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CASANOVA - by Matt Fraction with Gabriel Bá and Fabio Moon

 
  

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H3ct0r L1m4
18:00 / 23.04.06
taken from Matt's new forum @ Image Message Board:





CASANOVA a book I'm writing and Gabriel Bá is drawing. It's out in June and, at a 1.99, apes the FELL format.

CASANOVA #1
Written by MATT FRACTION
Art & cover by GABRIEL BÁ
June 14 o 32 pg o FC o $1.99
APR06 1763

Meet Casanova Quinn: scoundrel, thief and international man of leisure. The death of his twin sister ignites a cosmic blackmail scheme that forces Cass into the mind-bending life of a super-secret agent. Realities smash together, setting father against son, Us vs. Them and launching this slipstream sci-fi espionage epic!

The hype machine roared to life on Newsarama yesterday

And you can get up to speed here

BASEMEN TAPES conversation with Joe Casey about the concept.

I've sent out a few irregular emails to the CASANOVA mailing list, which you can subscribe to by dropping a line to

casanovaquinn AT gmail dotbladow

by "dotbladow" I of course mean 'dot com.'[/img]




CASANOVA #2
written by MATT FRACTION
art & cover by GABRIEL BÁ
July 12 • 24 pg • 2C • $1.99

Freshly escaped from another timeline and another life, Casanova Quinn is back in action as a double agent inside his father's secret E.M.P.I.R.E. His first mission back in the field sends him to the South American coastline to retrieve an E.M.P.I.R.E. deep cover agent that’s lost his mind – but the sinister W.A.S.T.E. demands Cass put one in the back of the guy’s head. It's APOCALYPSE right motherf@$!ng NOW, CASANOVA-style. The horror is HERE! The horror is TODAY! The horror is CASANOVA!

RETAILER WARNING: MAY NOT BE SUITABLE FOR ALL AGES

Full sized cover with logo


ad:

 
 
Cowboy Scientist
00:07 / 24.04.06
Casanova Quinn = Jerry Cornelius?
 
 
Hallo, Paper Spaceboy
01:04 / 24.04.06
I'm liking the Gustav Klimt vibe on those covers, but I wonder if that'll carry onto the inside or what? Any interiors kicking about?
 
 
H3ct0r L1m4
09:58 / 24.04.06
pretty much, NM [plus King Mob and all the groovy heroes of the 60s]

Papers, check the Newsarama link for interior art. it'll be 2 colored.
 
 
H3ct0r L1m4
11:53 / 10.05.06
7-page preview @ newsarama

woo-hoo
 
 
lord nuneaton savage
09:59 / 11.05.06
JC, right down to the sister love. I'll be checking this out...
 
 
H3ct0r L1m4
16:45 / 20.06.06
it's out tomorrow.

more interviews and purty images:

CBR

aroundcomics' podcast [fun show]

your mom's basement
 
 
FinderWolf
16:55 / 20.06.06
The cover of #2 reminds me of Luke careening out of the underbelly of Cloud City in "The Empire Strikes Back."
 
 
Hallo, Paper Spaceboy
20:10 / 20.06.06
Siiiigh. Between the faux-Klimt and the font choice for the cover & credits, I'm completely sold on this. I'll leaf through it on the morrow and make a final decision, but this is definitely getting a good, solid look.
 
 
FinderWolf
20:28 / 20.06.06
I sure did love the Rex Mantooth one-shot (or single issue of a multi-part story) that I picked up a few years back by Fraction, drawn by Andy Kuhn. That was some fine and very fun comics.
 
 
Yotsuba & Benjamin!
23:45 / 21.06.06
This was the perfect end to Comics' Finest Day. I was really not expecting this to be so fresh, so inventive, so tremendously great.

This thing comes out every month? Pinch me.
 
 
H3ct0r L1m4
01:37 / 22.06.06
yep, it's monthly, "but" they'll go the FELL route and put out 16 pages instead of the 28 from this first chapter. the solicitation info for #04 is up at CBR.
 
 
DaveBCooper
13:27 / 23.06.06
Picked this up last night, and it looks fun - the artwork puts me in mind of Eduardo Risso, in a way. Anyway, didn’t read it, but Fraction’s backpiece of text made me smile – he refers to discussing pacing etc with Warren Ellis, and how in a 16 page comic one couldn’t spend several pages on ‘manga pacing’ showing a character slowly pulling a sword from its sheath. As opposed to, say, five pages in a 22-page comic showing a character lighting a cigarette, eh ?

