What interests me particularly about CSI is the way the characters really aren't front and centre. Sure, they're in there - they'd have to be - but, as Randy says, the gloss and the howdunny is the thing, and, you know, that kind of goes against the grain. The modern American drama is usually heavily character driven, to the point where many of the themes have a large psychological component. To my mind Shows like CSI seems almost anachronistic and horrifically dull, but then I suppose they fill a niche that isn't catered for much these days.
WS, I've been wondering recently whether, when the history books are written, people are going to look back on this period as a golden age of American drama, in much the same way as the 70s are seen as a golden age of American film. Modern shows have so much more room to manouver than films, they don't have to worry about censorship in the same way, they have an epic amount of time to explore complex themes and character, and many programme makers seem to stepping up to challenge. Shows like The L Word, Deadwood, The Wire, The Sopranos, really are bloody fantastic and are well worth your time. Okay, they do involve a serious investment of of time and energy, but it's sooo worth it, and, well, a broadband connection makes it all so much easier.
You do have a broadband connection, don't you? |