjoining the viewer to cease distribution of the files after licensing, %which always works%.
 
  

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