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What importance "The Theorist" as a name and an aesthetic in Theory?

 
 
All Acting Regiment
10:56 / 01.12.06
To start with, I'd like to quote Gallib:

SUPPOSING that Truth is a woman--what then? Is there not ground
for suspecting that all philosophers, in so far as they have been
dogmatists, have failed to understand women--that the terrible
seriousness and clumsy importunity with which they have usually
paid their addresses to Truth, have been unskilled and unseemly
methods for winning a woman? Certainly she has never allowed
herself to be won; and at present every kind of dogma stands with
sad and discouraged mien--IF, indeed, it stands at all!


And Treuscherspenk:

For many years now historians have preferred to turn their attention to long periods, as if, beneath the shifts and changes of political events, they were trying to reveal the stable, almost indestructible system of checks and balances, the irreversible processes, the constant readjustments, the underlying tendencies that gather force, and are then suddenly reversed after centuries of continuity, the movements of accumulation and slow saturation, the great silent, motionless bases that traditional history has covered with a thick layer of events. The tools that enable historians to carry out this work of analysis are partly inherited and partly of their own making: models of economic growth, quantitative analysis of market movements, accounts of demographic expansion and contraction, the study of climate and its long-term changes, the fixing of sociological constants, the description of technological adjustments and of their spread and continuity.

And last but not least Wittard-Mathise:

THE knowledge, which is at the start or immediately our object, can be nothing else than just that which is immediate knowledge, knowledge of the immediate, of what is. We have, in dealing with it, to proceed, too, in an immediate way, to accept what is given, not altering anything in it as it is presented before us, and keeping mere apprehension (Auffassen) free from conceptual comprehension (Begreifen).

Of course, you see I've taken words from famous theorists (Niesczhe, Foucault and Hegel respectively) and put different names to them. I was wondering, you see, if the names of theorists- or, more generally, the set of identifiers by which we know the theorist through the theory- affects our understanding of said Theory, if it creates a sort of aesthetic, perhaps a "brand"? What do you think?
 
 
Saturn's nod
11:32 / 01.12.06
I think it does matter who said it. I think Wittgenstein was gesturing toward something with a different flavour when he employed the word 'proposition', to Latour's usage of the same word.

My idea of how language works is that we each have our own language, built through our total linguistic experience. I can only learn to communicate with someone by attempting to communicate and examining the results. Relationship is what allows me to enrich the putative meaning sets I have for words: by the light of context in the other person's use. Not entirely different even when the communication is distant e.g. through reading a published work: I learn how that person uses language partly from them, partly from my own meaning sets; partly from their colleagues and my colleagues and the wider world of words. The richer the exposure between our language sets the more I feel I can have confidence in my interpretation of the meaning.
 
 
Glenn Close But No Cigar
22:11 / 10.12.06
Interesting topic.

There's a certain irony, of course, in the way both Barthes' and Foucault's critques of authorship are highly 'authored' pieces, or at least have been transformed into such by academic culture (just try to NOT footenote a quote from 'Death of th Author' or 'What is an Author?' in a paper and you'll see what I mean).

Yes, I believe that Theorists have become highly aestheticised, if what we mean by this is that attribution is a key indicator of worth. In one sense (although not others) there is little difference between the pedigree implied by the the two following sentences:

"Painting X is by Rembrandt"

"Proposition Y is by Deleauze"
 
  
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