Sorry, but I’m just bitter, as I found the whole decompressed thing a bit of a scam; whilst it’s great to see that the pendulum’s starting to swing the other way, I can’t resist a bit of infantile ‘told you so’ behaviour…
 
 
Essential Dazzler
18:44 / 25.06.06
To be fair, Ellis does extremely well in his 16 pager.

Have to echo the perfect end to a perfect day sentiment, I giggled my way all the way through this. I luvluvluv the interchangeable meanings of W.A.S.T.E., and Casanova's uncaring, opportunistic, badness. I was already satisfied by page 16 of this, so it bodes well for the future.

Hopefully this'll see a quicker rate of release than Fell.
 
 
DaveBCooper
08:02 / 26.06.06
Agree wholeheartedly, Fell is a good little read. Just a bit wary of one of the inventors of paddi- er, I mean ‘decompression’ – being praised too highly for leading us away from it. Density’s better value for money, if nothing else.

And so is Casanova – I like the ‘inset’ panels with the characters’ opinions on things or situations; rather reminds me of those bits you get in old issues of Superman, or in Julius-Schwartz edited comics where they have a panel explaining the science bit in a JLA story or whatever. And I like the art.

Good fun, and a far from speedy read, which made it even better.
 
 
Janean Patience
20:46 / 26.06.06
Liked bits of this, but hardly blown away which I think was the creators' intention. The talking-heads panels are nice, the narrator's voice is the right pitch of disinterested, but the plot and background's been done to death. Robot love-dolls? Alternate selves crossing realities? A mental face-off for a nightclub's entertainment? Even if I've not seen them before - and to be honest, while typing that last one I realised I probably hadn't - they don't feel new.

It's a shame because the art's lovely, tricks like the funeral full of empty speech balloons work a treat, and the WASTE stuff's fun. It's trying so hard to be radical, though, that it doesn't realise how much old ground it's going over.
 
 
Switchblade Honey
07:34 / 27.06.06
Liked bits of this, but hardly blown away which I think was the creators' intention. The talking-heads panels are nice, the narrator's voice is the right pitch of disinterested, but the plot and background's been done to death.

Sure, the elements are familiar, but isn't Fraction consciously dealing in pulp here?

I didn't get the references upthread to Jerry Cornelius, but he's a secret agent character invented by Michael Moorcock, who apparently used him in multiple unrelated stories (which, in a rare piece of felicitous prose, Wikipedia describes as having a more "metafictional than causal relationship to one another"). He also encouraged other authors to use the character.

Fraction seems to be incorporating this idea of using the same characters to tell different, contradictory stories into a single work - hence the "alternate timelines" set-up of Casanova.

"One of the many same-but-different parts of life in a new timeline. A new universe, even. Newer, anyway... Not all of it makes sense -- there are contradictions, omissions..." etc.

The pulp trappings of robot women, superspies working for organisations with silly names, and so on, presumably reflect the world of Jerry Cornelius.

I enjoyed the first issue, but I think Casanova is a little too knowing. "I feel like I should say something important here. Or interesting at least. Maybe something cool or just nihilistic... I got nothing." "You talk like a comic book."

If you're going to play metafictional games with pulp archetypes, you have to take them seriously, or at least pretend to. Otherwise the danger is that you are just wallowing in pulp; of course, maybe that's all Fraction intends to do - in which case, the best defence against the accusation of over-familiarity is that he puts together the pulp elements neatly, and with a great sense of the absurd.

I didn't like the two "talking heads" panels, where characters step out of the story and talk "to camera".

On a simple technical level, they confused me for a second because it wasn't clearly flagged that it's not Casanova speaking. I also thought they sat uneasily with the book as a whole. Dan Clowes is a master of using "talking heads" panels to give more insight into characters, or into how they are seen by those around them - but the world of Casanova is populated by "types" rather than real characters, so they can't tell us anything that we don't already expect.
 
 
Switchblade Honey
07:52 / 27.06.06
"I sure did love the Rex Mantooth one-shot (or single issue of a multi-part story) that I picked up a few years back by Fraction, drawn by Andy Kuhn. That was some fine and very fun comics."

Just in case you're not aware of this: there's a collected Annotated Mantooth (with commentary on facing pages) which is the only other work by Fraction that I have read. It's very silly, not as polished as Casanova, and I'm not sure such lightweight stuff really needs the annotations - but fun.
 
 
H3ct0r L1m4
10:10 / 27.06.06
it's a riff on DVD commentary tracks, surely?

