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I agree that the whole race/class thing is up for question -- at the same time, it's a pity that the writers seem to think the only way to reveal and critique racist/classist political dynamics is to repeat them, however emphatically. Doesn't that require that the spectator be already able to read a political critique of that dynamic into the text? It pisses me off that in comparison with Little Dick C, who's now being writen as 'going off the deep end', and for whom we're being asked, I think, to feel sympathy and pathos rather than looking at him as the dumb comic relief guy, Weevil's arc doesn't even happen in screentime, and he's presented as exactly the same: violent, on parole, unable to restrain himself, but with the same 'heart of gold'. We don't get to access Weevil's feelings as much as Dick's, and it's not because Ryan Hansen is a better actor.
I remember reading an interview with Rob Thomas recently about the 'mystery' this season. Apparently we're getting three smaller mysteries broken up into 8 eps each, instead of one big one, and I guess the rapes are the first 'small mystery'. (It seems wrong to describe it like that, but such is television.) Good move, I reckon. Also, Richard Grieco is coming on for six episodes. |
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