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A recurring theme here, and one which also underlies much of this thread, is the idea that for something to be racist, it has to be intended to be racist. For something to convey a message, it has to be a message that the "speaker" intended. If the speaker did not intend a message which the hearer perceives, then the hearer is at fault.
I agree that this approach is deeply flawed, but the opposite side of the argument -- that any creator must account for absolutely every possiblity that somebody, somewhere, may under some circumstance see some aspect of the work in some roundabout way as being in some respect racist -- is equally problematic.
In the above cases, the top image: dumb. I mean, that's just flat-out stupid. I'm not about to ascribe "racist!" to the thought process behind it, but man, that's just a bad idea that never should have left the studio.
Jesus Christ, people. If you want to have a "black vs. white" ad campaign, just license Spy vs. Spy and have done with it.
The character design (second image) thing, however -- while there's some possibility that it may have been informed by stereotype images of days gone (thankfully) by, there's also a strong case that some guy just wanted to draw a really funky spider. In which case, I say let him draw the really funky spider, and if somebody says "say, that bears a slight resemblance to this really staggeringly horrible thing," let him re-draw the funky spider.
I prefer to give them the benefit of the doubt, though, at least in the latter case. I had to read, scroll back up, squint, furrow my brow and say "huh" before I really got a "hey, that's racist!" response from the character design shots. It just looked like funky spiders. |
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