The pulp trappings of robot women, superspies working for organisations with silly names, and so on, presumably reflect the world of Jerry Cornelius.

more specifically, paralell dimension-hopping superspies with twin sisters or strong female counterparts; something we've seen in the likes of LUTHER ARKWRIGHT and INVISIBLES as well [not to mention the proto-Morrison GIDEON STARGRAVE]...

will finally get to read CASS today, so may have more to comment on later.
 
 
Switchblade Honey
11:33 / 27.06.06
Yeah, the annotations are supposed to be tongue-in-cheek, but don't really add much.
 
 
H3ct0r L1m4
11:30 / 28.06.06
reposting [and slightly tweaked] from what I sent Matt at his Image board:

finally got to read it. pacing was great, made me laugh at a couple of moments. those guys did it for me, didn't they? it's a comic made for my brain and heart, gotta be. like the afternoon cartoon that never was, or one you saw once or twice but left you with enough damage to scar your mind forever, living in the back of your most vivid memories.

I was rereading Grant Morrison's interview at Ellis' COME IN ALONE collecting and he mentions [ok, in 2000] missing comics with what he calls "the sex". CASANOVA would be porn, then... hopefully he'll read it sometime.

oh, those greens. I mentioned purple [was better] but where was I then? they're great as they are, bless Bá - he outdid himself here. this is the kind of story I think he was always going to shine in. oh, did he have any input in Cass' internal monologue? sometimes it sounded like something almost straight out of DE:TALES. you're probably more in the same page than any can imagine.

a lot has been said about the "Wall of Sound" effect and it worked almost perfectly for me. keeping things in that analogy, I kinda missed a stronger chorus, you know? like there was so much Sound layers in the Wall that there was no room for a single moment to shine on its own.

I caught a lot of verse looping, building to the chorus that I only mildly saw at the very last page - which is great in itself, but a lot of other moments could be that thing [like the funeral].

the last take was a great payoff, like those scenes that leave you breathless just before the title credits of your favourite TV show running up. but falling from the cassinOVNI while shooting and phasing through dimensions WAS just it. that first teaser image as your quasi-credits page, summing up what CASS is as a character and book.

anyway, sorry if I anal-ysed it to the point of oblivion. it's awfull to "judge" something by what it's not, it's just how my stupid mind breaks thinks apart sometimes. it was a deep read and I dove right in. back to what it is or may be, not what it isn't:

more characters like the robot girl, Fabula, Night Nurse and Xeno, please. my stupid gut feeling tells me he one day those loose bandages will fall to reveal another Cass [older? disfigured? future son]; that'd be a good reason for collecting interdimensional doubles. fanboy speculation here. edit to add: that's it, Xeno is my favourite character, hands down. me wants the secret origin.

I love how Cass is so at ease with his new reality, no matter the first impressions left him completely lost. hey, funny that reviewer [from the Comics Should Be Good blog, if I recall] who complained about the boobs is OK with the suggestion of the - not to spoil anything - unorthodox nature of Cass possible relation with one of the female characters.

hey, #02 is too far ahead.
 
 
_Boboss
08:46 / 03.07.06
this was fun enough and everything (yeah, a week late to the party, whatever), but there was a 'have my shit and eat it with a grin' feeling about the whole affair that made me pause. 'slike, diabolik, bond, cornelius, fantomas - these are nasty characters, out of place and out of their minds, horribly shucking fit up for various reasons, most of which, i hate to say, are a bit more interesting than 'my dad's the boss of the world so i'm a bit of a rebel'. what you've got for a lead is a mouthy little boy who's being oh so naughty to piss off pops, and it doesn't really provide enough meat to hang the 'super suave super sexy super thief' thing off. if they'd made the hero a bit more troubled or just a bit less willing to make with the smuggy smuggy jokes it would have carried the book a lot further.

i mean, i'll get the next couple issues, i do very much like this new format image are using and fervently hope it can be sustained, but this comic needs to find some real balls to play with rather than the plastic ping pong ones it was knockng about in this first issue.
 
 
Hallo, Paper Spaceboy
00:54 / 21.07.06
Feels a bit like Nextwave only not quite as subversive. Has it's ups and downs. I picked it up today, finally, finding a copy to read. I was also rather troubled by the "general secret agent parody misogyny" thing - reality being rewritten as a Painted Harlot or whatever the line was, all of that. Robotgirls were good, but it felt - enh. I have to agree: this comic needs to find itself, and fast, otherwise I just won't be interested much longer. The art is pretty, the font choice for the logo remains killer, and there's sooo much potential, it just needs to figure out what makes it special, what delineates it from the rest of the pack, and why we should care. It needs some balls and it needs a clit, fast...
 
 
diz
08:27 / 25.07.06
"The last comic I read, there was a lot of rape and crying. Kinda harshed my boner for fun, you know?"

- Casanova Quinn, Casanova #2

I love this book. So so so much.
 
 
Cowboy Scientist
00:01 / 14.08.06
Okay, so, 2 is out by now and casanova has become one of my favourite monthly titles. Loved the orgone-powered town, and the guy that confuses reality with his own autobiographical-but-glamed-up comic.
Fun, your name is Casanova.
 
 
Hallo, Paper Spaceboy
04:30 / 17.08.06
Picked up #2 today - finally, I think it must not be doing too well around here or it's doing too well, I keep having trouble finding it - and I have to say I enjoyed it but the pacing felt a little off, felt like a mess at times even though it's a fairly simple a-b-c style of plotting. I love the feel of the thing, though, and I love that Casanova keeps ending up in these ridiculous psychic combat scenarios with the creepy spider brain games...the Barbarella connection makes me want to find the old Barbarella strips...
 
 
Twig the Wonder Kid
09:58 / 05.09.06

I'm a late comer to Casanova but I think no1 is one of the finest first issues I have read in along time. The art has this really cool 60s sexiness + 70s craziness, and is the closest thing to Richard Case Doom Patrol you're likely to get in these widescreen times (The Zemo/Rebis comparison is unescapable).

The plot reads like a hyper-evolved Tharg Future Shock - heaping on more and more weirdness with every twist while still remaining complete and coherent. A wonderful bit of writing from a fresh talent.

We're never going to get the Mr Six solo series we want so we should probably make the most of this one.
 
 
Hallo, Paper Spaceboy
13:46 / 05.09.06
He does look rather Sixish, once he gives into the Gothic Hobo.
 
 
H3ct0r L1m4
22:38 / 05.09.06
to me it's more of a neo-Gideon Stargrave [the sister and all] with the looks of a young Mick Jagger...


here's the cover to #7 [linked as it's a big pic]
 
 
Hallo, Paper Spaceboy
01:52 / 06.09.06
Those covers...gads! Even if you ignore the comic inside, each one's this brilliant little popgasm. Love the the Warholish Pop-Gustav-Klimt still to this day.

Would be cool, however, if he was grasping Zephyr's leg, or Zeno's, on account of his status in WASTE.
 
 
H3ct0r L1m4
23:22 / 13.09.06
Wizard has the preview pages for #4

and it looks gooood.
 
 
Tuna Ghost: Pratt knot hero
07:25 / 25.09.06
I agree with just about everything said, even the stuff that contradicts the other stuff, but what I get behind the most is this:

I have to agree: this comic needs to find itself, and fast, otherwise I just won't be interested much longer. The art is pretty, the font choice for the logo remains killer, and there's sooo much potential, it just needs to figure out what makes it special, what delineates it from the rest of the pack, and why we should care. It needs some balls and it needs a clit, fast...

...except for the fast bit. I won't lie, I'm planning on staying with this for a little bit. I like it a lot but the last couple issues leave me thinking that it could be so much better. There's good ideas here and there, so why aren't I more impressed? I want this book to impress me. Impress me, goddammit!
 
 
Hallo, Paper Spaceboy
16:24 / 19.10.06
#5 impressed me, a lot. Casanova starts to show some real depth.

What the hell? When did #4 come out? Why can't I find a copy of it? I've been watching for it every week because I can't seem to find a credible publication schedule, but jeez!

Anyone feel like talking about this?
 
 
makingbombs
01:19 / 20.10.06
Yeah, I agree that something seemed to click further with #5. It says in the back that it was the first issue written after seeing the complete package of art and all for the first issues... I think I'm enjoying them more as I slow down my reading each time, too.

If anyone's interested, I just interviewed Matt about Casanova's use of popular culture over here. There's profanity and everything.
 
 
Hallo, Paper Spaceboy
01:27 / 20.10.06
I'll check out the interview after work.

Possibly it has something to do with Fraction and Ba being more in tune with each other and the script being designed for Ba in particular. Once the working relationship is established...

Plus, I like said, I think *Cass* himself develops some depth in #5 beyond what we've seen in the past; his relationship with his mother (keep in mind I haven't read #4) seems to be a touchstone for his characterization, and I think his interactions with the Coldheart "savages" (remixed King Kong, or Tyroc's Brigadoon-like island of Marzal) show us a man finally beginning to connect with his surroundings. Possibly the point is he's been alienated because he's not actually *from* Timeline 919, but now he's starting to stop thinking about it in terms of that?

More tonight when I have the comics in front of me and I can tap into my Ur-Mind...
 
  

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